GRINDER-MAN

Mirage
“MIRAGE” is the first performing art ever in the world to experience with immersive. This experience reminds us that we generate ourselves at each moment in our highly subjective ambiguous world. Unlike the general performing arts for the several audiences, “MIRAGE” is generated by the interaction of the two dancers and the one participant. As the participants, you are invited into an 8 minute immersive experience, using a head-mounted display fitted with headphones and a camera to capture live scenes. While unaware of the participant, dancer in front of the eyes is changed over to the dancer that has been recorded in advance. In addition, by overlapping the live scene and recorded ones, participants will experience simultaneous past and present. It is very difficult to tell which dancer is really existing or which is not. Each participant will be required to discover their own “reality”.

Liam Young

In the robot skies
In the Robot Skies is the world’s first narrative shot entirely through autonomous drones. In collaboration with the Embedded and Artificially intelligent Vision Lab in Belgium the film has evolved in the context of their experiments with specially developed camera drones each programmed with their own cinematic rules and behaviours. The film explores the drone as a cultural object, not just as a new instrument of visual story telling but also as the catalyst for a new collection of urban sub cultures. In the way the New York subway car of the 80’s gave birth to a youth culture of wild style graffiti and hip hop the age of ubiquitous drones as smart city infrastructure will create a new network of surveillance activists and drone hackers. From the eyes of the drones we see two teenagers each held by police order within the digital confines of their own council estate tower block in London. A network of drones survey the council estates, as a roving flock off cctv cameras and our two characters are kept apart by this autonomous aerial infrastructure.

Vincent Leroy

Molinoptere
The distinguishing feature of the Lanzarote Island, one of the Canary Islands, is its old windmills, or molinos. The island has limited natural sources of energy — it has no running streams and no woodland. What it does have, however, is ample wind, and for centuries Lanzarote has used wind power both to grind grain and to pump water. The island still has several remaining mills, but many of them are now in ruins. To give a second life to these abandoned structures, French artist Vincent Leroy develops a concept project titled “Molinoptere” that proposes to turn them into both art objects and wind turbines.

JONATHAN SCHIPPER

To Dust
Two sculptures are hung from a mechanism that gently grinds them into each other. The sculptures will slide against one another for many years creating new unimagined form.

YANG MAOYUAN

Artist Yan Maoyang used western classic marble sculptures as prototypes, and modifies the prototypes by rounding the sculptures, painstakingly grinding and polishing the edges. This reflects the Chinese philosophy of beauty and harmony.

Mandy Greer

Мэнди Грир
曼迪·格里尔
Dare alla Luce

“The immensity of the installations push my own body’s endurance, as I grind up piles upon piles of thriftstore flotsam and jetsam, a remaking into the image of revamped mythological story, amped up on glitter and beads. I wade through fairy tales, archetypes, mythology, allegory and folk tales looking for moments that coincide with my own experience of everyday life, where animals perform us. These narratives are, after all, the ordinary human dramas that perpetually reoccur, until they become mythos.”

ROGIER VAN DER ZWAAG

Nobody Beats The Drum – Grindin’