Space Inbetween
“The series of spatial structures are combination and overlapping of basic architectural-elements (roof, floor, wall, window, and ladder) and furniture feature (platform with different level for seating, laying, leaning). The shape and form represent contemporary architecture with simplicity of form but complex spaces. These structures can be seen as a transition between inside and outside. It provides variety of posture and different level with intimate space.”
Ether – liquid Mirror
Между вами и мной есть «что-то».
Это зеркало вибрирует и само звучит (как динамик). Биение сердца и звук воды синхронизируются с частотой пульса посетителей и взаимодействуют друг с другом. Система обратной связи будет отдыхать каждые 20 минут. Эта программа направлена на то, чтобы дать «успокоение и пробуждение». В это время covid-19 мы теряем доверие к воздуху. «Эфир» будет напоминать посетителям о существовании чего-то невидимого между всем огромной волной сжатия и синхронизированным с ними искаженным изображением.
Aquaplayne
file festival
Aquaplayne lays out a new field of expression by extending the framework for immediate experience. The horizontal plane bypasses recognition and “sets up” an interactive surface, making a play of art by providing the viewer with instant access to the creative flow. In the movement from observation to participation we interface with an intelligent canvas through the automatic rendering of action into effect. The “body in motion” plays across a field of sensation, making the ripples of possibility appear as an ever-changing artwork. Unlike the action painter, whose technique is to offload creative energy in the painterly gesture, the activator retrieves what has already been deposited as data and brings it to the surface, aquaplaning on a stream of information. The virtual is restored to the actuality of expression, brought back to life in the flux between cause and effect, between code and composition. The calibrated experience of Aquaplayne is the art of permutation, the programmed initiative played and replayed as the artwork in formation.
Motion Graphics Designs
He is working on abstract art, motion graphics, and computer based arts using Cinema 4D and Houdini.
Self-reproducing pedestal
Cedar Point Reeds
Cedar Point Reeds es una escultura cinética que visualiza la producción de energía eólica y eólica que se produce en el parque eólico Cedar Point, un parque eólico de 252 megavatios a 80 millas al este de Denver. Las lengüetas mecánicas que componen la obra de arte se mueven según la velocidad del viento en tiempo real y el rumbo que se produce en el parque eólico. La generación de energía está representada por la iluminación de las Cañas. Como todos somos parte de la creación de nuestro futuro sostenible, la escultura responde a medida que uno se acerca a ella. Las cañas se reunirán e iluminarán frente a usted, representando cómo encajamos en la historia más grande de lograr un futuro de energía limpia.
Marcelo Moscheta is an artist based in Campinas, Brazil. As a traveler who looks at the world like the romantics of the 19th Century or the Great Explorers of the Artic, he has made installations, drawings and photographs born from his time in remote locations. Through uncommon materials and techniques his works addresses the notion of ephemerality and mankind’s efforts to understand and recreate physical and geographical aspects found in natural environments. He is interested in the landscape as a representational system from where man can measure his own world. Drawing, printmaking, photography and installations are his main media.
Wayra Tour
Fuerza Bruta Wayra Tour, un espectaculo en el que las artes escénicas logran dinámica y velocidad asombrosas. Con un entrenamiento físico imprescindible, el grupo que lidera Diqui James ocupa toda la superficie de Orfeo Superdomo. En una entrevista con VOS, el director adelantó que el viento es protagonista y por eso, se instaló una burbuja gigantesca en la que ocurrirán cosas, con el público muy cerca y participando.
LONGSTERN RUM BUD
Academia Somaesthetica envisions a new perception of interior and exterior through the human body. It elevates outdoor fitness to a new, urban dimension: The Copacabana beach promenade, known as the largest outdoor sports field in the world and situated in the heart of Rio de Janeiro, gets extended into the building.
Chain Reaction
This monumental light sculpture from Henk Stallinga is a composition of 144 circle lights. The intensity of the individual lights gradually varies from a subtle glow to an intense bright light. During the course of one natural day, this circle of light ‘moves’ up the chain, providing the visitor with a sense of time.
gammaray
Cloud Pink
FILE FESTIVAL
The installation invites participants to “touch the pink clouds” drifting on a giant fabric screen suspended in the air.
Lying down on a hill with your pupils filled with the endless blue sky, perspective of your eyesight suddenly gets distorted and clouds drift at the tip of your nose. You stretch your arms up to the sky to touch the clouds but can’t reach. Another world right above your head, clouds.
פיונה טאן
フィオナ·タン
ФИОНА ТАН
فيونا تان
Geography of Time
The artist Fiona Tan is among the outstanding artists of the present. The survey “Geography of Time” focuses on major works from her film oeuvre – for example the double projection “Rise and Fall” – as well as on the latest developments in her work, which increasingly takes the form of installation environments.
على فوجيموتو
후지모토에
על פוג’ימוטו
НА ФУДЗИМОТО
Forest of Light
“In this installation for COS, I envisage to make a forest of light,” said Fujimoto. “A forest which consists of countless light cones made from spotlights above. These lights pulsate and constantly undergo transience of state and flow. People meander through this forest, as if lured by the charm of the light. Light and people interact with one another, its existence defining the transition of the other.”
the star of the south
Phantom Geometry
“We are developing a system of moving streaming information through space, in the form of light, to generate material form. This system is a full-scale, generative fabrication process that is innately non-linear, is interruptible and corruptible at any time, and does not rely on periodic flattening to 2D. Light is the medium for data in our system. There resident data can be drawn through physical space, at full scale, to generate a photographic artifact, or to instantiate material form through the selective polymerization of proximal photo-responsive resin. This thesis, then, begins to investigate a design paradigm centered on the material reification of light. That paradigm questions the supremacy of the digital model, and the static flattening and stacking logics inherent to typical fabrication workflows. It is part of a conversation about representation, about the role of the designer, and about the way we make.”