HISTERESE

BASICODE

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Histerese – Brazil

Histerese is a generative video in which a vector map controls the displacement of pixels in an image. Through a feedback loop, the movements accumulate in the system; the image becomes an accumulation of drifts, an overlay of memory itself in motion.

The work invites thinking about advective processes as movements that carry information: vectors of influence that displace ideas and shape the information flows through which contemporary culture itself operates.

BIO

BASICODE is an experimental research and creation project in art and technology. It operates in the expanded field of audiovisuals, dedicating itself to the study and production of real-time audiovisual performances. Starting in 2018 as an academic research project at the State University of Paraná, the project explores the fields of expanded audiovisual, visual music, and intermedia.

PROTOFORM

Claude

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Protoform – South Korea

Protoform explores the primal structure from which all forms emerge. Composed of drifting particles, the work visualizes microscopic elements colliding and coalescing into a living sphere, echoing the formation of cells and molecules. Through continuous transformation and expansion, it reveals the invisible order underlying nature, capturing the moment where form remains fluid and becoming is infinite.

BIO

Soon Cho (CLAUDE) is a Seoul-based new media artist creating immersive, data-driven artworks inspired by nature’s fundamental structures. Through particles and generative systems, he explores abstract beauty and the invisible dynamics that shape life and matter.

DUSK

Daniel Samama

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Dusk – Netherlands

DUSK is an exploration of chaos and cohesiveness. The work randomly generates a never ending stream of new compositions and colors, which are both smooth and unexpected. DUSK is the result of a carefully coded series of feedback loops and modulators.

BIO

Daniel Samama creates generative art that shapes light and time with code and chaos. His work shows how code and chaos can form a perfect symbiosis, revealing endless beauty in unpredictability. It reflects a fascination with the unexpected and with creating playgrounds in which the digital is always in motion, with an infinite variety of shapes and colours.

JAIRO’S GARDEN

Daniel Samama

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Jairo’s Garden – Netherlands

JAIRO’S GARDEN is a generative animation, coded while in Jairo’s Garden in Guatapé, Colombia. The animation tries to encapsulate the colors and movement of nature. It is both smooth and unexpected, both chaotic and in harmony. The work is crafted from a carefully coded series of feedback loops and chaos generators. Together, the animation creates itself: pixels push pixels, that push pixels who push pixels. Colors are semi-randomly inserted and being formed to streams, planes, clouds, mountains.

BIO

Daniel Samama creates generative art that shapes light and time with code and chaos. His work shows how code and chaos can form a perfect symbiosis, revealing endless beauty in unpredictability. It reflects a fascination with the unexpected and with creating playgrounds in which the digital is always in motion, with an infinite variety of shapes and colours.

DANZA DE PIEDRAS Y CAMINOS

David Ricardo Romero Alvis

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Danza de piedras y caminos – Colombia

The work emerges from walking. It is built from 3D scans of enchanted stones found along paths, rivers, and Indigenous trails that were paved during the colonial period—ancestral and sacred routes within what is now Colombian territory.

BIO

David Ricardo is a 26-year-old Colombian artist interested in the dialogue between “natural” forms and virtual and electronic spaces. Through a vital materialist approach, he affirms the complexity of forms as a starting point for other possibilities of life and perception.

O INTERVALO

DOISDOIS

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

O Intervalo – Brazil

At the heart of one of the city’s fastest-moving axes, the work mirrors the rhythm we already inhabit: continuous flows, repetitive patterns, relentless stimuli. The structure appears infinite. Within it, a finite body struggles to keep pace. By recognizing time as limited and the body as irreproducible, it interrupts automatic adjustment and establishes its own rhythm. The system continues, but it is no longer absolute.

BIO

Isabella Conz is a visual artist and architect, co-founder of studio doisdois. Her practice investigates the relationships between space, body, and technology through images, films, and digital experiences, exploring light, scale, repetition, and atmosphere between the physical and digital realms. Matías Kim is a visual artist and architect, also co-founder of studio doisdois. Working across 3D visualization, AI, painting, and graffiti, he explores the systems that structure the city and the gestures that disrupt them.

SUBDERMAL DRIFT

Elina Zazulia

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Subdermal Drift – Colombia / Russia

Subdermal Drift is an audiovisual work exploring invisible synthetic materialities that permeate bodies and landscapes. Using AI-generated imagery, the project creates translucent, membrane-like textures and slow internal movements that evoke a postbiological sense of corporeality. Rather than depicting figures, the work unfolds as a tactile field where organic and artificial matter merge into a state of continuous transformation.

BIO

Elina Zazulia is an interdisciplinary media artist from Russia, currently based in Colombia. With a background in architectural environment design from the Stieglitz State Academy of Art and Design, she creates audiovisual works and installations exploring materiality, perception, and the spatial behavior of digital images.

