The Trophy (Animals have no religion)
This work is inspired by Raden Ayu Kartini (21 April 1879 – 17 September 1904), a pioneer in the area of the emancipation of women and education in Indonesia. Through letters she shared her thoughts about the problems of her society which seems still topical nowadays. She expressed the view that the world would be more peaceful if there was no religion to provide reasons for disagreements, discord and offence.
Bule Bull
As an artist, Mella is equally known and committed. Her comments on prevailing social and political issues in Indonesian/a> society are revealing and insightful. These are issues of discrimination, racialism, minorities and identity, which she finds she has an urge and responsibility to comment on in her art works.
Linger Bench
Alvin Tjitrowirjo es el diseñador de alta talento indonesio que se comprometió a introducir el diseño moderno y contemporáneo de Indonesia a nivel local el resto del mundo. A través de la marca alvinT, que se dedicó a la reactivación de la industria del diseño de Indonesia y comunicar carácter distintivo diseño de Indonesia y materiales de alta calidad y la artesanía, que representa la cultura de Indonesia a través de los ojos modernos.
Jati Putra Pratama turns landscape photos into surreal works of art by contorting the scenes to include unusual angles. The Jakarta, Indonesia, graphic designer made waves on Reddit after posting one of his pieces, spawning a flood of copy-cat work, and even a tutorial. Many online commentators write that Pratama’s work is reminiscent of the physics-defying scenes from the hit-film Inception, but this isn’t Pratama’s only style: his Instagram features more traditional (if there can be such a thing) surreal photos as well.
transmutation
In the weird and wonderful world of humanoidquantum mechanics, dimensional transmutation describes a phenomena which changes the state of a parameter by adding dimensions to its dimensionless condition. This experimental film applies this principle to visualize the complex interactions between atmosphere and climate. It utilizes a six-dimensional framework, comprised of regular space-time augmented with climate data collected between 1993 and 2011. Changes in global tropospheric temperature, mean sea level, and atmospherical co2 concentration are mapped onto the color palette, shape, and stereoscopic depth of a video clip, depicting a low-lying shoreline in Indonesia, threatened by rising sea levels. The film begins ‘flat’, but over time, with increasing co2 concentration in the atmosphere, its stereoscopic depth expands, and the landscape opens up to the observer, while temperature and sea-level changes modify color and shape.
