ВИВИАН САССЕН
ויויאן סאסן
ヴィヴィアンサッセン
维维安·萨森
It’s My Turn
KINEE DIOUF

Die Puppe

ВАН КВИНСОН
王庆松
Gallery

Corner Entrance

精美雕塑艺术 非常设计师网
The work of Laurent Craste lies at the crossroads of two mediums, participating in the world of visual arts, but never stepping beyond its borders. Ceramics, linked by tradition to crafts, requires a technical knowledge and know-how so restrictive that artists are prompted to remain within canonical forms, never pushing their limits. Video art, the recent avatar of the moving image, does not always acknowledge its main ancestor, cinema. The innovative aspect of this work is the combination of the two mediums with the addition of humorous or dramatic short stories, encompassing an autobiographical element that never descends to self-righteousness.

شفرة عداء
“银翼杀手”
בלייד ראנר
ブレードランナー
블레이드 러너
Бегущий по лезвию бритвы
cinema

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Kepler was right bike

Ларс ван де Гоор

via highlike submit

Les 7 pêchés capitaux

launch failure

Nervous Structure
File Festival

駕籠 真太郎
신타로 카고
Синтаро Каго

June Orbs
“六月球兒 June Orbs”是一複合光結構的audiovisual裝置與表演。取雷射強烈極端的光，與投影相對柔和且具畫面感的特性，表現光的結構與解構，鏈結聲音頻率的數位音像球體雕塑為主要概念。為了紀念六月在台東泰源國小畢業典禮首演而得名。準備這個首演的過程是一則單純美好的創作旅程。數位藝術因其聲光電之表現特性，總予人冰冷與距離的印象。創作者期待藉由聲音與文字置入情感元素，為邏輯與簡約的視覺感官增添些許人味與暖度

КАТАРИНА ФРИЧ
卡塔琳娜弗里奇
קתרינה פריטש
カタリーナフリッチュ

Metapixels
PROTOROOM es un colectivo de metamedia que trabaja con kits basados ​​en medios tecnológicos (KITs). Aquí, el kit es un meta-medio que conduce al sentido y al pensamiento, y se convierte en un mediador que hace posible conectar el pensamiento y el discurso sobre la tecnología que es parte del ecosistema, junto con la oportunidad de sentir directamente los elementos fundamentales de la informática. medios de comunicación. Bajo la temática de este, continúa su serie de trabajos para desentrañar a través de exposiciones y talleres. Hunida Kim y Kim Seung-beom han estado activos desde 2014. Recientemente, en el formato de Exposición X Taller, participé en exposiciones especiales en el Centro de Intercomunicación NTT [ICC] Media Art as an Awareness Filer y Nam June Paik Art Center “Our Bright Future – Cybernetics Illusion” en Japón en 2016.

Samurai Chair

PARADISE – A contemporary interpretation of The Garden of Earthly Delights

Lo Studio Smack, meglio conosciuto per il video musicale Witch Doctor di De Staat, ha rilasciato una nuova animazione: un’interpretazione contemporanea di uno dei dipinti più famosi del primo maestro olandese Hieronymus Bosch, The Garden of Earthly Delights. Nel loro ultimo lavoro, il gruppo ha ripulito il paesaggio originale del pannello centrale del dipinto di Bosch e lo ha ricostruito in un’allucinante animazione 4K. Le creature che popolano questo parco giochi al coperto incarnano gli eccessi e i desideri della civiltà occidentale del XXI secolo. Consumismo, egoismo, evasione, richiamo dell’erotismo, vanità e decadenza. Tutti i personaggi sono metafore per la nostra società in cui i solitari sciamano nel loro mondo dei sogni digitale. Sono riflessi simbolici dell’ego e dell’immaginazione delle persone come si vedono, a differenza della versione di Bosch, in cui tutti gli individui sembrano più o meno uguali. Da un Hello Kitty arrapato a un serpente del pene che caccia alla coca Da uno spybot incarnato a polli fritti senza testa. Questi personaggi, una volta figure di sogno dipinte con precisione, sono ora modelli 3D creati digitalmente. A tutti loro è stato dato il proprio ciclo di animazione per vagare nel paesaggio. Inserendoli tutti insieme in questo affresco sintetico, il quadro non è mai lo stesso. Ciò che l’animazione e il trittico di Bosch hanno in comune è che difficilmente riuscirai a sopportare tutto, puoi guardarlo per ore. “Paradise” è stato commissionato dal Museo MOTI nei Paesi Bassi per la mostra New Delights, che fa parte del 500 ° anniversario di Hieronymus Bosch. Una gigantesca installazione video di quest’opera è esposta nel Museo fino al 31 dicembre 2016.

afghan hound

下一个建筑师
האדריכלים הבא

Goya’s Ghosts
cinema

To make a time
“To make time” deals with the passage of time, not just as a symbol or an idea, but as a subjective experience; I need to find time to make time. Making times takes time.