THE BLACK HOLE

Eylul Alıcı

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

The Black Hole – Turkey

Black Hole is a data-driven artwork created using over 73,000 data points that represent the dynamics of black holes. These data include parameters such as black hole masses, locations, distances, spin rates, merger angles, and gravitational wave signals. 

The project’s data were sourced from institutions such as the NASA Hubble Legacy Archive, the European Gravitational Observatory, LIGO Hanford, LIGO Livingston, and Virgo, which are ground-based gravitational wave detectors.

BIO

With over fifteen years at the intersection of art and science, Eylul Duranagac Alıcı is an award-winning new media artist and creative director exploring AI, machine learning, and data-driven systems as creative agents. A faculty member at Yıldız Technical University, her internationally exhibited work spans institutions such as NASA, CERN, MoMA, and Ars Electronica.

FLUID MATTERS

La Boom Studio

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Fluid Matters – Serbia

Fluid Matters explores how liquid and light can materialize sensations without stable form. Organic references are reimagined through digital processes and merge with fluid motion to create a hybrid entity that exists between recognition and the artificial. The work reveals what lies beyond direct perception and allows the invisible to surface for a moment.

BIO

La Boom is a boutique art studio based in Europe, creating multimedia experiences worldwide. We turn ideas into full audiovisual projects and craft show concepts for events and artists. Every project is carefully chosen and developed with hands-on creativity by Elizabeth Mamonova (Art Director) and Almira Zakieva (Creative Director).

MICÉLIO

Grupo Labirintus

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Micélio – Brazil

Inspired by the fungal networks described by Merlin Sheldrake, Micélio is an audiovisual investigation that reinterprets the city. The work converts urban photography into a “mycelial database” through computational processes, decomposing architectural rigidity. This system metabolizes raw information, culminating in a video art installation where the city transcends static concrete, revealing itself as a continuous flow of energy and regeneration.

BIO

Being the artistic arm of InterLab21_CCM (PUC-SP/CNPq), Labirintus Group articulates theoretical research and aesthetic experimentation under the coordination of Lucia Leão. Aligned with the UN SDGs, the collective creates affective cartographies, installations, and digital platforms that address the climate emergency and social inequalities. 

FAROL INFINITO

Nueve Voltios

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Farol Infinito – Colombia

FAROL INFINITO presents an immersive journey in which sound and visual art intertwine to bring to life a poetic and sensory work. Carefully crafted in every detail, its narrative takes the lighthouse as a device for communication and navigation and, from a mythological perspective, explores the infinite fire it contains, a symbol of science and technology, understood as humanity’s ability to harness the forces of nature for the development of civilizations.

BIO

Leonardo González Quevedo, born in 1977, is an architect with 18 years of experience as a video artist and VJ. His audiovisual practice has focused primarily on the creation, development, and design of visual, trans architectural, transmedia, and stage-based languages, implemented in large-scale events, art exhibitions, and television. | Maria José Marulanda, born in 1987, is a singer, industrial designer, and composer with 15 years of experience as a sound artist and producer. Her sonic practice focuses primarily on the creation, development, and design of electronic, transmedia, and stage-based sound languages, presented in large-scale events, concerts, and television broadcasts.

CIRCULARITÉ

Patrick Grandi

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Circularité – Brazil / France

Circularité is a flow. Kirigami LED shapes rotate and intertwine on the FIESP facade, like a painting that never dries. A permanent cycle between structure and chaos.

BIO

Born in São Paulo in 1978, Patrick spent almost 15 years working in advertising as a freelance 3D artist. He created his first projection mapping in 2015 and, since then, has produced dozens of mappings in France, as part of the Video Mapping Festival in Lille, China (Shining Lights), Japan, Guatemala (Festival de la Luz), Belgium (Bright Festival).

TECHNOPOETICS

Patricia Borges

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

TECHNOPOETICS – Brazil

TECHNOPOETICS presents hybrid beings in continuous metamorphosis, between biological and technological life. In an accelerated evolutionary fiction, the disposal of electronic components in the sea triggers the transmission of mutant bacteria into algae, plants, fungi, mollusks, insects, and other marine forms. The work explores identity and possibility, engaging with art and machine learning.

BIO

Patricia Borges is a visual artist whose practice combines photography, video, installation, and experimental processes. She is currently pursuing a doctorate in Arts & Design at PUC-Rio and, through photochemical and digital processes, explores impermanence and transformation.

NATURGEMÄLDE V. 2

Rita Reis

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Naturgemälde V. 2 – Portugal

Naturgemälde represents the celebration of the cycle of life through a painting of nature.

It proposes a reflection on the natural world as a unifying sensory experience, through which our perception extracts sensations that nourish our imagination, functioning as a support structure for life.

In this network of interactions, how do we achieve a balance between biological and digital time?

How do we experience nature in the technological age?

BIO

Rita Reis is a multidisciplinary artist who develops projects in different areas. Her creative projects constitute paths for individual and collective reflections that can allow us to rehearse fairer realities, denaturalizing behaviors that promote the fragmentation of communities. Her projects have already been exhibited at various international festivals.

