PETER GREENAWAY

بيتر غريناواي
彼得·格林纳威
פיטר גרינווי
ピーター·グリーナウェイ
피터 그리너웨이
Питер Гринуэй
The Pillow Book
Beautiful to behold and impossible to forget, THE PILLOW BOOK is auteur Peter Greenaway’s erotically-charged drama about love, death, revenge and the indelible nature of our earliest memories. Each year on her birthday, Nagiko (Vivian Wu) would became her father’s canvas, as he painted the creation myth in elaborate, elegant calligraphy on her body. Years later, she continues the practice with a succession of lovers, including a bisexual translator (Ewan McGregor) who becomes a pawn in an escalating game of vengeance against her beloved father’s exploitative publisher. Told in a series of chapters and featuring innovative cinematography and picture-in-picture techniques, Roger Ebert called THE PILLOW BOOK “a seductive and elegant story [that] stands outside the ordinary.”

cinema full

Lin Hwai-min

cursive II
Ross MacGibbon
Cloud Gate Dance Theatre of Taiwan
Lin Hwai-min’s Cursive II is inspired by the aesthetics of calligraphy. Set to music by John Cage, it is an exquisite meditation on the balancing of opposites presented in delicate simplicity, allowing no distraction from the details of the dance.

STÉPHANE GUIRAN

The sleek line work of Guiran’s sculpture, inspired by calligraphy and Japanese haikus, evokes an imaginary writing that unfolds in space. Guiran works predominately in glass, drawing and photography. “…Consistent and deliberate, his work is allied with the essential, between matter and spirit, method and momentum, humans and nature. It imposes its decisive presence by leaving us with thefeeling of harmonious wholeness..”

LUO, HE-LIN & CHEN, I- CHUN

Light Calligraphy
File Festival

The use of a single-chip IC to control the machine’s arm is like Chinese calligraphy’s motion related to Zen. The machine’s arm draws the light with the motion of Chinese calligraphy on the wall with the absorb pigment (Chemistry: ZnS). The viewer can pursue and touch the light point. When he touches the light point, he can fix his shadow on the wall, what gives the illusion of catching the light. In the process of pursuing and touching the light point, the viewer and the machine’s arm move to

JULIEN BRETON

light calligraphy