PINA BAUSCH
ピナ·バウシュ
翩娜。
פינה באוש
피나
ПИНА БАУШ
بينا باوش
В 1954—1958 училась балету в Эссене, затем в Нью-Йорке. В 1962 вернулась в Германию, стала солисткой Эссенского балетного театра, с 1969 — его руководительницей. В 1973 возглавила труппу современного танца в Вуппертале. В дальнейшем Бауш со своей труппой создают спектакли, навеянные атсмосферой и пластикой тех городов, где они выступают: Будапешта, Палермо, Стамбула, Токио, Лиссабона, Гонконга, Мадрида, Рима, Лос-Анджелеса, Сеула, Вены и др.
WILLI DORNER
ويلي دورنر
威利·多纳
Вилли Дорнер
photographer LISA RASTL
“Bodies in urban spaces” is a temporarily intervention in diversified urban architectonical environment. The intention of “bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behaviour as well as rules and limitations.
Push 1 stop and Woulg
Interpolate
Interpolate incorporates live coding and generative processes to create an audio/visual performance where visuals control audio, and audio controls visuals. Stark, minimal, generative 3D geometry and particle systems take the audience through the music, conveying the physicality of the sound while mapping out the emotional landscape of the melodies. To interpolate means to determine an intermediate value or term in a series by calculating it from surrounding known values; on stage Push 1 stop and Woulg send data wirelessly to each other in order to be able to patch new interactions between audio and visuals in real time, and interpolate the missing data between sound and image.
jeanine jannetje
reawaken
Reawaken is a kinetic sculpture with 55 robotic arms, powered by 55 servo motors. The lowering of the arms causes an abstract print on paper. Technology mirrors humanity, and vice versa. In addition to creating beauty, technology is there to meet our needs. We, and our needs, have evolved to a point where we are so integrated that we consume technology on autopilot. We live in a time of mass production in which our daily devices increasingly mimick each other. A smartphone is a small tablet, a tablet a small computer and a computer a small television. The question of what this does with our imagination, together with the increasingly invisible technological progress such as algorithms and artificial intelligence, have been my starting point for Reawaken.
Olafur Eliasson
オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
light graffiti little sun
Kazuhiro Yamanaka
collapsible moon
The big circular Lamp of Kazuhiro Yamanaka draws inspiration from his particular relationship with the moon.
Joaquin Fargas
Glaciator
Glaciator is an installation composed by one to four solar robots that help to compress and crystallize the snow, this process turns snow into ice that is fixed to the glacier mass. The mission of these robots is to help to accelerate the ice formation process on glaciers, allowing them to grow with the addition of snow, regaining the mass they lost as a result of the melting of ice. Its final mission is to raise awareness about the climate change, the melting of the ices and its consequences on the planet.
ANDREA ZITTEL
A-Z Cellular Compartment Units
VICTORINE MÜLLER
维克托里娜米勒
‘I’m interested in creating moments of sensitivity, moments when our defenses are down and we are open to new things. moments of powerful concentration. … I create zones, put forward pictures, show processes that touch the viewer, that invoke associations on various levels, transport people into a different state, so that things hidden may become visible, accessible, opening up possibilities – to demonstrate something that is not said and cannot be said, but that is’.
MARCO CIANFANELLI
nelson mandela monument
UVA UNITED VISUAL ARTISTS
Present Shock
Present Shock confronts the viewer with a barrage of statistical clocks representing real-time information about the world—from life-changing global events to the banal trivia of everyday existence—highlighting how the speed and volume of data in the Information Age present new challenges to our limited cognitive apparatus. Many of the statistics presented occur at timescales and spatial horizons that similarly defy our perception or comprehension. Disturbing the inertia of the here and now, they reveal the fluctuating state of dynamic transformation that characterizes life on earth.
Malin Holmberg
I Will Stop Loving You
DAN FLAVIN
Dan Flavin è stato un artista americano e pioniere del minimalismo, meglio conosciuto per le sue installazioni fondamentali di lampade. Le sue sculture illuminate offrono una rigorosa indagine formale e concettuale dello spazio e della luce, in cui l’artista ha disposto lampadine fluorescenti commerciali in diverse composizioni geometriche. “Mi piace l’arte come pensiero più che l’arte come lavoro”, ha detto una volta. “L’ho sempre sostenuto. Per me è importante non sporcarmi le mani. Non è perché sono istintivamente pigro. È una dichiarazione: l’arte è pensiero. “
QUBIT AI: AESTHETIC SYNTHETIC FILE – São Paulo 2024 – Art and Technology
FILE 2024
QUBIT AI | quantum & synthetic ai
Electronic Language International Festival
July 3rd to August 25th
Tuesday to Sunday, 10am – 8pm
FIESP Cultural Center
Design: André Lenz
Image: Iskarioto Dystopian AI Films – Athena
QUBIT AI
In its 25 years of existence, the International Electronic Language Festival (FILE) is an internationally renowned Brazilian project that since 2000 has explored the intersection between art and technology. With more than two decades of history, the festival stands out for fostering exhibition spaces and debate about artistic innovations driven by disruptive and innovative technologies, inviting the public to get involved with experimental forms of art that challenge the boundaries of conventionality. Currently, two of these technologies stand out in the contemporary scenario: the accelerated development of quantum computing and artificial intelligence corroborated by synthetic data.
Quantum computing, an emerging revolution in the technological field, offers a new range of creative possibilities for contemporary artists. This new era allows the exploration of unprecedented frontiers through a new computational format that consists mainly of quantum superposition and entanglement, a new field of exploration for synthetic computer science, as well as for the arts in general; on the other hand, artificial intelligence, fueled by synthetic data, offers artists a new way of making and understanding art, opening up space for new forms, concepts and artistic expressions.
Entitled QUBIT AI, the exhibition delves into this unexplored territory presenting a selection of works of art resulting from the connection between artistic creation and technology, proposing a theoretical reflection on what the interrelationship between quantum computers and synthetic artificial intelligence will be.
Visitors will be invited to experience immersive installations, experimental videos, digital sculptures and other forms of interactive art, which intertwine reality and imagination. The exhibition encourages reflections on the influence of technology on art and contemporary society, while at the same time providing an environment to compare already established technological arts (analog and digital) with the possible futures of art in the synthetic era, enhanced by quantum computing. The QUBIT AI exhibition at FILE SP 2024 transcends the mere presentation of works of art; it is a journey to the limits of human creativity, driven by the convergence of art, science and technology.
Ricardo Barreto and Paula Perissinotto
co-organizers and curators of FILE
International Electronic Language Festival
ARX Architecture
House in Possanco
Gina Pane
Azione Sentimentale
Gina Pane (1939-1990), dopo una parentesi nella pittura e la realizzazione di alcune sculture, diventa uno dei maggiori esponenti della Body Art. Questa artista francese ha lavorato con il proprio corpo aggredendolo, tagliandolo e mortificandolo in vari modi, rischiando più volte la vita.
John Galliano
جان گالیانو
ג’ון גליאנו
ジョン・ガリアーノ
존 갈리아노
Гальяно, Джон
约翰·加利亚诺
John Galliano, in full John Charles Galliano, (born November 28, 1960, Gilbraltar), British fashion designer known for his ready-to-wear and haute-couture collections for such fashion houses as Christian Dior, Givenchy, and Maison Margiela.
