A Hot talks about Something, Someday, Someone
인터넷과 같은 네트워크 시스템에서 언어로 기능하는 새로운 커뮤니케이션의 수단인 Meme(밈/짤;이미지, 영상)을 바탕으로 한다. Meme을 바탕으로 재-생산된 이미지, 영상이 인공지능에 의해 새롭게 재구성 되어 관객의 인터랙션에 따라 변화하는 형태로 선보이는 작품이다. 카메라를 통해 받아들여진 데이터를 바탕으로 인공지능 알고리즘(StyleGAN : A Style-Based Generator Architecture for GANs)이 학습을 진행한 각 모델과 반응하고 이를 통해 재구성된 언어로 디스플레이와 로보틱스(협동로봇)를 통해 시청각 소스로 바뀐다. 이 프로젝트는 현실에는 존재하지 않는 인위적인 결과를 토대로, 상호작용을 만들어 내는 데 초점을 맞추고 있다. 만들어진 인공지능 모델은 일상적인 Meme의 의미에서 인간에게 받아들여지기보다는 인간의 대화를 대체하는 것에 보다 더 많은 감정적 경험을 제공할 것이다.05

In Search of Petra Genetrix

Petra Genetrix, the protagonist of the series Porosity Valley, is a migrant, mineral, and data cluster. In this lecture performance, the artist traces the origin of Petra Genetrix who constantly crosses borders, gender boundaries, and the concept of existence and nonexistence and creates her own hyperbolic mythology. While utilizing audio and video excerpts from her existing works, Ayoung Kim uses her own voice to create a verbal narrative exploring those agents who cross boundaries. By doing so, she continues to trace multifaceted crystal faces of Petra Genetrix, who is fundamentally porous and ambiguous.

Thermotaxis
file festival
The term “Thermotaxis” signifies a movement of a living organism in response to heat stimulation. A thermal spot has power to encourage people to gather together like open fires in winter or water places in summer. The work “Thermotaxis” characterizes the open space as invisible thermal spots by providing people with thermal information. Our work aims to create a new spatial structure for communication not by architectural approach but by using information technology.

Arart
File Festival
ARART는 사물에 생명을 불어넣는 애플리케이션입니다. 모바일을 통해 전달되는 표현과 현실을 연결하여 실제 환경에 새로운 이야기와 가치를 더합니다. ARART를 통해 우리를 둘러싸고 있는 환경과 우리 몸을 감싸고 있는 다양한 사물에 대한 인상은 어떻게 바뀔까요? 현실과의 강한 연결고리를 유지할 수 있는 새로운 표현 플랫폼으로 “ARART”를 제안합니다.

Rote Lichtmaschine
Stahl, Aluminium, Mikroprozessor, Gleichstrommotor, Licht. UJOO + LIMHEEYOUNG ist der Ehemann und die Ehefrau von UJOO- und LIMHEEYOUNG-Medienkünstlern. Seitdem sie zusammenarbeiten, um sich auf den ersten Designwettbewerb im Jahr 2004 vorzubereiten, sind sie an Projekten beteiligt, die verschiedene visuelle Ausdrucksmittel verwenden. KINECT ausdrucksstarke Skulpturen, Zeichnungen und interaktive Echtzeitvideos lösen das Thema Absolutheit

Red Lighting Machine
Steel, Aluminum, Microprocessor, DC motor, Light. UJOO + LIMHEEYOUNG은 UJOO와 LIMHEEYOUNG 미디어 아티스트의 남편이자 아내입니다. 2004 년 처음으로 디자인 경쟁을 준비하기 위해 함께 작업 한 이래, 그들은 다양한 시각적 표현 수단을 사용하는 프로젝트에 참여했습니다. KINECT 표현 조각, 도면, 실시간 인터랙티브 비디오 – 절대성의 주제를 해결하기 위해.

Fountain with Red
Stainless steel, water pump, red liquid, urethane paint. Ujoo+limheeyoung is the husband and wife team of media artists Ujoo and Limheeyoung. Since first working together in 2004 in preparation for design competition, they have been involved in projects that use a variety of means of visual expression – kinect expression sculpture, drawings, real-time interactive videos – to address the theme of absurdity of reality.

Journey of Life

FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Dallaserra Maxime – Journey of Life – France

Journey Of Life was triggered by the death of the artist’s grandmother. There is a message of resignation and optimism in the face of adversity in this work. However, he decided to portray the life of a young man in a futuristic city. The video is rich in details. The strength of artificial intelligence lies in its ability to allow this profusion of images, which would otherwise require the artist an incomparable amount of time to produce.

Bio

Maxime Dallaserra is an electronic music composer who always wanted to produce a comprehensive audiovisual work. In addition to his music creation activities, he managed to create live shows with video projections, accompanied by a team. At the same time, he began broadcasting his creations. With the arrival of artificial intelligence, he found ways to enhance and realize his artistic vision, leading to the creation of Journey of Life .

