highlike

TRISHA BROWN

تريشا براون
트리샤 브라운
トリシャブラウン
Триши Браун
SET&RESET/RESET I

Håkan Lidbo & Max Björverud

FILE SAO PAULO 2017
THE FLOOOR
“The Flooor” is a collaborative music instrument and a social meeting place. 36 sensors under a carpet, connected to a music computer mounted under the floor and loudspeakers mounted in the ceiling.
The patterns printed on the carpet invite people to explore different combinations. 6 groups with different instruments, 6 zones in each group. By standing or dancing on different combinations of the 6 zones, 64 different loops can be triggered.

JAMES TURRELL

جيمس توريل
詹姆斯·特瑞尔
ג’יימס טורל
ジェームズ·タレル
설치작품 제임스 터렐
Джеймса Таррелла
“לא מקור האור הוא שמעניין אותי, אלא תוצאתו בחלל, המקום שהאור נשפך אליו”. טורל יוצר אשליות מרחביות וחוויות הנובעות מקונפליקטים של תפיסה. הקהל לא בטוח במה שהוא רואה וחווה.

RYUICHI SAKAMOTO

坂本龙一
坂本龍一
류이치 사카모토
Рюичи Сакамото
oppenheimer’s aria
Sakamoto compôs esta ária para sua ópera Life, em 1999. Essa música, acompanhada do texto lido pelo próprio Oppenheimer, torna-se algo imperdível para não repetir grandes erros.
Sakamoto compôs o Aria para Oppenheimer com base em uma filmagem do cientista. Seus olhos transmitem todo o horror que ele carregou ao longo de sua vida.
“Sabíamos que o mundo não seria o mesmo. Algumas pessoas riram, algumas choraram, muitas ficaram em silêncio. Lembro-me da linha da escrita hindu, o Bhagavad-Gita. Vishnu está tentando persuadir o príncipe a cumprir seu dever e, para impressioná-lo, ele assume sua forma com vários braços e diz: “Agora, me tornei a morte, destruidor de mundos.” Acho que todos nós pensamos isso, de uma forma ou de outra. . ” – Robert Oppenheimer, 16 de julho de 1945. Los Alamos, Novo México.

Mima

MIMA

Aniara

“Early in the beginning of the film, we are introduced to a woman (Emelie Jonsson) who works on a kind of “attraction” of the spaceship called MIMA, which, at first, is not very popular. It is a technology capable of capturing people’s emotions. and turn them into images, or rather into a kind of vivid dream in their minds. As the ship wanders aimlessly through space, while it is not yet known if it is possible to return to the correct route, days become weeks, weeks become it takes months and the demand for MIMA increases. Aniara explores very well what makes us human as a race and also the importance of having a place to call her own. What was supposed to be a simple transport, over time becomes, in fact, a kind of “mini-planet”.” Marcio Melo

ANDREW HUANG

أندرو توماس هوانغ
黄安德鲁·托马斯
앤드류 토마스 황
ЭНДРЮ ТОМАС ХУАНГ
Solipsist

ian curtis

伊恩柯蒂斯
איאן קרטיס
イアンカーティス”
이안 커티스
ЯНА КЕРТИСА
إين كورتيس

ASIF KHAN

アシフ·カーン
아시프 칸/
Асиф хан
megaface

Valentin Spiess di iart, spiega come funziona il sistema. «Dietro il telone ci sono più di 10mila cilindri telescopici estensibili, sormontati da una sfera con il LED colorato. Quando la persona da ritrarre entra nel gabbiotto per il selfie, vengono scattate 5 immagini che un computer assembla in un rendering 3D. Una volta terminato il disegno, le informazioni vengono inviate al sistema che regola il posizionamento dei cilindri telescopici che si mettono nella posizione giusta per far apparire il viso prescelto». Il sistema è stato costruito in modo da poter essere riutilizzato. Come una specie di Mount Rushmore mobile e per tutti.

Szilárd CSEKE

Dual Identity
تجذب الكرات البيضاء التي تتحرك ذهابًا وإيابًا في أنابيب الرقائق الشفافة الانتباه إلى تكوينات الهوية الجماعية والفردية. في الواقع ، الهويات ليست تشكيلات دائمة ، ولكنها صور للهوية يتم بناؤها باستمرار وتتحرك ، وتتأثر بوسط اجتماعي وحالة ثقافية معينة.

Anthony Howe

Энтони Хоу
ആന്റണി ഹോവെ
Энтони Хоу
安东尼·豪
Frenzy
安东尼·豪(Anthony Howe)是一位美国动能雕塑家,他创造了类似于脉搏,外来生物和漩涡的风力雕塑。他利用计算机辅助设计,用等离子切割机对金属部件进行成型,并利用传统的金属加工技术完成了他的工作。

JESSE HOULDING

Loop Drawing Machine
The Loop Drawing Machine is a kinetic sculpture that uses magnets and iron filings to draw on paper. The friction of the iron on the paper both makes marks on the paper and pulls the paper through the machine; drawing a loop on a loop of paper. A chamber and auto-feed replenishes the iron as the magnets revolve past the feeder. Eventually the paper becomes a completely darkened by the overlapping marks.

Dark Matter

Inverse
INVERSE combines 169 moving black spherical objects into a seemingly living entity. Monochromatic, sometimes threatening in its appearance, the ensemble presents in silhouette against the bright background.

numen / for use

tape sao paulo
file sao paulo 2016
Constant wrapping of pillars with a transparent adhesive tape results in a complex, amorphous surface through the process reminiscent of growing of organic forms. One line evolves into surface that forms an organic shape of extraordinary strength. The entrance of the audience inside the volume transforms the sculpture into architecture. It was practically “found” through the act of chaotic wrapping, where a one-dimensional line (“tape”) slowly turned into two-dimensional plane, which then finally curved into volume.

EASTERN DESIGN OFFICE

On the Corner
A shuffle of stones, concretes, and glass. Keen edge of each material is too sharp. A shuffle of mass and void. The design “on the corner” consists of blue and the cross. A composition of line and plane surface is created by the clearly distinguished edges of the material.

Matthias Pitscher

The Chiromancer
El quiromante es una IA * de lectura manual que escribe predicciones sobre la vida de una persona. Esta máquina actualiza la práctica ancestral de la lectura de la palma de la mano, hibridando datos biométricos con una infusión cibernética de conocimiento basado en la nube. Como muchos de los otros dispositivos que usamos hoy en día, recopila, almacena y extrapola datos de los usuarios. The Chiromancer explora cómo la confianza, las esperanzas y los deseos se depositan en máquinas aparentemente frías.

KUMI YAMASHITA

久未山下
קומי ימשיטה
久美山下
쿠미 야마시타
Куми Ямашита
كومي ياماشيتا