Fallen Water
Fallen Water explores questions about why humans are drawn to waterfalls and flowing water as a source for renewal. Waterfalls imbue subconscious associations with pristine and healthy drinking water, but what happens when the fountain can no longer renew itself? Is the water no longer pure? Cooley’s choice of subject matter strikes a deep chord with current social consciousness and anxieties about contemporary water usage and the drought crisis faced by the American West. Cooley references Blake’s famous quote from The Marriage of Heaven and Hell as context for the diametric opposites of the current water conundrum: our deep sense of entitlement to and dire dependence on this precious commodity, coupled with a pervasive obliviousness concerning the sources which supply it. As a way to connect with his personal water use, Cooley hiked into the mountains to see firsthand the snowpack (or lack thereof), streams, and aquifers which feed the water sources supplying his Los Angeles home. This multi-channel installation is an amalgamation of videos made over numerous trips to remote locations in the San Gabriel Mountains, the Sierra Nevada Mountains, and locales as far away as the San Juan Mountains in Southwestern Colorado. These disconnected video vignettes coalesce, constructing a large water landscape canvasing the gallery walls and floors – reflecting the disparate and widespread origin of Los Angeles’s drinking water. The colorspace within the videos is inverted, turning the water pink, orange and yellow—channeling an altered vision of water—in which something is definitely amiss: a stark reminder of the current water crisis in the state of California.
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Cold Sleep
Right now, approximately 400 human bodies are frozen at -196 degrees Celsius in America and Russia. They are dead – legally speaking. The hope is to one day defrost and resuscitate them. The procedure is controversial. Nonetheless, cryopreservation, i.e. preserving people at extreme temperatures below zero, is an area marked by growth. The condition is sometimes referred to as ‘cold sleep’, which is also the title of Stine Deja’s first solo show in Denmark at Tranen. The exhibition is an installation of kinetic sculpture and animation. Cryopreserved bodies in thermal, yellow suits are suspended in big, circular aluminium structures revolving around their own axis on small islands in a desert landscape. In the sand lie craters where artificially inseminated cells divide. A barren desert landscape is usually seen as lifeless and abstract. In Deja’s version it becomes a place for being before or after human life, or, as the artist has it, “a population in another dimension.”

KALEIDOSCOPE
Karina Smigla-Bobinski kreiert interaktive Apparate, die erstaunliche visuelle Effekte erzeugen. Bei der Verwendung dieser Objekte gelangt man immer an den Punkt, an dem Wahrnehmungsprozesse, die normalerweise völlig im Unterbewusstsein ablaufen, an die Oberfläche treten und greifbar werden und so faszinierende Erlebnisse ermöglichen. KALEIDOSKOP fungiert als sehr großer und komplett begehbarer Leuchtkasten. Auf seiner Oberfläche schweben Tinten in Cyan, Magenta und Gelb zwischen mehreren Lagen PVC-Folie. Diese Farben Cyan, Magenta und Yellow (CMY) werden vollständig von unserem Gehirn erzeugt. Der Start erfolgt also „virtuell“.

Red Yellow Blue

Plaçant des lieux au-dessus des gens, de nombreuses photographies de Sanja sont placées dans de grands espaces futuristes ouverts dans le but de créer des émotions visuelles surréalistes et aliénantes. Elle utilise souvent des couleurs fraîches et vives, ainsi que des objets et accessoires uniques pour créer des récits uniques et énigmatiques.

Рафаэль Лозано-Хеммер
拉斐尔·洛萨诺 – 亨默
ラファエル·ロサノ=ヘメル
라파엘 로자노
רפאל לוזאנו, המר
Flatsun

A circular display that simulates the turbulence at the surface of the Sun using mathematical equations. The piece reacts to the presence of the public by varying the speed and type of animation displayed. If no one is in front of the piece the turbulence slows down and eventually turns off. As the built-in camera detects people more solar flares are generated and the fake Sun shows more perturbation and activity. At 140 cm diameter, Flatsun is exactly a billion times smaller than the real Sun. The piece consists of custom-made panels with 60,000 red and yellow LED lights, a computer with 8 processing cores, a camera with a pinhole lens and a mechanically engineered aluminium, steel and glass structure that pivots for maintenance. A single knob lets the collector set the brightness of the piece and turn it on and off.

