The creative atmosphere unleashes a multitude of possibilities for fresh and exciting product. Surprise is our greatest inspiration. The playful character of hand processes lead us to innovative and unexpected results. Prototypes and models born from the activities serve as a beginning for new ceramic objects.more…
Pool Table
克雷格·格林
크레이그 그린
קרייג גרין
クレイグ・グリーン
Крейг Грин
Exploring concepts of uniform and utility, Green’s cult-like runway processions have become a highly anticipated fixture of the menswear calendar. Though known for their dramatic and deeply emotive qualities, his collections are firmly rooted in the steady development of simple, yet rigorously considered signature garments such as the Worker Jacket.more…
Body Corporate
Through Scheepers’ methodised application of her materials; painting with pieces of fabric, a pair of scissors and familiar forms, she has created a pathway back to painting through sculptural means. A pair of colourful wall works that resemble soft, unlikely shelves are simultaneously abstract paintings. Similarly ambiguous, another work acts like either a window blind that rolled in a possible pictorial message, or a painting that quit and became a roller blind.
アリソン・ショッツ
Алисон Шоц
Chroma
«Скульптуры Элисон Шотц оживляют древнюю постминималистскую идиому с примесью поп-науки. Г-жа Шотц вызывает природные явления с помощью скоплений бус, булавок и других обычных материалов. Она не одинока в этом, – вспоминает Тара Донован, – но ее творения имеют более вызывающий, менее произвольный аспект. Часто они отвечают на вызов визуализации концепций теоретической физики (теория струн, темная материя)… » Карен Розенберг
Ein Duett von Mensch und Roboter
Huangs Pionierarbeit ist geprägt von seiner Faszination für die Partnerschaft zwischen Mensch und Roboter. Kontinuierliche Bewegung verwebt er mit mechanischen und multimedialen Elementen zu einer Tanzform, die mit dem Datenfluss korrespondiert, den Performer zum Tanzinstrument macht.
fungus
SLOW HOUSE
To either side of the “picture window” are two antenna-like stacks: the chimney is to the right, the video apparatus to the left. At the summit of the left stack sits a live video camera directed at the water view and feeding the monitor in front of the picture window. The electronic view is operable; the camera can pan or zoom by remote control. When recorded, the view may be deferred— day played back at night, fair weather played back in foul. The composite view formed by the screen in front of the picture window is always out of register, collapsing the opposition between the authentic and mediated.
Passed Out
Bench Between Pillars
wind
In the live improvisation “wind” Robert Mathy approaches the sonic vocabulary of natural forces, by examining the acoustic properties of air currents with purpose build instruments.
ТОНИ МАТЕЛЛИ
Arrangement
Using an often hyperrealistic idiom, Matelli describes the more disquieting sides of human beings and human society. His sculptures straddle the boundary between uneasiness and humour: in a number of the works he turns innocence into absurdity, such as when animals or humans are maltreated by various weapons and devices.
모션 모델
‘A Model of Motions’는 아티스트 Sama Alshaibi와 Michael Fadel의 콜라보레이션입니다. 그것은 ‘Swell’로 구성된 멀티미디어 설치물입니다. 하얀 모래로 채워진 키네틱 우드와 금속 용기는 바다의 파도에 부드럽게 흔들리는 것처럼 시소를 채우는 동시에 보트 내부의 두 번째 키네틱 메커니즘을 통해 모래에 물결을 일으킵니다. 이 설치에는 끝없는 하얀 사막에서 남자 주인공이 헛되이 노를 젓는 비디오 아트 작품 ‘발자국’도 포함됩니다. 그 모습은 시간이 지남에 따라 늘어나며, 그 단수는 자신을 비추는 이슬람 예술을 암시하여 신성을 향한 확장을 암시하는 형태를 만듭니다. Swell과 Footsteps는 땅의 백사장에 부분적으로 묻혀 있는 소박한 배 닻으로 연결되어 있으며 금속 사슬로 서로 연결되어 있습니다.
