Opus Dubai Hotel
“O Opus segue à risca a principal missão da Omniyat, de tratar cada projeto como se fosse uma obra de arte única e exclusiva,” disse Mahdi Amjad, presidente executivo e CEO da Omniyat. “O projeto de arquitetura transparece a complexidade e criatividade do trabalho da ZHA; expressando uma sensibilidade espacial única, que transcende os limites entre o espaço interior e exterior, entre o cheio e o vazio e o que é opaco e transparente.”

SWAP
SWAP é uma performance audiovisual interativa para palco criada no cruzamento entre a dança e a visualização de movimento. A performance explora o conceito do corpo como sistema autopoiético intimamente ligado ao seu contexto, onde a mente, as emoções, o sistema nervoso e meio ambiente são um só – o corpo. Um organismo em permanente recursividade, regeneração e transformação, principio enunciado pelos biólogos Maturana e Varela. Em SWAP a visualização artística do movimento expõe os fluxos invisíveis que percorrem o interior e exterior do corpo, de acordo com a nossa percepção micro ou macro alteram a nossa leitura e compreensão da realidade. São geradas animações interactivas compostas por milhares de partículas em constante movimento que reflectem a relação entre o corpo do performer.

Audio Responsive Treehouse

FILE 2024 | Architectural Synthetics
International Electronic Language Festival
Hassan Ragab – Audio Responsive Treehouse – United States

This work, created using generative artificial intelligence tools, is part of a broader exploration into discovering architectural forms through the intersection of different media. Potential shapes are generated based on the rhythms and timbres of the Shockone vs. Shockone song Run. The Bloody Beetroots. Factors such as camera movement and dynamics between the interior and exterior of the treehouse contribute to the creative process.

Bio

Hassan Ragab is an interdisciplinary media artist, architect and designer whose work focuses on the synergy between art, architecture, technology and humanity. He uses generative artificial intelligence to create a new visual language, and his work is exhibited globally. Additionally, Hassan writes about the integration of new media into art and design and has been recognized in numerous publications and news outlets.

NO/Escape
Mallorcan artist Bernardi Roig (b. 1965) installs six sculptural works in unexpected interior and exterior spaces, challenging visitors to rethink the definition of the museum. Roig draws parallels between his and Honoré Daumier’s works, both of which offer poignant social commentary. Roig addresses the existential dualities of entrapment and liberation, blinding and illumination, absence and presence. Typical of the artist’s work are the cruel-looking white plaster figures cast from real people, often cornered or crushed against walls or twisting in pain. By including the element of light—whether a single light bulb, neon tubes, or fluorescent lights—Roig’s work blends minimalist forms with highly charged expressions of anxiety and loneliness.

Mirage Gstaad
“Mirage Gstaad by Doug Aitken uses the frequency of light to reflect the sublime Alpine landscape as part of a continually changing encounter in which land and sky, subject and object, inside and outside are in constant flux. Standing in contrast to the surrounding chalet’s the ranch-style structure suggests a latter-day architectural version of Manifest Destiny, the westward migration that began in Europe and finally settled in California. With every available surface clad in mirror it both absorbs and reflects the landscape around in such ways that the exterior will seemingly disappear just as the interior draws the viewer into a never-ending kaleidoscope of light and reflection.

The Contemporary Art Center in Córdoba is not a centralized building: the center moves from one space to another, it is everywhere. It is configured as a sequence of precincts linked to a public space, onto which all the different functions of the building flow. Conceived as a place for interaction, it is a common space in which one can express and exchange ideas, see an installation, access exhibitions, visit the cafeteria, spend time in the media library, wait for a performance to begin in the black box, or maybe simply look out onto the Guadalquivir River. The materials help to achieve the art factory character pervading the entire project. In the interior, bare walls, slabs of concrete, and continuous paved flooring establish a spatial structure susceptible to being transformed individually through different interventions. A network of electric, digital, audiovisual, and lighting infrastructures ease access to sockets and connections throughout the building. On the exterior, the building asserts its presence by means of a single material: prefabricated concrete fiberglass panels, or GRC.

Phoenix International Media Center
According to Architect Shao Weiping, the design of the building resembles DNA-like double helix that has been wrapped into a loop.[4] He adds that the circular contours of the Phoenix complex echo the yin-yang symbol of ancient Chinese philosophy. The Phoenix Centre is notable for being an experimental building designed by a domestic firm.[5] Within the doughnut-shaped exterior “shell” are two conventially-structured interior towers.

