highlike

Hiroshi Ishiguro

Mindar
Революция машин уже пришла в религию – по крайней мере, в Японии. Буддийский храм в городе Киото решил изменить свои практики, чтобы стать ближе к людям, и установил там робота. Твоя роль? Объявляйте проповеди верующим. Робот Миндар ростом почти шесть футов имеет женский голос и был создан в честь буддийского божества милосердия Каннон. Руки, лицо и плечи корпуса робота покрыты силиконом (имитирующим человеческую кожу). Это все. Все остальное состоит из открытых металлических шестерен.

 

.

Mindar

A revolução da máquina já entrou na religião – pelo menos no Japão. Um templo budista na cidade de Kyoto decidiu mudar suas práticas para se aproximar das pessoas e instalou ali um robô. Qual é o seu papel? Anuncie sermões aos crentes. Com quase um metro e oitenta de altura, o robô Mindar tem uma voz feminina e foi criado em homenagem à divindade budista da misericórdia Kannon. Os braços, rosto e ombros do corpo do robô são cobertos com silicone (imitando a pele humana). É tudo. Todo o resto consiste em engrenagens de metal expostas.

 

.

Mindar

The machine revolution has already entered religion – at least in Japan. A Buddhist temple in the city of Kyoto decided to change its practices in order to become closer to people, and installed a robot there. What is your role? Announce sermons to believers. Almost six feet tall, the robot Mindar has a female voice and was created in honor of the Buddhist deity of mercy Kannon. The arms, face and shoulders of the robot body are covered with silicone (imitating human skin). It’s all. Everything else consists of exposed metal gears.

RYUNOSUKE OKAZAKI

Ryunosuke Okazaki 001
For his graduate project from the Tokyo University of the Arts, Ryunosuke Okazaki created a collection consisting of three couture dresses in bold colours and shapes titled JomonJomon that are informed by Japanese Jōmon-era pottery and Shinto, an ancient religion that originated in Japan. The striking designs are modelled and decorated on Jōmon-era pottery, where vessels were decorated through pressing rope and coils into wet clay to create ornate designs. The JomonJomon collection was made using polyester, cotton and ribbed knits, in red, blue, black and white as the primary colours.

LEE YONG BAEK

Soldat Ange
Lee est surtout connu pour ses œuvres d’installation à une seule chaîne vidéo, mais présente en fait un plus large éventail d’œuvres, notamment des sculptures, des arts cinetiques,des peintures et des performances. Ses pièces couvrent des thèmes tels que la religion, la style=”color: #333399;”>politique et la philosophie.

Yuge Zhou

Underground Circuit
Underground Circuit is a collage of hundreds of video clips shot in the subway stations in New York. Station to station, the movement of the commuters in the outer rings suggests the repetitive cycle of life and urban theatricality and texture. The inner-most ring includes people sitting on the bench waiting; the central drummers act as the controller of the movement, inspired by the concept of the Four-faced Buddha in Chinese folk religion, the god who can fulfill and grant all wishes of its devotees. For the installation, the video is projected onto the gallery floor and mapped onto a cube with relief in the middle of the projection area. The installation invites audiences to sit on the central cube as Voyeur-gods, to observe the anonymous characters in the projected urban labyrinth.

LARS VON TRIER

لارس فون ترير
拉斯·冯·特里尔
라스 폰 트리에
לארס פון טרייר
ラース·フォン·トリアー
Ларс фон Триер
melancholia
Truth be told, the best thing about Melancholia is its title. In an era where pop therapy abounds, true melancholy and its affinity to beauty needs to be rehabilitated—and of course differentiated from the more banal categories of “mental illness” and “depression.” In a pivotal phase of German Romanticism exemplified by Novalis’ poetry, the quintessentially melancholy category of “longing” is linked with a quest for the “unattainable.” Yet there’s also a tangibly utopian element to Novalis’ melancholy, personified by his dictum, “All representation rests on making present that which is not present.” Or as Max Blechman puts it in his essay “The Revolutionary Dream of Early German Romanticism, the Romantics pantheistic faith points to how art and religion are fundamentally one and the same activity. For is not art the desire to see the real in the ideal, to enliven the ideal behind the real, to transform unconscious idealism into conscious idealism—and is this not done through faith in the ideal?”

frank verkade

Paradise

serpent mouthpiece

Paradise is the term used to describe a place or state of timeless harmony and beauty. Whether connected to religion or not, the term Paradise echoes Utopian realms of humanity living at one with nature, sharing their tope with every exotic and fantastical creature imaginable.

