Maxim Zhestkov

Pulsar 2021
“New dimensions inside monuments. An excerpt from my art project Pulsar 2021..”⁠ Maxim Zhestkov

Le Fawnhawk

Modern Desert Magic
Petecia Le Fawnhawk is a modern surrealist whose body of work is a meditation in form as monuments juxtaposed against minimal and ethereal desert landscapes. In placing elemental shapes in a vast dreamscape, Petecia strips away the unnecessary in an attempt to reveal truth in the mysterious and magisterial.

Arcangelo Sassolino

Damnatio Memoriae

From the Latin, damnatio memoriae describes an act of erasure from the historical record reserved for
those who have brought dishonor to the Roman State. Employed as the most stringent punishment for
treason, damnatio memoriae physically razes all traces of an individual from society, typically through
the destruction a statue’s physiognomy or the abrasion of inscribed monuments. Throughout the past
two decades, Sassolino has developed a body of work that examines the relationship between industrial
machines and humanist impulses where viewers are meant to question how an sculpture’s kinetic
function aesthetically and conceptually allegorizes human experiences and cultural conditions.

Yuri Pardi

Monument collection
Pardi a présenté sa collection de monuments lors du défilé de UEL dimanche, dans le cadre de la Graduate Fashion Week organisée dans la brasserie Old Truman à Londres. Ses vêtements de laine gris sont destinés à étendre des parties du corps pour créer des formes angulaires minimales. Les volumes rigides qui dépassent à l’arrière de chaque tenue sont créés par des feuilles de mousse glissées dans des poches situées sous le vêtement.

Alex Lysakowski

Antistructure
L’artiste visuel canadien s’approprie le réel en lui donnant des aspects grandiose et grotesque. Dans sa récente série «Antistructure», Alex Lysakowski basé à Mississauga, au Canada, nous propose de découvrir des bâtiments industriels, des automobiles, mais aussi des monuments devenus invraisemblables grâce à la magie de la retouche photo. «Je crée des images avec des interactions structurelles surréalistes et étranges au sein de paysages banals. J’évite ainsi un espace de transition entre la réalité et la fiction, tout en conservant le réalisme dans l’atmosphère de l’image», indique-t-il.

MATTHEW MONAHAN

ماثيو موناهان
마태 복음 모나한
マシュー・モナハン

Matthew Monahan’s work presents a futuristic archaeology. Drawing from a wide range of influences, from Modernist art to ancient totems, Monahan’s ‘artefacts’ are both familiar and strange. Filtering historical mythologies through his own personal system of reference, altered further through the experience of making, Monahan’s work alludes to a contemporary spirituality, where beauty and brutality coalesce as virtual monuments.

LIANE LANG

ЛИАНА ЛАНГА
Her work is concerned with notions of animacy, which she investigates through sculpture, photography and video works. Many of Lang’s works examine museum objects and the biographies they attempt to narrate, modes of display and the verisimilitude of art objects, particularly figurative sculptures and political monuments.

CLEMENS BEHR

Né à Koblenz (Allemagne) en 1985, Clemens Behr parcourt le monde pour y déposer d’étranges monuments de carton, de papier et d’objets recyclés. Formé en graphisme et éduqué au graffiti, il s’inspire de l’origami comme, dans une certaine mesure, du cubisme pour composer des sculptures géométriques et éphémères. Ces constructions précaires finissent par s’approprier l’espace, intérieur comme extérieur, où Behr les installe au point de l’habiter ou de l’inviter dans une forme de dialogue tridimensionnel.

Klaus Leidorf

Scrap Tires

Photographer – Pilot – Aerial Archaeologist
Already in his childhood Klaus Leidorf enjoyed taking photographs from all kind of perspectives – that this is going to be his profession one day he would not think of yet. He studied protestant theology, but realized soon that this is not what he wants to do his whole life. So he changed the subject to pre- and early history.
After his studies he worked at the Bavarian State Office for the Preservation of Historical Monuments and after two years there was the possibility to continue the aerial archaeology for Bavaria. Therefor he got his pilot license and from the late 80ies on, his workplace is several hundred meters above ground in a Cessna 172.

YVES MARCHLAND AND ROMAIN MEFFRE

The Ruins of Detroit

“Detroit, industrial capital of the XXth Century, played a fundamental role shaping the modern world. The logic that created the city also destroyed it. Nowadays, unlike anywhere else, the city’s ruins are not isolated details in the urban environment. They have become a natural component of the landscape. Detroit presents all archetypal buildings of an American city in a state of mummification. Its splendid decaying monuments are, no less than the Pyramids of Egypt, the Coliseum of Rome, or the Acropolis in Athens, remnants of the passing of a great Empire.” Yves Marchand & Romain Meffre