highlike

Florian Schneider

Kraftwerk
Florian Schneider
Electronic Poem
Poem dedicated to synthesizer Doepfer A-100
” Analogsynthese mit system
klanglich, optish angenehm
technisch, logisch, funktionell
prototypisch und speziell

modular und variabel
leicht, kompakt und transportabel
für ein musikabenteuer
A-100, nicht zu teuer
midi-kontrolle vom computer
A-100 to the future! ”

INES ALPHA

3D-make-up
Ines alpha is een 3D-artiest gevestigd in Parijs. Ze houdt ervan om betoverde en fantastische versies van de werkelijkheid te creëren. Ze begon te ervaren met 3D terwijl ze werkte als art director in reclame, gespecialiseerd in schoonheid en luxe. Haar belangrijkste oeuvre bestaat uit de serie “3D-make-up”, waarin ze de grenzen van make-up en schoonheid verlegt met behulp van 3D-software en augmented reality. Ze probeert te fantaseren hoe volledige esthetische vrijheid van uiterlijk eruit zou zien. Haar doel is om een ​​leuke en creatieve benadering van make-up en zelfexpressie aan te moedigen.

FILE SÃO PAULO 2025: SYNTHETIKA – Erika Kassnel-Henneberg

Deep Paula

Erika Kassnel-Henneberg

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival

 

Deep Paula – Germany

An old photograph is “brought to life” by artificial intelligence. What happens when flawed memory gives way to artificial vividness? Today, a perfect, seemingly alive digital self can be created. Will we become eternal puppets wandering the web? Who pulls the strings? And if a lost loved one is replaced by a digital twin, what becomes of grief?

BIO

Erika Kassnel-Henneberg (1973) is a conceptual artist. Her work explores a new humanism in the face of digital complexity. She investigates memory through AI-driven data analysis and questions perception as a construct between reality and fiction.

Music: AI-generated.

VANESSA BEECROFT

瓦妮莎比克罗夫特
נסה יקרופט
ヴァネッサ·ビークロフト
바네사 비크로프트
Ванесса Бикрофт

FEEL SEATING SYSTEM

Animi Causa
Feel Seating Deluxe can shift into many different shapes and sizes, making it incredibly diverse and cosy. You can fold it and mold it any way you like. This seating system is made of 120 plush soft balls which you can lay, sit or lounge on. Feel Seating comes in bright red and blue colour which will lighten any room. The balls are made of 100% foam, while the upholstery is made of special stretch fabric. Although this sectional sofa might be too risqué for some, its comfort is undeniable.

Du Zhenjun

Babel

Il primo sinonimo di disordine che compare sul dizionario è babele, con la lettera minuscola
Du Zhenjun trasforma il mondo in una nuova torre di Babele, ma non pensate che questa Terra lo sia già? Non c’è già troppo disordine, ingiustizia e incomprensione?
Il primo sinonimo di disordine che compare sul dizionario è babele, con la lettera minuscola. E nemmeno a farlo apposta tutte le conseguenze della confusione voluta da Dio sono qui, come a giustificare questo aggettivo. Incarniamo la superbia e la supremazia sul mondo, lo stesso che Egli voleva che abitassimo.
Nelle immagini proposte da Du Zhenjun osserviamo una composizione standard: al centro è sempre presente un’interpretazione della Torre, varie forme, varie strutture, varie visioni. Poi tutt’intorno aleggia un’atmosfera grigia, l’atmosfera della realtà. Un ammasso di cose, persone e edifici. Sono parti di fotografie, o meglio di reportage giornalistici, di guerra e non solo.
L’origine della fonte di luce non la individuiamo, è nell’aria: tutto è illuminato, come nelle stampe composite di fine ottocento, antenate del fotomontaggio.

STEPHAN BALLEUX

Stephan Balleux is the child of a century in which gathering images constituted the initial act of creation. As such, although a painter, he has inherited that doubt with regard to painting sown by Marcel Duchamp and deepened by the serial approaches of pop art and conceptual art.

MAURIZIO CATTELAN

マウリツィオ·カテラン
Маурицио Каттелана
INRI
自学成才的当代意大利艺术家,1960年生于帕多瓦,目前居住在纽约。 他的艺术建议定位在雕塑和表演之间(艺术家或一群艺术家参与的艺术行动,其中,身体作为公共场所中的“祖传”要素使用),主要是在游戏中工作。 幽默感和已建立符号的传递构成其主要的表达武器。

HANS HAACKE

汉斯·哈克
הנס האקה
ハンス·ハーケ
Ханс Хааке
Blue Sail

Blue Sail (1964-1965), um lençol de chiffon azul soprado por um fã, de Hans Haacke: “De todos os artistas conceituais que trabalham hoje, Haacke é aquele que melhor entende como a arte intimida o espectador.” “O que é atraente sobre Haacke é que ele sabe exatamente o que está fazendo e não acha que deveria fazer outra coisa. Ele nunca tenta enfeitar seu trabalho com ironia, sarcasmo, timidez, metáforas ou piadas. “Fazer arte é apenas mais uma parte da indústria da consciência”, disse ele em uma entrevista em 1994. Sua maneira de avaliar a arte? Com base em quão inteligente é, como acontece com qualquer outra forma de formação de opinião. ”

kathy hinde

Tipping point
Tipping Point forms both a sculptural sound installation and the basis of a live performance in which Kathy Hinde controls all the aspects of the installation live including the speed of the motors, the positions of the mechanical arms, the water levels, and how many glass vessels are resonating. She works with a range of guitar pedals to re-pitch the sounds, accentuate different frequencies, and add reverb to augment the soundscape to create an immersive composition.