Lesson Nº 1 + The Ascension
Glenn Branca has always been a musician positioned halfway between the role of avant-garde composer and that of a rock musician. A pupil and disciple of the masters of American minimalism such as La Monte Young, Terry Riley, Philip Glass and Steve Reich, he has always had to fight against prejudice and fierce criticism. His position was certainly uncomfortable, too academic for rock fans and too “politically incorrect” for academics. In fact, Branca was trying to unhinge all the limits imposed by the rigid schemes of the avant-garde, aware of the fact that those who want to be truly avant-garde should have no limits. John Cage was also able to criticize him, even calling him a fascist ( Luciano Berio also did so for all minimalists) for the excessive rigidity of his compositions, even though he recognized his innovative power. After having created his best known album, The Ascension (1981), a true monument of maximalism played with a classical rock formation (guitars, bass and drums), he tries to approach a different format, the Symphony, as always halfway between rock and academia. Branca will like the experiment and will re-propose it several times in the following decades, to date there are sixteen symphonies (not all recordings are available). Here is how young Branca’s ensemble appeared to the American composer John Adams in one of his first live performances of the First Symphony: “Branca’s event that I listened to at the Japan Center Theater in San Francisco in 1981 was one of his symphonies for guitar . The group didn’t look very different from thousands of other independent or alternative rock bands of the time: guys in jeans and worn t-shirts busy with cables while maintaining that typical distracted expression of rock musicians.

The Wild Swans

The project is the creation of a series of kinetic garments that tell the story of “The Wild Swans” by Hans Christian Anderson. In the fairy tale, 11 princes have been turned into swans from a transformative spell cast by their wicked stepmother. Their sister, the princess, rescues the princes by collecting stinging nettles and knitting them, under a vow of silence and in great pain, into magical shirts so that her brothers can return to their human shape. She is very nearly done knitting them all when she runs out of time; she throws the sweaters onto her brothers to transform them, but the last one is incomplete, leaving her youngest brother forever with a swan’s wing instead of an arm.

Orlando
Noble Orlando is condemned by Queen Elizabeth I to remain forever young. The curse is fulfilled and Orlando goes through the centuries experiencing lives, partners, feelings and gender changes. The film is based on the classic novel by Virgina Woolf, in which an innocent aristocrat travels for 400 years in English history – first as a man, then as woman
cinema full

Somatic Field Project
In 2014, he started Somatic Field Project, aiming at nurturing young dancers as well as his own movement method ‘Kinetic Force Method’.

DIM

DIM’ is a music video based on the footage from the pilot episode of FJER, a poetic and freaky urban fantasy web series about the young bird-woman Crane’s emancipation from her father, ruler and lover Hawker.

FILE Sao Paulo 2019 | Anima +

Giambattista Valli, a leading and established name in the worldwide fashion scene, brought a new approach and meaning to luxury and beauty that attracted a universe of a young, modern and international generation of highly glamorous and sophisticated women from around the globe and has been praised by celebrities and fashion lovers

Ex-Nihilo
Nothing comes from nothing … With Alice Pegna, Epicure’s Latin phrase “Ex nihilo nihil fit” is at the heart of a design adventure as strong as it is elegant. Visual artist and interior designer, the young lady is inspired by this reflection on the source of the material to create arachnid sculptures between exoskeleton, armor and ornament.

1774
In the year 1774 Louis XV died, marking the sunset of one of history’s most lavish monarchies. In the same year a young Swede named Johann Gahn, working in the deepest and wettest levels of a mine, discovered the metal Manganese. At a molecular level, when combined with oxides, manganese displays a striking “super-crystal” modularity. In this solid aluminum chair, two historic events—the super-excess of Louis XV and the super-crystal of Manganese—are fused into a single moment of design

distortion
Human, ultra human or a poetic of deformation? Observing series “Distortions” by young photographer Hickey Heart (23 years old), is like taking a disturbing trip into our online lives 24h/24h, among small epiphanies, existential dilemmas and everyday solitudes.

Psi Girls
Psi Girls is a video installation composed of five scenes from feature films depicting girls or young women manipulating telekinetic powers to move or destroy household objects. Hiller selected short excerpts from The Fury (1978) directed by Brian de Palma, The Craft (1996) by Andrew Fleming, Matilda (1996) by Danny De Vito, Firestarter (1984) by Mark Lester, and Stalker (1979) by Andrei Tarkovsky. Each excerpt has been enlarged, tinted with a different colour, and heavily edited by Hiller. Certain scenes have been slowed down and others spliced and looped so that each clip has an identical running time of two minutes. The only footage presented in its entirety is that taken from Tarkovsky’s film Stalker. The scenes are synchronised and play simultaneously along a single wall. Psi Girls was commissioned by the Delfina Foundation, London, in 1999. The word ‘Psi’ in the title refers to paranormal or psychic faculties.

A Portrait of a Young Man