朱塞佩 利卡里
The sky in a room
“Nature has always been a big passion and the relation of nature and man-made environments is something I often try to confront in my work. The Sky in a Room was first inspired by the forests’ fires that in 2007 destroyed a big part of the south of Europe. They were largely man-made fires, intending to generate new land available for building speculation. A sick tree was cut down by the municipality of Rotterdam, cut in smaller pieces, archived and re-built inside the exhibition space, against the architectural surfaces of the gallery. The trunk of the tree was removed in order to give the public a different physical relation to the tree itself and to the white sterilized space of the gallery. The dead tree presents its branches covered with a layer of moss and molds creating a suspended landscape.”

Reflection
REFLECTION is a collaborative project with “Printemps Homme” in Paris, inspired from Chinese ancient gardians, such as lions, dragons and Kylins. The image of these powerful creatures brings some traditional elements while creating some taste of future.

chuncho
The Forest Creatures

In one live recording of “Chuncho”, she sings a range of over four and a half octaves, from B2 to G♯7. She was able to sing notes in the low baritone register as well as notes above the range of an ordinary soprano. Both low and high extremes can be heard in the song “Chuncho (The Forest Creatures)” (1953). She was also apparently able to sing in a remarkable “double voice“. “Chuncho” is a song of nature through the multiple voices that live in the rainforest

Mike Nix and Aaron Nielson
Project Nimbus

КРИСТА ВАН ДЕР НИЕТ

Imagined Time

Chove chuva / Rain Rains

Жужи Цизер
Passage

The Bricks

سيدي العربي الشرقاوي
西迪·拉比·切考维
Сиди Ларби Шеркауи
Sutra

O coreógrafo belga Sidi Larbi Cherkaoui junto ao renomado artista Antony Gormley e 17 monges do templo chinês Shaolin apresentam a performance Sutra, que mescla artes marciais e dança contemporânea.
Sutra conta com o cenário elaborado por Antony Gormley, que consiste em 21 caixas de madeira manipuladas de diversas formas na narrativa criada por Cherkaoui, e ainda apresenta música especialmente comissionada pelo compositor polonês Szymon Brzoska para piano, percussão e cordas, que é tocada ao vivo.

Gut gekleidet

루드 반 엠펠
РУУД ВАН ЭМПЕЛЬ
Analogy #1
Sua montagens fotográficas, belas, perturbadoras e polêmicas, tem um forte apelo surrealista e chegam a ser confundidas com pinturas, tamanha a riqueza de cores e contrastes, conseguidos através da utilização de um papel especial chamado Cibachrome, o qual intensifica a definição, a cor e o brilho das fotos. O processo utilizado por Ruud, consiste em tirar fotos dos modelos em estúdio e posteriormente inserir as paisagens nas fotos.

让 – 保罗·布迪厄
Жан-Поль Бурдье
Bodyscapes

Kosmos

فرانشيسكا وودمان
弗朗西斯樵夫
פרנצ’סקה וודמן
フランチェスカウッドマン
프란체스카 우드맨
Франческа Вудман

Cosmopolitan Chicken Project

one world trade center tower

Moonch

moving in concert
Moving in Concert imagines a universe where humans, technologies and natural materials coexist to create an abstract set of movement. Inspired by how bodies are sensorially affected by living in a digitalized world, the performance explores a poetics of plasticity, abstraction and imagination.

The Living, Breathing Wall

Lied ballet

“Lied, a word of German origin and gender neutral, which represents classical music sung about strophic poem, and Ballet. Lieder’s romantic themes are transformed into movement, creating choreographic writing that begins with mime and ends with abstraction. In the end, everything comes together in a great chorus challenging genres and categories, fundamentally expressing the artist’s confidence in the dancing body”. Marcia Peltier

Garden of Eden

Nino’s work invites us to reconsider objects that surround us, paying attention to them under a different perspective. However, unlikely many contemporary artists, Nino doesn’t subvert found objects to make a comment about art itself, questioning what is or what isn’t art, neither intends to make a criticism of consumption society.

来自俄罗斯女设计师
”I have never aimed to reflect any particular architecture developed or created by myself or other architects. I am just trying to reflect some fundamental things that architecture is based on. I really admire the laconic manner and unique aesthetics of some buildings and this is what I try to achieve in my accessories. It’s true that there are plenty of buildings around the world that inspires me a lot.”

LAM LAM IG POMF

Neon Intervention

수 보드 굽타
سوبود غوبتا
苏博德·古普塔
סובוד גופטה
Субодх Гупта
this is not a fountain

Dulut
Эта система обеспечивает растения светом и питанием в виде гидропонного раствора. Растение реагирует на устройство ростом. Устройство, в свою очередь, реагирует на растение, создавая растеризованный струйный рисунок растения каждые двадцать четыре часа. После создания нового рисунка система прокручивает рулон бумаги примерно на четыре дюйма, чтобы в следующем цикле можно было создать новый рисунок. Этой системе разрешено работать бесконечно, и конечный результат не предопределен.

StarWars vs. StarTrek

homage to calder

STORM KING PARK
SOMA is an international collective of architects, designers and creatives established in New York. With its focus on incorporating craft, digital technologies and environmental responsability, the firm’s designs and work have attracted critical acclaim for their boundary pushing nature. more…

Матиас Фалдбаккен

Crossroad
Crossroad is an LED sculptural installation permanently installed in the lobby of the DKV headquarters in Zaragoza, Spain. It’s looping shape invites viewers to explore the artwork from different angles. The artist also took advantage of the windows around it to visually extend the experience of the piece.

Disposable Reality