Bruce Nauman

Nature Morte
Nature Morte focuses on Nauman’s long relationship to his own studio, a variation on his four unique multi-projection videos, Mapping the Studio (2001). Three viewing stations, each consisting of an iPad linked to a wall-sized projection, provide an interactive exploration of the 3D studio space. Only now the artist is absent, and the participant becomes performer as he/she manipulates the large scale video projections on an iPad using touch control. The participant is free to navigate anywhere throughout the space, selecting broad vistas or individual objects. Using a hand-held 3D scanner, Nauman recorded hundreds of images that allow participants to select an object and locate close-up anything found there, and further reorient the image to see an object from above and below, and at times inside-out. The resulting mobility intensifies the experience of the viewer/performer. Presenting a static, but immersive re-creation of his studio space, Nauman’s pieces once again play at the tenuous lines between the body and space, perception and physical material.

Wolfgang Buttress

LUMEN
LUMEN is an artwork which expresses our ever changing relationship and perception of space and time. The sculpture will be installed in Taiwan in 2022. It expresses in form, light and sound the ever changing star-scape above Taichung. Using a live NASA feed from the sun, a bespoke light and sound system will express the live energy of the sun and the real time positions of the stars above Taichung on and in the sculpture.

NILS VÖLKER

Two Hundred and Seventy
Through the combination of an everyday material with precise technology the mixed media installation fills the whole columned hall from the 19th century with its fluid movement and peculiar sound. Concavely arranged and floating above the spectators heads the form of the artwork seems to pass the skylight like the sun’s rays. Subdivided into nine columns, the nearly 70 square metres large piece of art follows a site-specific choreography determined by a program. Its moving surface is made from 270 white garbage bags, being inflated and deflated. In this way shapes and the boundaries of the installation itself start to dissolve. “Two Hundred and Seventy“ is the first installation with an undisguised view behind the scenes and onto the origin of the wavelike and organic movement: 1080 fans, lots of cables and 45 circuit boards

TUNDRA

My Whale
There is an impressive space at the front of the ship, with panoramic windshield and hexagonal pattern on the vaulted ceiling, remained from the 80-s, the time, when “Brusov” was constructed in Austria. Standing there gives you the feeling of floating through the reflections of the Krymsky bridge lights on the river, inside a giant whale head. Looking through its eyes, listening to its songs that flow across the brain made of hexagonal cells by the wires hanging down here and there.
With some light and sound we brought this whale to life.
Each piece of the projection onto the cells was cloned from the previous one with a random changes. So each cell behaved differently, pulsating to the rythm of the whale songs. To interract with the whale the visitor could place the phone screen above the black box in the center of the room.

EVERYWARE: HYUNWOO BANG & YUNSIL HEO

Cloud Pink
FILE FESTIVAL

The installation invites participants to “touch the pink clouds” drifting on a giant fabric screen suspended in the air.
Lying down on a hill with your pupils filled with the endless blue sky, perspective of your eyesight suddenly gets distorted and clouds drift at the tip of your nose. You stretch your arms up to the sky to touch the clouds but can’t reach. Another world right above your head, clouds.

SAM TAYLOR WOOD

a little death

Despite the broader reference to the traditional pictorial genre of “still life”, disseminated from the Dutch and Spanish painters of the 15th, 16th and 17th centuries, ‘Still life’ from 2001 and ‘A little death’ from 2002 refer especially to the painting of transient elements of the French Jean-Baptiste-Siméon Chardin (1699-1779) to discuss the distortion and inexorability of time, the finitude of life or, above all, the interdependence between life and death. The title makes a direct reference to the expression with which the French philosopher Georges Bataille defined the orgasm: ‘une petite mort‘.

Karlheinz Stockhausen

SONNTAG aus LICHT

Sonntag aus Licht takes as its subject our solar system and the relationships of all the planets that orbit the sun. In this opera, the earth and life on it is represented as the result of the union of light and water. These two elements are presented in the first scene, and the rest of the opera celebrates the evolution of life, of plants, animals, humans, and above all this the planets, moons, and heavenly constellations. The opera has a pronounced ritualistic and meditative character, with very little that can be described as dramatic action.