Actaeon
EONTA
“Eonta (beings) is so entitled as a homage to the ancient Greek philosopher and poet Parmenides. The original printed form of the title word is Cypriot orthography of Creto-mycaenean origin, lost for over 24 centuries and only recently deciphered. Eonta, written in Berlin during 1963-64, was first performed at the Domaine Musical concerts in Paris, conducted by Pierre Boulez, in December 1964. It makes use of stochastic music (based on the theory of probabilities) and symbolic music (based on logistics). Some of the instrumental parts, notably the piano solo at the opening, were calculated on an IBM 7090 computer at the Place Vendôme, Paris.”
(Iannis Xenakis)
AION
AIŌN is inspired by an abstract notion of time and the journey between dimensions. In AIŌN Erna Ómarsdóttir choreographer and Anna Thorvaldsdóttir composer invite the audience on an otherworldly voyage where music and movement merge in a unique way. Concept and artistic direction: Erna Ómarsdóttir and Anna Thorvaldsdóttir Music: Anna Thorvaldsdóttir Choreography: Erna Ómarsdóttir Conductor: Anna-Maria Helsing Video art: Pierre-Alain Giraud and Valdimar Jóhannsson Light design: Valdimar Jóhannsson Assistant choreographer: Lovísa Ósk Gunnarsdóttir Costumes: Agnieszka Baranowska Dancers: Charmene Pang, Elín Signý Weywadt Ragnarsdóttir, Erna Gunnarsdóttir, Félix Urbina Alejandre, Inga Huld Hákonardóttir, Shota Inoue, Tilly Sordat and Una Björg Bjarnadóttir.
Шона Смита
Loop 60 Hz: Transmissions from the Drone Orchestra
A flock of autonomous DJI copters are programmed as aerial dancers and are mounted with specially engineered wireless speakers to broadcast the instruments of the band. Other copters are dressed in elaborate costumes to disguise their form and reflect light across the audience below. Against a score of original compositions and selected tracks from Cale’s seminal career this collaboration with Young imagines the possibilities of the drones as emerging cultural objects. If these technologies are no longer unseen objects overhead, or propelled along classified flight paths but brought into close and intimate relations with us then how might we see them differently. When their transmission fades, when the drones lose their signal and without their protocols for terror and surveillance, do they drop from the sky, do they fall in love or do the drones drift endlessly, forever on loop.
Jon Chambers
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Video Art
Electronic Language International Festival
Approximations of a Body Part – United States
A machine learning experiment that takes custom model outputs trained on 3D body scans and uses them in other model inputs. After a few cycles, the resulting videos depict terrifying, seductive and uncanny distant echoes of the original body.
BIO
Jon Chambers is an artist and educator based in New Orleans. His work explores how we negotiate our physical and virtual lives to highlight a fractured sense of self as we attempt to coalesce disparate echoes of reference into something coherent amidst the difficulty of manifesting or orienting oneself within approximation and simulation overload.
Maia Urstad, a sound artist based in Bergen, Norway, joined ISIS in 2009 for a 3-week research residency. Maia’s research was based around using and adapting portable radio systems and local FM-transmissions. Maia explored the Northumberland coast where she carried out experiments with multiple radios, broadcastings signals across the North Sea from the cliffs of Howic and the beaches surrounding Bamburgh in an attempt to communicate across the sea, attempting to reach her home town of Bergen.
劳丽西蒙斯
ローリー·シモンズ
로리 시몬스
ЛОРИ СИММОНС
How We See/Sisi (Gold)
Laurie Simmons הינה אמנית\צלמת אמריקאית בת 62 שבמשך הקריירה שלה הפגינה התעניינות רבה באנטומיית הגוף של בובות. סימונס התפרסמה בשנת 1976 בזכות עבודתה הראשונה שהייתה מורכבת מתמונות בשחור לבן שצולמו בבית בובות. בעבודה זו ובעבודות רבות אחרות שלה, סימונס מצלמת ומתעדת בובות בחדרים שונים ובסביבות אנושיות ובכך הופכת את הבובה לאנושית. היא צילמה את אותה דמות שוב ושוב בתפקידים שונים, באזורים שונים- על יד השולחן, בפינה ובמטבח.
