Hack Chair Prototype
Ronen Kadushin (b. 1964) is an Israeli designer and design educator living in Berlin since 2005. He taught furniture design and design creativity courses at leading Israeli and European design academies since 1993. In 2004 Kadushin developed the Open Design concept, where the designs of his products can be downloaded, copied, modified and produced, much as in Open Source software.
Peter Eötvös
Multiversum
Multiversum is written for two solo instruments and orchestra, for two instruments of the same family: the traditional organ with its rich but static colours and the modern Hammond, which can continuously change colours. It was very important for me that the sound of the two organs could completely wrap around the audience, like we imagine the cosmos envelops us. The traditional organ sounds from the front, the Hammond from the back. If we visualise the two organs as our galaxy, then the different groups of the orchestra can represent different galaxies. That’s how the “Universe” becomes the “Multiversum”.
Joshua Tree Residence
Whitaker has envisioned an “exoskeleton” made of shipping containers painted bright white. The containers appear like a starburst, with cuboid forms pushing out in all directions.The home is intended to offer a connection to the sun-baked landscape, while concurrently providing a sense of protection and privacy. Square windows frame views of the blue sky and rugged terrain. In some areas, faceted ceilings give the effect of being inside a crystalline form.
WeltenLinie
In WeltenLinie, 2020 van Alicja Kwade is niets wat het lijkt. Dit werk evolueert als een ervaring in plaats van een statische installatie en komt tot leven door de beweging van de kijker. Door het gebruik van dubbelzijdige spiegels en zorgvuldig geplaatste, gepaarde objecten, creëert Kwade’s installatie de illusie van plotselinge en verrassende materiële transformaties. Naarmate bezoekers zich binnen de staalconstructie bewegen, verandert de manier waarop objecten in de ruimte worden begrepen drastisch, afhankelijk van het perspectief. Kwade’s werk verkent concepten van ruimte, tijd, wetenschap en filosofie. In haar praktijk die zich uitstrekt over een breed scala aan media, bevraagt ze de structuren van de werkelijkheid en reflecteert ze op perceptuele gewoonten in het dagelijks leven.
Трансмоция
Термин «трансмоция» не только описывает процесс перехода от одного состояния, формы, стиля или места к другому, но также представляет собой визионерское восприятие времен года и визуальных сцен движения в искусстве и литературе. Параллельно с стремлением Ирис ван Херпен визуализировать невидимое, ее стремлением подвергнуть сомнению реальность и побуждать исследовать области невозможного, проект направлен на рассказ о процессе, который приводит к изменениям, на материализацию бессознательного состояния медитации.
ihadweb
Neuro Surge
Measuring about 9 meters in height, the work pierces through the atrium of the ‘shiseido’ ginza building from the first to the second floor and creates an unprecedented display of light with the use of new advanced fibers. WOW inc. attached 150 fibers with a .9 millimeter diameter to a laser module. The laser module transmits light through the fibers, which can be controlled by touch. The interactive work visualizes the complex transmission of sensory nerves and information into a dynamic light show.
Жерар Рансинан
Ramin
Galactic Everyday
The subject of humanness and achieving human comfort in space has been overlooked by science. Humanizing space needs to be addressed and given attention and research in order for humans to live well in long-term space colonization and deep space exploration. My position on space travel is neither the picture painted by NASA and SPACEX, nor is it the adventures of Barbarella, it is the grey area of space, the overlooked day-to-day life of humanity that I believe to be of importance. Why can’t living in space be purposeful and fulfilling but also enjoyable, pleasurable, and sensuous?
Cube
Electronic images of black and white alternating structures and contrasts are projected on a cuboid object in space. Passing through different metamorphosis, the abstract image themes gather momentum in the three-dimensional. Structural unities of image, sound and movement deconstruct the shape of the cube – images and sounds are mutually dependent and explore relations between form and meaning beyond medial image fronts.
Fallen Mikey
What A Way To Go!(Movie)
painting machines (Scene)
Paul Newman as “Larry Flint”, an ex-patriot artist living in Paris. Shirley MacLaine as “Louisa”, looking for the simple life._”Larry” develops abstract painting machines consisting of a controllable arm with a paint-brush “hand”._He explains to “Louisa”, “The sonic vibrations that go in there. And that gets transmitted to this photoelectric cell which gives those dynamic impulses to the brushes and the arms. And it’s a fusion of a mechanised world and a human soul.””Larry” uses a siren, horn, alarm bell, bongo, sledge hammer and a pneumatic jack hammer amongst other things as random sound sources for his abstract art.
Usando folhas gigantes de aço inoxidável polido, a estrutura de Smith reflete o céu em constante mudança. Ele descreve que ‘Open Sky’ é “inspirado pelas constantes mudanças de luz, cor e forma que são apresentadas no ambiente natural e construído”. A peça foi pensada para que os visitantes da semana do design possam interagir com o ambiente natural e despertar o sentimento de aventura.
a far cry
concerto grosso no 1
V. Rondo: Agitato
Alfred Schnittke’s haunting first Concerto Grosso for 2 violins, harpsichord, prepared piano and 21 strings,
violinists; Nelson Lee & Meg Freivoge
harpsichord & prepared piano: Andrus Madsen
.
“It’s a piece by Alfred Schnittke, a Russian polystylist composer who spent most of his life behind the Iron Curtain. Schnittke is underrated. This is perhaps due to his post-modern tendencies, which for lesser composers can be a veil for lack of substance. That’s not the case in this piece. Take a listen to the fifth movement of his Concerto Grosso No. 1 (1977). It is a great example of how Schnittke freely takes from disparate styles to create an unpredictably effective result”. David Werfelmann
الكسندر بونوماريف
АЛЕКСАНДР ПОНОМАРЕВ
A PARALLEL VERTICAL
Chapel Saint Louis, de la Salpetriere, Paris
Installation
Periscope installation with a cable suspension system. Metal, plastic, video optic system, acrylic spheres, sound wave generators.
The keystone artistic project of the Paris Fesitval d’Automne will be realized in September 2007, at the Salpetriere chapel in the center of Paris. A 36-meter periscope hanging from the dome forms a rigid vertical, equipped in the lower part with the head of the periscope with an ocular allows any viewer to look at the Parisian horizon, expanding vision in the spectacular spaces of the cathedral. The real-time video image is broadcast on closed-circuit television to chambers, offices and other buildings attached to the chapel of Salpetriere hospital. The patients, doctors and staff have the opportunity to take in the unexpected view point of the random viewer and peek past the horizon. This project has been organized by the French Ministry of Culture and the Energy of Art Foundation, Moscow
