Jeppe Hein

Breath from Pineal to Hara

Coloured neon rings light up in a specified sequence behind a two-way mirror, layered with reflections of the visitors and the surrounding space. Starting with the inner ring, the individual rings light up one after the other. Once all rings are illuminated, they switch off again from the outer ring to the inside. The sequence and colours are reminiscent of the breathing technique from Pineal to Hara and the artwork invites the viewer to breath accordingly. Combined with the two-way mirror in front of it, it seems to awaken viewers to the present moment and make the usually unconscious process of breathing conscious for a while. Breathe in. Breathe out.

terry gilliam

The Imaginarium of Doctor Parnassus
The Imaginarium of Doctor Parnassus is a 2009 fantasy film directed by Terry Gilliam and written by Gilliam and Charles McKeown. The film follows a travelling theatre troupe whose leader, having made a bet with the Devil, takes audience members through a magical mirror to explore their imaginations and present them with a choice between self-fulfilling enlightenment or gratifying ignorance.
cinema full

Ronan and Erwan Bouroullec

ロナン&エルワン·ブルレック
РОНАН И ЭРВАН БУРУЛЛЕК
БУРУЛЛЕК БРАТЬЯ
Palanco Double Sided Mirror

A delicate mirror pane hangs suspended from cables and pulleys. Designed by Ronan & Erwan Bouroullec, the Palanco is a double-faced mirror which hangs from the ceiling from a clever system of cables, pulley and counterweights enabling easy adjustment of it’s height. The counterweights themselves are a large design feature, available in red, brown or neutral. A fascinating and industrial style design.

LEANDRO ERLICH

Леандро Эрлих
莱安德罗·埃利希
Dalston House
The Dalston House resembles a movie set, featuring the façade of a late nineteenth-century Victorian terraced house. A mirrored surface is positioned on the on the ground lying life size façade, in a 45-degree angle. Visitiors apppear to be hanging of the building or sitting on window sills, by sitting, standing or lying on the horizontal surface. The audience plays an important and active role in the installations for Erlich. By altering the viewer’s relationship with familiar spaces, he playfully disrupts our own notion of reality,through the mirrored projection of the image, creating new possibilities and situations.

 

YOUNG-HAE CHANG

장영혜중공업
Heavy Industries
dakota
I discuss how the poem controls the reader’s experience and how this control affects its possible interpretations. The control is mostly executed by limiting the reader’s freedom over reading. Reading time, direction and duration are determined by the poem. It is only possible to start the poem, but not rewind, stop or fast-forward it. Furthermore, the manipulation of speed affects reading in many ways. In the fast extreme the effect is illegibility, but more subtly used speed creates varieties of emphasis and de-emphasis. The effect of emphasis of this kind, I argue, creates different layers of readings and invites re-reading. These different readings require different cognitive modes, which mirror our contemporary reading habits. Not being in control of the reading process also leads to a scattered sense of unity, one of postmodernism’s essential traits. While reading the poem I also question why I read as I do, and by doing so I hope to present more general traits of how to approach digital literature.

Oli Sorenson

Video Pistoletto
FILE-FESTIVAL
The latest of Oli Sorenson’s remix series is directly inspired by Michelangelo Pistoletto’s (1933) celebrated shattering of large mirrors.

olafur eliasson

Seeing spheres
Each of olafur eliasson’s seeing spheres supports a flat, circular mirrored face, framed by a ring of LED lights, which is oriented inward to reflect the mirrored faces of the surrounding spheres. Together they produce a surprising environment of multilayered, reflected spaces in which the same people and settings appear again and again, visible from various unexpected angles. Tunnel-like sets of nested reflections open up in the mirrors, repeating countless times and disappearing into the distance.

Oli Sorenson

LA SOCIETE DE LA PLACE DES SPECTACLES
FILE SAO PAULO 2015
Inspired from the live works of Italian artist Michelangelo Pistoletto (1933-) of meticulously ransacking large mirrors, Sorenson revisited the classical traditions of vanitas under the materiality of video, and generate his creative process from the destruction of consumer components.