FEITO À MÃO

Escola de Comunicações e Artes da Universidade de São Paulo (ECA-USP)

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

Feito à Mão – Brazil

Feito à Mão (Handmade, in Portuguese) brings together three works developed from the same question: where do the boundaries between craftsmanship and automation lie? These two modes of production intertwine in a narrative thread that begins with the earth itself—Gaia—and incorporates electronic techniques that transform life and the urban landscape, challenging our notions of what it means to be handmade. Between turning the soil, reshaping the urban environment, and fragmenting the languages of art, discussions emerge about the role of manual processes in relation to new technologies within today’s artistic landscape.

BIO

Support
Grupo de Pesquisa e Extensão Realidades – ECA-USP

Advising
Profa. Dra. Silvia Laurentiz 

Collaboration
Jo Seraph
Leona Machado

Participants
Alex Avramides Levin
Angélica Sofía García Perez
Antônia Laureano Suarez
Bruna Krunfli
Cristiana Cruz
Hugo Alves Paiva
Isaac Duarte Bender
Isabelle Telles Matias
Isabella Carvalho de Melo
Lúcia Yoojung Moon
Maria Muniz Fleury de Camargo
Pietro Galastre Atore
Raphael Delaroli Bezerra Couto
Raquel de Souza Oliveira
Reginaldo Aquino
Ryan Gonçalves
Tainá Delfino

CONTRAPUNTOENTEÓGENO

Timothy Weaver & Xavier Barriga-Abril

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

contrapuntoEnteógeno – Ecuador / United States

contrapuntoEnteógeno is an entheogenic plant biosonification composed in counterpoint from North & South American ecosystems. Brugmansia arborea (Andean cloud forest) and Datura innoxia (New Mexican desert) generate bioimpedances and scopolamine entheogens under celestial influences. In situ, Eurorack analog synthesis transmediates bioelectrical plant signals into ecogenerated electroacoustic sound, negotiating agencies between human and beyond-human/plant expression.

BIO

Timothy Weaver is a biomedia artist, microbiologist and bioenvironmental engineer focused on restoring ecological memory through speculative inquiry at the art-science interface. He is Professor Emeritus of Emergent Digital Practices at the University of Denver.
Xavier Barriga Abril is an Equatorian designer/artist/researcher exploring posthuman interactive systems through creative coding and electronic fabrication.

IN MEMORIAM

Tribute to Timothy Wayne Weaver: A Life Dedicated to Art, Science, and Knowledge

FILE—Electronic Language International Festival—honors the legacy of Timothy Wayne Weaver, artist, researcher, and professor whose career fostered a meaningful dialogue between art, science, and technology, inspiring artists, researchers, and audiences alike. 

Throughout his career, Timothy developed an interdisciplinary practice that brought together art, science, and environmental responsibility. His work explored the complex relationships between human beings, nature, and technology, guided by experimentation, rigorous research, and a deep commitment to the creation and dissemination of knowledge.

FILE is grateful for Timothy’s intellectual generosity, enduring curiosity, and dedication to building new dialogues across disciplines, contributions he also shared with our audiences and our community. His work and legacy will continue to resonate in the memory of the festival and in the lives of all those touched by his practice.

SINGULARITY

Zhipeng Wang

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Singularity – China

A singularity is a point of infinite curvature where laws dissolve. Singularity visualizes the invisible forces of sound at this threshold. Using real-time algorithms, millions of particles are simulated as a volatile quantum field. Driven by spectral data, visual matter oscillates between entropy and a unified core. Transforming the dome into a particle accelerator, the work immerses the audience in a collision of digital matter and sonic energy—the birth and collapse of a universe.

BIO

Zhipeng Wang, digital artist, graduated from the China Academy of Art, Intermedia Art Academy. His practice includes live audiovisual performance, generative art, and sound art, among other forms.

COMPRESS ROAD

Vahid Qaderi & Razieh Kooshki

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Compress Road – Austria

The project began with an observation about contemporary spaces, both digital and natural: many environments repeat themselves at different scales. Cities, interfaces, virtual worlds, and nature itself share similar structural patterns. The road became a metaphor for moving through these layered systems, suggesting a compression of time, memory, and navigation.

BIO

Vahid Qaderi is an Iranian media artist, electronic musician, and visual artist based in Linz, Austria. His practice spans sound design, music production, AR/VR, video games, 3D animation, and interactive audiovisual and video art. His work has been presented at festivals including Ars Electronica, the Geneva International Film Festival, and Radar Festival. 

Razieh Kooshki is an Iranian interdisciplinary artist based in Linz, Austria. Her practice focuses on generative interactive visuals, VR experiences, and video art, exploring the relationship between sound and non-narrative moving images. Her work has been presented at festivals including Ars Electronica, the Geneva International Film Festival, and Radar Festival.