Mare Tranquilitatis

Mare Tranquillitatis – the title of this optical fibre sculpture of cosmic dimensions refers to a lunar mare that is situated within the Tranquillitatis basin on the moon. Very slowly and barely perceptible, this work takes on varying hues of yellow and white, creating the strange and poetic impression that the work is actually breathing,imitating the sensation that the moon is actually alive in the night sky.

Light Space Modulator

“This piece of lighting equipment is a device used for demonstrating both plays of light and manifestations of movement. The model consists of a cube-like body or box, 120 x 120 cm in size, with a circular opening (stage opening) at its front side. On the back of the panel, mounted around the opening are a number of yellow, green, blue, rot, and white-toned electric bulbs (approximately 70 illuminating bulbs of 15 watts each, and 5 headlamps of 100 watts). Located inside the body, parallel to its front side, is a second panel; this panel too, bears a circular opening about which are mounted electric lightbulbs of different colors. In accordance with a predetermined plan, individual bulbs glow at different points. They illuminate a continually moving mechanism built of partly translucent, partly transparent, and partly fretted materials, in order to cause the best possible play of shadow formations on the back wall of the closed box”. László Moholy-Nagy

Bleu Red Yellow
Born in 1956 in Folkstone (England), lives and works in Brussels. Photography, video, sculptures, installations. Ann Veronica Janssens stepped into the public area with her installations, which find their roots in minimalist art. She constructs rooms and sculptures with simple building materials, above all making allowance for all aspects of the light, thus appearing as ephemeral. Clear, geometric forms are a dominant feature of her sculptural work.

octopuss garden
Adeline Tan aka mightyellow is an illustrator and visual artist based in Singapore.Singapore is a modern city-state that people call the “garden city”. It is really like a garden, lots of arranged greenery and manmade stuff, not a lot of naturally occurring forests. Taking inspiration from personal experiences, the environment and popular culture, Adeline imagines alternate realities to current situations

file festival 2019
‘Tempo: cor’(Time:color) consists of an immersive installation that seeks to modify our experience of time by converting hours into color. A set of chromatic clocks, each set to a different GMT time zone, projects, in a semicircle, the current time in their mathematical and chromatic representations. The conversion between these two forms of time representation is based on an algorithm composed of sinusoidal functions that modulates the RGB colors as a function of the current time, gradually modifying the intensities of blue, green and red throughout the day: at midday yellow predominates, while at four in the afternoon the hour is red; midnight is blue, six o’clock in the morning is green. Side by side, the colors projected by the clocks merge, creating an immersive experience of a continuous and circular time, between the different time zones, that crosses the entire chromatic spectrum. This installation is part of a series of works in which I investigate the relationships between human notations and codes and our experience of space-time, seeking to change the ways we understand it; in this case, visitors immerse themselves in a spatial experience of time that provokes the questioning of notations and perceptions that we usually consider axiomatic. Changing the way we represent time will change our way of experiencing it?

Lingering Summer
“Lingering Summer” is a site-specific installation created for the 2019 West Bund Art Fair. The gradation of colors from yellow to lime green, and indigo to cerulean blue, is reminiscent of the dynamics of changing colors from early to mid-summer. The ascending and descending of layers create a natural and comforting rhythm, as if forming a virtual space to preserve the summer scene inside the steel and concrete architecture, mesmerizing the audience by breaking them away from reality.

Internal Collection yellow silk dress based on ligaments
Merging anatomy, fashion, and technology, each piece is created by hand and digital manufacturing technologies. By depicting designs inspired by anatomy, this work communicates that, when we share our likeness and what is going on inside of us, an opportunity is offered for finding beauty within ourselves and connection with others.

