西京人

source: spencerart

The Xijing Men hail, conceptually, from the fictitious city of Xijing, an imagined political entity in East Asia. The term Xijing is composed of Chinese characters meaning “western capital” (the city’s name would be saikyō in Japanese and suhkyung in Korean). The word play has roots in the names of real cities: Beijing (“northern capital”), Nanjing (“southern capital”), and Tokyo, known in Chinese as Donjing (“eastern capital”). Since forming in 2006, the Xijing Men have staged scenarios drawing heavily on absurdity, satire, sarcasm, and humor. Tsuyoshi Ozawa (Japan) and Chen Shaoxiong (China) originally began communicating via a visual correspondence meant to bridge the linguistic and geographic divide between their two countries; this was at a low point in China-Japan relations characterized by anti-Japanese demonstrations in China. When the two were invited to participate in Mori Art Museum’s All About Laughter: Humor in Contemporary Art, they displayed their work alongside that of Gimhongsok (Korea). Noticing a resonance between their work and Gimhongsok’s, they asked him to join them in forming a collaboration spanning three Asian states.

The collaboration, as the artists have envisioned it, will consist of five chapters, four of which have been completed: (1) Do You Know Xijing? (2) This is Xijing (3) Welcome to Xijing (4) I Love Xijing. The fifth chapter, Goodbye Xijing, will eventually conclude their project.

These chapters establish the history, mythology and cultural identity of Xijing. At the same time, by attributing these qualities to a non-existent political entity, the Xijing Men poke holes in these very concepts, deflating their power. Meanwhile, mock cultural events have provided opportunities for antic-driven commentary, always referencing specific geopolitical spectacles. Notably, an Olympics spectacle hosted by the fictitious city of Xijing in 2008 (competitions included sleep marathons and cigarette-smoking relays) restored a sense of levity and play— markedly absent from the actual Olympics, which took place in Beijing at the same time—to the sports arena.

The Xijing Men have exhibited their work at museums and international exhibitions throughout Asia and Europe, including: Gwangju Biennale 2012, Bevilacqua La Masa Foundation in Venice 2011, the 1st Aichi Triennial 2010, Media City Seoul 2010, the 10th Lyon Biennale 2009, the 4th Fukuoka Asian Art Triennale 2009, Tate Liverpool 2009, 3rd Nanjing Triennial 2008, and Platform Seoul 2008.