iris van herpen

sensory seas
runway LOOK 08

“The first threads of inspiration came from the Spanish neuroanatomist Ramón y Cajal. He wanted to uncover something that no one had yet understood.
Sensory seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. The collection consists 21 silhouettes that illustrate a portrait of liquid labyrinths, where dresses spill onto the floor in elegant train and pigments gather in cloudedpools of blues and lilac, leaking into one another like marble.” Joanna Klein

Peter Jones

colourscape
Colourscape is a large labyrinth of colour and light. It’s a sculpture of pure colour that the public actually go inside. Everyone puts on a coloured cape to become part of the colour experience and enters into a new world where one can freely explore the potentials of light, colour and space. There’s also music, dance and theatre taking place inside. Originally created by artist Peter Jones in the early 70s, Colourscape is a walk-in structure of nearly 100 interlinked chambers.
video

Luzinterruptus

Labyrinth of Plastic Waste

CHRISTOPH HAAG, MARTIN RUMORI, FRANZISKA WINDISCH AND LUDWIG ZELLER

open circuit
file festival

Open circuit is a sound installation by Christoph Haag, Martin Rumori, Franziska Windisch and Ludwig Zeller. The team created the project while studying at the Academy of Media Arts Cologne. Open circuit consists of a labyrinth of open copper trails that cover the floor and walls of the installation space. These trails carry the electrical signals of a multichannel sound repository which become audible when wireless speakers are placed on the copper. The sound emitted by the speakers alters depending on how they are moved.

Robert Morris

Glass Labyrinth

MOTOI YAMAMOTO

labyrinth
Japanese Artist Motoi Yamamoto’s incredible, labyrinthine installations are the result of 45 hours of meticulously piled grains of salt, strewn inside a medieval castle in the South of France.

video

DOUG AITKEN

ダグエイケン
道格·艾特肯
altered earth
Aitken’s focus is the Camargue region of southern France, where he’s spent months capturing the reedy lagoons, splendid fauna and empty panoramas of a geography that’s been settled since Roman times yet scarcely developed since. The snippets of life are werer shown as ’Altered Earth: Arles, city of moving images’, an exhibition at the Parc des Ateliers in historic Arles. In the park’s hangar-like Grande Halle, Aitken’s enormous cinematic screens create what he calls ’an almost holographic view of the physical landscape’. They dangle from the vaulted ceiling like fantastical backdrops in a Hollywood sound studio, drawing the viewer into the landscape. He calls the effect ’liquid architecture’, though it’s unclear whether he’s referring to the venue, which seems to melt away in the background, or the labyrinthine arrangement of screens, which guide visitors like the current of a winding stream.

RAYMOND QUENEAU

雷蒙格诺
レイモン·クノー
רמונד קנה
Раймонд Кено
OULIPO
Cent mille Milliards de poèmes
Since its arrival (the Oulipo), the rules of the group were set out as follows: “We define potential literature as the search for new forms and structures that can be used by writers in the way they will most like.” “Potential” refers to something that exists in power in literature, that is, that is found within language and that has not necessarily been explored. The favorite tool for study and production is the contrainte, an arbitrary formal restriction that can create new procedures, new forms and literary structures that can generate poems, novels, texts. Over the years, dozens of different contraintes have been explored, from those somehow related to the riddle, such as the palindrome, the acrostic, the lipogram, of which the playful aspect has certainly not been underestimated, with forms more directly related to the codes of exact sciences, such as combinatorial calculus, set theory or graph theory. Among the numerous definitions of the Oulipo provided by the members themselves, one is very elegant and significant: “An Oulipiano is a mouse that builds the labyrinth from which it is proposed to come out later”. Queneau often explained that some of his works might seem simple pastimes, simple jeux d’esprit (mind games), but he remembered that topology or number theory also arose, at least in part, from what was once called “funny mathematics“.

JEONGMOON CHOI

Labyrinth

William Forsythe

ויליאם פורסיית
ウィリアム·フォーサイス
威廉‧科西
윌리엄 포사이드
УИЛЬЯМ ФОРСАЙТ
Swinging Pendulum

Suspended from automated grids, more than 400 pendulums are activated to initiate a sweeping 15 part counterpoint of tempi, spacial juxtaposition and gradients of centrifugal force which offers the spectator a constantly morphing labyrinth of significant complexity. The spectators
are free to attempt a navigation this statistically unpredictable environment, but are requested to avoid coming in contact with any of the swinging pendulums. This task, which automatically initiates and alerts the spectators innate predictive faculties, produces a lively choreography of manifold and intricate avoidance strategies.

MOTOI YAMAMOTO

Labyrinth

PHILIP GLASS

فيليب الزجاج
菲利普·格拉斯
פיליפ גלאס
フィリップ·グラス
필립 글래스
Филип Гласс
Labyrinth

MOTOI YAMAMATO

Labyrinth

GUY THERAULAZ AND DIRK HELBING

Pedestrian Labyrinth

CHIHARU SHIOTA

تشيهارو شيوتا
千春盐田
צ’ילהארו יוטה
치하루 시오타
塩田千春
Тихару Сиота
Labyrinth of Memory

MICHELANGELO PISTOLETTO

مايكل أنجلو بيستوليتو
米开朗基罗皮斯特莱托
מיכלאנג’לו פיסטולטו
ミケランジェロピストレット
Микеланджело Пистолетто
Le Labyrinthe