the shy picture
Narinda Reeders and David MacLeod
Here is a calm and intimate film in black and white, but which refuses to divulge the plot. The characters in the story are revealed to be in a painting. Although the subject is very classic since the portrayal of Dorian Gray by Oscar Wilde. Everything happens this time as if the problematic of creation ultimately had its own existence. This is often the case for the artist when faced with his production. Where in front of the finished work. Narinda Reeders and David MacLeod’s bring this little photo hanging on the gallery wall to life. It’s calm, discreet and mysterious. It is a duality that nevertheless works in both directions, that of the work vis-à-vis the artist, that of the art lover in front of a work. In both cases there is a personal touch that brings you to life. But the real does not come out unscathed.

TODO ES VACÍO
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MirrorFugue

Bloom Nebula
Incorporating LEDs, electronics, and custom code, this sequenced light sculpture exemplifies Villareal’s latest inquiries into natural and synthetic systems.

Ship

On this very world

Demi-Mesure

I miss my thread

アンヌ·テレサ·ドゥ·ケースマイケル
Анны Терезы де Кеерсмакер

邱昊

corpus

FIRE SHOWER

Volunteer stands in the middle of a spinning cage on fire, like being in a tornado of fire!

Corpuscule
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ג’ף וול
ジェフ·ウォール
Джефф Уолл
a sudden gust of wind

Shred
‘Shred’ is een generatieve animatie die NFT’s als grondstof gebruikt. Het algoritme dat de dynamische inhoud van het scherm activeert -op maat ontworpen door de studio- legt in realtime duizenden NFT’s vast die worden geüpload naar e-commerceplatforms. Vervolgens versnippert het de afbeeldingen in rijen pixels en weeft de rijen, net als in een weefgetouw, samen tot nieuwe configuraties. Deze onophoudelijke activiteit roept de onophoudelijke en onvermoeibare koorts van digitaal verzamelen op.

알렉산더 켄트
亚历山大·肯特
الكسندر كينت
Александр Кент
Alexander Kent est un photographe londonien ayant un talent certain pour capturer des éléments en jouant avec les plans et la perspective. Avec des clichés épurés d’une très grande qualité, il parvient à nous plonger dans son univers. A découvrir dans la suite avec cette sélection de clichés.

دانيال بورين
丹尼尔·布伦
다니엘 뷰렌
ダニエル·ビュラン
ДАНИЭЛЬ БЮРЕН
Que La Lumiére Soit

Ex-Nihilo
Nothing comes from nothing … With Alice Pegna, Epicure’s Latin phrase “Ex nihilo nihil fit” is at the heart of a design adventure as strong as it is elegant. Visual artist and interior designer, the young lady is inspired by this reflection on the source of the material to create arachnid sculptures between exoskeleton, armor and ornament.

peacock chair

Roland Emmerich
In 1994, Egyptologist and linguist Daniel Jackson, Ph.D., is invited by Catherine Langford to translate Egyptian hieroglyphs on cover stones, also known as casing stones, that her father had unearthed in Giza, Egypt, in 1928. Jackson is taken to a U.S. Air Force installation and told by its commander, Special Operations Colonel Jack O’Neil, that the project is classified information. Jackson determines that the hieroglyphs refer to a “stargate” which uses constellations as spatial coordinates. On this revelation, Jackson is shown that the base has this Stargate, also discovered by Langford’s father. They use Jackson’s coordinates to align the Stargate’s metal ring with markings along its outside, and once all seven are locked in, a wormhole opens, connecting the Stargate with a distant planet. Jackson joins O’Neil and his team, consisting of Reilly, Porro, Freeman, Brown, Ferretti, and Kawalsky, as they pass through the wormhole.
CINEMA

World center
Blending computer-assisted design and experimentation with physics, the collective implements a biological paradigm to develop their morpho-ecological design approach to the architectural project. They are able to do this thanks to the computer-generated design methods they have developed for integrating ecological, topological and structural data.more…

The Skin I Live In starring

Джузеппе Коларуссо
improbabilità

吉尔伯特加尔辛
Гилберт Гарцин

BestBuy@Fountain
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Pop, Pop

Benichon

sona

Cherry Tree

The Man with No Shadow

“ Makoto Tojiki是一位艺术家和设计师，他以光为主要表达手段。 Tokiki是1998年近畿大学（Kinki University）工业设计工程专业的毕业生，他的个人时间是在受雇担任工业设计师的同时，致力于光的实验。 2003年，他开始了他的全职艺术家生涯。 他最近的“无影”系列作品受到光影相互联系以及如何进行操纵和控制的启发。 Tojiki通过分解光线和阴影来捕捉其共生的本质，从而开始了他的创作过程，从而产生了短暂的图像，就像阴影本身一样短暂而神秘。”

МИЕОНГБЕОМ КИМ
김명범

Santa Conjuncion aleja a los demonios

Clemens Ascher, born in Innsbruck, graduated from the Miami Ad School Europe in Hamburg, where he completed his qualifications as an art director and commercial photographer. His talent was already discovered while he was still studying and won him awards such as the ‘German Student of the year’ from the ADC. Once he graduated he completed a long-term photography assistant job in Hamburg, before launching his freelance photographer career in 2008. Since then he has participated in several group and solo shows in Austria and works for international clients. Clemens lives and works between Vienna, Innsbruck, London, and Hamburg.

فرانك هورنبي
Early Meccano Robot Models

Masticate

Where DogsRun
in Potentia

БРЭД ДАУНИ И ЭЙКЕЙ
Brad Downey est un artiste contemporain américain, originaire du Kentucky. Il est né en 1980 et est diplômé de Pratt institute à New York et de Slade School of Art à Londres. Il habite actuellement à Berlin. Brad s’intéresse à plusieurs formes d’art comme la sculpture, la peinture, la photography et surtout le street art. Ses oeuvres sont toujours surprenantes et il adore détourner les objets de la vie quotidienne avec beaucoup d’imagination et d’humour comme des panneaux de signalisations, des bancs publics.

Sonotubes II

Array [wave]
Wave depicts a sculptural volume unfolding over time – the Shape of Light seized in perpetual movement. It uses ephemeral and intangible materials – light and sound – and can be traversed by the observer, immersing them into the shapes cast by the undulating light columns. The work creates a malleable experience of scale: it shifts between object and environment depending on the observer’s position inside, outside, or at the boundary of the installation.

A Little Taste of Cheeto in the Night at Château Shatto

Дезире Палмен
“艺术家自己制作了迷彩服。 对于她的每张照片，在她选择的每种环境中，她都设计了一套新衣服，必须一次又一次地以最高精度制作，否则幻影效果将不起作用。 通过将人物与背景结合起来，Desiree Palmen达到了令人惊讶的视觉效果，需要对观察者的眼睛做出特殊的努力：它必须解开平面和空间.”