Yellow sculpture

Echoes
The yellow walls back drop Humeau’s signature white polystyrene sculptures propped up on elegant metal legs or artificial prostheses and varnished to a kind of unearthly gleam.

Your Body Of Work
Transparent sheets of coloured plastic – in either cyan, magenta, or yellow – are suspended from the ceiling to form a maze. Additional colours appear where these hues visually overlap, forming spontaneous compositions that continually change in response to viewers’ movement through the space. ‘Seu corpo da obra’ was inspired by the work of Brazilian artist Hélio Oiticica (1937–1980).

한스 해머
ハンス・ハマート
Hans Hemmert is fascinated by air and latex balloons in a bright canary yellow. But these aren’t just your average latex inflatables, some fill entire rooms while others surround Hemmert himself. Posing as a giant elongated egg, he performs dances or interacts with the objects outside his elastic bubble.

Off-White fw 2019
the new runway
Virgil Abloh’s Fall/Winter 2019 collection featured a number of graphic pieces, including new Off-White™ logos, as well as oversized denim, graffiti-style prints and Gore-Tex pieces. The show — which featured appearances from Offset and Playboi Carti — began with a muted color palette, before a series of eye-catching looks in bright, orange, yellow and green.

on the water edge

bright yellow house on water

An interest in architecture and coastal living led Casebere to develop the project, which is a follow up to a set of images he created in 2016 based on the buildings of Luis Barragán. Casebere created the series titled On the Water’s Edge to draw attention to issues relating to climate change and, in particular, the need for humans to respond creatively to the threat posed by rising sea levels.

Yellow lambo
The piece, “YELLOW LAMBO” (2018)[…] is a reference to a half-serious joke in the crypto community about using profits to buy Lamborghinis.“I became familiar with #lambo as a declaration of success-identity, and because I always think in terms of how to distill emotions around value, I wanted to explore that,” Mr. Abosch said. He created another token, called YLAMBO, and turned its address into a physical sculpture in yellow neon. This sculpture then sold for $400,000 at a San Francisco art fair to Michael Jackson, the former chief operating officer of Skype. The meta-weirdness around the purchase of the art is at the heart of the questions Mr. Abosch wants to explore.

한스 해머
ハンス・ハマート
Hans Hemmert is fascinated by air and latex balloons in a bright canary yellow. But these aren’t just your average latex inflatables, some fill entire rooms while others surround Hemmert himself. Posing as a giant elongated egg, he performs dances or interacts with the objects outside his elastic bubble.

Wearable Structure: Yellow Pod
Tracy Featherstone is an Associate Professor of Art at Miami University. A SFA Scholarship and Teaching grand allowed Featherstone to travel to Ghana, West Africa in order to initiate a body of sculptural work dealing with the theme of personal environment. The language of home such as furniture, textiles, and construction is used to express the awkward, fragile, and tenuous hold on stability and structure in her work. The sculptures, wearable or free-standing, are frenzied attempts to create order from an ultimately unpredictable surrounding.

أوسكار شليمر
奥斯卡·施莱默
אוסקר שלמר
オスカー·シュレンマー
오스카 슐 렘머
Оскар Шлеммер
TRIADIC BALLET
Video of the reconstruction of Oskar Schlemmer’s Triadic Ballet by Margarete Hastings in 1970. This version was advised by Ludwig Grote and Xanthi Schawinsky (students of Schlemmer at the Bauhaus) and Tut Schlemmer, Oskar Schlemmer’s widow. The music is by Erich Ferstl. It is divided into three sections: yellow, pink and black. This version is a reconstruction based on the documentation on the Triadic Ballet.

