פינג פונג סולארי
File Festival
Solar Pink Pong” הוא הכלאה של משחקי רחוב ווידאו. שחקני המשחק הזה יכולים לקיים אינטראקציה עם השתקפות אור שמש ורודה מונפשת ברחוב באמצעות גופם והצללים שלהם. המכשיר שמאפשר את המשחק הזה יכול להיות מותקן על עמודי שירות או דפנות בניין.

Blueskywhite
Devlin’s latest installtion is ‘BLUESKYWHITE’, a large-scale work commissioned by 180 Studios, which is currently showing at LUX: New Wave of Contemporary Art, a new exhibition co-curated by Fact and SUUM Project. The work combines light, music and language, and was conceived as a sculptural expression of our emotional response to the possible extinction of blue sky. The installation is formed of two parts: In Part I, text from Byron’s 1816 poem Darkness underscores the viewer’s passage through a 24m long red-lit tunnel. Part II draws from contemporary solar geo-engineering models documented by Elizabeth Kolbert and others which suggest that a haze of suspended particles might reduce global temperature to pre-industrial levels and might also turn the blue sky white.

태양의 공장
2015년 베니스 비엔날레 독일관에서 데뷔한 이 몰입형 작품에서 슈타이얼은 전례 없는 글로벌 데이터 흐름으로 정의되는 순간에 이미지 순환의 즐거움과 위험을 탐구합니다. 뉴스 보도, 다큐멘터리 영화, 비디오 게임, 인터넷 댄스 비디오 등 장르 간 충돌 – 태양의 공장은 빛과 가속을 모티브로 감시가 점점 더 가상의 일상적인 부분이 되었을 때 집단 저항에 여전히 사용할 수 있는 가능성을 탐구합니다. 세계. 태양의 공장은 모션 캡처 스튜디오의 강제 이동이 인공 햇빛으로 변하는 노동자의 초현실적 인 이야기를 전합니다.
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Fábrica del sol
En este trabajo inmersivo, que debutó en el Pabellón Alemán de 2015 en la Bienal de Venecia, Steyerl explora los placeres y peligros de la circulación de imágenes en un momento definido por el flujo global de datos sin precedentes. Rebotando entre géneros (reportajes de noticias, películas documentales, videojuegos y videos de baile en Internet), Factory of the Sun utiliza los motivos de la luz y la aceleración para explorar qué posibilidades están todavía disponibles para la resistencia colectiva cuando la vigilancia se ha convertido en una parte mundana de una realidad cada vez más virtual. mundo. Factory of the Sun cuenta la historia surrealista de trabajadores cuyos movimientos forzados en un estudio de captura de movimiento se convierten en luz solar artificial.

Solaris
Solaris 2020は、クラゲの花が咲き乱れる壮大な明るい生態系を遮る壁画サイズのLEDカーテンです。ビデオゲームプラットフォームで一般的に使用されているコンピュータプログラムを使用して作成されたこのスクリーニングでは、インドネシアのカリマンタン沖にある11、000年以上前に形成された内陸の塩と雨水の塊である独特の海洋環境のデジタルシミュレーションが提示されます。これらのクラゲ種は捕食者がなく、暖かい水で繁殖することができます。それらは異なって進化し、気候変動が海洋システムに及ぼす可能性のある潜在的な影響を研究するための生きた実験室を科学界に提供しています。

Aerocene
Geboren uit collectieve bezorgdheid over de impact van klimaatverandering, benadrukt de permanente installatie Movement, gemaakt door Tomás Saraceno met Aerocene voor Ruinart, de urgentie van de klimaatuitdagingen waarmee we worden geconfronteerd en roept ons op om de lucht van fossiele brandstoffen te bevrijden. Een verschil van één graad tussen de omgevingslucht en de lucht die in het Aerocene is opgesloten, is voldoende om het opblaasbare aerosolar-beeldhouwwerk in de lucht te laten vliegen. In de Champagne-regio verstoort een opwarming van het klimaat met één graad het natuurlijke rijpingsproces van de druiven, een andere zichtbare markering van veranderende temperaturen.