GEOSONIC

Richard McCormick

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

GeoSonic – United Kingdom

GeoSonic is an audiovisual piece that takes sound from the earth, and other materials and creates visual representations of them with the use of an oscilloscope. Conceptually, the piece is aimed to highlight the fragile nature of the Earth, how each day more and more erodes away. There is a point at which each section breaks or fades to nothing. This is an intentional choice to emphasise the scale of what we are losing and have already lost.

BIO

Richard McCormick is a composer, visual artist and sound designer with previous work ranging from film scores, electroacoustic, audiovisual and his own electronic music. Having studied a Masters in Music Composition at Sheffield University, Richard’s work expanded and developed exponentially under the tutelage of Adrian Moore.

RESONANCIAS

NTSCconcept

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Resonancias – Argentina

Resonancias is a generative audiovisual work that emerged from a real-time performance where artificial intelligence, modular synthesizers, and body movement operate within a single system. The image is continuously transformed through diffusion models powered by audio-rhythmic structures, creating a feedback loop between body, sound, and algorithm.

BIO

NTSCconcept is an Argentinian audiovisual duo founded in 2001 by Sebastián Ferreyra and Laury Moulia. They integrate modular synthesis, generative systems, and artificial intelligence into real-time audiovisual performances. They have presented their work at festivals and electronic art spaces in Latin America and Europe, and released music on international labels.

ENTROPY

Moritz Simon Geist

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Phytomorphic Topologies – Canada / United States / France

Entropy is a robotic music video built entirely around Tripods One, Moritz Simon Geist’s system of custom-built sound robots. Every sound is generated live by physical machines: a pneumatic hi-hat, a futuristic kalimba, a drone guitar, and mechanical tone generators. The result is machine-made techno in which the choreography of the robots is as central as the music. The Tripods One system is on permanent display at the Ars Electronica Center in Linz.

BIO

Moritz Simon Geist is a German visual artist, researcher, and music producer working at the intersection of robotics, physical sound, and algorithmic agency. He builds robotic instruments and autonomous sound sculptures, from the MR-808 (2012) to Tripods One (2017). His work has been shown at the Venice Biennale, Ars Electronica, ZKM, and the MIT Museum.

PHYTOMORPHIC TOPOLOGIES

Matthew Biederman & Pierce Warnecke

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Phytomorphic Topologies – Canada / United States / France

Phytomorphic Topographies is a suite of audiovisual works which investigates fragile ecosystems of protected wilderness spaces through three-dimensional (photogrammetry) visual representations and near-field audio recordings. The work explores these zones’ capacity as a compositional tool in order to foster novel views and reflections rather than simple representations, thereby bringing attention and consideration to both the visible and often overlooked life structures around us.

BIO

Pierce Warnecke is a multidisciplinary digital artist at the intersection of experimental music, digital arts and video art. He has presented his work in the form of performances, concerts and installations at Rewire, Mutek, GRM, ZKM, ManiFeste (IRCAM), CTM, Elektra, KW Institut, La Biennale Nemo, Sonic Acts, Martin Gropius Bau, MAC Montreal, Gray Area SF, Scopitone, LEV Festival, Semibreve, etc. 

Matthew Biederman is an artist exploring perception, media saturation, and data systems since the mid-1990s. He has received major awards and held residencies at institutions including the Center for Experimental Television and CMU’s CREATE Lab. In 2007, he co-founded the Arctic Perspective Initiative. His work has been exhibited internationally at major biennales, festivals, and museums.

MIXOBLOODIFY

Bowen Wu

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

Mixobloodify – England

Mixobloodify originates from research on hybridizing the traditional Chinese pipa with electronic music to form a new digital language. Through this process, the artist became interested in broader ideas of hybridity, including cross-cultural identity, cultural conflict and self-acceptance. The work follows Homi Bhabha’s notion of the “third space”, treating artistic creation as a site where different cultural backgrounds meet and transform.

BIO

Bowen Wu is a Glasgow-based composer and audiovisual artist working with sound art, electroacoustic music, moving image and live electronics, often using archival material and spatial listening. His works have been presented internationally. He holds an MSc from the University of Edinburgh and is currently a PhD researcher at the University of Glasgow.

LUX OSCILLANS

Alfonso Pretelt

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival

LUX OSCILLANS – Colombia

It is an audiovisual suite in four movements where sound, analyzed in real time, governs the light emission of an anisotropic field: grain, halo, matter and radiance are organized and dialogue, composing generative systems of a poetic physics.

Audio generated using SuperCollider, free software.

Moving image generated using C++ and JavaScript. 

BIO

Poet, interdisciplinary artist, composer, and psychologist. Alfonso questions the interface and the cyborg’s stance in its contemporary condition, transforming techno-spiritual and techno-emotional contexts in interaction with the machine. He conceives of sound as an entity, a material to be sculpted like stone. 

