Gillian Wearing, estetik, duygusal ve ahlaki değerlere karşı olan toplumsal yaklaşımları inceleyişiyle, sergisine gidenleri binbir türlü yargıya sürükleyebiliyor. Süregelen kavramsal tartışmalara eğildiğinin farkında, o sadece benliklerimiz hakkında ne düşündüğümüzü ve bu düşünceleri başkalarına nasıl aktardığımızı keşfederken, merakını izleyicilerine de göstermeye çalışıyor. Mahremiyetimizin hiper-bağlantılı yaşamlarımızda yok oluşunun eski tartışması, artık yön değiştiriyor.
intolerable beauty
(un)natural disasters
glass layers
RIBBON CHAPEL
Esta capilla de boda está en el jardín del hotel, “Bella Vista Sakaigahama,” en Onomichi, Hiroshima. El sitio se encuentra a mitad de camino en una colina con una vista panorámica del mar interior de Japón. Entrelazando dos escaleras de caracol, hicimos de un edificio estable, de composición sin precedentes y que arquitectónicamente encarna el acto del matrimonio en una forma pura. Una sola escalera de caracol sería inestable en una dirección horizontal y es propensa a la vibración en una dirección vertical, por lo tanto, muy inestable.
바트 헤스
巴特·赫斯
בארט הס
Барта Хесса
Shaved
时尚电影制片人巴特·赫斯(Bart Hess)的《性感短片》(Sexy Short)展示了紧剃的艺术 设计师,动画师和摄影师Bart Hess光滑的新影片中的极致无缝刮胡效果,慢慢展现出色调人物的诱人曲线。 受到目前在奥林匹克游泳池中与之搏击的游泳运动员的空气动力学形式的启发,赫斯得到了一对剃须刀的帮助,这些剃须刀操纵着两米长的刀片,将修饰的机械动作变成了一种奇特的催眠性能。 赫斯承认:“对我来说,工作上的重要是一种疏远感。”他在后期制作中添加了白条,使这部电影的怪诞感觉更加复杂。 “我想向观众展示一张可能无法立即识别的图像。”
Reflection
pixel art
Instalacija je postavljena na ulazu u metro u Miamiju, i to na glavnom ulazu u Stephen Clark Government Center Lobby. Svi posjetitelji moraju proći kraj ovih LED ogledala, a ako to požele mogu se i poigrati s njima. CIjeli sistem sastavljen je od niza infracrvenih kamera te LED panela koji zajedno rezultiraju onime što vidite na fotografijama. Za ovaj uberkul projekt zaslužan je umjetnik imena i prezimena Ivan Toth Depeña koji je instalaciju predstavio u sklopu inicijative Miami-Dade Art in Public Places.
Remote control painting
Applebaum says she’s always been drawn to the world of craft because it felt “more immediate and real” to her. She launched her career with a so-called “crazy crochet phase” that began with her using sewn together thrift-store afghans to create wildly patterned environments — complete with models encased from head to toe in the blankets — and progressed to smaller knitted objects like anchors, cubist quilts, and oversized chain links. While she was certainly interested in symbolism, and in the transition between two dimensions and three, she was mostly following a series of obsessive urges to figure out how to bring her ideas to life, teaching herself to how to knit, weld, and weave rope along the way.
Cinema
The Dark Side of the Rainbow (O Lado Sombrio do Arco Íris) nada mais é do que a exibição do filme O Mágico de Oz (The Wizard of Oz, 1939), feita de maneira simultânea ao álbum The Dark Side of the Moon, lançado em 1973 pelo Pink Floyd. Enquanto a exibição do filme vai rolando junto ao disco, acontece um verdadeiro festival de efeitos minuciosamente sincronizados, dando a impressão de que o álbum da banda inglesa foi totalmente gravado de acordo com o filme, o que segundo os músicos não passa de balela.
The Winter At The Mirror
via highlike submit
The Archetypical Vases
Designers Andrea Bandoni and Joana Meroz created ‘The Archetypical Vase’ to question the idea of creating and understanding objects through textual language. The design is part of their project ‘the object without a story’ which the two brazilian designers based in the netherlands explored together.
cloud
Omni-Vermille
Omni-Vermille is based on computer-generated real-time 3D images. The programmed code allows light spots to oscillate against a dark background. The colors sometimes move dynamically, sometimes calmly across the projection surface; sometimes they evoke plasticity, sometimes depth. This continuous metamorphosis endows the contents of the images with a sensual, even lively quality. The metamorphosis designed by algorithms opens up a new time-based morphology of colors and forms for painting. The play of colors is accompanied by a stereophonic sound composition by Jean-Jacques Birgé (*1952, France). The sounds follow the shapes of the colors, only to stand out again the next moment: the combination of sound and image results entirely from the laws of random simultaneity.