MEATS MEIER
мясо Мейер
AUDRA WOLOWIEC
Concrete Sound
CARLOS NO
Pillar
Portuguese artist carlos nogueira‘s series of sculptural works ‘villa bidão’ (braggart city) draw attention to societal issues such as poverty and deprivation, particularly the lives of billions of people without access to housing or drinking water. The improvised dwellings made from makeshift and recycled materials lack a stable framework and basic sanitation, recall the idea of a shanty town as a place unsuitable for habitation. through their metaphorical undertones — huge barrels evocative of a heavy burden and worn materials personifying neglect, the objects present subjects of scarcity and exclusion through visual artworks.
Robert Morris
Glass Labyrinth
“Setting up a maze with invisible walls may not seem like a challenge, but Morris’s creation harkens to ancient archetypes, while acting as a commentary on modernism and its reliance upon glass. Additionally, glass’s inherent reflections, refractions and other qualities promise to be as confusing to visitors as solid walls.” John Hill
video
Rachel Harrison
راشيل هاريسون
雷切尔·哈里森
レイチェル·ハリソン
רחל הריסון
Рэйчел Харрисон
Alexander the Great
Mischa Kuball
speech – speed
С 1984 года Миша Кубалл (* 1959 в Дюссельдорфе) работает в общественных и институциональных пространствах. Он получил заметные награды и стипендии, а с 1991 года преподает в различных университетах и художественных школах. 1999/2000 он был приглашенным профессором Академии визуальных искусств в Лейпциге, работая над темой света и пространства, с 2004 по 2008 год преподавал медиаискусство в Университете искусств и дизайна Карлсруэ. С октября 2007 года он был профессором медиаискусства в Академии медиаискусств Кельна и основал там «-1 / MinusEins Experimentallabor». Используя средство света – в инсталляциях и фотографии – он исследует архитектурные пространства и вносит свой вклад в социальные и политические дискуссии. Он отражает различные грани культурных социальных структур вплоть до архитектурных вмешательств, которые либо подчеркивают, либо перепрограммируют характер и архитектурный контекст. В политически мотивированных и совместных проектах общественное и частное пространство пересекаются. Они делают возможным общение между участниками, художником, произведением искусства и публичным пространством.
Roman Signer
РОМАНА ЗИГНЕРА
Mon voyage a Nantes
The Swiss artist, Roman Signer does not only work a lot with rockets and regularly shoots object into the hemisphere, his work is moreover referred to as “time sculpture”. As with traditional sculptures, Signer also transforms physical material into three dimensional objects, yet they then extend to something one could refer to as fourth dimension or rather the dimension of time.
Nicolas Bernier
Structures infinies
Between the finite and the infinite, these mirror structures are reflecting the outside world until they are set in motion to unveil a moving and infinite interior. Hidden inside are superimposed diagrams reinterpreting certain theories or hypotheses related to our apprehension of the world. Between transcendental geometry, higher dimensions, finite and infinite, these structures arise as objects of reflection on what one understands, what one believes to understand and what one does not understand. The structure is thus referring to the finite physical structure that is encapsulating the infinity of intellectual structures created by the humankind.
Vincent Callebaut
Венсаном Калебо
Mangrove Towers
as the name indicates, the design of ‘mangrove towers’ references the shape and form of the distinctive tree. to be built at paris’ busy gare du nord railway station, the structures will accommodate a mixed program of offices, hotels and housing dedicated to international and traveling customers. the station’s platforms will be full of piezoelectrical captors polarizing under the action of the mechanical constraints generated by its inhabitants. the tubular façades will be composed of grätzel cells forming a photo-electrochemical skin.
DAVID HALL
1001 TV Sets
Margot Knight
Nest
STEPHANE VIGNY
lustre
zach blas
sanctum
Zach Blas（United States、1981）の作品は、テクノクラート社会の限界と基盤を描くことを目的として、視覚言語の慣習、価値体系、デジタル技術に内在する力のダイナミクスをさまざまな文脈で分析、調査、配置しています。 。 彼の分析とデジタル文化への反映のために、彼は映画、彫刻、執筆、パフォーマンスなど、さまざまな表現形式を使用しています。 ブラスはブラックユーモアと理論的研究に取り組んでおり、彼の最も顕著な影響の中には、神秘主義の伝統、サイエンスフィクションのジャンル、ポップカルチャー、クィアの美学があります。
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sanctum
The work of Zach Blas (United States, 1981) analyzes and explores the dynamics of visual language practices, value systems, and the forces inherent in digital technology in a variety of contexts, with the aim of depicting the limits and foundations of technocratic societies. I have placed it. .. For his analysis and reflection in digital culture, he uses a variety of forms of expression, including film, sculpture, writing and performance. Brass works on black humor and theoretical research, and among his most prominent influences are the mystical tradition, the genre of science fiction, pop culture, and the aesthetics of queer.
aristarkh chernyshev
the project is the result of experimenting with a minimalistic shape, low-resolution aesthetics, an animated three-dimensional texture, and RGB LED technology. once works, such as the mona lisa and girl with a pearl earring, are applied to the construct via computer-generated programming, the screen displays them in a constant state of fluctuation and variability.