REBIRTH

Simone Bosco

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC VIDEO PERFORMANCE
Electronic Language International Festival

REbirth – Italy

REbirth is an Audio Video live show in which images react in real time to sound, shaping an incredibly emotional experience. “Nothing is destroyed, everything is transformed”, inspires the artist who explores the infinite life spiral of every living being: a process of regeneration that gives new life. An invitation to sustainability and personal renewal, REbirth explores a territory straddling different sound and visual languages in a synaesthetic process between them.

BIO

Simone Bosco is an Italian composer, producer, sound designer and musician.

From 2000 to 2026 he released 17 record works (4 of which were voted among the 10 best European albums of the year).

He has written music for 18 dramas.

He has collaborated with internationally renowned artists and has a concert activity that has led him to perform in prestigious theatres and festivals in over 20 countries.

CRISPR THE PATTERN OF LIFE

Bromo

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC VIDEO PERFORMANCE
Electronic Language International Festival

CRISPR the pattern of life – Spain

Bromo’s proposal goes beyond an audiovisual concert of experimental music and generative art. Through the constant search for new communication tools, this conceptual facet, in which research processes become almost academic approaches, helps create transformative experiences, foster an active audience, and generate reflection in the viewer. CRISPR the pattern of life is their latest offering.

BIO

Bromo is the duo formed by Paloma Peñarrubia, a renowned film composer with a long history of selecting the best electronic music tracks for her sets. In 2017, she decided to create, together with Azael Ferrer, developer of the sophisticated visuals, a project combining experimental music, generative art, and AV performance, exploring diverse themes…

UNDERWATER

An-Ting Chang & Ian Gallagher

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC VIDEO PERFORMANCE
Electronic Language International Festival

Underwater – England / Taiwan

Have you heard that fish talk? Do you know the underwater world is super noisy, like a market full of life and communications? Underwater is a new live performance project that explores the acoustic world of marine life by composer An-Ting and creative technologist Ian Gallagher. We want to share with people the vibrancy and mystery of the natural world, and reconnect them through a collective experience with the non-human communications that our “civilized” society might have made us numb to.

BIO

An-Ting (composer) and Ian Gallagher (creative technologist) are collaborators specializing in blending cutting-edge arts and technology. Their collaborations include every dollar (2021), winner of Arts Council England’s Digital Culture Award for Storytelling, and HOME X (2023), which premiered at the Barbican with a sold-out run and was nominated for the UK Theatre Awards’ Digital Innovation.

DESERT ECH0000000

Zen Cohen

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Desert ECH0000000 – United States

Desert ECH0000000 is a site-specific video performance recorded during an artist residency at High Desert Test Sites in Joshua Tree, California. This work emerged from an immersive engagement with the landscape, where movements through the desert were captured and mediated using a camera and customized software. It invokes the concept of quantum branching—the idea that every event with multiple possible outcomes gives rise to parallel universes.

BIO

Zen Cohen’s exhibition credits include the deYoung Museum, SFMOMA, Yerba Buena Center for the Arts, Vanity Projects, Museo de Arte Moderno (CDMX), Ex Teresa Arte Actual (CDMX), and Centro Atlántico de Arte Moderno (Canary Islands). She is the founding director of Open Air Media Festival which received an NEA in 2024.

THE SPACE BETWEEN BECOMES US

Zack Nguyen

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

The Space Between Becomes Us – United States / Vietnam

The Space Between Becomes Us is a meditation on how the artist believes we come into being through one another—how the unseen space between us might carry memory, feeling, and healing. This work reflects a desire not for answers, but for mutual understanding. For the kind of peace that emerges when we let ourselves listen and become, together.

BIO

Zack Nguyen is a hybrid artist and independent curator based in Dallas and active in Berlin. Working across moving image, performance, sound, and new media installation, his practice explores nowness, identity, and the lived body as sites of healing and connection. His work balances minimal form with emotional intensity and has been exhibited internationally across Europe, Asia, and the U.S. 

MINIMAL SPACES

Verônica Gesteira & Paul LiBassi

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Minimal Spaces – Brazil / Spain / United States

This piece explores the relationship between sound and moving image using noise and feedback. Through creative programming techniques, abstract audio-reactive forms generate small textures that combine into a kind of imaginary relief map. The soundscape conjures elements of simple noise. Drones, sirens, metallic tones… everything is done to define the imaginary space in which this work is located.

BIO

Verônica Gesteira is an engineer, multimedia artist, and music producer born and raised in São Paulo. Paul LiBassi is an American musician, producer, and sound designer living in Spain. Previously, the two created audiovisual art together for live performances and are now exploring the creation of recorded video art works that maintain the unpredictability of live performance.

LINHA TÊNUE

Tassio Caetano

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Linha Tênue – Brazil

Linha Tênue is an audiovisual work that transforms the line into the protagonist, revealing its ambiguity and ability to unfold between form, gesture, and autonomy. Each stroke moves, connects, dissolves contours, creates figures, and establishes temporal relationships flowing between image and sound. The work invites viewers to experience the tension between structure and freedom, perceive details multiplying through continuous movement, and immerse themselves in a sensory universe.

