Juliana Mori & Matteo Sisti Sette
timeLandscape woolrhythms
“timeLandscape – wool rhythms” 2010. Part of timeLandscape series, 2009 – 2010. Video, audio, projector, speakers, custom patch (PD-Gem), sensor, wool engine. Variable dimensions and duration, loop. “timeLandscape – woolrhythms” is an interactive audiovisual installation in which a landscape is depicted from its multiple time possibilities and [re]composed through users’ real time interaction. The installation was developed in Biella, Italy, an area economically attached to textile industry, and deals with the cyclical perception of time and human, linear, interference on it. It gathers nature and artefact, by connecting a physical wool engine to digital imagery of daily cycles. By turning the wheel crank, users generate movement starting the engine. Through a sensor attached to the machine, software calculates the rotation speed, altering parameters for mixing audio and video fragments in real time. Every turn of the machine leads to different time thread combinations in response to the rhythm and speed of each interactor.
sarah sze
triple point
Since the 1990s, Sarah Sze has developed a sculptural aesthetic that transforms space through radical shifts in scale, colonizing peripheral spaces, engaging with the history of a building, and altering the viewer’s perception and experience of architecture through large scale, site-specific interventions.
Stefan Tiefengraber
TH-42PH10EK x 5
Five screens were installed by the artist as pendulums that swing continuously. As soon as all five have come to a standstill, they are pulled back into their original positions with the help of cable winches and are made to swing again – triggered by pulling a rip cord, a performative act that cannot take place without human intervention and which involves the exhibition supervisor in the installation. Each cycle, which lasts approximately 45 minutes, ends as soon as all five screens have come to a standstill and no more sound is produced by their movement. The sound is produced by the amplification of the friction to which the joints of the moving pendulum are subjected. Multiplication thus creates five oscillating loops that merge into one another with a time offset.
STUDIO ANDREEA MANDRESCU
MATERIALITY
With the introduction of “Materiality,” a stunning continuation of her previous works, but with new vision and just as much revelation, Andreea manages to create another incredible tactile and visual experience. Inspired by jewelry and precious stones, the collection takes a flexible, fluid, and much more playful approach to adornment.
Tatsumi Hijikata
Hosotan
Hijikata conceived of Ankoku Butoh from its origins as an outlaw form of dance-art, and as constituting the negation of all existing forms of Japanese dance. Inspired by the criminality of the French novelist Jean Genet, Hijikata wrote manifestoes of his emergent dance form with such as titles as ‘To Prison’. His dance would be one of corporeal extremity and transmutation, driven by an obsession with death, and imbued with an implicit repudiation of contemporary society and media power. Many of his early works were inspired by figures of European literature such as the Marquis de Sade and the Comte de Lautréamont, as well as by the French Surrealist movement, which had exerted an immense influence on Japanese art and literature, and had led to the creation of an autonomous and influential Japanese variant of Surrealism, whose most prominent figure was the poet Shuzo Takiguchi, who perceived Ankoku Butoh as a distinctively ‘Surrealist’ dance-art form.
Jeppe Hein
杰普·海因
ЙЕППЕ ХАЙН
ЈЕПЕ ХЕИН
360º illusion
耶普·海因（Jepp Hein）的个展幻觉（Illusion）包括一项新的主要作品360º幻觉（Illusion），这是专门为SculptureCenter的戏剧性中央空间而创作的，另外四幅作品来自《改造的社会长凳》。海因（Hein）的工作重点是对雕塑，观赏者和环境之间的传统关系提出质疑。幻影是由SculptureCenter著名的常驻艺术家计划制作的。
360ºIllusion由两面镜子组成，每面镜子大约六乘十六英尺，它们以90º角连接并悬挂在天花板上。最初，该装置镜像其周围环境并溶解到该空间中。但是，由两个连接的反射镜产生的双重反射会在反射内产生反射，并且随着反射镜的缓慢旋转，两个反射似乎会以不同的速度旋转。 360º幻觉直接颠覆并取代了观看者的身体和心理体验，同时解决了观看行为中的局限性和内在可能性。
Anna Sokolova
ONE SHAPE, ONE SQUARE, ONE EXECUTION, ONE TRANCSENDENCE
ONE SHAPE, ONE SQUARE, ONE EXECUTION, ONE TRANSCENDENCE consolidates three quotations from the writings by the minimalist artist and philosopher Ad Reinhardt. The works in question are “Abstract Painting, Sixty by Sixty Inches Square”, “On Negation” and “There is just one painting”, a fragment of which has been taken as a work title. The text “On Negation” is turned into sound and used to cause the vibration of the black square plane that has the same dimensions as “Abstract Painting” by Ad Reinhardt.
