MAIKO TAKEDA

ATMOSPHERIC REENTRY
“While hats are commonly made with substantial and durable materials such as fabric, felt, plastic, leather so on, instead I wanted to create ethereal experiences for the wearer through the pieces. Through the experiment process, I developed the technique to create a visual effect of intangible aura by layering printed clear film, sandwiched with acrylic discs and linked together with silver jump rings.”

Pablo Valbuena

Kinematope
Kinematope is specific twice over. First, for being formulated as a response to the perceptual qualities and inner structure of the place it activates. Second, its kinematic nature is directly connected to the function of the train station itself: transit, transport, motion. Kinematope uses ephemeral and intangible materials, projected light and sound, to set the space in motion. It makes use of elements from the cinema apparatus to generate a spatial film. It is a direct filmic experience that omits the mediation of the camera, transporting the observer into a virtual space-time and maintaining at the same time the real, physical bonds of the body with its environment.

Herman Kolgen

Eotone
With EOTONE, Kolgen and Letellier reflect on distance and weather, by staging something intangible yet powerful: the wind. Four sound and sculptural diffusers, containing elements of both the weather vane and the fog horn, make up this monumental installation that renders in movement and sound the direction and force of the wind blowing simultaneously on two continents: in Montreal and Quebec City on one side of the Atlantic, in Rennes and Nantes on the other. The wind data recorded in each city is transmitted live to the diffusers, controlling the orientation of each of the structures and orchestrating the combined chords that make up the harmonic whole perceived at the heart of the installation. By transforming weather data into sound, EOTONE offers a subtle artistic vision of the Internet of objects.

geoffrey mann

Cross-fire cutlery detail
The focus of the Past, Present & Future Craft practice commission was to examine the intangible characteristic of the spoken word and investigate the unseen affect of sound upon its inhabited environment.The project centralizes around the context of a domestic argument. In this case the event samples an audio excerpt from the 1999 Sam Mendes Film ‘American Beauty’. The slow building dialogue between the three central characters family dinner climaxes with a sound clash of emotions. The cross-fire of the argument traverses the dinning table but where previously the inanimate everyday objects such as plates, cutlery, teapot etc were unable to express their character, the intensity of the conversation deforms their once static existence into objects of unseen familiarity.The presented sound artifacts each encapsulate a momentary emotion of the argument.

tabor robak

balenciaga collaboration
A 25 minute video loop with previously unreleased tracks by DJ Hell, made in collaboration with Balenciaga.

Here is a dramatic tension in his work between the real and the imagined in his use of often-appropriated digital objects to create virtual landscapes, which frequently contain elements – animals, machines, fragments of videogames – that are recognisable from our day to day life. This creates a symbiotic relationship between the digital and the real. In a very real way digital space has now become an intangible reality. The worlds built by Robak have a distinctly cinematic sensibility that hyperbolises the shine and dramatic effects of 3D rendered animation. The aesthetic of his work is supremely important, drawing the viewer into a truly alluring, indulgent and strangely gratifying environment. There is a further challenge to the void between high-art and the worlds of 3D animation and gaming, in the intersection between depiction and simulation. This can be partially attributed to the vernacular of advertising Robak is so proficient at utilising.

Pablo Valbuena

Array [wave]
Wave depicts a sculptural volume unfolding over time – the Shape of Light seized in perpetual movement. It uses ephemeral and intangible materials – light and sound – and can be traversed by the observer, immersing them into the shapes cast by the undulating light columns. The work creates a malleable experience of scale: it shifts between object and environment depending on the observer’s position inside, outside, or at the boundary of the installation.

Shohei Fujimoto

Intagible #Form
In this artwork “intangible #form [2019]”, focusing on how do we see the intangible as tangible using 420 kinetic laser modules. I’ve tried to generate virtual consciousness, presence and behavior of life in this time. And then I’ve been exploring what are we getting the surfacing consciousness and presence from the thing is in front of us or are we giving these to them? I think that when paying attention to consciousness, it could be a trigger to sense that we are human ourself.

Christoph De Boeck

Staalhemel

The intimate topography of the brain is laid out across a grid of 80 steel ceiling tiles as a spatialized form of tapping. The visitor can experience the dynamics of his cognitive self by fitting a wireless EEG interface on his head, that allows him to walk under the acoustic representation of his own brain waves.The accumulating resonances of impacted steel sheets generates penetrating overtones. The spatial distribution of impact and the overlapping of reverberations create a very physical soundspace to house an intangible stream of consciousness.‘Staalhemel’ (‘steel sky’, 2009) articulates the contradictory relationship we entertain with our own nervous system. Neurological feedback makes that the cognitive focus is repeatedly interrupted by the representation of this focus. Concentrated thinking attempts to portray itself in a space that is reshaped by thinking itself nearly every split second.

Guillaume Marmin

Licht, mehr Licht!
“Licht, mehr Licht!”, or “Light, more light!” in English, were the great German author and scientific thinker Goethe’s dying words. The installation, created and developed by French visual artist Guillaume Marmin, echoes near-death experiences, whose survivors describe a tunnel of light opening up beyond the darkness. Marmin’s works give form to the intangible, unveiling the beauty of the unseen and the mathematical foundations of reality.

Joanie Lemercier

Constellations
“Constellations” is an audio visual installation. Light is projected on invisible water particles to form shapes and intangible structures in the air. It’s an abstract journey through geometric structures formed by the universe.

Pierre Malphettes

la fumee blanche
Le travail de Pierre Malphettes est à l’image d’une de ses œuvres, il agit sur nous comme un attracteur étrange. En travaillant principalement des matières intangibles telles que l’air, la lumière, l’eau, ou bien encore des matériaux bruts, de construction (la bâche, le caillebotis), Pierre Malphettes matérialise des espaces mentaux qui évoquent le voyage, le parcours. La poésie naît d’un déplacement contrarié, impossible,

Wim Vandekeybus

Speak low if you speak love
For Wim Vandekeybus love is perhaps the most intangible and capricious of all our inner states of mind: it moves mountains, and creates immeasurable heights and depths. It gives strength, but causes devastating pain when it turns against you. Love inspires poetry: it is exalted and cursed.

Anna Uddenberg

Disconnect

Female narcissism obviously is a misogynistic concept. “Being a feminist is about defeating, fighting those ideas. But actually, what a lot of gender studies has been about is looking into what’s masculine, figuring out what masculinity is, and how to conform to it maybe. Feminism’s ideal is a middle class white butch. ‘Don’t do feminine things.’ This excludes so many ethnicities, and models of femininity,” says Uddenberg. Her sculptures currently on view at the 9th Berlin Biennale explicitly do not follow this doctrine. Their stylized bodies are caricatures of what a “woman” “looks like,” yet their hyper-femme physique, positioning and accessories capture something about the way we look at ourselves. They are both object and subject. They turn you on, yet they repulse you. Their agency is palpable, but their intentions are intangible. “I’m also very alienated from femininity,” says Uddenberg.

Koen Hauser

Koen Hauser is known for his intangible body of work flowing between fine arts, fashion and applied photography. Always looking for innovative ways of applying different visual styles and techniques both old and new, Hauser creates strong images that are contemporary and timeless, elegant and alienating.

CHRISTOPH DE BOECK

timecodematter installation
In the interactive installation timecodematter the visitor enters an arena that is bordered with vibrating sheets of massive steel. The steel objects are pulsating with low frequencies and they react to the approach of persons. The acoustic energy in this installation is both penetrating and intangible: the resonant properties of twelve different steel sheets respond to the low frequencies and produce a conjuring effect.
Christoph De Boeck is part of the production structure ‘deepblue’.