SUZAN DRUMMEN
kaleidoscopic crystal floor
dutch artist suzan drummen’s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. the fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. they are composed of crystals, chromed metal, precious stones, mirrors and optical glass. a sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.
Yves Netzhammer
Vororte der Körper
Yves Netzhammer uses emblematic language for the visualisation of his between worlds. His digital worlds are peopled by a recurring stock of objects and figures both animal and human. Object and subject worlds touch and penetrate each other, merge or split away.Life appears to be in a constant flow: phases of construction alternate with those of decay.
KEITA OGAWA
Melting Away Lights
LORENZO DURAN
leaf art cut
Pangenerator
The abacus
THE ABACUS is probably the first ever 1:1 interactive physical representation of real, functioning deep learning network, represented in the form of a light sculpture. The main purpose of the installation is to materialise and demystify inherently ephemeral nature of artificial neural networks on which our lives are becoming increasingly reliant on. As the part of new permanent exhibition devoted to the Future the installation aims to engage and educate the audience in artistically compelling ways being the manifestation of art and science movement goals.
QUBIT AI: Kelly Luck
Kelly Luck
Strangeland 1 (excerpt)
FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Kelly Luck – Strangeland 1 (excerpt) – United States
From a surrealist point of view, the main attraction of generative AI, for the artist, is its lack of memory. At any given moment, she only has the current frame and instructions on how to proceed, similar to free association in dreams. This work is part of a series of long-term environments designed to immerse the viewer in a constantly evolving and never-ending landscape, inviting relaxation and engagement.
Bio
As part of the first generation to grow up around computers, Kelly Luck quickly became fascinated with the creative possibilities of this new technology. Her journey has ranged from pixel art and graphic ‘hacks’ to the 90s demoscene, 2D and later 3D graphics, and now the modern tools of digital art. With the emergence of generative AI, it endlessly explores how technology continues to blur the line between imagination and reality.
ANALÍA AMAYA
Luminic Bench
Iris van Herpen
АЙРИС ВАН ЭРПЕН
イリス ヴァン ヘルペン
Autumn/Winter 2019
This season van Herpen collaborated with American kinetic sculptor Anthony Howe, whose pieces are powered by the wind. His spherical Omniverse sculpture had pride of place in the Élysée Montmartre venue. The designer said she was compelled by the way its arching vertebrae, spinning on a curving axis, simultaneously expand and contract. Her finale dress was made in the image of Omniverse, with rotating wings constructed of aluminum, stainless steel, and feathers.
SHI SHAOPING
eggs installation
YURI SUZUKI
جوقة الترحيب
The Welcome Chorus هو تركيب تفاعلي يجمع بين الصوت والنحت والذكاء الاصطناعي (AI). بتكليف من Turner Contemporary لمهرجان Margate NOW ، يتكون التمثال من اثني عشر قرنًا ، يمثل كل منها منطقة مختلفة من Kent. يغني كل قرن باستمرار كلمات الأغاني التي يتم إنشاؤها مباشرة بواسطة برنامج ذكاء اصطناعي مدرب بشكل فريد ومخصص للموقع. من الناحية الرمزية والجمالية ، تشير هذه الأشكال النحتية إلى أصل كلمة “كينت” ؛ يُعتقد أنه مشتق من كلمة “كانتو” ، والتي تعني القرن أو الخطاف.
LAURENT MILLET
Nuées (Clouds)
YUJI NISHIJIMA
西嶋 祐二
Yuji Nishijima is a sculptor in search of his own notion of the medium, creating works using materials such as iron, concrete and wire. His interest lies not only in the works themselves, but also with his relationship to the audiences that come to his exhibitions. He defines this relationship as a part of his work. At this exhibition entitled “An Indication of Existence”, Nishijima will create his sculptures in the form of his own body using numerous coils of copper wire.
FILE SÃO PAULO 2025: SYNTHETIKA – Hsujing
XENO: UNDERTOW
Hsujing
FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia – Videoart
Festival Internacional de Linguagem Eletrônica
XENO: UNDERTOW – China / England
XENO: UNDERTOW is an experimental short film that employs stream-of-consciousness narration and AI-generated surreal visual art to explore the identity struggles and inner turmoil of cross-cultural migrants in mainstream society. Through metaphor, the film depicts a whale forcibly displaced from the boundless azure sea, cast into a desert of shifting sands. This imagery symbolizes the challenges cultural migrants face in adapting to dominant cultures and the profound sense of identity loss.
BIO
Hsujing is a contemporary artist and digital artist & director. His primary research focuses on the integration of technology and art, as well as speculative creative outputs. He is skilled in combining diverse techniques for artistic creation. His works blend elements of classicism with science fiction, not only envisioning future landscapes but also revealing persistent realities.
RICHARD MOSSE
ريتشارد موس/
リチャード·モッセ
理查德·莫斯
リチャード·モッセ
РИЧАРД МОСС
Jonathan Sitthiphonh
Icare
Jonathan Sitthiphonhs Maschinen könnten an das S.F.-Universum erinnern – die Exoskelett-Roboter in James Camerons Filmen zum Beispiel. Durch ihren Archaismus konnten sie sich auch an Leonardos Technik erinnern. Gefangen zwischen dem Mythos von Ikarus und dem Post-Menschen verwirklichen sie einen Traum, über menschliche Grenzen hinauszugehen. Aber ohne darauf zu antworten … Das Geschäft des Künstlers ist ehrgeizig, motiviert.
Manon Kündig
Bowerbird
Manon Kündig’s master 2012 graduate menswear collection called ” Bowerbird” is full of digital prints and acid colours. Photoshop is probably one of the most important tools of her collection and she confesses being completely addicted to online research. Like the bird, she was inspired by to create her collection, bird stealing rubbish to create its nest; Manon stole Google images to create her prints. We asked Manon about her work and the relationship between the Internet and her collections.
