Hugo Arcier

Ghost City
The installation Ghost City is built around a reinterpretation of the set of the famous game GTA V. The spectator is plunged into an environment without any population that disappears as we move closer. It is a meditative and captivating experience. The focus is put on architectural and graphic elements. This virtual universe solicits both the present (the experience of the artwork) and the memory. The disappearance, before our eyes, of this virtual universe feeds the terror that one day all our digital life – ephemeral cloud.

João Martinho Moura

WIDE/SIDE
WIDE/SIDE is an interactive installation in which shapes, images, and sounds are joined and interdependent. A visually engaging block, captivating in its monochromatic conception and minimalist lines, serves as a projection screen and teems with conglomerations of lines and shapes. As a result the installation is always changing and acquiring countless different forms.
The individual forms of the projections in reality are based on the surrounding environment, responding to the movements and gestures of the viewers. Visitors and passersby therefore themselves become part of the work and define its appearance.

GEORGE REDHAWK

جورج ريدهاوك
乔治·红鹰

file festival
Native American GIF artist George Redhawk aka DarkAngel0ne, who is blind, uses them to “see” art. With the help of visual aides and using photo manipulation software designed for the visually impaired, Redhawk creates eerily captivating versions of his favorite paintings and photographs.

Onformative

True/False
True/False is a kinetic sculpture composed of arrays of circular black metal segments set in mechanical columns. Interlocking and rotating around fluorescent light tubes, the cylinders cover or expose the light to display an endless number of patterns. The transformation of the sculpture is based on the shifting elements and their correlation to each other. As the segments do not move independently, for any of the cylinders on a column to change, the segments affected must work in unison to achieve the command. Reminiscent of devices originally used for calculations, such as Turing machines, the sound originates from the mechanical movement of the moving parts thus making the algorithm audible. The rhythm of »true/false« is captivating as variations in the visual choreography result in distinctive changes in its soundscape. Through the generation of algorithmic patterns and the repetition of endless tasks, »true/false« transforms itself into something more than the sum of its elements to reveal the beauty hidden within a basic algorithm.

ROBERT WILSON

بوب ويلسون
鲍伯·威尔逊
בוב וילסון
ロバート·ウィルソン
밥 윌슨
БОБ УИЛСОН
Peter Pan

All in all, Robert Wilson’s Peter Pan is in itself a great adventure. Although it starts slowly and affectedly, it by and by offers the most stunning images and captivating performances, which are filled with plenty of mystery and possess emotional depth, letting us reflect upon our childhoods – all the varied ones each one of us had and has.

diller scofidio + renfro

musings on a glass box
‘Musings on a glass box’ occupies the entire ground floor of the jean nouvel-designed building, generating an immersive and captivating environment split between two adjacent gallery spaces. In the first volume, a fabricated leak in the ceiling generates single droplets of water, which then fall from 12 specified points in the structure’s roof. Each drip is then caught below in a red robotic bucket that moves in synchronization with the falling water. At the same time, an enormous LED screen hung within the neighboring gallery invites visitors to view nouvel’s ceiling from the perspective of the bucket, projecting a wavy and distorted image.

Wyss Institute, SEAS & Boston University

Microfluidic Origami for Reconfigurable Pneumatic/Hydraulic (MORPH)
Looking to create a robot smaller than a centimeter that might someday perform precision surgery or help destroy tumors, researchers from Harvard University’s Wyss Institute and School of Engineering and Applied Sciences (SEAS), and Boston University looked to nature for inspiration, and developed a novel microfabrication technique to construct it. Their tiny robot looks like a rubbery, transparent spider — and in fact, the team modeled the form after Australia’s famously colorful and captivating peacock spider.

Omar Victor Diop

The Studio of Vanities

Oumy Ndour – Journalist, TV Anchor, Movie Director

The result is a collection of individual portraits, striking and captivating in their charm. Diop carefully chooses backgrounds and patterns to strengthen the subject’s personality and cultural references. Therefore, the colour of kenté fabric flawlessly matches the outfit of casually posing fashion designer, Selly Raby Kane. The clothes of artist Mame-Diarra Niang and model Aminata Faye fuse with an African background pattern. Using this particular approach, Diop becomes part of a tradition of African studio photography epitomized by the likes of Malick Sidibé and Seydou Keïta. He honours their pioneering work in his own creations, making use of contemporary techniques. Instead of merely creating striking images of an attractive young generation, Diop defines the images during the portraiture process, ensuring that decisions regarding pose, background and props are taken together with the subject. This makes it possible for Diop to come closer to the essence of the portrayed individual, and therefore do justice to the multiplicity and energy of Dakar’s contemporary cultural scene.

WIN VANDEKEYBUS & ULTIMA VEZ

SPIEGEL
‘I like to challenge my obsessions by imposing new rules on them,’ he says. The easy way is never an option: ‘I like things difficult, so as to be able to enjoy it afterwards and to be able to say that it was all worthwhile.’
Which is why, after 25 years of Ultima Vez, Vandekeybus still loves creating performances. ‘Sometimes I can’t face the start of the process. There’s always that stress and sleepless nights with five ideas running around in my head at the same time, but then the production’s own world takes shape and it instantly becomes captivating and fun again.’

formento & formento

Japan Diaries
“As outside observers, the Formentos’ stylized images explore the dichotomies that embody modern Japan- blurring the aesthetics between tradition and the ultra modern, fantasy and reality. The captivating tableaus exude a sense of tension, melancholy, and a quiet unease. Each image from Japan Diaries exists as if it were a still taken from a Japanese film noir, each solitary figure yearning for something unknown.”

Jeff Shore and Jon Fisher

Cliff Hanger

Jeff Shore and Jon Fisher started their collaborative practice in 2002. Trained as a visual artist, Jeff Shore develops the visible sculptures and mechanisms, while Jon Fisher builds the electronics, writes the software, and creates the original soundtracks; for this he uses both digital and analog audio sources. The result of their collaboration is a series of kinetic devices and installations that generate live animated video and musical compositions. Similar to cinema storytelling, the movement in the pieces relate to the accompanying soundtrack or animation, and similar to a theater of automata, the pieces create precise and captivating sequential events. Bridging high and low-tech devices and instruments, the collaborative team creates mechanically activated moments of wonder, explores the relationship between automatism and chance, and comments on the impact of technology interfaces in our lives.

riaad algarei

riaad algarei

رياض الجرعي

Narrow canyon near Petra, Jordan

Photographer Riaad Algarei captures alluring and captivating images from several landscapes around the world. Emphasis is put on the distinct and vibrant