NIV ROZENBERG
The photographic images Niv Rozenberg creates allows us to see the urban environment through a new perspective. With New York City and Tel Aviv as his subjects, he “breaks the visual and spatial congestion of the city by constructing an archetypal form, isolated from function and separated from the city’s total urban structure.”
JOHN GRADE
Джон Грейд
ジョングレード
حصل John Grade على BFA من معهد Pratt ، نيويورك في عام 1992 ، وسافر كثيرًا بعد تخرجه ، واكتسب تعرضًا نقديًا للثقافات والبيئات التي أصبحت تشكل رؤيته الفنية. على مدار العقد الماضي ، حصل Grade على العديد من المنح والجوائز ، بما في ذلك منحتان من 4Culture Special Projects ، وثلاث منح GAP من مؤسسة Artists Trust ، وزمالة مؤسسة Artist Trust من لجنة الفنون بولاية واشنطن ، وجائزة مؤسسة Andy Warhol Foundation ، وجائزة مؤسسة Tiffany والإقامات. في جميع أنحاء الولايات المتحدة وخارجها. عرض أعماله على نطاق واسع في صالات العرض والمتاحف في جميع أنحاء البلاد وتم عرض أعماله في “الفن في أمريكا” و “النحت” و “بوسطن غلوب” و “كل الأشياء التي تم التفكير فيها” و “استوديو 360” في NPR.
FILE SÃO PAULO 2025: SYNTHETIKA – Tin&Ed
Deep Field
Tin&Ed
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Installations
Electronic Language International Festival
Deep Field – United States
An augmented reality experience where visitors draw fantastical plants that instantly bloom into immersive 3D structures within the space. As people contribute their creations, a collective digital landscape begins to take shape. Layers of recordings of endangered, extinct, and elusive species compose a responsive and evolving soundscape, developed by The Listening Planet.
BIO
Tin & Ed are New York-based artists whose work explores the interconnection of life across biological, geological, and cosmic systems. Through speculative world-building, they reveal connections that transcend human time, spatial boundaries, and sensory thresholds. Their practice spans sculpture, immersive and interactive installations, creating environments that invite audiences to shift perspective and inhabit the world beyond the limits of human perception. Technology is not used as spectacle, but as a perceptual tool that makes the invisible felt and the distant intimately present.
Loreta Visic
vrouw
In her work Loreta Visic (1976) unites the extreme elements in her life in her very own way. She subtly points out the delicate balance and close link between the familiar and the strange. Generally we easily allow ourselves to believe that what we see is the only true reality. Loreta Visic shows us a glimpse of a different reality that lies beyond what we see.
MICHAEL JOHANSSON
Майкл Йоханссон
マイケル·ヨハンソン
Triptych (detail)
“Le génie se fait de chaque nécessité une inspiration” écrivait Sainte-Beuve, fin critique littéraire du XIXème siècle. Si l’on en croit le célèbre commentateur, c’est en jouant aux jeux vidéos, contraint et forcé, que Michael Johansson, artiste suédois, a eu l’idée de ces installations. Découverte en images.Comment occuper l’espace public ? Comment s’approprier les confins des villes par des installations qui attirent l’oeil et qui font sourire ? Les street-artist innovent constamment et peuplent les rues d’oeuvres originales. De l’art post-moderne, plein de références et surtout gratuit. Dans ce mouvement qui dépasse désormais le simple graffiti, certains sortent du lot. Par la qualité graphique, bien sûr, mais surtout grâce à un idée novatrice qui parle au plus grand nombre. C’est le cas de Michael Johansson.Artiste suédois, il s’amuse à faire de Tetris une réalité physique. Que des collages ? Non, ce dernier se parre des habits de sculpteur, utilise des matériaux laissés à l’abandon et emboite réellement des objets chinés à droite à gauche pour leur donner une seconde vie. Figés cette fois-ci dans une oeuvre qui néglige leur utilité première.
HUANG YI & KUKA
A DUET OF HUMAN AND ROBOT
Huang’s pioneering work is steeped in his fascination with the partnership between humans and robots. He interweaves continuous movement with mechanical and multimedia elements to create a form of dance which corresponds with the flow of data, effectively make the performer a dancing instrument.
edoardo tresoldi
Limes
Edoardo Tresoldi plays with the transparency of mesh and with industrial materials to transcend the time-space dimension and narrate a dialogue between Art and World, a visual summary which reveals itself in the fade-out of physical limitations. Mixing classical and modern language, he generates a third one, strongly contemporary.
Danielle Wilde
LASERSPINE
A garment with lasers that project perpendicular to, and down the length of the spine. The complex technology in this interface is the body. Though it is not always evident, the range of movement of the spine is remarkable. Magnifying and making visible the relative position and dynamic tilt of the spine is sufficient to bring attention in an intense and unique way to this part of the body. That the wearer of the garment cannot see the lights projecting from their back serves to intensify this focus. The whole seems to enhance the poetic valence of movement of the entire torso, with the spinal column demarcated as the experiential, physical and energetic core.
STEPHEN SCHOFIELD
Dibutade
aes+f
allegoria sacra
This piece by AES+F takes the Italian Renaissance art piece Allegoria Sacra in order to show a modern representation of perjury. There are political and religious tones but there is not an overt statement trying to be made. AES+F are asking their audience to take a deeper look at how we see the Western and Eastern worlds, and how all people are judged.
SIMONE DECKER
سيمون ديكر
西蒙娜·德克尔
סימון דקר
White noise
bill shannon
Public Works
Bill Shannon é dançarino, coreógrafo e artista interdisciplinar com um estilo muito próprio, sendo conhecido no mundo da dança como The CrutchMaster (O Mestre das Muletas) pois é o criador de uma técnica única de dança com muletas, a Técnica Shannon, desenvolvida a partir da sua vasta experiência no manuseio das mesmas. O artista realiza intervenções urbanas, vídeos e workshops fortemente influenciados pela cultura hip-hop, breakdance e grafite.
LEO VILLAREAL
레오 비야 레알
ЛЕВ ВИЛЬЯРРЕАЛ
Zylinder
In dieser funkelnden Installation mit dem Titel Volume nahm der Künstler Leo Villareal eine Handvoll funkelnder Sterne und brachte sie auf die Erde. Das zylinderförmige Teil hing an der Decke und enthielt mehr als 20.000 LED-Leuchten aus reflektierendem, hochglanzpoliertem Edelstahl, die einen dreidimensionalen Raum schufen, in dem Licht lebendig werden konnte. Die Beleuchtungsmuster, gesteuert durch Villareals Software-Code-Design, Bewegen Sie sich in verschiedenen Geschwindigkeiten, Ein- und Ausschaltzyklen und Wellen von Helligkeit und Dunkelheit. Einem Rezensenten zufolge ist „das Stück ein schillerndes Tongedicht, das den Betrachter in einen tiefen, abstrakten Raum zieht, während es die zeitliche und visuelle Wahrnehmung verzerrt.“ Villareal ist kein Anfänger, wenn es um erstaunliche Lichtskulpturen geht. Schauen Sie sich diesen 200 Fuß langen Lichtshow-Tunnel an, den er auf dem Concourse-Gehweg der Ost- und Westgebäude in der National Gallery of Art installiert hat. Der Raum zwischen Villareals Installationen und seinem Publikum ist ein wichtiger Faktor, da die Zuschauer mit den Lichtern verflochten sind, die ringsum pulsieren.
NICHOLAS ALAN COPE AND DUSTIN EDWARD ARNOLD
Vedas
Nicholas et Dustin ont tous deux eu diverses expériences dans la photographie et le design en général. Ils se sont rencontrés lors d’une commande d’un client en 2007. Depuis, ils se retrouvent pour expérimenter et mélanger leurs talents pour donner naissance à des projets très engagés esthétiquement (comprendre : pas forcément du goût de tout le monde).
Antonio Pio Saracino
INFINITUM
INFINITUM is an immersive art – architectural installation presented at the Sharjah Art Museum on the occasion of the Islamic Arts Festival 2019/20, 22nd Edition. Arches are typical in Mosques’ design. […] Islamic Arches buildings are typically constructed of stone, wood being rarer in the original Middle Eastern homelands of the Umayyads. The rows of Columns and Arches give a visual impression of limitless space, as a metaphor of the progress for human civilization, maximizing spiritual symbolism and visual appeal – progressing towards an ideal civilization. It refers to centuries of human civilization and the creation of prospective in social spaces and the openness to open possibilities of human life.
EVERYWARE: HYUNWOO BANG & YUNSIL HEO
Cloud Pink
FILE FESTIVAL
The installation invites participants to “touch the pink clouds” drifting on a giant fabric screen suspended in the air.
Lying down on a hill with your pupils filled with the endless blue sky, perspective of your eyesight suddenly gets distorted and clouds drift at the tip of your nose. You stretch your arms up to the sky to touch the clouds but can’t reach. Another world right above your head, clouds.
YOGI PROCTOR
Gold Plated Canon
