Moritz Simon
Glitch Robot
The Installation consists of several robotic actors. When the actors make contact with their instruments, they produce a sonic impression of an omnipresent texture of modern life: electronic music. The music robots used in this performance consists of recycled and 3D-printed parts such as harddisks, relays, tongues, motors and solenoids. Glitch Robot connects mechanical, visible movements to audible sound by using small sound-producing robots. Thus, the installation highlights the origin of the sound in a way no conventional medium of electronic music production is able to. Typically, electronic music eliminates the haptic aspect of sound-generation, creating a void in understanding of how sound, and thus music, is mechanically created.
Christina Kubisch
Cloud
Cloud, produced on-site at the museum using thousands of feet of red electrical wire, hosts a fourteen-channel composition that visitors listen to by wearing customized headphones. These devices, developed by the artist, contain magnetic coils that receive the magnetic fields circulating in the cable loops and make them audible. As visitors move around the installation, they look at the chaotic electrical wiring suspended in the gallery but hear the prerecorded sounds programmed into different segments of the sculpture.
EBBETO
ANALOG
What if… a mechanical “God” created Adam and Eve?
ANALOG tells the tale of a machine traveling in deep-space which has as a primary function the preservation of a living organism: a man. Strange events with biblical analogies begin to occur, disturbing the machine and making it rethink it’s priorities.The film was made under an extreme low-budget condition and was only made possible due to the dedication of a hand full of people that believed in the project and gave their hearts and souls to make it come to life.
To them, all my respect and gratitude.
Audrey Large
Audrey Large is a French designer based in the Netherlands. By bridging animation techniques with digital-to-material manufacturing processes, her work explores the potential of digital image manipulation as applied to the design of our material surroundings.
John Liebler
The Inner Life of the Cell
короткий фильм 3D-анимации, рассказывающий о различных биологических процессах в лейкоците, клетке человеческого тела. Фильм создали Дэвид Болинский (иллюстратор Йельского университета), ведущий аниматор Джон Либлер и Майк Астрахан из XVIVO для факультета Молекулярной и клеточной биологии Гарвардского университета. 8,5 минут анимации заняли 14 месяцев работы. Впервые фильм был продемонстрирован в 2006 на ежегодной конференции SIGGRAPH (short for Special Interest Group on GRAPHics and Interactive Techniques) в Бостоне.
LAURA BELEM
bell sculpture
LIKEarchitects
constell.ation
GERALDO ZAMPRONI
GIANT INFLATED PILLOWS
The monolithic red cushions have been shown as part of various events throughout brazil, peru, argentina and spain – peppering landscapes with the massive artworks as if squeezed within the crevices of each city. The interventions interrogate architecture and landscape – providing a new perspective on a space that depicts tension and uneasiness.
Martin Richman
مارتن ريتشمان
Underwhirl
United Visual Artists
Топологии # 1
Новая инсталляция, которая продолжает исследование сенсорных ощущений UVA через призму технологий. Первая из новой серии работ, Topology # 1, состоит из пяти кинетических скульптур, которые проецируют плоскости света, простирающиеся через комнату, создавая изменяющуюся геометрию, которая непрерывно разделяет и реконфигурирует пространство. Посетители проходят через 25-метровую комнату через внушительные, но нематериальные стены, создавая своего рода нематериальное царство, которое меняет восприятие зрителей и их отношения с пространством, которое они занимают.