ZAHA HADID ARCHITECTS
زها حديد
扎哈·哈迪德
זאהה חדיד
ザハ·ハディド
Заха Хадид
Liquid Glacial Table
Entitled ‘Liquid Glacial,’ the series’ four pieces each resemble plates of moving ice, complete with legs akin to furrowing tunnels of water, draining down from the surface. Crafted from a new-fangled acrylic resin in Italy, each table is smooth to the touch in spite of its illusionary rippled appearance.
BILLIE GRACE LYNN
mad cow motorcycle
faig ahmed
Carpet Equalizer
Yuichi Ikehata
Fragment
Eve Bailey
ИВ БЭЙЛИ
ENTASIS DANCE IV
My work is based on the concepts of balance and coordination. The body interests me as a perceiving mechanical structure. I use my own body as a primary tool to create pieces that experiment with equilibrium through physical, mechanical, plastic and conceptual means. My studio practice is rooted in the tradition of the artist engineer. I design and build suspended and pendular constructions that can sustain their own weight and mine as I perform with them. By climbing and inverting on the structures, I challenge my own perception and creative process.
Ryuichi Sakamoto + Daito Manabe
Sensing Streams
In their first collaboration, Sakamoto and Manabe render a wide range of frequency bands and magnetic radiation waves, which fluctuate in response to portable devices, visible in an unprecedented form.
TORAFU ARCHITECTS
minamo
The MINAMO is a space which embodies TOTO’s concept of “cherishing water”. Created by TORAFU ARCHITECTS for Tokyo Designers Week 2011, it lets you feel the shimmer and beauty of water. It is an exhibition booth that uses no water yet interactively gives visitors the sense of the surface of water (minamo).
SPEECH TCHOBAN & KUZNETSOV
The Architect’s Eye
DAVID SZAUDER AKA PIXEL NOIZZ
failed memories, the 4th selection
doras flame
“In these images I apply the notion or phenomenon of „ lack of time”. When I started to develop the ‘Failed memories’ series, my intention was to examine and involve the notion of time as a factor into my images. To put it more simple, to visualise the factor and importance of time in the mechanisms of the memory, as without time there is no memory.”
localStyle (Marlena Novak & Jay Alan Yim) in collaboration with Malcolm MacIver
Scale
‘scale’ is an interspecies art project: an audience-interactive installation that involves nocturnal electric fish from the Amazon River Basin. Twelve different species of these fish comprise a choir whose sonified electrical fields provide the source tones for an immersive audiovisual environment. The fish are housed in individual tanks configured in a custom-built sculptural arc of aluminum frames placed around a central podium. The electrical field from each fish is translated into sound, and is thus heard — unprocessed or with digital effects added, with immediate control over volume via a touchscreen panel — through a 12-channel surround sound system, and with LED arrays under each tank for visual feedback. All software is custom-designed. Audience members interact as deejays with the system. Amongst the goals of the project is our desire to foster wider public awareness of these remarkable creatures, their importance to the field of neurological research, and the fragility of their native ecosystem.The project leaders comprise visual/conceptual artist Marlena Novak, composer/sound designer Jay Alan Yim, and neural engineer Malcolm MacIver. MacIver’s research focuses on sensory processing and locomotion in electric fish and translating this research into bio-inspired technologies for sensing and underwater propulsion through advanced fish robots. Novak and Yim, collaborating as ‘localStyle’, make intermedia works that explore perceptual themes, addressing both physical and psychological thresholds in the context of behavior, society/politics, and aesthetics.
JEREMY SHAW
Verso Il Riconoscimento Universale
“Shaw presenta Towards Universal Pattern Recognition, una serie di fotografie d’archivio incorniciate sotto acrilico prismatico lavorato su misura. Le opere, che lui chiama sculture ottiche, raffigurano persone in stati trascendenti a cui si accede attraverso la preghiera, la danza, lo yoga e simili. Fungono da anteprima per i video, che vengono proiettati in spazi meticolosamente costruiti, ciascuno con otto sedie da ufficio che si affacciano su un unico schermo “. Diana Hiebert
TERENCE KOH
Crackhead
DAVID LYNCH
Дэвид Линч
ديفيد لينش
大卫·林奇
デビッドリンチ
데이비드 린치
I know
I know, I know,
.., she stopped to sing,
Since I went and did that thing,
I know, I know,
…loved you.
I know, you can’t …,
Sing and come baby, …playing the game
Sing and come at me
No way you can stay,
I know, I know, I know,
I, I, I know.
Don’t have to tell me baby,
See.. on the road now,
You’re gonna live my side,
But I will remember you baby,
Each and every midnight,
Don’t have to tell me
…let me go,
I, mmmm, see you so alone,
Annnd I, I see you go.
.. loud girl,
.., please stop to sing,
Since I went and did that thing,
I know, I know
Please let me go
Erick Swenson
Muncie