BIO

Born in Brasília, the artist graduated in Composition from the University of Brasília and is currently pursuing postgraduate studies at UNESPAR. His recent research focuses on electroacoustic, visual, and multimedia composition, with works presented at festivals in Brazil, Latin America, Europe, and the United States.

FLUJOS RECTIFICADOS / RECTIFIED FLOW

Sebastián Arriagada

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Flujos Rectificados / Rectified Flow – Chile

The video essay Flujos Rectificados (Rectified Flows) investigates the paradox of astronomical images not created for contemplation. Using generative art, the project processes FITS data to create dynamic visualizations that liberate these “technical images” from their operational function. The work explores their sensory and material potential, proposing new spaces of appearance and addressing the status of the image in the age of data.

BIO

Sebastián Arriagada (Chile) is an artist, researcher, and filmmaker. A professor at Universidad de Chile and PhD candidate at PUC, his work explores technical images and the limits of representation. His practice has been exhibited at Ars Electronica, Alchemy Film & Moving Image, FIDOCS, and Bienal de Artes Mediales, among other international venues and research hubs.

AN ENGINEER / NOT A CAMERA

Ryan S. Jeffery

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

An Engineer / Not a Camera – United States

The production of a computer chip is the most complex technical human achievement to date. Photolithography, a critical step in this process, relies directly on the older science of optics and photography, which are centuries old. Today, generative AI and computer-generated imagery are nearly indistinguishable from those made with a camera. Once a method for capturing an image of the world, the science of optics is now used to build machines that can make images of the world without seeing it.

BIO

Ryan S. Jeffery’s work with the moving image sits at the intersection between documentary, art, and media studies. Grounded in an analysis of aesthetics and politics, his work considers how technology, ideology, and political economy shape one another. His work has appeared in FIDMarseille, Transmediale, EMAF, and UNCCC, as well as The New York Times, e-flux, and Filmmaker Magazine.

SHADOWLESS

Roberto Musanti

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Shadowless – Italy

Shadowless is an audiovisual work that explores the perceptual limits of the human mind in the age of digital image overproduction. Through the combination of electronic music and continuously generated visuals, the piece reflects on the loss of meaning caused by the endless circulation of images, where memory becomes blurred and the boundary between lived experience and mediated vision progressively dissolves.

BIO

Roberto Musanti is an electronic music composer, audiovisual artist and educator based in Cagliari. Active since the early 1980s, he works in electronic and multimedia art, creating audiovisual performances, video works and interactive installations presented at international festivals. He holds degrees in Electronic Music and teaches multimedia and computer music.

POIESIS I-III

Nivaldo Godoy Jr.

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

POIESIS I-III – Brazil

POIESIS I–III is an experimental triptych that investigates image production through artificial intelligence and generative systems. Situated between the organic and the synthetic, the works present unstable materialities in continuous processing, revealing the codes, glitches, and structures of the image itself. Organized in temporal cycles and accompanied by an immersive sound mesh, the videos propose a perceptual experience in which transformation and artificiality become language.

BIO

Nivaldo Godoy Jr. is an artist, researcher, and architect whose work explores the relationships between art, technology, and the city. He develops immersive works using AI, audiovisual media, and experimental narratives, with pieces presented at institutions and festivals such as the FILE Festival. His practice articulates critical research, innovation, and aesthetic experimentation.

DROP TO SEA

Narges Astaraki

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Drop to sea – Iran

Water is an element as grand as the sea and, at the same time, as delicate as a drop. In this video, we witness the transition of the infinite and vast form of the sea into the fine and detailed states of droplets. This transition not only reveals the physical changes of water but also alludes to the concepts of repetition and fractals in nature, where each drop contains a complete world within itself.

BIO

Narges Astaraki is a young artist active in the fields of digital art, graphic design, and photography. Driven by a profound interest in nature, she explores natural elements and the structures of their creation. Through photography and videography, Narges has created a collection titled Harmony of Life.

YOUNG MAN WITH A LEATHER JACKET

Muriel Montini

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Young man with a leather jacket – France

He dreams. I dream in his dream.

BIO

Muriel Montini studied cinema. She lives and works in Paris. Since 2000, she has made several movies screened in different international important institutions (Musée du Jeu de Paume, Anthology Film Archives New York, ImagesPassages, etc) and festivals (Hamburg International Short Film Festival, FIDMarseille, Rencontres Paris-Berlin, Ji-hlava International film festival, European Media Art Festival.

PERCEPTION VORTEX

Moonth

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Perception Vortex – Russia

Perception Vortex is an attempt to visualize the processes of perception. Memories create an ever-changing environment where perception continuously evolves. The source material consists of my old photographs of flowers and abstract objects. Time distorts them in my memory; they dissolve, giving rise to new forms. The texture and color of the original images are transformed within the three-dimensional space of the digital environment, which is conceptualized as the materiality of memory.