Solaris
olaris 2020 is een led-gordijn ter grootte van een muurschildering die een spectaculair, lichtgevend ecosysteem afschermt dat bevolkt is met bloemen van kwallen. Gemaakt met een computerprogramma dat vaak wordt gebruikt in videogameplatforms, presenteert de screening een digitale simulatie van een unieke mariene omgeving – een geheel door land omgeven lichaam van zout en regenwater dat meer dan 11.000 jaar geleden is gevormd, gelegen voor de kust van Kalimantan, Indonesië. Deze kwallensoorten zijn vrij van roofdieren en kunnen gedijen in warme wateren. Ze hebben zich anders ontwikkeld, waardoor wetenschappelijke gemeenschappen een levend laboratorium hebben voor het bestuderen van de mogelijke effecten die klimaatverandering kan hebben op mariene systemen.

Pod de montaña sostenible futurista
Una cápsula de montaña sostenible inteligente futurista diseñada para utilizar energía solar mediante un mecanismo de pétalos que le permite abrirse y cerrarse para cargar la cápsula utilizando células fotovoltaicas montadas en los pétalos. Inspirado por el movimiento de una flor, los pétalos cuando están abiertos permiten una vista de 360 ​​° del entorno, el mecanismo también podría permitir que la vaina recolecte el agua de lluvia para ser autosuficiente y que la rejilla se esconda.

Satellarium II
Sun Outage is a degradation or temporary interruption of satellite signal caused by solar radiation. In these moments satellites occur to be in between the Sun and the Earth, producing with their shadows an invisible eclipse. Satellarium II shows these astronomical events through a variation of visuals and sounds in the room in which it is exhibited. The installation consists of a set up of multi channel surround speakers and graphics projected on a disk above the viewers, representing the fragment of the visible sky from the location of the artwork. Visuals and sounds are based on real time tracking of the satellites position and magnitude (brightness of a satellite as it appears in the night sky from Earth). The gradient on the background of the projection represents the sun and it is related to its real-time position in the sky.

Needle Tower
“Inspired by architect Buckminster Fuller’s interest in the geometry of structure, Snelson’s experiments led to a prototype for a “floating compression structure.” Fuller subsequently credited Snelson with having invented a new structural principle which the architect named tensegrity, a contraction of the words tension and integrity.
These investigations into the physical properties of structure became more fully realized as an art form beginning in the 1950s. Snelson created sculptures consisting of tubes and cables. Cylinders of steel seemingly dance through space in defiance of gravity, yet it is the structural competition between tension and compression which underlies their construction. Snelson finds beauty in bringing these forces of nature into balance: the rigid compression tubes pushing outward, the flexible tension cables pulling inward. His sculptures would maintain their structural integrity beyond gravity, in the vacuum of outer space.” Joelle Burrows

Solar sônico
“Solar sônico” é composto por 14 lentes que ficam suspensas na estrutura externa da cobertura de vidro do terminal. As lentes – uma estrutura de anel de puxar envolta em um lado com vidro defletor de luz holográfico – é graduada e conectada por 20 cabos horizontais tecidos em um padrão toroidal, tensionados e presos a âncoras em ambas as extremidades. Solar sônico é uma de uma série de esculturas cromáticas de King projetadas para interagir com o sol. As lentes holográficas côncavas da escultura são posicionadas de frente para o meridiano sul do sol e são iluminadas à noite. Ray King é um artista que usa os fenômenos naturais da luz e da ótica como meio de arte. Desde 1976 expõe internacionalmente o seu trabalho. Grandes instalações foram comissionadas nos EUA, Europa e Ásia – todas são específicas do local e inspiradas no espaço e na paisagem ao redor.

Scenario Scenery
Scenario/Scenery is a performative art installation in which the sculptural parts both act and serve as scenery. The work is inspired by the early theatre weather machines, which stood in the wings and were used to create sound effects of rain, wind and thunder. In Scenario/Scenery, these machines have mutated and been fitted with modern solar panels, which means that the energy that powers them is generated by the machines themselves. The work is designed as a theatrical stage where wind, rain, lightning and thunder machines together perform an act controlled by the rig of halogen lamps suspended above.

Futuristic Sustainable Mountain Pod
A Futuristic Smart Sustainable Mountain pod designed to utilize solar power using a petals mechanism that allows it to open up and close down to charge up the pod using photovoltaic cells mounted on the petals. Inspired by a flower motion, the petals when open allows for a 360° view of the surrounding, the mechanism could also potentially allow the pod to collect rainwater to be self-sufficient and of the grid hide out.

