Graduate of the Danish school of design and the Central Saint Martins College of Fashion and Textile in 2000, Isabel Berglund, having already exhibited around the world, is now one of the creative artists who makes use of knitting in contemporary art. Using knitted wool to create sculptures, she creates archaic memories with the mesh, sometimes incorporating clothing fragments so you can curl up in the sculptures and experience the inside. An experimental space where human and material boundaries merge in a knitted web of emotion, her work puts the poetic insight of a child at our fingertips.

Light Echoes

ألفونسو كوارون
阿方索·卡隆
אלפונסו קוארון
アルフォンソキュアロン
Gravity
cinema

Хилари Фэй

كيت غيلمور
קייט גילמור
케이트 길모어
Кейт Гилмор

АЙРИС ВАН ЭРПЕН
イリス ヴァン ヘルペン

Mirage
“MIRAGE” is the first performing art ever in the world to experience with immersive. This experience reminds us that we generate ourselves at each moment in our highly subjective ambiguous world. Unlike the general performing arts for the several audiences, “MIRAGE” is generated by the interaction of the two dancers and the one participant. As the participants, you are invited into an 8 minute immersive experience, using a head-mounted display fitted with headphones and a camera to capture live scenes. While unaware of the participant, dancer in front of the eyes is changed over to the dancer that has been recorded in advance. In addition, by overlapping the live scene and recorded ones, participants will experience simultaneous past and present. It is very difficult to tell which dancer is really existing or which is not. Each participant will be required to discover their own “reality”.

آمون توبين
阿蒙·托宾
האמון טובין
アモン·トビン
아몬 토빈
isam

БРЭД ДАУНИ И ЭЙКЕЙ

이형구
Хюнгко Ли

he Merce Cunningham performances, the final events of Dance Umbrella’s 25th Anniversary season and co-incidentally in MCDC’s 50th year, took place in the vast, 152 meter long Turbine Hall of the Tate Modern within the embracing environment of Olafur Eliasson’s The Weather Project.

The Weird Girls Project

КРИСТА ВАН ДЕР НИЕТ

Existing

Урс Фишер
A Place Called Novosibirsk
Urs Fischer materializa la fantasía, da forma a motivos y acciones que rara vez ocurren en el mundo visible. Siguiendo un símil pictórico, su paleta es de las más variadas de cuantas pueden encontrarse hoy en el panorama internacional. El artista suizo es capaz de trabajar en ámbitos antitéticos y es, así, uno de los mejores referentes para entender la deriva que ha tomado la escultura en las últimas décadas, su heterogeneidad, su radicalidad, el enorme espectro de posibilidades físicas y objetuales que ofrece. La escultura de Urs Fischer camina entre diferentes estados físicos.

Glass and fiber optics lighting

Fly Revolver

Aesthetic of Fears
“My collection is about the aesthetic and the attraction of fears […] In many cultures people wear masks to scare evil away, so the masks are decorated with frightening images from the wearer’s own fears.”

Space Buster

10 Columns
His newest work, simply titled “10 Columns,” inaugurates Bridge Projects by transforming the 7,000-square-foot exhibition space in Hollywood into a synthetic sunrise/sunset[…] Smith has programmed the light-emitting diodes in each panel to cycle through an hourlong sequence of colors. The palette is space-age baroque its primaries and secondaries endowed with the artificially enhanced zing of exquisitely mixed tertiaries.

botanic toy

Микаэль Алдо

Nabijheidsjurk
Door mijn onderzoek naar proxemics en het lichaam uit te breiden, heb ik twee nieuwe jurken gefabriceerd die fysieke barrières creëren wanneer een persoon wordt gedetecteerd in de directe omgeving van de drager. Deze tweelingjurken reageren op basis van nabijheids- en thermische sensoren en duiden vreemden aan in de intieme, persoonlijke, sociale en openbare ruimte rondom de drager. Elke jurk breidt zichzelf uit met behulp van een robot 3D-geprint heupmechanisme ingebouwd in de jurk en een hars 3D-geprinte transparante kraag met de sensoren.

my emptiness is seeping shut
gif
In line with the Jelly Gummies of Sam Lyon, the experimental artist KyttenJanae leads us into a strange and psychedelic world with creations as colorful as disturbing.

Casa de Té

Blizzard Ball Sale

Aposematische Jacke
“Aposematic Jacket” ist ein tragbarer Computer zur Selbstverteidigung. Die Linsen an der Jacke geben das Warnsignal „Ich kann Sie aufzeichnen“ aus, um mögliche Angriffe zu verhindern. Wenn der Träger einen bedrohten Knopf drückt, zeichnet die Jacke die Szene in 360 Grad auf und sendet die Bilder an das Web.

Джим Деневан
모래 예술가 짐 데네반
外国人沙艺术家吉姆
ジム・デネバン

Having made his first paper sculpture at 25 while studying graphic design at Enmore TAFE, Harney – who works under the tag of Paperform – has since gone on to become one of Australia’s most prominent and creative paper engineers, with his incredibly intricate, detailed, lifelike paper sculptures, pop-up books, objects and backdrops commissioned by brands, galleries and commercial and editorial clients from around Australia and the world.

פיטר קופין
ピーター·コフィン
untitled

Daegu Gosan Public Library

جواو مارتينهو مورا

АДАМ НИКЛЕВИЧ

Until the End of the World

РОБЕРТА БАРСОЛОТА
LE CLOSEAU ENCHANTÉE

ホルヘ・マイエ

H.O.R.T.U.S. XL Astaxanthin.g menschlicher Garten
H.O.R.T.U.S. XL Astaxanthin.g ist eine hochauflösende 3D-gedruckte Bioskulptur in großem Maßstab, die sowohl für menschliches als auch für nicht menschliches Leben empfänglich ist. Das Projekt wurde von Claudia Pasquero und Marco Poletto (ecoLogicStudio) konzipiert und in Zusammenarbeit mit dem Synthetic Landscape Lab der Universität Innsbruck entwickelt.

アンヌ·テレサ·ドゥ·ケースマイケル
Анны Терезы де Кеерсмакер

Игорь Зенин
in the mist

icelandic church video-mapping

Global Globes

“..In Global Globes (2011), Widauer has collected over 290 globes of all different sizes, years of manufacture and locations and geopolitical variation, putting them together into a mosaic-like map of the world. Global Globes is conceptually designed by the artist as a floor installation, so that the best place to see it is via a live circuit camera installed high above the ‘globe world map’..”

Sounds of Silence
Inside the exhibition, there’s not a word of written text, and few traditional photos or videos. Instead, you get abstract spatial graphics. Tracking systems respond as you navigate the exhibit, and an unseen voice hints at what you might do. There’s a snowy cotton-like entry, radio-like sound effects, and then a pathway to explore silence from the start of the universe until this century.

アンヌ·テレサ·ドゥ·ケースマイケル
АННЫ ТЕРЕЗЫ ДЕ КЕЕРСМАКЕР
Quatuor N°4
The movement vocabulary of “Quartet No. 4” (originally part of a longer evening, “Bartok/Annotations”) is simple, with elaborations on walking and turning movements that incorporate everyday motion (smoothing hair, opening out the hands, a quick unpolished handstand) and folk dance-like skipping, hopping and heel-clicking jumps.