Ebtisam Abdulaziz
Women’s Circles
Cho Youngkak
A Hot talks about Something, Someday, Someone
인터넷과 같은 네트워크 시스템에서 언어로 기능하는 새로운 커뮤니케이션의 수단인 Meme(밈/짤;이미지, 영상)을 바탕으로 한다. Meme을 바탕으로 재-생산된 이미지, 영상이 인공지능에 의해 새롭게 재구성 되어 관객의 인터랙션에 따라 변화하는 형태로 선보이는 작품이다. 카메라를 통해 받아들여진 데이터를 바탕으로 인공지능 알고리즘(StyleGAN : A Style-Based Generator Architecture for GANs)이 학습을 진행한 각 모델과 반응하고 이를 통해 재구성된 언어로 디스플레이와 로보틱스(협동로봇)를 통해 시청각 소스로 바뀐다. 이 프로젝트는 현실에는 존재하지 않는 인위적인 결과를 토대로, 상호작용을 만들어 내는 데 초점을 맞추고 있다. 만들어진 인공지능 모델은 일상적인 Meme의 의미에서 인간에게 받아들여지기보다는 인간의 대화를 대체하는 것에 보다 더 많은 감정적 경험을 제공할 것이다.05
MATHIAS BENGTSSON
马赛本特松
마티아스 벵슨
Матиас Бенгтссон
Slice chair
GEORGE REDHAWK
جورج ريدهاوك
乔治·红鹰
file festival
Native American GIF artist George Redhawk aka DarkAngel0ne, who is blind, uses them to “see” art. With the help of visual aides and using photo manipulation software designed for the visually impaired, Redhawk creates eerily captivating versions of his favorite paintings and photographs.
Bjarne Melgaard
Think I’m Gonna Have a Baby
WORAPONG MANUPIPATPONG
SPACE INBETWEEN
The series of spatial structures are a combination and overlapping of basic architectural-elements (roof, floor, wall, window, and ladder) and furniture feature (platform with different level for seating, laying, leaning). The shape and form represent contemporary architecture with simplicity of form but complex spaces. These structures can be seen as a transition between inside and outside. It provides variety of posture and different level with intimate space.
HISAJI HARA
原久路
Хисаджи Хара
A study of “The Victim”
Alan Warburton
Homo Economicus
Homo Economicus explores how men working in the City of London financial district both modify and commodify their own bodies. The work intentionally conflates the corporate and the corporeal, questioning male self-worth and its apparent apotheosis in the hyper-competitive financial services industry. Grounded in audio interviews with real city men, Homo Economicus proposes an alternative economy of the male body: not as an unquestioned instrument of power, but a site of vulnerability and power-play.
WALTER DE MARIA
The Lightning Field
His last large-scale work “The Lightning Field”, a Land Art project built on a semi-desert plain in New Mexico, in the United States, between 1971 and 1977, consists of four hundred meters high, placed in a geometric matrix strict. This area is often plagued by storms and these metal stakes serve to attract the rays, accentuating the dramatic spirit and the scale of the place.
RADEK BRUNECKY
Irgendwo Anders by the Swiss photographer Radek Brunecky.
Darren Bader
French Horn with Guacamole
Kiki Kogelnik
Kunst kommt von künstlich
Laura Plageman
Response
Set against the backdrop of the digital age, Laura Plageman considers notions of realism and authenticity using analog processes. In her Response series, she treats photographs as both representations and tangible objects, touching on the possibilities of realist representation, referentiality, and the photograph-as-thing. Her work has been exhibited in galleries and institutions across the United States and internationally. She lives and works in Oakland, California.
LAURIE SIMMONS
劳丽西蒙斯
ローリー·シモンズ
로리 시몬스
ЛОРИ СИММОНС
Blue Geisha Lying on Bed
Simmons has long investigated human performance as it relates to specific environments through a deep documentation and profound choreography of dolls and objects in and on a stage. The boundaries between fiction and reality are often blurred, and the artist’s tableaus are evocative of a sincere humanity, emotion and character.
SHINTARO KAGO
駕籠 真太郎
신타로 카고
Синтаро Каго
Seltsame und verdrehte Illustrationen des Japaners Shintaro Kago, dem großen und gequälten Mangaka-Vorläufer der „modischen Paranoia“. Surreale Illustrationen, in denen er nicht zögert, seine Konzepte in vollen Zügen zu nutzen, um seine Ideen mit Humor auszudrücken. Einige unglaubliche Bilder inmitten der Kritik an der modernen japanischen Gesellschaft…
CHRIS LABROOY
Aerobics
Labrooy αποφοίτησε από το RCA με ένα μεταπτυχιακό στο σχεδιασμό των προϊόντων και έκτοτε με τη χρήση διαφόρων εργαλείων 3D άρχισε να ανακαλύπτει τη διασταύρωση της τυπογραφίας, της αρχιτεκτονικής, το σχεδιασμό του προϊόντος και τις εικαστικές τέχνες. Το έργο του το έχει εκθέσει στο μουσείο design.
NILS VÖLKER
Two Hundred and Seventy
Through the combination of an everyday material with precise technology the mixed media installation fills the whole columned hall from the 19th century with its fluid movement and peculiar sound. Concavely arranged and floating above the spectators heads the form of the artwork seems to pass the skylight like the sun’s rays. Subdivided into nine columns, the nearly 70 square metres large piece of art follows a site-specific choreography determined by a program. Its moving surface is made from 270 white garbage bags, being inflated and deflated. In this way shapes and the boundaries of the installation itself start to dissolve. “Two Hundred and Seventy“ is the first installation with an undisguised view behind the scenes and onto the origin of the wavelike and organic movement: 1080 fans, lots of cables and 45 circuit boards
