highlike

henrique oliveira

ЭНРИКЕ ОЛИВЕЙРЫ
هنريك اوليفيرا
亨里克 – 奥利维拉
אנריקה אוליביירה
エンリケ·オリベイラ
앙리끄 올리베이라
Bulbo
現代のブラジル人アーティスト、エンリケ・オリベイラは、合板を原料として巨大なインスタレーションを制作しています。 アーティスト自身によると、ヘンリケの複雑な抽象芸術には目的や明確なメッセージはありませんが、彼の作品は帆布の粗い筆遣いに似ており、内臓と人体の内部を備えた生物の有機性に満ちています。

ERIC KELLERMAN

Eric Kellerman is a Briton who has lived near Nijmegen in the Netherlands for a very long time. In 2008, he retired from academia to spend more time on photography.
Specialising in the nude, he works almost entirely in the studio with a regular team of female collaborators, most of whom have a serious interest in movement (dance, acrobatics, yoga, martial arts). Sometimes, when nobody is available, he photographs vegetables and fruit out of desperation.

JEAN-PIERRE GAUTHIER

Stressato – Samurai Serpents
File Festival
Samurai Serpents” resembles Jean-Pierre Gauthier’s drawing machines (such as Marqueurs d’incertitude). Like many of the artist’s creations, the work emphasizes graphic quality and the movement of a line in space. On a large panel covered by an “action painting” (that is reminiscent of the textured and dark surfaces of a Borduas, Soulages or Kline), which looks like a (drawing?) table, cables are activated by an approaching viewer and begin to wiggle all over the place, twisting and intertwining in a surprising way – as though they were actually reacting to a threat. In moving about in this way, these silver lines on a black ground continuously change the “painting’s” composition and transform it into an animated image. Like a musical improvisation, the line’s disorganized movements create sounds that vary each time.

CLAUDIA ROGGE

كلوديا روج
克劳迪娅·罗格
クラウディア·ロゲ
클라우디아 로게
Клаудиа Рогге

Jeremy Shaw

towards universal recognition

“Shaw  presents Towards Universal Pattern Recognition, a series of archival photographs framed under custom-machined prismatic acrylic. The works, which he calls optical sculptures, depict people in transcendent states accessed through prayer, dance, yoga and the like. They act as a preview to the videos, which are projected in meticulously constructed spaces, each with eight office chairs facing a single screen.” Diana Hiebert

Neil Mendoza

Eggsistential Angst
“I thought it would be fun to pit a large metal machine against a small fragile object,” says Mendoza. “When people look at the egg darting around on a long stick to avoid the pendulum they seem to see it like a Looney Tunes cartoon with the big lumbering pendulum forever chasing the egg but never quite catching it.”

GYÖRGY LIGETI

ג’רג’ ליגטי
Дьердь Лигети
ジェルジ·リゲティ
Le Grand Macabre

In the mid-70s, Ligeti wrote his only opera, Le Grand Macabre, loosely based on the 1934 play, La Balade du grand macabre, by Michel De Ghelderode. It is a work of absurd theatre that contains many eschatological references.After having seen Mauricio Kagel’s anti-operatic work Staatstheater, Ligeti came to the conclusion that it was not possible to write any more anti-operas.[citation needed] He therefore resolved to write an “anti-anti-opera”, an opera with an ironic recognition of both operatic traditions and anti-operatic criticism of the genre. From its brief overture, a mixture of rhythmic sounds scored for a dozen car horns, to the closing passacaglia in mock classical style, the work evolves as collage of sonorities ranging from a grouping of urban sounds to snippets of manipulated Beethoven, Rossini and Verdi.

Haruhiko Kawagushi

Flesh love all
I want to express love through my work. Because everything in the world is based on love[…] Based on such an idea, I started a project to vacuum pack a couple and everything around with a landscape. Not only a couple who loves each other but also everything around them is vacuum-packed, and eventually the whole landscape is vacuum-packed, creating an image where everything in the world is one existence. The shooting location is the most important place for them. The things you love will be one, and the world will be one. I think that is an ideal form of love. In order to participate in this project, you need to be ready for death and love next to you, and I need to be prepared for it too.

LUCYANDBART

露西·麦克雷和巴特·赫斯
Люси Мак Рае и Барт Хесс

当然,在LucyandBart(露西·麦克雷和巴特·赫斯)的“荒谬的”人类增强作品中也可以找到另一种观点,这种作品通常被描述为对时尚,建筑,性能和身体的本能跟踪。 两者都着迷于基因操纵和美丽表达,创造了未来的人类形态,盲目地发现了低技术的人工修复人类的方法。 作为车身设计师,他们在皮肤上发明并建造了可以重塑人体轮廓的结构。 他们引人入胜的,往往是奇特的美丽形象暗示着一个新品种。 存在于替代世界中的未来人类原型。 在使人体充当与物质世界的亲密界面的场景中可视化。