安托万·卡塔拉
Antibody
French born, New York-based artist Antoine Catala first began experimenting with digital artifacts in 2003, through a technique that intentionally causes compression errors in digital video, which often plague satellite television, streaming internet videos and other digital environments.
LA SOCIETE DE LA PLACE DES SPECTACLES
FILE SAO PAULO 2015
Inspired from the live works of Italian artist Michelangelo Pistoletto (1933-) of meticulously ransacking large mirrors, Sorenson revisited the classical traditions of vanitas under the materiality of video, and generate his creative process from the destruction of consumer components.
雅各布·萨顿
ジェイコブサットン
The Inaccessible Poem
Бойс, Мартин
马丁•博伊斯
마틴 보이스
מרטין בויס
マーティン・ボイス
Foote Sunset
Meditação
FILE FESTIVAL
Se não temos o poder para reformar nosso ambiente, precisamos encontrar possibilidades de meditação usando os significantes que preenchem as cidades. “Meditação” é uma meditação prática e alternativa que só funciona quando você se deixa perder. Inúmeros símbolos estão comprimidos dentro da obra, expressos em padrões irregulares de som através das três instalações audiovisuais, e o som se transforma, formando imagens de ondas. A mídia reproduzida, ao ser comprimida e suprimida, traz mais possibilidades de pensamento e escolha do que os valores contidos em sua própria forma. Através desses processos, “Meditation” pode ser a ferramenta certa para a meditação.
Vision Machine #8
Influenced by German sound artist Peter Vogel and Jean Tinguely’s kinetic sculptures , Björn Schülke creates complex viewer-activated machines that combine movement, surveillance, and sound.
Рэйчел Денни
No title, leaded glass
NEST
Inspired by Homer’s Odyssey
Loosely based on Homer’s The Odyssey, Marshmallow Laser Feast’s light installation lit the primary performance space within the chapel’s hazy internal dome. Grid-like projections crossed with mobile structures (designed by the architectural practice Studio Weave) as agile bodies crept over, in and through the many lit towers and surfaces. This first act was seen by the audience from the left and right balconies above. The second act, down flights of rope-lined staircases in the concrete basement, was more disorienting, lit only with triangular neon tubing and an eerie glow that seeped from an open door. The style of dance, in keeping with the more rapid and percussive score, by Canadian composer Christopher Mayo and electronic music composer / performer Anna Meredith, confronted the audience and was staged without boundaries dividing the dancers (some of whom were in street clothes) and viewers.
another day, another adventure
ポール・コックセッジ
폴 콕세지
Пол Кокседж
保罗•考克斯基