1024 architecture

VORTEX

Architectural fragment made from scaffolding, VORTEX has a raw wood skin highlighted by 12 lines of LED light as many generative and constructive project’s lines. Merging organic materials with new technologies, this hybrid architectural artwork wraps around and embraces the footbridge between the complex’s two buildings, revealing and enhancing the venue’s dynamic energy while working as a live visualizer of energy consumption.VORTEX evolves like a living organism; it breathes, trembles and emits pulses of light created using 1024’s MadMapper software. Manually controlled via a joystick, the structure can be synchronized to music and also displays its location’s energy consumption through a series of illuminated tubes. It ultimately answers to the ambient environment around it, capturing the Darwin Ecosystem Project’s unique energy consumption footprint, and converting it into data that is processed to spawn realtime visuals.
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JORG NIEHAGE

Samplingplong
File Festival

Randomly selected, acoustically usable finds (electronic junk, relays, plastic toys,compressed air valves, pneumatically operated components) are combined with cables and tubes. Via a device controlled by computer, they are turned into interactive instruments. An improvised ensemble evolves, from which – per mouse-over and mouse-click -short miniature compositions of dense rhythmic clicks, hisses, whirs, hums and crackles can be elicited. A tapestry of sound bursts forth from the floral-like web of cables and tubes. The installation can be used by the projected mouse-cursor: rolling over the improvised instruments causes small sound events. Activating the installation by rolling over its parts enables the user to play spontaneous improvisations. Clicking these objects starts short programs of loop-like compositions. Small “techno-compositions en miniature”, rhythmic patterns of analog (or real) sounds; a physical low-tech simulation of electronic, digital music, perhaps an ironic comment on interactivity.

Raster-Noton

White Circle
»White Circle« consists of fluorescent tubes that respond to musical impulses and illuminate the room. Five dedicated compositions by alva noto, byetone, frank bretschneider, and kangding ray playing in a continuous loop (one set takes ca. 45 minutes) model the interrelation between sound, light, and architecture in different ways. Each piece represents an independent and self-contained conceptual proposal by the respective composer. All tracks are multichannel compositions based on the idea of creating a vivid immediate experience of auditory space and visual stimuli. With acoustic material routed to twentyseven speakers placed throughout the gallery, sound itself takes on a threedimensional and indeed sculptural quality.

LAWRENCE MALSTAF

shrink
File Festival
Two large, transparent plastic sheets and a device that gradually sucks the air out from between them leave the body (in this case the artist himself) vacuum-packed and vertically suspended. The transparent tube inserted between the two surfaces allows the person inside the installation to regulate the air flow. As a result of the increasing pressure between the plastic sheets, the surface of the packed body gradually freezes into multiple micro-folds. For the duration of the performance, the person inside moves slowly and changes positions, which vary from an almost embryonic position to one resembling a crucified body.

CHIU CHIH

Voyage on the Planet
Designer Chiu Chih imagines a possible future where our cities have fallen into disrepair and the air is poisoned. In this wasteland, a woman wanders through the rubble, breathing with the help of a companion plant. The project, titled “Voyage on the planet,” consists of a clear box worn like a backpack. Two breathing tubes connect a face mask to the box. Inside, the box holds a potted plant, acting like a portable filter.

NUMEN/FOR USE

tube
‘combining a transparent, gentle, woven structure, devoid of any hard angles and surfaces, with unsettling heights/vistas and uncanny spatial sensations.’NUMEN/FOR USE

Hans van Manen and Toer van Schayk

Dutch National Ballet

Seventh symphony / choreography, Toer van Schayk ; music, Ludwig van Beethoven ; produced by Anh Muller ; directed by Jellie Dehher (1989) — Grosse Fuge / choreography, Hans van Mannen ; music, Ludwig van Beethoven ; produced and directed by Thomas Grimm (1984) — Piano variations / choreography, Hans van Manen ; Sarcasms music by Serge Prokofiev ; Trois Gnossiennes music by Erin Satie ; Pose music by Claude Debussy ; directed by Thomas Grimm (1983).

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Thomas Feuerstein

PROMETHEUS DELIVERED

The marble sculpture PROMETHEUS DELIVERED – a replica of Prometheus Bound by Nicolas Sébastien Adam (1762) – is slowly decomposed by chemolithoautotrophic bacteria. The acidic process water from the bioreactor KAZBEK penetrates the body of the sculpture via tubes and runs off the surface of the stone. The limestone turns into gypsum while the sculpture slowly dissolves. The biomass of the bacteria is the energy source for human liver cells from which the organic sculpture OCTOPLASMA grows. Inorganic stone turns into organic meat. PROMETHEUS DELIVERED is a play on words, referring to birth in the sense of “delivery”, and to the central importance of the liver in myth.

carsten höller

卡斯滕·奥莱
КАРСТЕН ХЕЛЛЕР
REASON

MOTOI YAMAMOTO

labyrinth
Japanese Artist Motoi Yamamoto’s incredible, labyrinthine installations are the result of 45 hours of meticulously piled grains of salt, strewn inside a medieval castle in the South of France.

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KOJI IYAMA

BERNARD PARMEGIANI

ベルナール・パルメジャーニ
De Natura Sonorum

MARY REID KELLEY

玛丽·里德·凯利