SOFIAN AUDRY, STEPHEN KELLY AND SAMUEL ST-AUBIN
Vessels Nocturne Halifax
JKMM
Amos Rex Museum
Amos Rex rethinks the urban park as part of our museum experience. Its structure is built with large concrete domes. This principle is very functional for museum use: it allows long column-free spans and flexible exhibition spaces. The domes contain skylights that introduce natural light into the galleries below as well as carefully selected views of life above. At street level, a new urban square has been created with a unique identity. The domes form an undulating landscape for people to enjoy, especially children. The Lasipalatsi building was restored respecting its valuable 1930´s Functionalist era interiors and details.
geoffrey mann
Cross-fire cutlery detail
The focus of the Past, Present & Future Craft practice commission was to examine the intangible characteristic of the spoken word and investigate the unseen affect of sound upon its inhabited environment.The project centralizes around the context of a domestic argument. In this case the event samples an audio excerpt from the 1999 Sam Mendes Film ‘American Beauty’. The slow building dialogue between the three central characters family dinner climaxes with a sound clash of emotions. The cross-fire of the argument traverses the dinning table but where previously the inanimate everyday objects such as plates, cutlery, teapot etc were unable to express their character, the intensity of the conversation deforms their once static existence into objects of unseen familiarity.The presented sound artifacts each encapsulate a momentary emotion of the argument.
ROBERT STADLER
light installation at St. Paul
The first image in this post is from a work – the most interesting – by Nuit Blanche. Robert Stadler’s installation in the Saint-Paul Saint-Louis Church. Upon entering the church, through a side door, the public sees only large luminous spheres, which appear to be randomly arranged. When going to the center of the church, however, the spheres form a big question mark on the altar.
EMMANUEL RUFFO
Asian Hat
via highlike submit
QUBIT AI: Dennis Schöneberg
Transparency
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Dennis Schöneberg – Transparenza – Germany
Music controls camera settings, the weight of prompts, and the creativity of the AI. The objective of the project is to create a symbiosis between music and images, in which both elements complement and enhance each other. By directly linking musical parameters to AI creative processes, a unique audiovisual experience is created.
Bio
Dennis Schöneberg, German AI artist, data science student and developer of open source AI models, integrates his passion for electronic music into his creative endeavors. Merging art with technology, he explores the synergy between creativity and artificial intelligence.
Credits
Music: Transparenza by Michael Mayer & Reinhard Voigt
LI HONGBO
لى هونغبو
李洪波
ЛИ ХУНБО
Statues in Motion
Скульптуры художника Ли Хунбо (Li Hongbo) состоят из тысячи слоев мягкой бумаги, хотя кажется, будто они из гипса. Объекты очень эластичны, их можно растягивать в разные стороны. Вдохновением для такого направления стали традиционные китайские игрушки и декоративные изделия из бумаги.
Ruth Jarman and Joe Gerhardt
Cosmos
Cosmos is a two metre spherical wooden sculpture that has been formed from scientific data made tangible. Interested in the divide between how science represents the physical world and how we experience it, Semiconductor have taken scientific data as being a representation of nature and are exploring how we can physically relate to it.
SUN K. KWAK
tapeart
Philippe Malouin
The Speed Of Light
Лондонский дизайнер Philippe Malouin представил арт-инсталляцию в одном из районов Майами, в рамках которой он создает уникальную установку для рождественского сезона. Получивший название «Speed of light», что можно перевести с английского как «скорость света», проект задуман, как произведение, которое могло бы охватить всех зрителей и каким-то образом взаимодействовать с ними. Установка представляет из себя шаровидную светодиодную лампу, которая передвигается по рельсам через пешеходную зону района.
PETER WILLIAM HOLDEN
arabesque
FILE FESTIVAL
“My recent investigations of this theme have involved the usage of computers combined with mechanical elements to create mandala like installations. These installations are my medium and I use them to create ephemeral animations. This ephemeral choreography of movement is the focal point of my work”.
Ingo Vetter & Magdalena Frey
Questa vedetta orizzontale è installata in modo permanente su una collina alla periferia di Mistelbach, una città di ca. un’ora a nord di Vienna, Austria. L’ex torre di una centrale eolica, lunga 24 m, è stata trasformata in un tubo walk-in, offrendo nuove prospettive sul paesaggio circostante il cosiddetto “Weinviertel”. All’interno, l’artista locale Magdalena Frey ha installato una serie di collage di foto per completare le viste attraverso i ritagli.
Superflex
One Two Three Swing!
One Two Three Swing! challenges society’s apathy towards the political, environmental and economic crises of our age. The installation is experienced in three states: apathy, production and movement. The state of apathy compromises a large pendulum suspended by a 20 metre cable from ceiling and swinging above a 770 square metre carpet in a colour scheme inspired by British currency. Occupying the far end of the hall is the state of production, a factory station where swing seats are assembled, stamped and stored prior to distribution and use. Emerging from the state of production, an orange line formed of sets of interconnected, three-seated swings invite and frame the movements of users.
Mikko Kuorinki
Mystery
Tinguely
Méta-Matics
“Meta-matic drawings vary enormously, entirely according to how the machine is set up and used. No two drawings are ever completely identical. How close the felt-pen, or whatever is being used, is fixed to the paper, is an important factor, but the fluidity or otherwise of of the coloring agent, or the texture of the paper, will also play a part. The operator can use pencil, ballpoint, airmail stamps, invisible ink . . . The decisive thing is how long the machine is allowed to run without interference, and how long with each separate colour. But however it is set up, it is impossible for the machine to produce an ugly drawing”. Hultén
