B-Boyizm
This awesome collection of wood sculptures was created to celebrate B-Boy culture in Japan, specifically the group known as Unity Selections based out of Saitama, Japan. These wooden creations encompass all the kinetic energy present in this form of dance, which takes on many flavors depending on the region.
L’équilibre des forces
Le travail de Marion Brusley explore et interroge différentes particularités de notre société (la normalisation, la productivité, l’utilité, les valeurs de réussite ou encore d’échec…), à travers la réalisation, l’archivage ou le détournement d’objets et d’activités empruntés à divers champs de la vie quotidienne. Les objets ou situations présentés apparaissent pour la plupart noueux, incongrus ou mis sous tension.
Event Modeling
AI Fossil
The work began with the collection and collation of various news and social events that have occurred or are happening based on social media algorithms, and utilized dreamfields3D to generate 3D models using the titles of news/events as the seeding words/sentences. In the era of AI technology blowout (but also in its “baby-like” era), the work records all kinds of human information as “AI fossils” through AI text to 3D model generation technology. In the future “abandoned factory” scene that is mixed with reality and virtual, it is full of different experiences between humans and AI on the same event. Human information is presented as some realistic fragments, some historical fossils, a pile of metal carvings, or a pile of inferior plastic toys.
Rotationsquintett
Визуальная ссылка Константина Лузера на компьютерную графику подрывается эмоциональным содержанием и импульсивным стилем рисования. «Он проводит очень тонкую и точную линию, которая превращается из шаблона в формулу, из изображения в слово и оттуда в повествование. Соединяется как очень четкая мысль. В результате получается коммутатор, который определяет разные уровни, создает структуры и определяет отношения, которые позволяют определенную степень ориентации ». (Даниэль Бауманн)
Ear Tone Box
“I am interested in transforming various mundane objects into speakers. Listening to sound through a cardboard box is very different from listening through a chair, which is very different from listening through computer speakers. In these works, I am attempting to expand aural dimensions by orchestrating flexible listening situations, which draw attention to the materiality and variation of sound as filtered through these objects.”
Эрнесто Клар
Luzes Relacionais
File Festival
“Luzes Relacionais” (Relational Lights) é uma instalação interativa audiovisual que explora a relação das pessoas com o caráter orgânico-expressivo do “espaço”. A instalação usa luz, som, neblina e um sistema de software customizado para criar um espaço-luz tridimensional de morphing (metamorfose), em que os espectadores participam ativamente, manipulando-o com sua presença e seus movimentos[…] A obra funciona como um organismo vivo, com ou sem a presença e a interação dos espectadores. Quando os espectadores saem da área de rastreamento ativo, o sistema começa seu próprio diálogo com o espaço através de extrusão e transformação de sequências de formas geométricas luminosas. Quando os espectadores penetram e interagem com o espaço-luz projetado, uma expressão coletiva e participativa do espaço se desdobra. “Luzes Relacionais” amplia o tecido tridimensional do espaço, tornando-o visível, audível e tangível aos participantes.
Vídeo-Boleba
FILE FESTIVAL SAO PAULO 2016
The “Vídeo-Boleba” installation is composed by a TV set and a mechanism that shoots marbles. In the video, two boys take turns playing the marbles, which appear at the side of the screen when they leave the frame, scattering in the space close to the public, and giving continuity to the scene in the material world.
ピエール・ビティーレ
Пьер Бетелль
Pierre Béteille, un toulousain qui au delà de ses métiers de Web Designer, photographe, graphiste, Directeur artistique… sait délirer et remodeler avec talent sa propre image autour de thèmes et d’objets détournés avec beaucoup de talent. Un œil exercé et une patte précise.
Quantum Memories: Nature Studies
Technological and digital advancements of the past century could as well be defined by the humanity’s eagerness to make machines go to places that humans could not go, including the spaces inside our minds and the non-spaces of our un- or sub-conscious acts. These unique pieces of the “Quantum Memories” series exhibit arresting visuals and colors that speculate the probability of reaching invisible spaces. They are composed in collaboration with a generative algorithm enabled by artificial intelligence (AI) and quantum computing, a new form of computing that exploits the unusual physics of the subatomic world. It turns the visual data that flows around us into an artwork that represents our collective and digitized memories of nature and encourages the viewer to imagine the potential of this computing technology for the future of art, design, and architecture.
ЖАН-ПОЛЬ ГОТЬЕ
ジャンポールゴルチェ
ז’אן פול גוטייה
جان بول غوتييه
Ein Duett von Mensch und Roboter
Huangs Pionierarbeit ist geprägt von seiner Faszination für die Partnerschaft zwischen Mensch und Roboter. Kontinuierliche Bewegung verwebt er mit mechanischen und multimedialen Elementen zu einer Tanzform, die mit dem Datenfluss korrespondiert, den Performer zum Tanzinstrument macht.
Денис Грунштейн
Denise Grünsteins surrealistiska, iscensatta fotografier leker med konsthistorien och låter klassiska bildvärldar möta samtiden. Romantikens grönskande landskap, Skagenmålarnas strandkultur och surrealismens lek med kroppar förs in i in i vår samtid och möter en förändrad syn på makt, kön och identitet.
Glitch Robot
The Installation consists of several robotic actors. When the actors make contact with their instruments, they produce a sonic impression of an omnipresent texture of modern life: electronic music. The music robots used in this performance consists of recycled and 3D-printed parts such as harddisks, relays, tongues, motors and solenoids. Glitch Robot connects mechanical, visible movements to audible sound by using small sound-producing robots. Thus, the installation highlights the origin of the sound in a way no conventional medium of electronic music production is able to. Typically, electronic music eliminates the haptic aspect of sound-generation, creating a void in understanding of how sound, and thus music, is mechanically created.
Говард Шатц
הווארד שץ
霍华德沙茨
هوارد كاتس
Chandelier
The Grand Staircase chandelier (above) is comprised of a large 1.2m diameter fresnel lens, rimmed by a white Corian ring, and suspended in front of a rose-gold plated cradle housing 9 high power LEDs. “As the white light generated by the LEDs passes through the lens, a pattern of 9 overlapping rings is created, adorning the ceiling with a unique crystalline rose.”
architectural abduction
french artist pierre delavie has transformed the grand palais in paris into an ‘urban lie’, distorting the architecture of the famed building with ‘neo – rapt architectural’. questioning reality and manipulating city landscapes, delavie changes the face of building facades, integrating fake structural elements and projected light into the existing space. by manipulating the exterior skin of the renowned european museum, he forms a new archetype he calls, ‘architectural abduction‘, where the falsification of the traditional image is changed and reinterpreted as a new space. additions and subtractions render the structure imperfect, changing the manner in which passers-by perceive the historically significant landmark.
Symbiosis
mad cow motorcycle