Kenny Wong

Squint
file festival
I was inspired by how the sunlight bounces around in our artificial forest.
“Squint” is a kinetic light installation consisting of 49 mirrors that reflect lights in a bright space. The mirrors track and reflect lights on audiences’ face with composed patterns of movements. It extends the generated perception by focusing on how lights pass across our visual senses physically, and combines with our perception of images through flickering. “Squint”, which extracts various daily experiences to an abstraction brings the audience to expand their interpretation of lights and perceived imagination into a non-linear experience.
“Squint” simulates light source and intentionally shines lights on audience’s faces. Bright light is projected in the gallery, a clean bright space.
Everyday people are dynamically moving around in the city. Sunlight reflects and flickers even when it is indirect and hidden behind the artifacts. While we are traveling, we are experiencing motion. We are also experiencing the shift of light intensity, visual patterns and textures. The varieties of light forms inspire the artist to explore the potential of light textures, select and sort out the combined complexity in urban space. The artist turns them into a minimal form of light experience, while maximizing its diversity of perception.

Studio Bigert & Bergström

Solar Egg
The egg is made out of stainless golden mirror sheeting, its multifaceted form breaking up the surroundings that it reflects into a multiplicity of different mirror images. Landscape, mine, town, sky, sun and snow are here combined into a fragmented image that can evoke associations with the complexity spanned by today’s discussion about climate and sustainable community development.more

NPS TCHOBAN VOSS

nhow hotel berlin
Extreme cantilever alert! A four-storey block with a mirrored underside juts out from the top of a Berlin hotel, 25 metres above the ground (photos by Roland Halbe). The huge cantilever comprises the upper floors of the eleven-storey NHow Hotel, which was designed by German architects NPS Tchoban Voss. The end of the cantilever is fully glazed whilst the underside is clad in polished aluminium, creating a mirror that reflects the hotel roof below. Part of the NHow chain, the 310-room hotel contains music facilities that include a ballroom and a sound studio.

HARUKA KOJIN

Over the past few years she has been part of exhibitions at the Museum of Contemporary Art in Tokyo, Museu de Arte Moderna in Sao Paulo, the Soka Art Center in Taipei, and the Singapore Art Museum. In her series of works entitled reflectwo (2006–11), Kojin uses brightly colored plasticized fabric flowers to create a sense of disorientation by the use of mirror effects.

IVAN TOTH DEPENA

Reflection
pixel art

Instalacija je postavljena na ulazu u metro u Miamiju, i to na glavnom ulazu u Stephen Clark Government Center Lobby. Svi posjetitelji moraju proći kraj ovih LED ogledala, a ako to požele mogu se i poigrati s njima. CIjeli sistem sastavljen je od niza infracrvenih kamera te LED panela koji zajedno rezultiraju onime što vidite na fotografijama. Za ovaj uberkul projekt zaslužan je umjetnik imena i prezimena Ivan Toth Depeña koji je instalaciju predstavio u sklopu inicijative Miami-Dade Art in Public Places.

Mattia Paco Rizzi + Jessica Bergstein-Collay

Taumascopio
‘Taumascopio’ is an art installation designed and realized by parisian architect-artist mattia paco rizzi for the 2014 kanal playground festival in brussels, belgium. the structure is completely covered with mirrors and as a result, offers a complete visual camouflage along the molenbeek’s canal. as its exterior panels fold, the overall massing creates a kaleidoscopic effect that reacts to heat. during the temperature’s evolution throughout the day, the surfaces present an ever-changing reflective effect. ‘the ‘taumascopio’ invites us to reflect in poetic vein on public space, like a box of delights that gives us multiple visions and allows us to see the city differently,’ says rizzi. ‘the mosaic of reflections sends our thoughts in new directions and invite us to create new ideas.’

sankai juku

山海塾
Kagemi: Beyond the Metaphor of Mirrors

山海塾(さんかいじゅく)は、1975年に設立された天児牛大(あまがつ うしお)主宰の舞踏グループ。日本国外での評価が高く、世界のコンテンポラリーダンスの最高峰である パリ市立劇場 (Theatre de la Ville, Paris) を拠点として、およそ2年に一度のペースで新しい作品を発表し続けている。1980年に日本国外での公演を開始して以来、世界43ヶ国のべ700都市以上で公演を行っている。

RON GILAD

رون جلعاد
罗恩·吉拉德
רון גלעד
ロン·ギラッド
РОН ГИЛАД
Mirror

‘IX mirrors’ by israeli-born, new york-based artist ron gilad uses a series of ten embellished mirrors as a means of exploring self-reflection and perception, at milan’s dilmos gallery for salone del mobile 2011.

