highlike

Nohlab

In-line
Nohlab’s audiovisual installation in-line was inspired by the natural phenomenon of horizon, and used a total of 21 LED panels, reflective surfaces on two ends, hazer and a quadraphonic sound system to turn the limited area into a limitless space and present an everchanging time-space experience […]The installation takes its form not only from the content, but also from the space it is exhibited. Its audio and video elements are especially designed for a holistic perception of sound and visuals, letting the audience live a synesthetic experience. This way, the audience steps into a different reality than the one they are already in.

satoru sugihara

A(g)ntense gallery installation
ATLV is a computational design firm based in los angeles, california. Founded by satoru sugihara, the studio pushes the boundaries of practice and research in contemporary architecture and spatial design. Through integration of technological innovations, design problems can be approached with many different perspectives. Using tailored software tools, ATLV is able to employ algorithms alongside electronic hardware and robotics to seek broader ideas of design, fabrication, and process.

ABSALON

cell No. 1
ABSALONは、体系的かつ連続的な方法でスペースに取り組んでいます。人間の本質的な活動や、長方形、正方形、三角形、円などの基本的な形を出発点として、遭遇した空間を空にしてから、単純な形で再構築して補充することから始めます。これらのテストアセンブリは、後でオブジェクト、ドローイング、写真、フィルムを使用してさらに開発され、アーティスト自身の体の測定に基づいて熟考するための個別の禁欲的な生活ユニットであるABSALONのセルルで完全に一周します。厳密に幾何学的な形の語彙に還元されたこれらの作品は、ユートピア的なアイデアをほのめかすことなく、絶対的な抽象化の感覚を伝えます。代わりに、彼らは、アブサロンが彼の身体的存在を社会のコーパスと対峙させるために6つの大都市に公に配置することを計画していた異所性の空間を開きます。彼らは社会生活のために作られました。」 (アブサロン)

Patrick Jouin

solid chair
Der Solid C2 Stuhl von Patrick Jouin ist ein Highlight in der wachsenden Gruppe digital gestalteter und produzierter Werke des Museums. Wir sind unseren Mitgliedern zutiefst dankbar, dass sie diese Akquisition ermöglicht haben. Der Stuhl wurde nach einem Verfahren namens Stereolithographie hergestellt, einer Art 3D-Druck, bei dem ein computergesteuerter Laser ein lichtempfindliches Epoxidharz bei Kontakt erwärmt und verfestigt. Dieser Prozess erstellt eine Form, Schicht für Schicht, um ein einzelnes vollständiges Objekt zu erstellen. Dieses Verfahren unterscheidet sich stark von herkömmlichen handwerklichen oder herkömmlichen Massenproduktionsverfahren wie Zusammenbau, Schnitzen und Formen.

JAMES HOPKINS

جيمس هوبكنز
詹姆斯·霍普金斯
ジェームズ·ホプキンス
제임스 홉킨스
ДЖЕЙМС ХОПКИНС

DAMIÁN ORTEGA

داميان أورتيغا
达米安·奥尔特加
דמיאן אורטגה
ダミアン·オルテガ
데미안 오르테가
ДАМИАН ОРТЕГА
120 Days

Studio Nucleo

CARBONIFEROUS table

Carboniferous is a table that cuts through space, definite and strong.Its many layers of black surface together create a shape, a crystallization of a quick movement, crushing, leading the eye towards the future.The honeycomb cardboard, covered with fiber glass and resin is finished off with layers of carbon fiber.The carbon fiber composes and traces the design, the movement into its unique strength.
In Carboniferous you get the feeling that the top surface does not necessarily represent the ideal landing platform.On another perspective the landing surface generates the powerful and matherical base.
Carboniferous is flowing and exploding, like an aggressive wind with a clear direction.As the earth below, coal is extracted into a new form, the result of sediment build-up of plants,
and also the secrecy and conspiracy of the Carbonari, from underground and from the depth of their hiding places,which emerges a few decades later into the tricolore (the three colours of the Italian flag).
Coal, a dense network of plant remains, and Italy, a mix of cultures and different latitudes.Italian amalgam of different origins, Italy particle edges, Italy multiform, Italy tangle of angles,Italy blunt, concave and convex, Italy Alpine wedge, Italy coal.Sediment of a combustion that melted and transfigured particles.

TIM WALKER

تيم ووكر
蒂姆·沃克
טים ווקר
ティム·ウォーカー
팀 워커
cess tilda swinton

hanneke wetzer

Criterion
Criterion is a growing collection of photographs that reflecton different cultures with their own primary criterion of beauty.

Tigre Lab

Colors Conversations
“Color Conversations” es un estudio sobre nuestra respuesta visual a campos uniformes de color que cambian gradualmente con el tiempo. La pieza explora la sensación de inmersión y la sensación de perder la noción del tiempo y el espacio a través de sensaciones cromáticas puras.

Richard Deacon

理查德•迪肯
ריצ’רד דיקון
リチャード·ディーコン
РИЧАРД ДИКОН

MICHAEL NAJJAR

史上第一位進入太空的藝術家
Bionic Angel

The work series “bionic angel takes as its starting point the future transformation and technological control of human evolution. Rapid development in the field of so-called “g-r-i-n techno-logies” (genetics, robotics, information and nano-techno- logies) are changing our bodies, minds, memories, and identities, but also impact on our progeny. These technologies all converge with the aim of enhancing human performance. Prenatal genetic determination enables children to be built to plan.

CHIEH SHIH

Laser suit
taiwanese designer wei-chieh shih created this laser suit using 200 laser diodes attached to a special jacket he designed. the small laser diodes are attached to a nylon jacket that covers the wearer’s upper torso. the red lasers point out in all directions following the body’s curvature. the costume looks like a spiky design in daylight and transforms into a series are bright straight red laser beams when the lights are turned down. the final jacket design is the most finished piece, but wei-chieh shih also created a series of samples.

Anouk Wipprecht

Faraday dress

While the odds of you getting hit by lightning is approximately one to one octillion, Dutch designer Anouk Wipprecht and music performance group Arcattack have created a wearable a metal dress that discharges one million volts of electricity. Part futuristic, part anime-meets-high fashion, the dress comprises metal plates, 600 rings of chain mail, 3D ‘plasma ball’ mounts on the shoulders and a spiked helmet with a grille on the front.

CINDY SHERMAN

سيندي شيرمان
辛迪·舍曼
סינדי שרמן
シンディ·シャーマン
신디 셔먼
Синди Шерман

Robert Morris

Glass Labyrinth
“Setting up a maze with invisible walls may not seem like a challenge, but Morris’s creation harkens to ancient archetypes, while acting as a commentary on modernism and its reliance upon glass. Additionally, glass’s inherent reflections, refractions and other qualities promise to be as confusing to visitors as solid walls.” John Hill
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