Eternity Be Kind
LaTurbo Avedon performs Myriam Bleau’s music in a multiplatform audiovisual performance. Eternity Be Kind exposes the codified spaces of performance and hints at a different future for personal and musical representation. Navigating between hyper-pop, mythical symbolism and baroque hints, the artists propose a multilayered experience of collective mise en abyme.
video
The Gold Divide
“I visualized The Gold Divide as a transparent wall; a large surface representing emotion and energy. The piece was inspired by my experiences studying abroad in Amsterdam, time spent at Haystack Mountain School of Crafts and the community at Massachusetts College of Art and Design. It was a cumulation of observations and experiences—like riding my bike through the city of Boston and seeing vast construction netting wrapped around buildings. These large surfaces of material triggered my fascination for creating work at an enormous scale. I reflected on process, on how something is made, and was further intrigued by the challenge and symbolism of independently sewing four hundred yards of fabric on a single industrial sewing machine.” Leah Medin
فيكتور إثراء
ビクターはエンリッチ
ВИКТОР ЭНРИХ
The artist definitely made a strong impression on the world of visual arts with his concepts. The ideas behind all his illustrations are very strong and full of substances, and manage to grasp the attention of the public from the first second. Aside from that, he also sends other, more subtle messages, regarding his own perspective upon the world, how he deems everything as possible for those who believe and who understand the power of imagination etc. The works of Victor Enrich really are something special, and worth taking a closer look. Without further ado, we invite you to admire the results of his restless imagination, his bold symbolism and his courageous approach to life and the world around us.
ДЖЕННИС МАРКОПУЛОС
Cartoon Skull Mask
“The mask is an object worn over or in front of the face of a skull to hide the identity of it and by its own features to establish a part of a cartoon being. This essential characteristic of hiding and revealing personalities or moods is common to all masks. As cultural objects they have been used throughout the world in all periods and have been as varied in appearance as in their use and symbolism.
The wearer of the cartoon mask is considered to be in direct association with the spirit force of the mask and is consequently exposed to personal danger of being affected by it.The wearer of the cartoon mask is a skull and the person behind to the skull is not under the living persons.The ironic combination of two inappropriate items is to the stoic thinking to owe.”
Ses œuvres me semblent trop interconnectées, elles se concentrent principalement sur les thèmes du corps, son rapport avec la vie, la mort et la sexualité à l’ère numérique. Générées par ordinateur, ces sculptures numériques ont un caractère photoréaliste et surréaliste, qui selon lui est «un mélange de futurisme post-fantastique et de symbolisme abstrait». Bárbara Anjos
INFINITUM
INFINITUM is an immersive art – architectural installation presented at the Sharjah Art Museum on the occasion of the Islamic Arts Festival 2019/20, 22nd Edition. Arches are typical in Mosques’ design. […] Islamic Arches buildings are typically constructed of stone, wood being rarer in the original Middle Eastern homelands of the Umayyads. The rows of Columns and Arches give a visual impression of limitless space, as a metaphor of the progress for human civilization, maximizing spiritual symbolism and visual appeal – progressing towards an ideal civilization. It refers to centuries of human civilization and the creation of prospective in social spaces and the openness to open possibilities of human life.
An interpretation of the textures of Iceland’s landscape, using synthetic and artificial materials to make the unnatural appear natural in the eyes of the ignorant. Paired with a silhouette inspired by the saturnian symbolism of the cube, these clothes journey from a literal, compromising analysis of the three dimensional cube to a broken down and wearable analysis of the two dimensional cube, the hexagon.
Cages
Rothschild’s practice involves both conceptual and socio-political ideas alongside traditional approaches to making sculpture. Through an investigation into form and materiality, her works balance, stack, wrap and knot materials around geometric shapes and structures – such materials that often appear to transcend their physical limitations, hover between representation, symbolism and actual form. By deliberately destabilizing physical and visual characteristics in her work, Rothschild not only questions the aesthetics of art, in particular minimalism, but also those of belief in social liberation and spiritual movements.
Applebaum says she’s always been drawn to the world of craft because it felt “more immediate and real” to her. She launched her career with a so-called “crazy crochet phase” that began with her using sewn together thrift-store afghans to create wildly patterned environments — complete with models encased from head to toe in the blankets — and progressed to smaller knitted objects like anchors, cubist quilts, and oversized chain links. While she was certainly interested in symbolism, and in the transition between two dimensions and three, she was mostly following a series of obsessive urges to figure out how to bring her ideas to life, teaching herself to how to knit, weld, and weave rope along the way.
Turning Point
Isabel Nolan’s artwork utilizes textiles, steel rods, and primary colored paint to approach questions of anxiety, current events, and the human condition. Her work has a particularly erudite quality, with materials teased and propped to mimic symbolism and images in literature, historical texts, science, and art. Nolan’s work has been exhibited throughout her native Ireland and wider Europe, including at the Irish Museum of Modern Art and the Musée d’art modern de Saint Etienne. With her first solo exhibition in the United States fast approaching, artnet News caught up with the scholarly artist to hear about her early diagrams of brains and ideas she is currently entertaining for her next body of work.
Samorost 3
Prague-based Amanita Design, creators of the award-winning Mechinarium, recently released what may be their best game yet: Samorost 3. This deeply immersive puzzle game spans the ecosystems of 9 unusual planets as you encounter strange inhabitants and unlock increasingly complex secrets to advance to the next level. Amanita Design’s approach to creating completely non-verbal/non-textual games relies heavily on intuition, sound design, and symbolism to create environments that are practically interactive artworks.
Джи Янг Ли
resurrection
Lotus flowers grow from the impure mud to reach for the light and bloom to the rise and fall of the sun; in Asia, it bears various cultural symbolisms such as prospects and rebirth. It is also known for its purifying function. The presence of the artist in the heart of such flower is meant to convey her personal experience. “I was born again by overcoming negative elements that had dragged me down and cleansed myself emotionally. The figure within a lotus blooming implies a stronger self who was just born again and is facing a new world”. It is this is very moment when one reaches maturity and full-potential that Lee illustrates in “Resurrection”, and, more generally speaking, throughout the entirety of her corpus.
