highlike

Yuri Suzuki

Crowd Cloud
Keeping the human voice at its core, Crowd Cloud distils the vowels of the Japanese language, creating a unique composition that emanates from a choir of dozens of standing horns that converse with each other like people waiting for friends and relatives. Crowd cloud is designed to provide a welcoming experience in what is often a soulless public space, momentarily turning visitors into audience members as they pass by en route to the next part of their journey.

Mima

MIMA

Aniara

“Early in the beginning of the film, we are introduced to a woman (Emelie Jonsson) who works on a kind of “attraction” of the spaceship called MIMA, which, at first, is not very popular. It is a technology capable of capturing people’s emotions. and turn them into images, or rather into a kind of vivid dream in their minds. As the ship wanders aimlessly through space, while it is not yet known if it is possible to return to the correct route, days become weeks, weeks become it takes months and the demand for MIMA increases. Aniara explores very well what makes us human as a race and also the importance of having a place to call her own. What was supposed to be a simple transport, over time becomes, in fact, a kind of “mini-planet”.” Marcio Melo

Masaki Fujihata

Voices of Aliveness
This project, upon the initiative of l’Ecole des Beaux-Arts de Nantes, has been conceived as a meta-monument where are gathered video sequences recorded by a camera with GPS. People are screaming while biking in a 500 m circle in the countryside. The traces of this route can be visualized thanks to lines that form a sort of tower in the virtual space, where it can go on indefinitely. On these lines, in an order that looks more like a music score than a succession of shootings, mobile video screens simultaneously display the image of the performances.

Denise Ritter

Small World Wide
small world wide is gebaseerd op het small world fenomeen dat zegt dat iedereen in de wereld via een korte keten van directe kennissen met elkaar verbonden is. In 2013 wees geluidskunstenaar Denise Ritter 10 audiorecorders toe aan 10 startende personen, die de recorders via een aaneenschakeling van persoonlijke kennissen zouden moeten richten op het bereiken van 10 geplande bestemmingen. Die plaatsen en de tussenstappen moeten worden gedocumenteerd door middel van een geluidsopname. Dit kunnen bijvoorbeeld geluiden zijn of geluiden die kenmerkend zijn voor het dagelijks leven of de woonruimte. Maar er worden geen richtlijnen gegeven. Het is alleen toegestaan ​​om de recorder door te geven aan directe bekenden. De directe weg naar de bestemming via een vreemde of niet-verwante is niet toegestaan. Zo ontstonden 10 routes over de hele wereld, en tot op de dag van vandaag ontving de artiest meer dan 30 uur aan geluidsopnames van over de hele wereld. De geluidsopnames vertonen onverwachte globale overeenkomsten wat betreft de opnameplaatsen en -situaties die de deelnemers hebben gekozen.

Raster-Noton

White Circle
»White Circle« consists of fluorescent tubes that respond to musical impulses and illuminate the room. Five dedicated compositions by alva noto, byetone, frank bretschneider, and kangding ray playing in a continuous loop (one set takes ca. 45 minutes) model the interrelation between sound, light, and architecture in different ways. Each piece represents an independent and self-contained conceptual proposal by the respective composer. All tracks are multichannel compositions based on the idea of creating a vivid immediate experience of auditory space and visual stimuli. With acoustic material routed to twentyseven speakers placed throughout the gallery, sound itself takes on a threedimensional and indeed sculptural quality.

SPIROS HADJIDJANOS

Network Time

“Network Time consists of several wifi routers set up in an exhibition space to be freely accessed by any mobile internet device. Attached to each router is a slender fiber optic cable, aligned to absorb and magnify the incessant flicker of its traffic LED. The visualized data exchange creates a space viewers can interact with not only physically, but also informationally.” Gregor Quack

olafur eliasson

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
cirkelbroen bridge
The bridge is made of five circular platforms, and it contributes to a larger circle that will form a pedestrian route around Copenhagen Harbour, where people – cycling, running, walking – can see the city from a very different perspective. As many as 5,000 people will cross this bridge each day. I hope that these people will use Cirkelbroen as a meeting place, and that the zigzag design of the bridge will make them reduce their speed and take a break. To hesitate on our way is to engage in bodily thought. I see such introspection as an essential part of a vibrant city

highlike book

launch interactive book

FILE – Electronic Language International Festival and SESI publishing house launch the “highlike book”. This is a yearbook on global contemporary ART and CULTURE. Its first edition has 584 pages with 577 artists from 35 countries. The “highlike book” encompasses several aspects of contemporary culture, providing the user a new form of appreciation of an art book. This is a book connected to the cloud. All information, images, videos and texts, is connected to their on-line counterparts in several languages, in a hybrid book which maintains its physical aspects and the virtual simultaneity of multimedia information. Its main purpose is to provide users with a new way of access culture in a global diversified view on the contemporary creativity in its transversal and heuristic aspect, by means of technologies currently available.