BIO

Moonth is a new media artist Michael Mesiats based in Saint Petersburg, Russia. Since 2016 he has been working as a self-taught new media artist focusing on creating abstract systems with their own internal logic. His works have been shown at Creative Code Festival in New York, Athens Digital Arts Festival, CTM Cyberia in Berlin and other festivals and exhibitions.

COREOGRAFÍA

Mirtha Bermegui

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Coreografía – Argentina 

A moving body becomes a visual score. Choreography unfolds a dance suspended between gravity and illusion, where repetition and chance trace gestures that oscillate between the human and the artificial. Artificial intelligence intervenes as malleable matter, recomposing patterns in an unfinished flow. The work is configured as a visual laboratory where time, error, and reiteration are poetic strategies for exploring body, technology, and becoming.

BIO

Argentine multidisciplinary artist, lives in Buenos Aires. Her practice encompasses installations, video art, and transdisciplinary projects, with a presence in national and international exhibitions. She participates in competitions and biennials, and investigates the relationship between art and artificial intelligence in her contemporary production.

TERRA’S TOMB

Mikey Peterson

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Terra’s Tomb – United States

As we slowly move through organic textural fields, we experience the unlocking of a new place that lies somewhere between the physical, the virtual, the scientific, and the spiritual. Here we encounter what is both strange and familiar—a world where we entwine with nature’s fluid states—triggering surreal transformations that can mirror our minds’ narratives and release the invisible specters that define our present and alter our future. 

BIO

Mikey Peterson’s imagery aims to disturb our self-perception and sense of place. Footage is taken out of its natural context and manipulated to relay other truths about the world that it is from—unveiling connections between memory, environmental preservation, environmental degradation, and the human condition. He has shown at museums, galleries and festivals all over the world.

CIRCLES AND SQUARES

Michael Lyons

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Circles and Squares – United Kingdom/Japan

Circles & Squares is an audiovisual work structured around the interaction of geometric motion and sound. Circular forms intersect and recede in continuously shifting configurations, generating patterns of (a)symmetry, interference, and temporal tension. The animation operates as a visual score, organizing the square-wave tones of the soundtrack through evolving spatial relations. Free of narrative or representation, the work foregrounds rhythm, recurrence, and perceptual transformation.

BIO

Michael Lyons (UK, Canada) is an artist and researcher based in Kyoto, Japan. He is currently Professor of Image Arts and Sciences at Ritsumeikan University.

PRECARITY

Max Wolf

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Precarity – United States

An amalgamation of masked audiovisual captures of water whose translucences intimate indispensability and luster; sharp, searing noise clashes with metallic rendering atop the obscured video imagery amidst a grayscale-dominant landscape which invokes infected water, evocative of mercury, evocative of scathing deterioration. A reel of dysphonic residual excrement amidst societal collapse.

BIO

Max Wolf is an emerging artist in New York, with notable screenings including those with the Film Makers’ Cooperative (New York, NY, USA), Station Gares-de-Mines (Paris, France) and Canyon Cinema (San Francisco, CA, USA). Their works have experienced recurring premieres with Panasonic and MAPP (Montréal, Canada), their photography and digital media works having been shown internationally.

TIRESIAS

MARTA DI FRANCESCO

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

TIRESIAS – Italy / United Kingdom

Tiresias is a meditation on blindness as spiritual blindness and lack of foresight. Inspired by the blind prophet of Greek mythology Tiresias, a liminal being who exists as man and woman, between humankind and gods, blindness and sight, the piece critically examines AI recursive mirror by reimagining Tiresias, who can no longer see in darkness because it is replaced by recursion, self-replication, and infinite feedback loops of mirrored images. Blindness is not the absence of sight but its saturation.

BIO

Di Francesco is a London-based artist merging poetics with code across video, text and installation. Her practice takes an existential, critical approach to the human condition in machine-mediated reality. Through meticulous processes, generative and hand-painted frame by frame, she reclaims agency in temporality and time consciousness as forms of resistance against speed, acceleration, distraction.

COPY. REPEAT. DISAPPEAR.

Lilia Chak

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Copy. Repeat. Disappear. – Israel

Copy. Repeat. Disappear. explores the dissolution of identity in the age of AI. Seven digital avatars recite an AI-generated poem; voices are intentionally aligned and misaligned to expose the tension between human embodiment and machine indifference. Through repetition and transformation, presence dissolves into data, questioning authenticity, intimacy, and memory within algorithmic systems.

BIO

Lilia Chak is an Israeli artist, designer, and art-science researcher based in Jerusalem. Her practice spans AI art, Bio-art, video, photography, and installation. She holds a PhD from Sorbonne University and is a postdoctoral fellow at Bar-Ilan University. Her work has been shown internationally, including at Ars Electronica and BOZAR.

