ARAKAWA + GINS

Yoro Park – Site of Reversible Destiny
“The couple first fully explored Reversible Destiny in what is regarded as their seminal gallery piece, “The Mechanism of Meaning,” an ever-evolving manifesto-cum-artwork begun in 1963, comprising 80 panels that they refined and added to over decades, many of them high-concept diagrams and puzzles with instructions and text (“A Mnemonic Device for Forgetting,” “Think One, Say Two”), made primarily of acrylic and mixed media on canvas. In an accompanying précis to the work, which was exhibited at the Guggenheim in 1997, they prescribed “no more irretrievable disappearances” and declared death “old-fashioned.” Critical opinion differs on how seriously the pair, whose work is in the collection of the Museum of Modern Art and Paris’s Centre Pompidou, took the grandiose quest to end death. But if it was intended as metaphor, neither of them ever let on. Indeed, though Arakawa himself died at 73, in 2010, and Gins four years later, at the age of 72, defying death became the defining work of their lives.”

Roy Andersson

A Pigeon Sat on a Branch Reflecting on Existence
A sense of depression is reflected in his reluctance to use close-ups or camera movement, yet Andersson has quite an eye for beautiful set-ups even within the restrictions he’s given himself. His sense of humor is deadpan and misanthropic yet humanist. Andersson’s dour wit isn’t far from Louie. A Pigeon Sat On a Branch Reflecting On Existence expects the worst from the human race but holds out a slim hope for the best.

Ingo Maurer

Birdie
The original Birdie suspension lamp was designed by Ingo Maurer himself in 2002. Birdie is the smaller version of the Birds Birds Birds chandelier and is suited for ceiling heights of 230 to 260 cm. With 12 halogen low-volt bulbs, extra produced by Ingo Maurer, and handmade wings of goose feathers this lustre becomes an extraordinary design lamp. The individual wires can be turned, bent and shaped whichever way you like.

TADAO CERN

Revealing The Truth – Vincent Van Gogh
Tadao Cern is a photographer and artist based in Vilnius, Lithuania. He graduated in architecture, but in spring of 2010 he decided to try something new and he found himself in the world of photography. These images are digital recreations iconic paintings using photography and digital retouching.

LIU BOLIN

刘勃麟
Hiding in the City No.16 – Civilian and policeman

Liu Bolin is a Chinese Artist who became famous for his series of Photographs called “Hiding in the City” where the artist makes himself invisible in different locations all around the world. He presented a TED Talk in 2013 explaining why he makes himself invisible.

TADAO CERN

TADAO CERN IS A PHOTOGRAPHER AND ARTIST BASED IN VILNIUS, LITHUANIA. HE GRADUATED IN ARCHITECTURE, BUT IN SPRING OF 2010 HE DECIDED TO TRY SOMETHING NEW AND HE FOUND HIMSELF IN THE WORLD OF PHOTOGRAPHY. THESE IMAGES ARE DIGITAL RECREATIONS ICONIC PAINTINGS USING PHOTOGRAPHY AND DIGITAL RETOUCHING.

TADAO CERN

TADAO CERN IS A PHOTOGRAPHER AND ARTIST BASED IN VILNIUS, LITHUANIA. HE GRADUATED IN ARCHITECTURE, BUT IN SPRING OF 2010 HE DECIDED TO TRY SOMETHING NEW AND HE FOUND HIMSELF IN THE WORLD OF PHOTOGRAPHY. THESE IMAGES ARE DIGITAL RECREATIONS ICONIC PAINTINGS USING PHOTOGRAPHY AND DIGITAL RETOUCHING.

Ballet Preljocaj

AND THEN, ONE THOUSAND YEARS OF PEACE
And Then, One Thousand Years of Peace is a huge, ambitious monolith of a work. First created by Angelin Preljocaj for the Bolshoi Ballet in 2010, it takes inspiration from the vision of apocalypse conjured by St John in the biblical Book of Revelation.There are no horses galloping across the stage or horned beasts. But Preljocaj sets himself a barely less daunting task: choreographing the essential meaning of apocalypse, as a cataclysm so profound it lays bare the very essence and history of human nature.Preljocaj launches his work with a shattering opening sequence. Ten women drive through hard, slicing, geometric formations; lights flash, electro-percussive music reverberates; and the air becomes as thick and swarming as a tropical thunderstorm as the movement accelerates towards its convulsive climax.Out of this intensity emerges a Garden of Eden tranquillity, where men lope and flutter in delicately animalistic moves, and two women in white tunics play like lazy cherubs.

Breakdown

Interactive audiovisual dance performance
via highlike submit
Breakdown is an interactive audiovisual dance performance presented at the Ears Eyes and Feet event in the B. Iden Payne Theater, May 2014, UT Austin Texas.
Breakdown explores a 2 dimensional simulated world in which its physical rules are constantly being changed and manipulated by an external entity. An inhabitant of this world is in constant motion to adapt to its characteristics. He interacts with the physical rules and develops a dialogue with the entity who controls the forces. Eventually the inhabitant ends up breaking the world’s rules and release himself into a new world, a new dimension.

MARCIO AMBROSIO

Oups!
Oups!
FILE SAO PAULO 2007
Capturing and tracking camera, animated image integration and projection
Created in 2007. Oups! was born from the wish to mix new technologies and classic animation in a playful and artistic way. Each animated sequence has a script and the visitor interacts and transforms himself into an actor of this story.
When the visitor enters in a defined space, a camera records his image and projects it on a screen in front (like a mirror) in real size and time. The visitor sees himself integrated to an animation setting that follow his movements. He founds himself immersed in a creative universe of images and sounds. The animation sequences that feed this universe are stored in a video library, new animations may be added to enrich the project. Oups! universe is playful and naive, accessible to all publics and ages.
video
VIDEO 2

TADAO CERN

TADAO CERN IS A PHOTOGRAPHER AND ARTIST BASED IN VILNIUS, LITHUANIA. HE GRADUATED IN ARCHITECTURE, BUT IN SPRING OF 2010 HE DECIDED TO TRY SOMETHING NEW AND HE FOUND HIMSELF IN THE WORLD OF PHOTOGRAPHY. THESE IMAGES ARE DIGITAL RECREATIONS ICONIC PAINTINGS USING PHOTOGRAPHY AND DIGITAL RETOUCHING.

LA MONTE YOUNG

Marian Zazeela & The Theatre of Eternal Music
Dream House
The album was released with the catalog number Shandar 83.510. Regarding the extended run time, Young in the sleeve notes says that “Time is so important to the experiencing and understanding of the music in the record that every effort was made to make the record last as much as the original master tapes”; Young thanked Mr. Michel Blancvillain who made it technically possible.The cover, labels, design and calligraphy were designed by Marian Zazeela, and are drawn in her trademark magenta on a black background, featuring a picture of her and Young in performance. The two inner sides of the record jacket contain a comment by Shandar founder Daniel Caux, plus extensive original notes penned by La Monte Young himself about the music, its structure and its history. In 2016 Aguirre Records reissued the album on vinyl in a limited-edition, remastered form