Zhan Wang

Flying Stone No.2
Zhan Wang’s most celebrated work to date is his series of “artificial rocks” – stainless steel replicas of the much-revered “scholar’s rocks” traditionally found in Chinese gardens. The mirrored surfaces of these often monumental objects absorb the viewer and its surrounding environment, enticing them to become part of the work, an abstraction and distortion of reality, thus creating a visual interplay between positions of tradition and modernity.

OLI SORENSON

video pistoletto
FILE SAO PAULO 2015

Inspired from the live works of Italian artist Michelangelo Pistoletto (1933-) of meticulously ransacking large mirrors, Sorenson revisited the classical traditions of vanitas under new materials together with one of the more celebrated exploits of Arte Povera.

Jeppe Hein

杰普·海因
ЙЕППЕ ХАЙН
ЈЕПЕ ХЕИН
Please touch the art
Brooklyn park NYC
celebrated for engaging audiences in seas of sculptural, inventive and whimsical works, danish artist jeppe hein brings a series of participatory installations to new york city, situated around the waterfront brooklyn bridge park. from now until april 17, 2016, public art fund presents ‘please touch the art’, an exhibition of 18 interactive sculptures including ‘social’ benches, rooms made of jetting water, and a dizzying mirror maze.

SARAH OPPENHEIMER

사라 오펜하이머
S-281913

NYC-based artist Sarah Oppenheimer‘s work blurs the line between sculpture and architecture. Her amazing installations usually involve moving walls, slanting floors, and creating apertures—sometimes symmetric, sometimes asymmetric, and often with mirrors—that would mesmerize (and confuse) the most resistant of gallery/museum guests.

Doug Aitken

ダグエイケン
道格·艾特肯
Underwater Pavilions
At around 12 feet in diameter, each one is big enough to swim through, for divers and fish alike. Aitken sculpted the pavilions from mirrors and artificial rock, and collaborated with a range of specialists to submerge them in the local dive park and moor them to the ocean floor. But building and installing these structures wasn’t easy. Aitken wants his exhibit to raise awareness about the declining health of the oceans.

Numen/For Use

N-Light Membrane

Built and designed by Numen/For Use, N-Light Membrane is a giant cube with three out of the six surfaces made of flexible membrane (foil mirror) with an air tank and a compressor connected to it. The other three mirrors are semi transparent spy-glass. By inflating or deflating the air tank, the membrane turns convex or concave, deforming the reflections within.
To get a true sense of the installation, be sure to check out the videos and animated gifs below.
Numen/For Use is a Croatian-Austrian design collective working in the fields of scenography, industrial and spatial design and conceptual art. The group first formed in 1998 as a collaborative effort of industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković under the banner For Use. In 1999 they established Numen as a collective identity covering all projects actualised outside the sphere of industrial design.
Since 2008, the collective has turned its focus towards configuring objects and concepts without a predefined function, an activity resulting in the more hybrid and experimental works such as the Numen-Light series and Tape Installation.

LITA ALBUQUERQUE

Лита Альбукерке
stellar axis aligns 99 blue spheres to stars in the antarctic sky
The Stellar Axis land art project is currently being deployed in Antarctica, to be completed for the Southern hemisphere Summer Solstice on 22 December 2006.
Perhaps the largest and most ambitious arts project to take place in Antarctica, Stellar Axis is the work of the internationally known, Los Angeles based artist, Lita Albuquerque, and is sponsored by the US National Science Foundation and US Antarctic Programme.
The concept is to mirror the southern constellations through the placement of 99 blue spheres on the Ross Ice Shelf in Antarctica.