“Poem for an artificial intelligence”
the sun is a beautiful thing
in silence is drawn
between the trees
only the beginning of light
this realm of rain
grey sky and cloud
it’s quite and peaceful
safe allowed
And, arguably, worse:
I am a coal-truck
by a broken heart
I have no sound
the sound of my heart
ماریکو موری
森万里子
Мори, Марико
Tom Na H-Iu
Tom Na H-iu is a three-dimensional glass work almost 3 meters in height. It is networked to the Super Kamiokande neutrino observatory operated by the Institute for Cosmic Ray Research, University of Tokyo, enabling it to interact and respond when the observatory captures a neutrino. On detecting a neutrino, such as those emitted by stars in our galaxy as they die in supernova explosions[…] Tom Na H-iu represents a modern standing stone that conveys the death of a star, meanwhile hinting at the birth that follows – as if to suggest to the viewer that our existence is in resonance with the universe. When we view this work that emits peaceful light amidst darkness, we can project ourselves into the darkness and gain a sense that we are standing quietly in the flow of eternal time.
Tornado
“Over the last decade Alÿs made recurrent trips to the highlands south of Mexico City to chase, video camera in hand, the dusty whirls whipped up by the wind in the burnt fields at the end of the dry season. Rumor has it that the genesis of this project was, in fact, a comic quid pro quo: Alÿs overheard a conversation where friends were talking about Don Quixote fighting windmills (in Spanish, molinos de viento), but he understood instead tornadoes (remolinos de viento). As in Cervantes work, Alÿs’s intent to penetrate the peaceful zone in the epicenter of the tornado illustrates a condition where ‘the vanity of the action is paired with the absolute necessity.” Félix Blume
The Trophy (Animals have no religion)
This work is inspired by Raden Ayu Kartini (21 April 1879 – 17 September 1904), a pioneer in the area of the emancipation of women and education in Indonesia. Through letters she shared her thoughts about the problems of her society which seems still topical nowadays. She expressed the view that the world would be more peaceful if there was no religion to provide reasons for disagreements, discord and offence.
野城
Kong Shanshui – 空山水
The base of the installation consists of layers of white stones which fill the ancient palace’s courtyard, echoing peaceful, meditative gardens. On top of the stones are piles or gatherings of petri dishes, some ten thousand in total, stacked in various forms, resembling miniature hills, mountains and rock formations.
FLUID ECSTASY
by Peter Palm
is an artistic underwater video work by Peter Palm, which he realized on the island of Mauritius with the conceptual artist Milo Moiré. Filled with a naive sexuality, this short film lasting just under six minutes reveals surreal, grace-filled perspectives on the female nude. Beneath the surface, within the concealing element of water, nothing remains concealed.
The title “Fluid Ecstasy” describes a trance-like, natural bliss in the flow of merging.
“Fluid Ecstasy” presents a metaphysically ambivalent ambience that documents our prenatal state of becoming in the form of a visual metaphor. In an analogous notion of being, “being” is understood as that in which everything partakes, though in various ways. The origin of all life lies in water. Peter Palm shows the nude Milo Moiré in a peaceful world, comparable to our “being” in the womb prior to our birth.
Both Milo Moiré and Peter Palm have done without technical aids, with one exception … flippers, which make reference to the metamorphosis from fish to Homo sapiens.
The video was created during numerous dives.