于爾根·邁爾
يورغن ماير
위르겐 마이어
יורגן מאייר
ユルゲン・マイヤー
Юрген Майер
a f a s i a

The one hundred meter long Lazika Pier with its 31 meter high landmark sculpture is one of the first structures to mark the beginning of the development of this new metropolis. The sculpture is built out of 8mm steel plates. Exterior and interior lighting features will provide a dynamic and pulsating look to the sculpture

The National Museum of Qatar
The idea behind the interiors designed by the australian studio intend to complement the exterior ‘desert rose’ concept envisioned by french architect Jean Nouvel. This collection of images showcases the ‘cave-like’ museum shop space that has been created taking direct inspiration from qatar’s natural ‘cave of light’ (dahl al misfir), which can be found in the heart of the country.

Academia Somaesthetica envisions a new perception of interior and exterior through the human body. It elevates outdoor fitness to a new, urban dimension: The Copacabana beach promenade, known as the largest outdoor sports field in the world and situated in the heart of Rio de Janeiro, gets extended into the building.

Commune
David Rosetzky works predominantly in video and photographic formats, creating scenarios in which human behaviour, identity, subjectivity, contemporary culture and community come under intimate observation. He has been making portraits since the early 1990s, using the format to explore relationships between interiority and exteriority, reality and fantasy, authenticity and artificiality. Technically and aesthetically precise, Rosetzky’s work is stylised, moody and strikingly beautiful, and resembles the idealised images found in high-end advertising and screen culture.

Glass Houses: Self-Portraits In A Moving Mirror
“In this project, I confront questions of self-image and the ways in which our interior worlds conflict with our exterior form. How does the image that we present to the world differ from what we see when we look in the mirror? If our desires, fears, secrets and vulnerabilities were manifested physically, what might they look like?”

УГО РОНДИНОНЕ
SEVEN MAGIC MOUNTAINS

Ugo Rondinone explora em suas obras as profundezas psíquicas e emocionais do ser humano por meio dos elementos mais banais do cotidiano, multiplicando referências à literatura, música e teatro, e criando ambientes sensoriais que mesclam interioridade e exterioridade.

Integración del plano exterior e interior

努维尔
جان نوفيل
ז’אן נובל
ジャン·ヌーヴェル
Жан Нувель
장 누벨
Serpentine Pavilion

The design contrasted lightweight materials with dramatic metal cantilevered structures, rendered in a vivid red that, in a play of opposites, contrasts with the green of its park setting. In London, the colour reflects the iconic British images of traditional telephone boxes, postboxes and London buses. The building consists of bold geometric forms, large retractable awnings and a sloped freestanding wall that stands 12m above the lawn.
Striking glass, polycarbonate and fabric structures create a versatile system of interior and exterior spaces, while the flexible auditorium accommodates the changing summer weather and Park Nights, the Serpentine’s acclaimed programme of public talks and events, which attracts up to 250,000 visitors each summer.
Nouvel’s Serpentine Gallery Pavilion, the architect’s first completed building in the UK, operates as a publicly accessible structure within Kensington Gardens and as a café. The pavilion design highlights the idea of play with its incorporation of traditional French outdoor table-tennis tables.
This 2010 Pavilion is the tenth commission in the gallery’s annual series, the world’s first and most ambitious architectural programme of its kind, which has become an international site for architectural experimentation and follows a long tradition of pavilions by some of the world’s greatest architects. The immediacy of the commission – a maximum of six months from invitation to completion – provides a unique model worldwide.

Synaptic Bliss
Begun in 2003, the series of works collectively known as “SYNAPTIC BLISS” explore ideas of a digital consciousness that allows for the simultaneous perception of multiple perspectives and scales, as well as the blurring of the distinctions between the body and its environment, the exterior and the interior, and the organic and the artificial. The works in this ongoing series include a variety of media, ranging from architectural installations, to video projections and environments, as well as digital prints and hand-woven rugs.

كريستوفر دانيال
克里斯托弗·丹尼尔
כריסטופר דניאל
Кристофер Дэниел
California Roll House
a structure which self-adapts to its extreme environment, the prefabricated ‘california roll house’ by korean practice violent volumes uses the latest
in sustainable technologies and mechanized systems to maintain a comfortable atmosphere in the desert surrounding. a carbon fiber truss frame
system supports the irregular wrapping form, providing a lightweight and strong skeleton on which a solid exterior shell is attached to reflect the
intense sun. transparent glass panels change opacity automatically with the angle of the sun to absorb the nighttime coolth and reject the daytime
solar gain. the roof element then transforms into an entry courtyard, providing a flat artificial ground plane from which one can enter the hydraulically-
powered door, which is the only door in and out of the house and services all spaces. interior curtains subdivide the rooms for privacy, with skylights
for extra light.