Universe of Water Particles
Universe of Water Particles is a waterfall created in a computer-simulated environment. A virtual rock is first sculpted and computer-generated water consisting of hundreds of thousands of water particles is then poured onto it. The computer calculates the movement of these particles to produce an accurate waterfall simulation that flows in accordance to physical laws. Next, 0.1 percent of the particles are selected and lines are drawn in relation to them. The sinuousness of the lines depends on the overall interaction among the water particles and forms the magnificent cascade seen on screen.

THE LONG NOW
A soap bubble usually remains stable for only a few moments – it is a perfectly formed sphere with an iridescent surface that reflects its surroundings. As one of the classical vanitas symbols the soap bubble traditionally stands for the transience of the moment and the fragility of life. THE LONG NOW approaches the soap bubble from a contemporary perspective – with reference to its chemical and physical properties as well as recent scientific and technological developments. THE LONG NOW is aimed at extending the lifespan of a soap bubble, or even to preserve it forever. Using an improved formula, a machine generates a bubble, sends it to a chamber with a controlled atmosphere and keeps it there in suspension for as long as possible. The project is presented in the form of an experimental set-up in which the newly created soap bubble oscillates permanently between fragility and stability.

جورج هارت

هونغ نجوين مانه
Living Together in Paradise

Netykavka #1
Netykavka – minimalistická interaktivní instalace přímo inspirovaná dílem avantgardního umělce Anthony McCalla a jeho pracemi vytvařenými ze světelných paprsků. Jedná se o rekonstrukci jedné z jeho “světelných soch” s přidanou schopností reagovat na dotyk.

KTTV
This documentation video captures a few minutes of a continuous, generative collage. The source for the collage is one hour of edited signals captured from KTTV (198 – 204 MHz @ 34°13′29″N, 118°3′47″W) in August 2015.
The sound was created by Philip Rugo

.

KTTV Cette vidéo de documentation capture quelques minutes d’un collage continu et génératif. La source du collage est une heure de signaux édités capturés par KTTV (198 – 204 MHz @ 34°13′29″N, 118°3′47″W) en août 2015.

Le son a été créé par Philip Rugo

Beautiful Dances (simulation)

Earthrise
Поскольку наша планета находится на переднем крае глобальной повестки дня более чем когда-либо прежде, «Восход Земли» исследует великолепие этого голубого тела, которое мы называем своим домом, кружась к объединенному сознанию, чтобы сохранить величие вращающейся сферы, по которой мы движемся. Параллельно со стремлением Ван Херпена к взаимосвязанному подходу к моде, коллекция 19 look рассказывает о круговых процессах, которые приводят к изменениям в нашем разумном мире, переплетая симбиотическую нить между кустарным пошивом и органическим мастерством, происходящим из восприятия нашего мира как одного живого и дышащий организм.

埃米尔·阿尔萨莫拉
Эмиль Альзамора

フセイン·チャラヤン
Чалаян
후세인 샬 라얀

Lleida-Alguaire Airport

2000 Cliparts

Oliver Laric’s work seeks to parse the productive potential of the copy, the bootleg, and the remix, and examine their role in the formation of both historic and contemporary image cultures. This process is intimately tied to his intuitive, idiosyncratic brand of scholarship, which he presents through an ongoing series of fugue-like expository videos (Versions, 2009—present), and further elaborates through his appropriated object works, videos, and sculptures, all of which are densely conceptually layered and often make use of recondite, technologically sophisticated methods of fabrication. Straddling the liminal spaces between the past and the present, the authentic and the inauthentic, the original and its subsequent reflections and reconfigurations, Laric’s work collapses categories and blurs boundaries in a manner that calls into question their very existence.

Epic Alien Landscapes

PintoCreation

FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica

Epic Alien Landscapes – Italy

Embark on a cinematic voyage across otherworldly landscapes. Created with Mi djourney V6.1, animated through Hailuo AI, and set to an original Suno AI v4 soundtrack, this video brings to life vast alien worlds, futuristic civi lizations, and breathtaking digital vistas.

BIO

Since childhood, Luigi Novellino (aka PintoCreation) dreamed of distant galaxies and cities floating in the sky. Now, thanks to artificial intelligence, these dreams come to life. PintoCreation creates images that tell stories of hidden worlds, born from his passion for science fiction and his desire to share them with everyone.

56 hours

Spatium

Aesthetics of failure. Disruption of dimension, magnitude and quantity in the timeless gap. Delicacy of destruction. In a void that serves a nonconventional level of perception.

This is the Spatium as a detachment of an interval in a moment of glitch. Superposing architecture with a malfunctioning device to be surrounded with. Spatium defines the possibilities what these spaces can transform into for the audience that is given the opportunity to experience.

Tlight

Villa Lisiduna Reinier
Lagendijk Leusden

The Light of Life

Life is transparent, warm and swirls randomly like a soft light. And it constantly changes…

Life illuminates itself and then it begins to illuminates a new life.

A sprouted mass of innumerable lights become a flow before long, and then become the part of the life-throb of ages.

That ties life, this moment now.

THE BED EXPERIMENT ONE

Witness as the covers are pulled back to reveal the rites and rituals of the untamable Homo Sapiens in its favorite nesting place — a giant bed! Like a bizarre nature documentary THE BED EXPERIMENT tracks four males and four females, who while confronting their deepest fears and desires, balance the witty and weird against the painfully true to life.

