The Mind
The Japanese graphic designer, illustrator, and printmaker Kazumasa Nagai (b. April 20, 1929) began his career in abstraction — in masterpieces of graphic design exploring the discoveries and advances in physics and chemistry that scintillated — and sometimes terrified — the popular imagination in the 1960 and 1970s. Three of his works appeared on the cover of LIFE magazine’s Science Library series.

“Movrin’s main inspiration has always been his childhood, where tradition, God and meat were the subject of everyday life. As an only son of a butcher in a small Slovenian town, surrounded by woods and bears, his growing up marked him with a roughness that he transcends in his designs with a special kind of romanticism. In this hard provincial life meat became his medium of expression, as a child he would carve steaks in a way that would appeal to his bewildered eye. There were, however, also fresh issues of Vogue magazines in the house, brought from trips to Trieste, that stirred up his imagination.” Black Sheep

mode:Niko Riam

Daniel Sannwald is a German photographer born in 1979. He has done editorials for Dazed & Confused magazine and has become a well-known name in the fashion industry. He works on his images using various tecniques to create his artistic style photos. He says ‘people’ are the source of his inspiration, “I met so many people in my life not just in my career that inspired me a lot. Some people which fascinated me by the things they had to say, others by the way they live and approach life, others for what they do. I can’t give a special importance to one of them”.

Рене Лалу
Moebius
Time Masters
Time Masters (Les Maitres du Temps) is a dazzling animated space epic from the director of the cult classic “Fantastic Planet” and the celebrated graphic artist Moebius, best known for his work on Heavy Metal magazine. Jaffar, a hero for hire, finds himself on the adventure of a lifetime as he races across the galaxy to save a young boy from a menacing evil. Can he stop the heartless Masters of Time from turning back the clock and stealing his home planet?

KIBLIND MAGAZINE
gif
Stephen’s original use of the GIF format mixes illustration, comics and animation, with no order of preference. His animated comics “Lycéennes” (“schoolgirls”) started to turn heads in 2011 (featured in Vice, Wired, cartoonbrew…)
His compositions include opulent palettes, where sci-fi meets fashion and lifestyle, on a sometimes vulgar, sometimes grandiose mode.

مايكل وولف
זאב מיכאל
Микаэль Вольф
Real Fake Art
The focus of the german photographer michael wolf’s work is life in mega cities. Many of his projects document the architecture and the vernacular culture of metropolises[…] He moved to Hong Kong in 1994 where he worked for 8 years as contract photographer for Stern magazine. Since 2001, Wolf has been focusing on his own projects, many of which have been published as books.

マイケル·ヨハンソン
Майкл Йоханссон
The Move Overseas

Created by contemporary Swedish artist Michael Johansson, these “real life Tetris” installations see other people’s unwanted objects methodically and painstakingly packed together into neat, colour co-ordinated blocks. Inspired by real life coincidences, such as two people passing each other dressed in the same outfits, Johansson has been constructing the sculptures since 2007, installing them in public areas like tight alleyways and strangely shaped doorways as well as showing them at group and solo exhibitions all over the world. Speaking to PINCH magazine, Johansson said:

“These irregularities, or coincidences, are a great source of inspiration for me. I have also as long as I can remember been fascinated by flea markets. And in specific a fascination by walking around to find doubles of seemingly unique, though often useless objects I have already purchased at another flea market. There is something irresistible in the knowledge that if you don’t buy that particular object right away, the opportunity might never come back. I think the same rules compelling me to select things at flea markets are also central to my art practice, that you need to combine something very familiar with something very unique to create an interesting art experience.”
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