Solar Sinter
In this experiment sunlight and sand are used as raw energy and material to produce glass objects using a 3D printing process, that combines natural energy and material with high-tech production technology. Solar-sintering aims to raise questions about the future of manufacturing and triggers dreams of the full utilization of the production potential of the world’s most efficient energy resource – the sun. Whilst not providing definitive answers, this experiment aims to provide a point of departure for fresh thinking.

Рафаэль Лозано-Хеммер
拉斐尔·洛萨诺 – 亨默
ラファエル·ロサノ=ヘメル
라파엘 로자노
רפאל לוזאנו, המר
Flatsun

A circular display that simulates the turbulence at the surface of the Sun using mathematical equations. The piece reacts to the presence of the public by varying the speed and type of animation displayed. If no one is in front of the piece the turbulence slows down and eventually turns off. As the built-in camera detects people more solar flares are generated and the fake Sun shows more perturbation and activity. At 140 cm diameter, Flatsun is exactly a billion times smaller than the real Sun. The piece consists of custom-made panels with 60,000 red and yellow LED lights, a computer with 8 processing cores, a camera with a pinhole lens and a mechanically engineered aluminium, steel and glass structure that pivots for maintenance. A single knob lets the collector set the brightness of the piece and turn it on and off.

Glaciator
Glaciator is an installation composed by one to four solar robots that help to compress and crystallize the snow, this process turns snow into ice that is fixed to the glacier mass. The mission of these robots is to help to accelerate the ice formation process on glaciers, allowing them to grow with the addition of snow, regaining the mass they lost as a result of the melting of ice. Its final mission is to raise awareness about the climate change, the melting of the ices and its consequences on the planet.

Solar Pink Pong
file festival
Solar Pink Pong” is a hybrid of street and video game. Players of this game can interact with an animated pink sunlight reflection on the street using their bodies and shadows. The device that makes this game possible can be mounted on utility poles or building sides.

TIMÉE
In roughly 360BC, Plato shared his dialogue Timaeus, in which he imagined the universe as a geocentric system, including a concept called Music of the Spheres where each planet had its own sonic tone based on its unique orbital revolution. The entire system was divided into an octave, a fifth, a fourth, and tone, and as all the planets revolved around the Earth, the solar system would comprise a perfect musical score.

Moving atmospheres
Moving Atmospheres, the tenth Garage Atrium Commission curated by Iaroslav Volovod, is a partially mirrored sphere suspended in the air, propelling us towards an Aerocene epoch. We call towards this new era with Aerocene. For more than a decade we have been imagining a world free from the carbon, extractivism, capitalism and patriarchy that fuels some forms of life, a new way of being with the atmosphere and emissions-free travel, free from solar panels, lithium, helium, hydrogen and fossil fuels. This new era stands in stark contrast to the lingering eco-traumas of the Anthropocene, the current geological age in which some human capitalistic activity has been the dominant influence on climate and the environment.

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
SOLAR BELL
Inspired by Alexander Graham Bell’s lesser-known experiments with flight behavior of tetrahedrons, Berlin-based artist Tomas Saraceno developed Solar Bell – a lightweight, wind and solar powered, sculpture that plays with the concept of flying buildings.

the solar tree

“Solar tree”presents a modular architecture consisting of prefabricated “cells” made of steel and wood.
The cells can also house “solar leaves” to contribute even more to the energy needs and make the structure more and more autonomous.The architects’ aim is not only to create something innovative and sustainable, but also to integrate the new project with nature and the surrounding landscape.

halo
The title of the work HALO refers to the natural optical phenomena seen around the sun or moon, produced by light in the interaction of ice crystals. The first references of the atmospheric phenomenon can be found in a section of the “Official History of the Chin Dynasty” (Chin Shu) from 637, on the “Ten Haloes”, giving technical terms for 26 solar halos. In the exhibition, the place of the celestial body is given to the art viewer, who becomes a central part of the piece.

a little death

Despite the broader reference to the traditional pictorial genre of “still life”, disseminated from the Dutch and Spanish painters of the 15th, 16th and 17th centuries, ‘Still life’ from 2001 and ‘A little death’ from 2002 refer especially to the painting of transient elements of the French Jean-Baptiste-Siméon Chardin (1699-1779) to discuss the distortion and inexorability of time, the finitude of life or, above all, the interdependence between life and death. The title makes a direct reference to the expression with which the French philosopher Georges Bataille defined the orgasm: ‘une petite mort‘.