AFTER / BINARY INTERPRETATION: AFTER PAUL GAUGUIN, AFTER VINCENT VAN GOGH IN ARLES

Kenji Kojima

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

After / Binary Interpretation: After Paul Gauguin, After Vincent van Gogh in Arles – Japan

This video work is part of the After/Binary Interpretation web project, which consists of more than ten short videos. Currently, all information is recorded in binary format. Based on the concept of “After” found in Van Gogh’s artwork titles, this project goes beyond mere appropriation or stylistic quotation, deconstructing existing art images into their underlying visual structures. This approach is realized through expression using binary code and algorithms.

BIO

Kenji Kojima has been experimenting with the relationships between perception, cognition, technology, music, and visual art. He was born in Japan and moved to New York in 1980. Personal computers improved rapidly in the 80s. He started to create digital artwork. He developed the computer software RGB MusicLab. His digital art has been exhibited in New York and at media art festivals worldwide.

AMOURS PERDUES : LA CULPABILITÉ

Jean-Michel Rolland

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

Amours perdues : la culpabilité – France

Amours Perdues (Lost Loves) is a series of videos produced a few months after the passing of the artist’s wife. This tormented period was filled with numerous emotions and questions that gave birth to these videos. Whether art therapy or simply a form of catharsis, this work helped him to accept a painful reality.

BIO

Jean-Michel Rolland is a French artist. A long time a musician and a painter, he brings together his two passions—the sound and the image—in digital arts since 2010. Through video artworks, he questions temporality, a genuine fourth dimension inherent to moving image, as well as the duality between his two favorite mediums, the sound and the visual.

THE STREAM XIV

Hiroya Sakurai

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

The Stream XIV – Japan

The artist observed how the landscape transforms when the wind blows through the fields. By using a wind chime, he perceived the invisible presence of the wind through sound, and through the ripples of wind that arose in the fields, he also captured its presence visually.

BIO

Born in Yokohama, Japan. Emeritus Professor at Seian University of Art and Design. Sakurai’s work can be found in the collections of the National Gallery of Canada and J. Paul Getty Trust. Sakurai was awarded at 35th Asolo Art Film Festival (2016), Italy, 39th Tokyo Video Festival, 18th FILE 2017, São Paulo (2017) and 56th Ann Arbor Film Festival. 

MATERIALIVE

Guli Silberstein

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

MATERIALIVE – United Kingdom

Data, body, pixels, fluids, neural networks and nature, all moshed up through a unique combination of generative AI and algorithmic datamoshing. Morphing videos in the uncanny valley, MATERIALIVE becomes a poem for human and nature (co)existence and its processing by organic forces and technological powers. A hybrid emerges: an audiovisual documentary of the hyperreal, or perhaps a living form born from the history of our dreams and hallucinations. A material, perhaps maternity, for thought.

BIO

Guli Silberstein is a London-based digital/AI video artist working for more than two decades. Since earning a Master’s degree in Media Studies from The New School in 2001, he has specialised in VFX, glitch art and AI, exploring how ideas and stories translate into moving forms. His work has been showcased and awarded at festivals and exhibitions worldwide.

WAYWARD APPROXIMATIONS (20250518)

Gerald Trimmel

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

WAYWARD APPROXIMATIONS (20250518) – Austria

WAYWARD APPROXIMATIONS (20250518) is a dynamic Cybernetic Canvas in the form of an audiovisual tondo. A 4×4 matrix of parallel morphing image streams generates hybrid worlds between biology, technology, and textile structures. Recurring synchronization moments create unexpected homogenization as an anomaly within proliferation. Image and sound form autonomous poles connected through structural resonance.

BIO

Gerald Trimmel is a Vienna-based media artist, composer, and art therapist. His work explores transformation processes between analog material, digital systems, and AI-based image generation, often in circular audiovisual formats (Cybernetic Canvas). Recent presentations include Chongqing (China), ArteScienza Festival (Rome), and The Wrong Biennale (São Paulo | online).

GARGANTUA (20250302)

Gerald Trimmel

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival

GARGANTUA (20250302) – Austria

GARGANTUA (20250302) is a dynamic Cybernetic Canvas exploring AI-based image transformation as a metabolic process. Hybrid source materials—osmotic paintings, scans, chemical micro-scenarios, and dismantled diagrams—are processed through algorithmic recombination into a continuously shifting circular field. The work stages an unstable dialogue between visual matter and electroacoustic sound, forming a dense system of feedback, drift, and perceptual unrest.

BIO

Gerald Trimmel is a Vienna-based media artist, composer, and art therapist. His work explores transformation processes between analog material, digital systems, and AI-based image generation, often in circular audiovisual formats (Cybernetic Canvas). Recent presentations include Chongqing (China), ArteScienza Festival (Rome), and The Wrong Biennale (São Paulo | online).