Turbine Hall

The Turbine Hall of Tate Modern is plunged into deep black gloom. At its east end, like the stained glass window of a cathedral, is a giant vertical screen. It is framed at the edges with sprocket holes, so we feel we are looking at a vast reel of film. In the centre, an ever-changing series of images: a snail on a wind-wobbled leaf, the powerful spume of a fountain, a chimney loosing trails of vapour. Sometimes the image is of the back wall of the Turbine Hall itself, but with its gridded form coloured in red, yellow and blue so it resembles a Mondrian. Or with a giant egg apparently floating from ceiling to floor.

Yellow Structure
site-specific installation Yellow Structure (2016) by Richard Maloy. Seen from a distance, Yellow Structure will appear to be a solid, golden, rock-like structure that is minimal in nature. Closer inspection by visitors, however, will reveal its degradable and humble construction from common industrial materials such as cardboard, paint and tape.

Devex Yellow

The Yellow Umbrella

journey of a yellow man

Yellow expansion
via highlike submit

Pink and Yellow in Excited States

2009年秋天，艺术家迈克尔·安东尼·西蒙（Michael Anthony Simon）离开了芝加哥，搬到了韩国乡下。他想体验一个新的地方和文化，希望能为西方艺术界无法超越的新鲜事物提供信息。最初从不同自然元素的“亮点”开始，迅速发展为一系列具有更广泛意义的系列。一天，西蒙（Simon）在选择下一张作品的位置时，在森林中遇到了一个巨大的蜘蛛网，并开始在快速发展的作品中作为下一个合乎逻辑的进展进行实验。当时他无法指望的是这个偶然发现将他带到何处。快进了六个月，西蒙的工作室已经变成了各种各样的工厂。许多熟练的工人在固定在各种几何底座上的塑料杆之间精心构建精美的同心结构。如果这些助手是人的话，他们的出现也就不足为奇了。经过数月的反复试验，西蒙开发出一种方法，使他可以利用许多人认为是自然界最恐怖的生物之一的内在艺术性。首先，他在周围地区找到并捕获了一种特别勤奋的蜘蛛，然后（在一些指导下）允许他们做蜘蛛最擅长的事情–建立网。完成后，他将蜘蛛返回到找到它们的地方，并开始在无数的薄雾状漆层上涂网。这个过程与我见过的任何过程都不一样，结果非常漂亮。雕塑既涉及形式主义，也涉及工业化劳动。该作品是更广泛对话的一部分，这种对话不存在于传统的东方或西方边界之内，而正是这种普遍的艺术创作方法使迈克尔·安东尼·西蒙（Michael Anthony Simon）的作品脱颖而出。随着他在韩国的一些大型机构展览，即将到美国的访问以及计划于2012年夏季发布的新网站的正式发布，我可以保证，我们会在Google中看到更多这位艺术家的作品。未来的岁月。

Джон Мак-Кракен
约翰·麦克拉肯
ジョン·マクラッケン
Star, Infinite, Dimension, and Electron

“The geometric forms McCracken employed were typically built from straight lines: cubes, rectangular slabs and rods, stepped or quadrilateral pyramids, post-and-lintel structures and, most memorably, tall planks that lean against the wall. Usually, the form is painted in sprayed lacquer, which does not reveal the artist’s hand. An industrial look is belied by sensuous color.His palette included bubble-gum pink, lemon yellow, deep sapphire and ebony, usually applied as a monochrome. Sometimes an application of multiple colors marbleizes or runs down the sculpture’s surface, like a molten lava flow. He also made objects of softly stained wood or, in recent years, highly polished bronze and reflective stainless steel.Embracing formal impurity at a time when purity was highly prized, the works embody perceptual and philosophical conundrums. The colored planks stand on the floor like sculptures; rely on the wall for support like paintings; and, bridging both floor and wall, define architectural space. Their shape is resolutely linear, but the point at which the line assumes the dimensional properties of a shape is indefinable.” Christopher Knight

Goodbye Yellow Brick Road

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Your Rainbow Panorama

Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson

ريتشارد وينتوورث
リチャード·ウェントワース
ריצ’רד וונטוורת
Ричард Вентворт
Yellow Eight