Filip Custic

(ego hiperrealista) + (juguete del viento) =
Custic combines models, costumes and various other objects that inspire him, using them to give form to abstract concepts surrounding humanity and its evolution. Spirituality, religion, relationships and sexuality are all explored through a lens preoccupied with fragmentation, pataphysics, optical balance effects and technological art.

robert gober

Untitled Door and Door Frame
Robert Gober’s work focuses around the themes of sexuality, relationships, religion, politics and nature. Working mostly in sculpture, surprisingly Gober doesn’t use found objects as a part of his work, but recreates these found objects himself and handcrafts them in his studios. Objects such as sinks, doors, cribs, chairs and body parts feature heavily in his work but yet all meticulously handmade. All the objects and installations in which Gober creates have a certain humorous element to them be it the half body that sticks out from the wall or the sink that has legs coming out of it.

Philip Glass

Akhnaten
Portrait Trilogy:Einstein; Akhnaten; Gandhi
According to the composer, this work is the culmination of his two other biographical operas, Einstein on the Beach (about Albert Einstein) and Satyagraha (about Mahatma Gandhi). These three people – Akhenaten, Einstein and Gandhi – were all driven by an inner vision which altered the age in which they lived, in particular Akhenaten in religion, Einstein in science, and Gandhi in politics.
The text, taken from original sources, is sung in the original languages, linked together with the commentary of a narrator in a modern language, such as English or German. Egyptian texts of the period are taken from a poem of Akhenaten himself, from the Book of the Dead, and from extracts of decrees and letters from the Amarna period, the seventeen-year period of Akhenaten’s rule. Other portions are in Akkadian and Biblical Hebrew. Akhnaten’s Hymn to the Sun is sung in the language of the audience.
OPERA

Ayodamola Okunseinde

TechnoShamanism
I reclaim spaces for underrepresented communities with the use of technology, ritual and the speculative. Whether it be a citizen “sousveillance” suit to monitor police activity, a Techno-Shamanistic religion that virtually renders ritual, or archeological artifacts from future African cultures, I find it imperative to work collaboratively with other artists and local communities.
Ayodamola Tanimowo Okunseinde (ayo) is a Nigerian-American artist, designer, and time-traveler living and working in New York. He studied Visual Arts and Philosophy at Rutgers the State University of New Jersey where he earned his B.A.

Mella Jaarsma

The Trophy (Animals have no religion)
This work is inspired by Raden Ayu Kartini (21 April 1879 – 17 September 1904), a pioneer in the area of the emancipation of women and education in Indonesia. Through letters she shared her thoughts about the problems of her society which seems still topical nowadays. She expressed the view that the world would be more peaceful if there was no religion to provide reasons for disagreements, discord and offence.

Maral Pourkazemi

The Iranian Internet
Design is my conviction and my religion,”says Iranian designer Maral Pourkazemi. For her master thesis project “The Iranian Internet”

Brigitte Niedermair

女权艺术家 摄影作品
THE SCOPE Be more flexible!

Originaire du Sud du Tyrol, Brigitte Niedermair déploie dès son adolescence son énergie créatrice : peinture et dessin en sont les premiers signes– elle se lance à vingt ans dans la photographie. développe sa pratique des portraits féminins. […] A travers commandes et travaux personnels se pose la question de la condition féminine. Interrogeant traditions, religions et modernité, en les articulant à des sujets tels que l’avortement et l’insémination artificielle, elle propose une vision duelle, entre sacré et profane, ascétisme et érotisme  et émancipation.

ROBERT GLIGOROV

Роберт Глигоровым
罗伯特·格利戈罗夫
روبرت غليغوروف
Minerva

Las imágenes conceptuales de Robert Gligorov proyectan un mensaje crudo y directo, buscan impresionar al observador. Crea imágenes que chocan, creando controversia en temas coma la religión, violencia y sexualidad, y que, al mismo tiempo, tienen algo de humor.

