МАЙК ПЕЛЛЕТЬЕ
Measured Gold

Der niederländische Künstler Mike Pelletier ist ein interaktiver Experte und digitaler Künstler. Er experimentiert mit neuen Möglichkeiten zur Verwendung von Microsoft Kinect und verwendet das Tool als 3D-Scanner. Dabei nutzt er die Ressourcen der Kamera, um unglaubliche mehrdimensionale Porträts zu erstellen. Durch Bewegen der Kinect-Kamera um das Objekt aktualisiert die Software die Daten ständig, um ein 3D-Modell zu erstellen. Nach einigen Minuten der Verfolgung kann ein sehr detailliertes Modell einer Person erhalten werden. „Mein Ziel war es, eine Skulptur zu schaffen, die ohne digitale Technologien nicht existieren könnte“, sagt der Künstler. Die Bilder werden auf Metallpapier gedruckt und hinter Plexiglas-Acryl montiert.

Apotheosis

The Night’s Heat / Awesome Noise
Tim Plamper – The Night’s Heat / Awesome Noise, dessen jüngste Zeichnungen im Frühjahr nicht nur Besucher der Städtischen Galerie Böblingen magisch anzogen, sondern auch auf der Art Brussels für Furore sorgten. Kleopatra ist Inbegriff weiblicher Verführung, und The Nile Song von Pink Floyd kreist um ein Sehnen und Begehren – es wird sich nicht nur lohnen, herauszufinden, was die neuen Arbeiten des Künstlers mit diesen beiden Anhaltspunkten zu tun haben, Tim Plamper wird auch ein mehr als sieben Meter langes und über drei Meter hohes Bild, das nur in den vier Wochen der Ausstellung zu sehen sein wird, direkt auf eine Wand der Galerie zeichnen.

Labyrinth

Дзюн Китагава

徐震
An irreverent artist with a voracious appetite for global information and a unique ability to produce work across multiple platforms and media.

CHAOS #501
Introducing CHAOS, 501 original works in the form of unique digital sculptures. Each NFT in CHAOS consists of two unique objects (an array of familiar objects to people today) that have been 3D scanned. They are set on a colliding course in motion and orbit. The sculptures, operating as an archeology of the present, are intended to manifest in any format that is capable of displaying, playing or showing a 3D sculpture in motion. The culmination of the project is CHAOS #501, a single entity NFT uniting all one-thousand objects represented in #1-#500.

SMSMS-SMS Mediated Sublime

CIMs-Collective Intelligence Machines

“In 2000, I began to connect some of these computers to the mobile phone network (SMSMS-SMS Mediated Sublime, and CIMs-Collective Intelligence Machines). This enabled me to make interactive and multiple installations, connecting various locations.
In this case the flow of images was made visible by large-scale video-projections and the members of the audience were able to modify their characteristics in real time, by sending new inputs to the system from their own phones. This was done in a similar way to certain applications used in electronic democracy. What I had in mind was art which was generative, interactive and public.”

وكامبانا الاخوة
坎帕纳兄弟
האחים קמפנה
カンパーナ兄弟
братьев Кампана

Singularity

جيم قازانجيان
ジム·カザンジャン
Джим Казанян

Le travail de Nino nous invite à reconsidérer les objets qui nous entourent, en y prêtant attention sous une perspective différente. Cependant, peu probable de nombreux artistes contemporains, Nino ne subvertit pas les objets trouvés pour faire un commentaire sur l’art lui-même, questionnant ce qui est ou ce qui n’est pas de l’art, n’a pas non plus l’intention de faire une critique de la société de consommation.

Hakanaï

آنا تيريزا باربوزا
Ана Тереза ​​Барбоса

Understand What You Love

Мари Шуинар

查尔斯·雷
צ’ארלס ריי
チャールズレイ
찰스 레이

triple disk red metal flake
black edge

pollen

Aether
AETHER is an audiovisual live performance using spatial sound and light, designed location specific for each iteration. Walls of materialized laser light surround the artists while constantly reshaping the environment, organically modulating synchronous to the surrounding sound.

伯恩哈德·莱特纳
БЕРНХАРД ЛЕЙТНЕР

راشيل هاريسون
雷切尔·哈里森
レイチェル·ハリソン
רחל הריסון
Рэйчел Харрисон
Alexander the Great

高田冬彦
torture in heaven

road sworth

Drive Odyssey
via highlike submit

Tree Logic

デイジー傑風水
METAMORPHOSIS

Daisy Jie Feng si è lasciata ispirare dal racconto “Le Metamorfosi” di Franz Kafka e, per la presentazione visiva, alle opere scultoree dell’artista Daniel Arsham.

Exploring earthly sounds for nine candles

Think I’m Gonna Have a Baby

MyZeil Shopping Mall

ז’אנג הואן
ЧЖАН ХУАНЬ
張洹
Three Heads Six Arms

grauzone

The Pixel Power

A investigação, cujos resultados foram apresentados nesta exposição, centrou-se na procura de novos princípios de organização de grandes estruturas, exemplificada com um edifício alto. Foi realizado por manipulações sistemáticas das correlações entre as esferas pública e privada, respectivamente representadas de forma abstrata pelo pixel fechado e ‘o pixel aberto’. Essas transformações exploraram diferentes hierarquias possíveis, entre os pixels abertos e fechados, bem como as partes e o todo, questionando aspectos como a redução dos espaços públicos ao átrio do céu e ao pedestal, o domínio do núcleo ou a repetição dos pisos . Todos os experimentos foram conduzidos com a premissa de que seus resultados devem permanecer abstratos, binários e mensuráveis. Eles trataram apenas das inter-relações entre aberto, fechado, vazio e cheio. A tarefa não definiu nenhum programa específico, nem objetivou a realização de um projeto elaborado. Os resultados podem ser entendidos como um conjunto de Nolli Maps tridimensionais de cidades inexistentes, representações de realidades urbanas complexas, que articulam relações entre espaços cheios e vazios – neste caso volumes. O uso do tijolo LEGO como ferramenta de modelagem permitiu medir os volumes e estimar sua capacidade de facilitar um projeto arquitetônico potencial. Fornecendo um esboço válido para uma elaboração posterior das relações exploradas em uma proposta de design.

ROAD MOVIE

ЭНРИКЕ ОЛИВЕЙРЫ
هنريك اوليفيرا
亨里克 – 奥利维拉
אנריקה אוליביירה
エンリケ·オリベイラ
transarquitetonica

Rowan Corkill is a 22 year old artist living in Fife, just outside St. Andrews. A recent graduate of Gray’s School of Art (BA Hons in Photography and Electronic Media), he prefers not to be asked anything about cameras as “I wouldn’t have a clue”!

Ever since seeing the work of Marcel Duchamp Joseph Cornell and Richard Rosenberg he was immediately fascinated by the use of everyday objects. This became a reoccuring aspect in his own work and whilst in second year at Gray’s a vernacular photography project opened up the idea of using found pictres – artists Richard Prince and Christian Boltanski becoming huge influences.