Caitlind r.c Brown & Wayne Garrett

Cloud
The hand-bent steel substructure of the sculpture is covered in a skin of incandescent light bulbs (new and burnt out), and rear-lit from within by 250 compact fluorescent bulbs, pulling a total power of approximately 20 amps (the equivalent of two household outlets  ).Each of these bulbs is attached to a pull-string, allowing viewers to control the illumination of the structure – like lightning in the CLOUD above them.

Denis Laming

THE KINEMAX
“Above is the most literal, architectural interpretation of crystals that I could find. It’s a theater,the Kinémax, at an amusement park in France that revolves around the future. The park, Futuroscope, opened nearly 25 years ago and the Kinémax has been an emblem of the park ever since. It’s kind of amazing. The theater, like most of the structures around the park, was designed by Denis Laming.”

JULIUS VON BISMARCK

top shot helmet
The Top Shot Helmet alters one’s spatial perception. Wearers see themselves from above and must guide their movements and orient themselves from this perspective. The device consists of a round helmet, above which floats a helium balloon attached to the helmet with strings. The balloon carries a small video camera operated by radio signal, which points downward with a wide-angle lens. The view captured by the camera is projected onto a pair of video glasses in the helmet. Wearers of the helmet can only see the image produced by these glasses and must use this to make their way through a given space. By moving the head, the person wearing the helmet can turn and tilt the balloon and camera. A handle on the helmet makes it possible to adjust the height of the balloon and thereby adjust one’s field of vision.

JKMM

Amos Rex Museum
Amos Rex rethinks the urban park as part of our museum experience. Its structure is built with large concrete domes. This principle is very functional for museum use: it allows long column-free spans and flexible exhibition spaces. The domes contain skylights that introduce natural light into the galleries below as well as carefully selected views of life above. At street level, a new urban square has been created with a unique identity. The domes form an undulating landscape for people to enjoy, especially children. The Lasipalatsi building was restored respecting its valuable 1930´s Functionalist era interiors and details.

olafur eliasson

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
earth perspectives
The earth as viewed from above the SouthPole, one of nine-part series
The pole is at the heart of the virtually uninhabited continent of Antarctica, a vital ice-covered wildlife haven that is under threat from rapid warming and ice loss.

NPS TCHOBAN VOSS

nhow hotel berlin
Extreme cantilever alert! A four-storey block with a mirrored underside juts out from the top of a Berlin hotel, 25 metres above the ground (photos by Roland Halbe). The huge cantilever comprises the upper floors of the eleven-storey NHow Hotel, which was designed by German architects NPS Tchoban Voss. The end of the cantilever is fully glazed whilst the underside is clad in polished aluminium, creating a mirror that reflects the hotel roof below. Part of the NHow chain, the 310-room hotel contains music facilities that include a ballroom and a sound studio.

Daan Roosegaarde

SPACE WASTE LAB PERFORMANCE is a unique large-scale outdoor artwork of LEDs and real-time tracking information to visualise space waste above your head on an altitude of 200 to 20.000 kilometers. A real piece of space waste is part of the outside exhibition. Special designed software and camera technology developed in the last year enables the SPACE WASTE LAB PERFORMANCE to be exhibited international, in compliance with strict safety and aviation regulations.

Cornelia Parker

War Room
“There were poppies as far as the eye could see,” says Cornelia Parker RA of her recent trip to Aylesford in Kent. But she is not talking about real flowers. She is recalling a visit to the village’s huge factory that produces paper poppies for Remembrance Day. This led to her new work War Room (2015, above), on view as part of her survey show at the newly refurbished Whitworth Gallery in Manchester.

TROIKA

Chandelier
The Grand Staircase chandelier (above) is comprised of a large 1.2m diameter fresnel lens, rimmed by a white Corian ring, and suspended in front of a rose-gold plated cradle housing 9 high power LEDs. “As the white light generated by the LEDs passes through the lens, a pattern of 9 overlapping rings is created, adorning the ceiling with a unique crystalline rose.”