Babel words

Sidi Larbi Chekaoui, Damien Jalet and Anthony Gormley

Sidi Larbi Cherkaoui and Damien Jalet joined forces with visual artist Antony Gormley to create Babel(words), a dance performance that explores language and its relationship with nationhood, identity and religion. Taking the tale of ‘The Tower of Babel’ as its starting point, Gormley’s 5 huge 3-dimensional frames hint at a nameless intersection in a faceless city near the borders that define a no man’s land. We watch as the action flows from private to public, intimacy to extroversion, and the individual to the collective – while choices of faith, space and community are made and we are reminded that to some the tale of Babel represents the gates to enlightenment, to others – chaos, confusion and conflict.

ROBERT GLIGOROV

РОБЕРТ ГЛИГОРОВЫМ
罗伯特·格利戈罗夫
روبرت غليغوروف
Greetings

Las imágenes conceptuales de Robert Gligorov proyectan un mensaje crudo y directo, buscan impresionar al observador. Crea imágenes que chocan, creando controversia en temas coma la religión, violencia y sexualidad, y que, al mismo tiempo, tienen algo de humor. Vale la pena visitar su portafolio para que disfruten la totalidad de su trabajo.

LIU ZHENG

刘铮
Liu Zheng was born in a port city of China, deeply influenced in his childhood by the different foreign cultures and religions, he addicted himself both into the exotic & traditional arts, At early, adoring the sprint,he was trained to be an excellent professional sprinter, however because of many reasons he had to quit, in future days, art focuses all his energy.

Lee Yong Baek

Angel Soldier
Lee is best known for his single-video channel installation works but actually presents a wider range of works including sculptures, kinetic arts, paintings and performances. His pieces cover themes such as religion, politics and philosophy.

ZHENG LU

Mao Never Down
Classical culture, along with a profound interest in religions, and the exploration of the self, also inspire his artwork. The artist uses language as a sculptural element. Each sculpture derives from or literally cites pieces of literature or counts a story, in a readable or unreadable way depending on the chosen script. The rendering in three dimensions of an art or a philosophy, which is either ephemeral and spoken, or written and two-dimensional, is esthetically and technically astonishing. His works translate to the viewer the balance and contradiction inherent in human nature.

Thomas Zipp

POLYMORPHOUS ORATORY
Thomas Zipp (geboren in Heppenheim, 1966) gehört zu den bedeutendsten deutschen Künstlern der Gegenwart. Ausgebildet als Maler fasst er seine Einzelwerke, bestehend aus Gemälden, Skulpturen, Grafiken und installativen Arbeiten, immer zu einem Gesamtkonzept zusammen, das die Räume des Ausstellungsortes vollends einbezieht. Durch diese Arbeitsweise verleiht Zipp seinen Ausstellungskonzepten eine einzigartige, unwiederholbare Existenz.
Zipps Werke sind geprägt von einer intensiven Auseinandersetzung mit Geschichte, Wissenschaft und Religion, mit Politik und Gesellschaft sowie mit Kunstgeschichte und Philosophie. Hierbei spielen für ihn die Einordnung des Selbst in die Gesellschaft, der Antagonismus im Sinne sich polar gegenüberstehender Widersprüche sowie die Folgen aus historischen, wissenschaftlichen und religiösen Errungenschaften und Ereignissen eine zentrale Rolle.

BARAKA KECAK

“Baraka is a documentary that starts from an old word with meanings in several languages. It can be translated as a blessing, breath or essence of life, from where the process of world evolution is triggered. The film reveals how much humanity is interconnected, despite the differences in religion, culture and language of the peoples. A true visual poem without narration or caption, only images and sounds carefully captured and articulated through an expressive montage, which makes each take add the next other meaning, whose theme is… After all, what is Baraka about? I believe that each viewer of the film sees a different theme. It can be about the strength of planet Earth. It may be about the multiple diversities that unite us. It can be a lot. Baraka is a visual reproduction of the human connection with the Earth ”

ANDREI MOLODKIN

АНДРЕЯ МОЛОДКИНА
Democracy

Democracy, is a mirror reflecting the commodification of the democratic ideal. Empire at War, Molodkin’s portrait of an evangelistic George W. Bush, embodies the danger of theocracy – patriotism, nationalism, and religion are used to justify the most horrifying war crimes. Like a prismatic chessboard, Molodkin’s artworks articulate the contradictions between utopian ideals and reality.