SONNTAG aus LICHT

Sonntag aus Licht takes as its subject our solar system and the relationships of all the planets that orbit the sun. In this opera, the earth and life on it is represented as the result of the union of light and water. These two elements are presented in the first scene, and the rest of the opera celebrates the evolution of life, of plants, animals, humans, and above all this the planets, moons, and heavenly constellations. The opera has a pronounced ritualistic and meditative character, with very little that can be described as dramatic action.

أندريه تاركوفسكي
塔可夫斯基
アンドレイ·タルコフスキー
Андрей Тарковский
Solaris
In Solaris (1972), Andrei Tarkovsky presents a vision of contemporary society as one that has become cut off from nature, and provides a narrative that illustrates the possibility of remaining human in the inhuman world that is the result. The film contrasts a life-affirming natural landscape to an urban, constructed landscape where the natural world is submerged and invisible. The Solaris space station is both a projection of this second, inhuman, landscape and an allegory for Tarkovsky’s view of urban life. The narrative of the film concerns the journey by the central character, Kris Kelvin (Donatas Banionis), from emotional deadness to a rediscovery of his humanity as he charts a course between these two worlds, and the role that art, whether painting, music or film, plays in this.
cinema full

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
Aerocene
In the desert of New Mexico, artist Tomás Saraceno realized the very first human flight in a zero carbon solar-powered hot air balloon, propelled by Studio Tomás Saraceno and curated by Rob La Frenais. For three hours without touching the ground, the balloon rose into the air without the usual burner, its black fabric heated by the sun and the infrared rays reflected by the white dunes.
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Akhnaten
Portrait Trilogy:Einstein; Akhnaten; Gandhi
According to the composer, this work is the culmination of his two other biographical operas, Einstein on the Beach (about Albert Einstein) and Satyagraha (about Mahatma Gandhi). These three people – Akhenaten, Einstein and Gandhi – were all driven by an inner vision which altered the age in which they lived, in particular Akhenaten in religion, Einstein in science, and Gandhi in politics.
The text, taken from original sources, is sung in the original languages, linked together with the commentary of a narrator in a modern language, such as English or German. Egyptian texts of the period are taken from a poem of Akhenaten himself, from the Book of the Dead, and from extracts of decrees and letters from the Amarna period, the seventeen-year period of Akhenaten’s rule. Other portions are in Akkadian and Biblical Hebrew. Akhnaten’s Hymn to the Sun is sung in the language of the audience.
OPERA

Mercat dels Encants
Rafael Vargas Photography
Una gran plataforma suspendida como un dosel, de unos 25 metros de altura, otorga al mercado el reconocimiento como el principal equipo urbano y protege contra los distribuidores y usuarios de la radiación solar. La plataforma se divide en bandas de ancho variable. Su parte inferior genera varios planos con un techo roto, convirtiéndose en un mecanismo de reflejo de la ciudad en el mercado.

Atomhawk Solarpunk challenge
Nova Nakhon Sawang

Solar Egg
The egg is made out of stainless golden mirror sheeting, its multifaceted form breaking up the surroundings that it reflects into a multiplicity of different mirror images. Landscape, mine, town, sky, sun and snow are here combined into a fragmented image that can evoke associations with the complexity spanned by today’s discussion about climate and sustainable community development.more…

A fixture for a solar storm
The startling objects of Isabel Nolan’s art take wildly unpredictable forms, — but they are at the same time the fully consistent outcomes of a singular, searching artistic sensibility. Nolan’s works evolve out of almost scholarly processes of investigation — intensive enquiries into cosmological and botanical phenomena, perhaps, or analytical scrutiny of literary and historical texts. These contrasting means of representing reality (and of comprehending its infinitely various components) provide divergent points of departure for Nolan as she attempts to somehow account for the enduring strangeness of the world, even in its most intimately familiar forms.

على فوجيموتو
후지모토에
על פוג’ימוטו
НА ФУДЗИМОТО
Albero Bianco
è stato annunciato che sou fujimoto è stato scelto per costruire la seconda follia architettonica del 21 ° secolo a montpellier, in francia. il team multidisciplinare vincitore comprende anche gli studi francesi nicolas laisné associés (NL * A) e manal rachdi oxo architects. la torre a uso misto di 17 piani ospiterà unità residenziali, uffici, una galleria d’arte, un ristorante e un bar panoramico. uno sforzo interculturale, lo schema incarna la montpellier di oggi, con un’integrazione degli stili giapponese e mediterraneo. la struttura è strategicamente posizionata tra il centro cittadino ed i quartieri di recente sviluppo di port marianne e odysseum, a metà strada tra il vecchio e il nuovo quartiere della città. chiamata “albero bianco”, o “arbre blanc”, la struttura di 10.000 metri quadrati cresce organicamente dal terreno, con una forma naturale che sembra essere stata scolpita nel tempo. i vari rami dello schema forniscono anche aree d’ombra selezionate per le proprietà adiacenti. ciascuno dei residenti del grattacielo selezionerà una planimetria preferita da un elenco di possibili layout, incoraggiando l ‘”architettura a libera scelta” con una serie di spazi modulari. a dominare lo skyline, l’edificio presenta periferie dense ma permeabili dove le divisioni tra spazio interno ed esterno sono sfumate. influenzati dalla passione della città per la vita all’aria aperta, i balconi gravitano verso l’esterno, come foglie che si aprono a ventaglio per assorbire la luce solare. una generosa dotazione di vegetazione vede giardini pensili, piante e alberi posizionati in tutte le unità residenziali, immaginati come un giardino verticale. la torre elabora strategie passive in tutto il suo design di garantire un ambiente confortevole e vivibile che si nutre delle risorse disponibili a livello locale.

陆泓钢
LUNAR ECLIPSE
Necklace Sunglasses
Lui è Honggang Lu, creatore di “Lunar Eclipse”, una collezione formata da mistici accessori che richiamano appunto la Luna e qualche accenno in riferimento al sistema solare.

wearable solar

There is nothing natural in nature; technology makes our humanness giving form to our surroundings. The human habitat reveals a techno-morphed structure that can no longer be hidden behind the vestiges of a natural world: technology has to be naturalized. Pauline van Dongen researches the body in a technologically textured space. After graduating from ArtEZ, Academy of the Arts in Arnhem, the Netherlands, she started her own womenswear label in 2010. Pauline operates a meticulous research of the behaviour of experimental and high-tech materials, combining new technologies with traditional techniques to constantly renovate craftsmanship. Working closely with companies from the field of science and innovation, Pauline aims to merge fashion and technology giving life to scientific creations.

black solar system

МАЙКЛОМ ЯНТЦЕНОМ
예술가 마이클 얀첸
The Rolling Solar Recliner

clear orb

“The sustainable architectural culture that aspires the coexistence of human, nature and the architecture itself” is a core value of Heerim Architects and Planners in South Korea, the team behind a sparkling orb designed for Santa Monica Pier. A finalist in the biennial site-specific 2016 Land Art Generator Initiative design competition, which promotes the uptake of energy-generating public art that informs, delights, and uplifts communities and visitors, The Clear Orb reveals a playful approach to holistic design. Using transparent luminescent solar concentrators, the installation is purportedly capable of producing up to half-a-million gallons of fresh water each year for California.

Canoe
The work here in Dawson is like an old vehicle in which I’ve put a new engine. Entitled Canoe, it consists of an approximately 20 foot long trough of water, that resembles some kind of boat. This provides a means for a gunwales tracking mechanism to slowly, endlessly paddle its way back and forth. It was first constructed in 2001 in a studio beside Halifax harbour. It draws visual inspiration from the bridges and water vessels of this port. Conceptually, it grew from an interest in technological obsolescence: how things (like canoes) make shifts from utility to leisure.
It has experienced several major rebuilds since 2001. Most of them have been practical, but for Dawson I’ve opted for an experimental configuration that changes significantly the nature of the work. Previously, Canoe has only ever been shown indoors. Normally in runs on rechargeable batteries, with a continuous, smooth motion. In Dawson, it is shown outdoors, alongside the Yukon river, showing up in an absurd way the paleness of its artificial river. Here, the primary source of power is sunlight.
Making use of the long northern day, solar panels receive light, storing energy in an array of super-capacitor cells. At this time, Canoe remains still. A custom circuit monitors the amount of charge, and when a predetermined trigger point is reached, it is dumped into Canoe’s electric motor in a burst, allowing it to make a few strokes. Then Canoe rests, while the charging cycle begins again. Motion is intermittent, entirely dependent on the amount and intensity of sunlight. It ranges from near standstill in overcast conditions to perhaps 1 or 2 strokes every minute in full light. The technical term for this type of circuit is a relaxation oscillator. I like this term because, if you remove it from its technical context, it points back to ideas about leisure and utility.

Solar Spectrum

SOLARIS

“Rappresento gli otto simboli planetari sacri e arcaici in modo semplificato, usando artefatti umani moderni per decostruire il significato dei pianeti solari per la civiltà umana nel suo insieme, esaminando il significato del cosmo attraverso la mia realtà. Presento la mia ricerca etnografica umana universale in uno spazio grigio “neutro”: uno stile museologico, attraverso il quale posso collocare la tradizione storica e culturale in un microcosmo personale, creando una visione terrestre dello spazio e del tempo in un macrocosmo.
Questa serie è un’astrazione modernista che indicizza il sistema solare per me stesso al fine di cogliere la vita e, più specificamente, i fenomeni della mia vita nel tempo e nello spazio.
Utilizzando lo spostamento e la riclassificazione dell’interpretazione planetaria scientifica, culturale, storica e ontemporanea, il mio obiettivo, attraverso la visualizzazione, è quello di semplificare la concezione umana dei pianeti simili in orbita attorno al nostro Sole ”.

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
Solar Interior S

РЕЙНАЛЬД ДРУХИН
LANDSCAPE MONOLITH

MONOLITH is the title of French multimedia artist Reynald Drouhin’s latest art project which consists of a series of digitally manipulated images of stunning natural landscapes. In the middle of picturesque sunsets and serene Arctic landscapes, Drouhin pastes a mysterious prismatic shape and then flips it, thus creating a mind-boggling visual effect of an otherworldly transparent object hovering in desolate locations. The entire project is an ingenious appropriation of the famous monolith from Stanley Kubrick’s film ”2001: A Space Odyssey” where mysterious dark rectangular objects (dubbed as monoliths) were scattered across the solar system by an unknown alien civilisation which seemed to guide humans along a risky interplanetary journey. Reynald Drouhin’s MONOLITH series captures exactly the double nature of Kubrick’s monoliths: the inverted shapes in the photographs seem to be a window to another dimension, a physical anomaly which distorts the nature around it, and is both menacing and inviting.

After Trillium (solar robotic sculpture)

SOLAR EXPOSURE

spherical glass solar energy generator concept
Rawlemonの太陽エネルギー設計者は、太陽光（および月光）を最大10,000回集中させることができる球形の太陽追跡ガラスグローブを作成しました。同社は、そのß.toricsシステムは従来の2軸太陽光発電設計よりも35％効率的であり、完全に回転する耐候性の球体は月明かりから電気を集めることさえできると主張しています。
ß.toricsシステムは、バルセロナを拠点とするドイツの建築家AndréBroesselによって発明されました。彼は、建物の壁に埋め込んで、窓とエネルギー発生器の両方として機能できるソーラーシステムを作成しようとしました。しかし、このプロジェクトは、太陽光効率の機能だけでなく、月のエネルギーを生成するように設計されています。
球体は、拡散した月光を安定したエネルギー源に集中させることができます。未来的なß.toricsシステムは、そのすっきりとした美しいデザインで大きな注目を集めています。 （太陽光発電の大きな可能性にもかかわらず、私たちはあまり多くの美しい太陽光発電技術を見たことがありません）。建築家がこれらのエネルギー生成オーブを代替エネルギーアジェンダや将来の建物の設計にどのように組み込むかを楽しみにしています。

Synthetic Sustainability

Graham Thompson tries to redefine urbanism by proposing urban synthetic hyper structures that sustainably manage urban density, personal space, and communal areas. A fresh graduate from the Bartlett School of Architecture the proposal features undulated surface towers, farming zones, clean energy generating systems, green transportation facilities and recreational areas. The sustainable structure would come along a water depository within barren undeveloped land ready for zoning. The undulating bionic towers of the project would act as urban farming zones that promote local flora and fauna managed by the inhabitants for sustainable growth. These agricultural zones have individual harvesting grids with water filtration and nutrient monitoring systems. The tower canopies are layered with solar recharging zones to harvest solar energy and locally meet power needs. Graham also visualizes eco train stations for green transportation along with green service stations for eco car charging.

solar powered flower installation

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
solar bell floating sculpture

Майклом Янтценом
예술가 마이클 얀첸
the solar energy field