Erik Demaine and Martin Demaine

Waves in Glass
“Waves in Glass” is about the communication between two media rarely combined—folded paper and blown glass. The glass was initially made while blindfold, as shown in the video above, so that the communication with the 2000° material is purely through touch, matching the dominant mode of communication with paper.

DAISY BALLOON

雏菊气球
데이지 풍선
デイジーバルーン
DAISY BALLOON is a balloon unit of worldwide balloon artist Rie Hosokai (born 1976) and art director/graphic designer Takashi Kawada (born 1976). Since forming in 2008, they have produced many balloon art works based on the themes of “perception and quality.” Above all, the balloon dresses have fascinated many people through the intricacy of detail that suggests architectural qualities. Their daily fieldwork consists of searching for philosophical themes and interacting with people and objects, but their vision is constantly looking toward achieving essential harmony with their surroundings.

Zoro Feigl

POPPY
FILE FESTIVAL SÃO PAULO
As a giant poppy flower, this piece of tarpaulin unfolds itself above the viewer to show an elegant dance of waves and curls while within this dance a violent battle emerges between gravity, friction and centrifugal forces.

barbara cole

White Noise
“I rework this canvas with a toolkit that includes clouds, reflections, plastic sheeting, cloth-encased figures as well as aperture, shutter speed and artificial lighting. I will photograph from above in order to flatten the perspective[…]” more

SIMEON NELSON

Relicário
The physical structure of the work is white MDF elements slotted together in a dense but open concretion in the centre of the space just above the floor. The piece becomes a white nexus of spiritual energy, a white filigree in a white room hovering near the floor, pile of transfigured bones emanating radioactively into the space.more

Nives Widauer

Global Globes

“..In Global Globes (2011), Widauer has collected over 290 globes of all different sizes, years of manufacture and locations and geopolitical variation, putting them together into a mosaic-like map of the world. Global Globes is conceptually designed by the artist as a floor installation, so that the best place to see it is via a live circuit camera installed high above the ‘globe world map’..”

Paula Perissinotto

As We May Feel
file festival

“As We May Feel” A parody of the 1945 text “As We May Think”, by Vannevar Bush What enduring benefits did science and technology bring to human beings? First of all, science and technology have extended the humans’ control on their material environment, helping them to perfect their food, their clothes, their dwelling, and gave them more security, allowing to live above the level of mere subsistence. Later on, they have permitted a wider knowledge of the biological processes that occur within our bodies, allowing the control of a more healthy and lasting life, always promising an enhancement of mental health. Finally, they contribute to the effectiveness of our communication. We have therefore a reason to live beyond survival — abundant health and efficient communication. And how do we deal with our existential feelings and conflicts? We don’t have time for our feelings, we can no longer ruminate them. We bury them in secret wishes without bigger consequences. Should we care more for our feelings? Negligence has been our way of cleaning our lives of sentimental values. When we cannot sweep them, we zip them and eventually access them to solve conflicts and/or to organize our thoughts. This project offers the access, through a click, to a central that points to a series of paths toward “As we may feel”. The content of this simulation of a phone center has as its aim to create an encyclopedia of existential feelings and conflicts that represent human life in contemporary society. Welcome to our call center!

Klaus Leidorf

Scrap Tires

Photographer – Pilot – Aerial Archaeologist
Already in his childhood Klaus Leidorf enjoyed taking photographs from all kind of perspectives – that this is going to be his profession one day he would not think of yet. He studied protestant theology, but realized soon that this is not what he wants to do his whole life. So he changed the subject to pre- and early history.
After his studies he worked at the Bavarian State Office for the Preservation of Historical Monuments and after two years there was the possibility to continue the aerial archaeology for Bavaria. Therefor he got his pilot license and from the late 80ies on, his workplace is several hundred meters above ground in a Cessna 172.

OLAFUR ELIASSON

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Your Rainbow Panorama

Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson