JAN ROBERT LEEGTE
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Chanjoong Kim
Cubrick
The Art Folly Cubrick by Chanjoong Kim is an interactive public space exhibited outside the walls of the Korean National Museum of Contemporary Art. A fusion between bricks and cubic forms, this abstract architecture piece is both artful and interactive.A spatial installation, this bold piece dares to test visual boundaries. A dynamically designed piece, the pavilion provides an intriguing experience for its visitors, showcasing a multitude of materialized textures. From stacked shapes to three-dimensional structural elements, this boldly built environment displays six different surfaces.With an aim to display high art outside of museum walls, The Art Folly Cubrick by Chanjoong Kim is an interactive sculptural piece few will soon forget. Gaining attention for all the right reasons, this spatial sculpture is all about art exploration.
MICHELE SPANGHERO
Ad lib
Die Klangskulptur Ad lib. kombiniert eine medizinische Maschine für die automatische Lungenbeatmung mit einigen Orgelpfeifen, die einen musikalischen Akkord im konstanten Rhythmus des mechanischen Atems spielen, und schafft so ein künstliches Organ, das metaphorisch ein mechanisches Requiem ist, das unaufhörlich klingt. Der Titel des Werkes Ad lib., Eine Abkürzung für den lateinischen Ausdruck “ad libitum“, ist eine musikalische Beschriftung, die dem Interpreten Ermessensspielraum bei der Interpretation gibt und es beispielsweise ermöglicht, bestimmte Takte der Partitur “nach Belieben“ zu wiederholen. Die Skulptur soll sich auf die Situation beziehen, in der Menschen, die unter kritischen Gesundheitszuständen leiden, ihr Überleben an ein Atemgerät gebunden sehen und daher im Ermessen derer, die sich um sie kümmern.
joan backes
where the heart belongs
Sylvie Fleury
First Spaceship on Venus
Soft Rocket in Silver
Andrew Kudless
p_ball
This project investigates the self-organization of two materials, plaster and elastic fabric, to produce evocative visual and acoustic effects. Inspired by the work of the Spanish architect Miguel Fisac and his experiments with flexible concrete formwork in the 1960-70s, p_wall attempts to continue this line of research and add to it the ability to generate larger and more differentiated patterns. Starting from an image, a cloud of points is generated based on the image’s grayscale values.
Claudio Parmiggiani
Клаудио Пармиджани
Senza Titolo
JAMES TURRELL
Небесное пространство
Управляя светом, как скульптор лепит из глины, Джеймс Террелл создает произведения, усиливающие восприятие. В отличие от изобразительного искусства, которое воспроизводит визуальный опыт через миметическую иллюзию, свет Туррелла работает – эти мерцающие события нельзя назвать «объектами» или «изображениями» – они придают форму восприятию.
REYNOLD REYNOLDS
레이 놀드 레이놀즈
РЕЙНОЛЬД РЕЙНОЛЬДС
Secrets Trilogy
Secret Machine
Secret Machine is the second of the Secrets Trilogy; a cycle exploring the imperceptible conditions that frame life and is preceded by Secret Life (2008) and followed by Six Easy Pieces (2010)
In Secret Machine a woman is subjected to Muybridge’s motion studies. She is treated in the same fashion as in the original Muybridge photography: with Greek aesthetic in a Cartesian grid. A short time after Mybridge’s studies, Duchamp painted Nude Descending a Staircase, No. 2 (1912) attempting to show time on a flat surface. He is expanding cubism and painting into another dimension: time. Time is about movement and change, like our experience of reality. Without change life does not exist. Photography does not capture this experience. In Secret Machine different filming techniques are compared to the motion of the body. The film camera becomes another measurement tool in a way a video camera cannot. The intention was to make an art piece from the point of view of a machine, specifically a camera.
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LISA NILSSON
anatomy
Nicola Dale
Model for Ideology V
Webster’s definition of ideology is: “A system of ideas and ideals, especially one that forms the basis of economic or political theory and policy.” Artist Nicola Dale’s sculptures, performances, and installations are interpretations of this definition of ideology—one of many subjects that Dale explores in her work.