Адам Нит

Dimensionale Abtastung
Dimensionale Abtastung ist ein digitales Projekt für zeitgenössische Kunst, das 2019 von Cao Yuxi Studio gestartet wurde. Das Kernkonzept des Projekts basiert auf dem digitalen Totem des Totems der Ära, das durch den QR-Code-Bildstil dargestellt wird, und untersucht das digitale weiter Zeitalter der neuen Ära. Diese Installation der AudioVisual-Version ist ein Gemeinschaftsprojekt, das mit dem in Hongkong ansässigen Klangkünstler Lawrence Lau erstellt wurde.

WiFi Radiation

UNIVERSE SQUARE

Nevel

Viridarium / Bioréacteur de spiruline
Gaspard and Sandra Bebie-Valérian will present Viridis. Viridis is a global project that relies on different modules, the main being an online video game, immersive, plus an installation made of spirulina bioreactors and a set of videos and sounds. While Viridis is mainly available on the internet, the two artists, at this occasion, will present it out of the screen, they will deploy and spread it in several modules.
Viridis is a unique game experience combining adventure, survival, and an actual operating spirulina community management. Through the video game, the community can directly affect and interact with a real operating spirulina farm, managed by the artists.

Dark Stuff

After her studies on VŠVU in Bratislava, Markéta Martišková has moved to Antwerp, Belgium, to start studying on the Academy of Art. Nowadays, Antwerps areher second home and mainly big source of inspiration for her ideas and work. As a designer, Marketa likes to communicate through symbols, typography and print and likes to discover and use new techniques. A certain joke accompanies the topic of each collection and is largely based on Marketa’s fantasies.

إليانور انتين
埃莉诺安廷
אלינור אנטין
Helen’s Odyssey

إريك جوهانسون
에릭 요한슨
אריק ג’והנסון
エリックヨハンソン

netBody: Cuerpo aumentado y cuerpo virtual II
En “netBody: Augmented Body and Virtual Body II” conectamos el mundo real con la realidad online de Second Life a nivel físico: los movimientos corporales de una persona en el mundo real controlan un avatar en Second Life, mientras que los movimientos de un avatar controlar a una persona para liderar. Un avatar de Second Life se convierte en un medio de conectar físicamente al individuo con la sociedad. Esto podría permitir que personas de todo el mundo con el hardware adecuado se comuniquen entre sí a través de Internet. Jugamos con nuestra percepción del cuerpo de un individuo como su identidad.

ديفيد كروننبرغ
大卫·柯南伯格
데이비드 크로넨버그
דיוויד קרוננברג
デビッド·クローネンバーグ
Дэвид Кроненберг
eXistenZ
Soundtrack by Howard Shore

The Cloud Making Factory

彭咸丰的彩虹和泡泡云指向一种非物质的，短暂的美学：固体可以扩散到液体，空气，光，波和能量场中。 这些是临时雕塑。 在令人愉悦的雕塑的背后，存在着禅宗和诗意的精神哲学，具有戏剧性和戏剧性的表现形式。

Coincidence Engines: Universal People’s Republic Time

大卫·阿尔特米德
Untitled 7

Sonotubes II

Teshima Art Museum

UnBoxing the Infinite

WOW Studio by D2D

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – LED SHOW
Electronic Language International Festival

UnBoxing the Infinite – Egypt

The work explores the intersection between reality and hyperreality. As a dancer traverses confined spaces, discovers portals, and creates magical worlds with the audience. Using dynamic motion tracking and live visuals, the performance inspires transformation, creativity, and self-liberation, breaking down boundaries of perception.

BIO

Elena Kauffmann is the founder and creative director of WOW Studio (Egypt), focused on media arts, XR, and AI. She created WOW Zone, an experimental space powered by immersive technologies, and is a co-founder of VR developer UBR. She works as a creative producer, immersive experience designer, and art director. Carolina Assis is a Colombian contemporary dancer based in Egypt. Amr Ali is one of WOW Studio’s lead tech artists.