Tokujin Yoshioka
吉冈德仁
吉岡徳仁
Crystallize
source: antidepresivonet
El artista japonésTokujin Yoshiokaes el autor de estas hermosas esculturas hechas de cristal con las cuales arma la exposición titulada Crystalize.
En ésta incluye piezas que van desde rosas, pinturas y hasta un tornado, todos compuestos de finos hilos y trozos de cristal, que asemejan en apariencia a campos nevados y fríos.
Una de sus piezas más interesantes son las que se presentan como ‘pinturas de cristal’ las cuales creó a partir de las vibraciones que producía El Lago de los Cisnes de Tchaikovsky sobre los cristales.
Las siete obras que componen esta exhibición, estarán abiertas al público hasta el 19 de enero del 2014 en el Museo de Arte Contemporánea de Tokio.
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source: mrartcn
我们现在不知道该如何称呼tokujin yoshioka(吉冈德仁),因为他已经成功将自己从设计师的身份转换成艺术家。
吉冈最大型的个展‘tokujin yoshioka_crystallize’ 目前在东京当代艺术博物馆举办,呈现了一组记录他创作探索历程的反射和结晶艺术作品。
知名的 ‘rainbow church’ 在展览主厅。这个12米高的塔形装置由500个水晶反射体组成,将自然光线转化成七彩的彩虹般光谱,在展厅内部呈现美妙的光晕。
在吉冈作为艺术家的生涯中,他总在作品中大量使用白色和透明材质,因为“白色在东方世界意味着精神、空间和思考”。例如,把水晶搁置在盛满水的浴缸里,通过漫长的浇灌、塑型,最终形成艺术作品,即作品一半由他自己完成,另外一半留给自然和时间。
Tokujin Yoshioka,这是一位专注于以新型材料和光为手段创作作品的日本艺术家,1967年出生于日本佐贺县,是现在最受注目的日本艺术家之一,被看作是十九世纪战后工业日本时代艺术与工艺美术运动之复兴的代表人物。
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source: stylepark
Born in Japan in 1967 and the winner of a large number of awards, with pieces on display at the MoMA and the Cooper Hewitt in New York, the Victoria & Albert in London and the Vitra Design Museum. Tokujin Yoshioka trained along with Shiro Kuramata and Issey Miyake, opened his own studio in 2000, and has worked with Japanese and international companies such as Hermès, Toyota, BMW and Swarovski, designing showrooms and installations. As a result of the success of the Honey-pop paper chair in 2001, he began establishing increasingly close links with the world of interior design, developing projects for Driade, Moroso and Kartell, amongst others. The signature feature of his creations is their poetic, light, dreamlike quality; his products, interiors and installations are the result of painstaking, complex research carried out on simple materials, combined with experimental technology. The awards he has received include Design Miami, Designer of the Year 2007, the Wallpaper Design Awards 2008 and Elle Decoration International Design Award, Designer of the Year 2009.
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source: inhalemag
When he was younger, Tokujin Yoshioka wanted to bring a cloud from the skies above down to earth. His current fascination with natural processes and organic structures go to show that this desire never went away. Aptly titled ‘‘Crystallize’’, his latest solo exhibition at the MOT / Museum for Contemporary Art in Tokyo, Japan, includes sculptures and larger installations which expose the otherwise unseen, delicate morphogenetic processes found in natural processes such as crystal formation, and the way prisms and spaces interact with light.
This exhibition is the first opportunity to present a comprehensive view of his world, including new work, large-scale installations and other work that have never been exhibited in Japan.
It will be a vital opportunity to consider the creation of our next generation by sharing the scene that he “crystallizes (= gives a form to)” and exploring his definition of the relationship between nature and human-beings.
As new works for this exhibition, he will present the crystallized paintings drawn by the vibration of music “Swan Lake” and the seven-stranded chair “Spider’ s Thread”. Also, there will be 12 meters high architecture built of prisms “Rainbow Church” as the climax of the exhibition at the very large Atrium and other 30 pieces such as a sculpture of a crystallized flower “ROSE”. This will be the largest solo exhibition for Tokujin Yoshioka who has been exploring the new approach to art at all times, and has brought the sensation to the world with astonishing conception and revolutionary expression.
Tokujin Yoshioka‘s works, which transcend the boundaries of product design, architecture, and exhibition installation, are highly evaluated also as art. His portfolio includes the paper chair “Honey-pop”, “PANE chair”, “VENUS – Natural crystal chair”, Swarovski Crystal Palace “STARDUST” “Stellar”, YAMAGIWA’s lighting “TōFU” “Tear Drop”, and “MEDIA SKIN” “X-RAY” for a design project.”Water Block”, a representative work of optical glass projects started since 2002, is permanently exhibited in Musée d’Orsay, Paris.As some of the other important works, he designed the SWAROVSKI’s flagship store in Ginza and a number of boutiques for ISSEY MIYAKE. He has collaborated with various leading companies such as Hermès, BMW, MOROSO, TOYOTA, LEXUS. He also directed exhibition such as “Second Nature” at 21_21 DESIGN SIGHT in 2008, and Cartier’s special exhibition “Story of . . .” – Memories of Cartier creations (2009), and “Cartier Time Art” (2011).
Many of his works are displayed as a part of permanent collections in the world’s well-known museums including Museum of Modern Art (MoMA) in New York, Centre National d’Art et de Culture Georges Pompidou, Victoria and Albert Museum, Cooper Hewitt National Design Museum and Vitra Design Museum.
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source: vk
Проект «Crystallized» японского художника Токуджи на Йошиоки (Tokujin Yoshioka) создан с целью изучения взаимосвязи между человеческим восприятием и фундаментальными естественными законами, попытавшись при этом сформировать новый, поражающий воображение зрителя «портрет» природы. Проект состоит из множества «кристаллических» арт-объектов и инсталляций, которые превращают пространство выставочных павильонов в сказочный хрустальный лабиринт. При помощи интересного процесса выращивания или, как выражается Йошиока, «вытягивания» кристаллов, создаются абстрактные композиции, чем-то напоминающие природные образования изо льда.