highlike

KIM JOON

韩国艺术家
김 준 예술가
КИМ ДЖУН

fragile mermaid

KIM JOON 89

source: sublimacjeblogspot

“Kim Joon uses the technique of “skinning” against perfected illusion and toward an erotic but uncanny dislocation. In doing so the artist undermines the value of conformity in both embodiment and consumption. These bodies are not sealed packages, they are uneven surfaces reflecting our conflicted self-creation—in the artist’s words, “multi-layered composites of desire and will, emotion and action, pain and pleasure of self and other… a complex system of complicit activities”
.
.
.
.
.
.
.
.
source: sundaramtagore

Kim Joon, one of Korea’s most notable young contemporary artists, creates digital prints exploring themes of desire, memory and youth using porcelain and tattoos as his digital mediums. He fabricates compositions out of tableware, fragments of idealized nudes, and icons of Western pop culture, including guitars, cars and guns. A master of the computer software 3D Studio Max, Kim successfully juxtaposes old and new, traditional Asian motifs and new media

Kim Joon’s works have been exhibited at the Saatchi Gallery, London (where his work was featured on the cover of the book Korean Eye: Contemporary Korean Art, which accompanied the exhibition); Total Museum, Seoul, Korea; The National Museum of Contemporary Art, Kwachon, Korea; and the National Taiwan Museum.