“As the piece proceeds, the focus shifts from mating rituals to the antics of lovemaking, from the battle of the sexes to baby worship, and from dreams of conquest to nightmares of disembowelment. The bed turns from the cradle of civilization into a hospital cot, from a sultry desert to a tundra of monsters. As the scenes evolve — the performance is a 60-minute continuum — the tone mysteriously oscillates between extremes of farcicality or pathos. How the performers effect these wondrous transformations is one of the Adaptors’ most singular professional secrets”. Alan M. Kriegsman

woven portico

MIMA

Aniara

“Early in the beginning of the film, we are introduced to a woman (Emelie Jonsson) who works on a kind of “attraction” of the spaceship called MIMA, which, at first, is not very popular. It is a technology capable of capturing people’s emotions. and turn them into images, or rather into a kind of vivid dream in their minds. As the ship wanders aimlessly through space, while it is not yet known if it is possible to return to the correct route, days become weeks, weeks become it takes months and the demand for MIMA increases. Aniara explores very well what makes us human as a race and also the importance of having a place to call her own. What was supposed to be a simple transport, over time becomes, in fact, a kind of “mini-planet”.” Marcio Melo

Matrix Paris
Matrix Paris is a fully immersive and experiential light installation. The visitors walk into a maze of LED lights distributed over two floors. The colors of the lights slowly change between red and blue. These colors delineate the visible color spectrum as well as the spectrum of our human emotion with red as the most sensual color and blue as the cool, rational counterpoint. The corporeal intensity of the immersive aesthetic experience combined with the underlying technological aspects of a highly sophisticated binary logic blurs the border between the virtual and the real.

Sperre
Known for his special relationship with space and architectonic practices, Hunziker’s work uses structures and configurations to reveal visions, or fractions, of reality. At von Bartha, the artist transforms the gallery into a parcours – creating new, surprising spatial references, merging object and sculpture, and enabling opportunities for chance-encounter and discovery. more…

Animated Tower

INAHO

Калеб Чарланд

tiger’s whip

Webstuhl
Loom zeigt abstrakte Animationen, die mit Daten von Google Trends in Echtzeit entwickelt wurden. Beliebte Abfragen werden vorübergehend als überlagerter Text angezeigt, bevor sie sich in eine rauchige Abstraktion auflösen. Diese Begriffe werden mit einer zufälligen Lyrik angegangen – jedes Wort erscheint und verschwindet in einer Spur der Sättigung. Die Farben in der Animation werden durch die Häufigkeit eines bestimmten Themas bestimmt. Je viraler die Suche online ist, desto wärmer werden die Töne. Ohne Schlagzeilen, grafische Bilder und Statistiken inspiriert jede Phrase eine kontemplative Erfahrung, eine Gelegenheit für den Betrachter, darüber nachzudenken, was zu einem bestimmten Zeitpunkt durch das kollektive Bewusstsein strömt. Loom verwebt ein soziales Gefüge, das das Transzendentale mit dem Banalen vermischt, um den Geist unserer Zeit in generativer Bewegung darzustellen.

pane pane pane vino canale di scolo
Working with materials often sourced from the artist’s immediate environment such as stones, shells, vegetables, flowers but also dried fishes or reptiles, LUCA FRANCESCONI holds an intense fascination with the natural world and the countless manifestations of human culture within it. Uniting organic, artistic, and technological forms, FRANCESCONI makes the relationships between natural, found and modified forms imprecise while liberating marginalized materials and narratives.

P A N O P T I C
For platform79 – the berlin project Kite & Laslett produced two artistic interventions. The first, Panoptic, is a physical mobile-installation situated in Courtyard IV of the former Kantstraße Women’s Prison, exploring visual space. In contrast, Klangzelle, a sound installation, examines solely aural space and the acoustic energy of the prison interior. The two works stand in relative juxtaposition to one another, both architecturally and in conception.

smog

Melita
FILE FESTIVAL 2019
A 20’ (minutes) animated real-time VR (Virtual Reality) short film about Anaaya, a brilliant scientist working to find a new planet for humanity while the world that we know dies slowly due to extreme climate change; and Melita, an AI designed to help her on her herculean task. This is the first part of a much bigger tale, that will take us into Melita’s journey to find Aurora, the next cradle for humanity.

ロン·ミュエック
РОН МЬЮ́ЕК
Standing Woman

Zwart gat horizon
File Festival
De kern van de installatie is de uitvinding van een apparaat dat lijkt op een scheepshoorn. Bij het klinken van elke toon komt er een enorme zeepbel uit de hoorn. Het groeit terwijl de toon klinkt, van de hoorn afpelt, door de tentoonstellingsruimte blijft hangen en ten slotte op een grillige positie in de ruimte barst.

Monumental

Aquaphone Cornemuse

Dans 13 Tongues
Choreographer CHENG Tsung-lung has always been fascinated by his mother’s stories about “Thirteen Tongues”: the street artist and legendary storyteller from their neighbourhood in Taipei was known for being able to slip into various roles. With his full-length work, CHENG succeeds in becoming a modern “Thirteen Tongues” himself: He transforms Taoist rites, festive parades and the bustling street life of Taipei into a fantasy world, blurring the past and the present, the real and the surreal. Against a mysterious soundscape of Taiwanese sounds, Japanese Nakashi melodies and the electronic music of LIM Giong, the dancers stomp and tremble in ecstasy like enchanted shamans in an endless festival.