BUST OF NEFERTITI-3D SCANS NEUES MUSEUM
“This is the Berlin Egyptian Museum and Papyrus Collection’s full-color, 6.4 million-triangle 3D scan of the Bust of Nefertiti. I was able to obtain this data after a three-year freedom of information effort directed at the Prussian Cultural Heritage Foundation, which oversees Berlin State Museums.” Cosmo Wenman
JULIANNE SWARTZ
How Deep is Your
朱利安·斯沃兹（Julianne Swartz）是deCordova雕塑公园和博物馆以及斯科茨代尔当代艺术博物馆（SMoCA）组织的一项调查的主题。朱莉安·斯沃兹（Julianne Swartz）由Rachael Arauz策划，在艺术家的全力参与下：《你的深度有多深》第一次聚集了一大批斯沃兹的装置和雕塑，邀请观众优雅，幽默和有智慧地参与其中。
Swartz以其独特的高科技和低技术材料融合而广受赞誉，既利用现有技术又利用自制技术，并且经常使观众的短暂存在成为其作品的基础。她的作品悄悄地庆祝矛盾和二分法，吸引着细心的访客放慢脚步，增强自己的感官。她使用的镜头可以将平凡的物体和隐藏的位置转换成神奇的运动图像，镜子可以使观看者的空间感知和自我意识变得混乱，乙烯基墙壁上的图画可以引导观看者进入秘密的建筑空间，PVC管和扬声器可以使建筑与其进行交流。居民。她的某些雕塑颠覆性地包含了“新媒体”或“视频”的外观，以揭示手工制作的简单性，促使观众质疑我们文化与技术的关系
Bjoern Schuelke
Vision Machine #8
Influenced by German sound artist Peter Vogel and Jean Tinguely’s kinetic sculptures , Björn Schülke creates complex viewer-activated machines that combine movement, surveillance, and sound.
Antoine Catala
安托万·卡塔拉
Distant Feel
Antoine Catala répond à la très haute technicité des médias numériques actuels en s’aidant du lo-fi et de l’analogique. Parsemées d’humour et de jeux de mots qui dissimulent souvent une certaine gravité, ses œuvres s’enchaînent dans une continuité à la fois matérielle et conceptuelle et s’appuient aussi bien sur l’esthetique du projet de sciences que sur la sémiotique.
TODD BURRIS
Eyeglasses
Burris likes black—not just the black that contrasts with white backgrounds, human skins and other trappings. He likes black hair, black stripes, black fabric, black hats and boots, and perhaps even a black way of seeing things… It would be less noticeable if his photographs were in color, but that would take away from their nostalgic charm.
ARAM BARTHOLL
0,16
0,16 is a light installation in which the shadows of a passer-by is transformed into ‘pixels’. The installation consists of a wall built of small square frames covered front and back with transparent paper. A third layer of paper is attached in the centre of the frames. A lamp shining at a distance breaks the shadows of the passers-by into squares, allowing a pixellated human figure to be seen on the other site of the installation. In this simple way, Bartholl renders tangible the pixels found in the world of digital communications.The ‘resolution’ of the screen is 0,16 ppi (pixels per inch), hence the title.
Pascal Dombis
La Génération Invisible
La Génération Invisible est une installation dans laquelle Pascal Dombis questionne notre rapport aux images numériques et comment nous les regardons aujourd’hui. Internet génère une profusion d’images qui circulent et qui sont de moins en moins regardées par les humains. Cette installation parle de la disparition des images de par leur circulation et prolifération excessive. Le mur est couvert par un flux de 30 000 images internet entrelacées formant une surface visuelle floue. La nature individuelle de chacune des images peut être décodée par l’utilisation d’une plaque lenticulaire que le visiteur applique directement contre le mur, afin d’en extraire de multiples lectures. Cette installation fait écho au travail de William Burroughs sur le langage et les images en reprenant une phrase d’un de ses livres Cut-Up de 1961 :
Richard Wentworth
ريتشارد وينتوورث
リチャード·ウェントワース
ריצ’רד וונטוורת
Ричард Вентворт
Wentworth’s sculpture takes as its subject the semantics of the everyday world, taking readymade and frequently incongruous objects and arranging them in a fashion that forces us to recognise the drama inherent in that which we too easily dismiss as routine. His photography captures the unusual or counter-intuitive behaviour of things, treating the (generally urban) landscape as consisting of readymade works that merit the same attention as more traditional art objects.
NALINI MALANI
Remembering Toba Tek Singh
Steven Chilton Architects
wuxi taihu show theatre design
The building’s appearance is composed of three primary elements, the columns, the shade canopy and the building envelope. Representing an abstract impression of a bamboo forest, the slender white columns are positioned around the perimeter of the building in such a way as to provide a screen between the building façade and surrounding landscape. The ‘bamboo’ columns clear around the various entrances to help frame the accesses into the building.
Roman Vlasov
concept 37
Concept 37 is a breathtaking building with its simple yet effective details provides an eloquent combination that would make you wonder how such a place exists. The upward moving building would never let you guess the angle, depending on the point of your perspective you will determine a different angle each time, which is one of the many reasons that contributes to its reputation as a fascinating place.
