Goose Egg Ring

BEZ TYTULU

Voici une série d’illustrations réalisée par l’artiste russe Evgeny Kazantsev pour le calendrier annuel de la compagnie d’assurance Gefest en collaboration avec l’agence Burjui, Bang! Bang!. L’idée : montrer comment les lieux réels et des objets de notre temps vont se développer et s’intégrer dans le futur.

Le Sexe Rouge

パラメトリック表現
定量化された感情を探求する一連のアンビエントビデオループ。

Knitted
After his organic digital sculptures, Swedish graphic designer and director Jon Noorlander comes back with a similar series titled Knitted. Still digitally, thanks to 3D modelisation softwares like Houdini et Nuke, he imagined abstract, free and organic shapes that make us think of wool threads, playing with different colors gradations.

Infinite Cityscapes
Sack’s work explores architecture as a flexible medium capable of expressing the unique space between realism and abstraction; where interpretation and our ability to create meaning is in flux. Within this space, Sack, furnished with pen and ink, encapsulates both the infinite and infinitesimal. His work invites the eye to explore drawings of the “big picture,” to gaze into a kaleidoscope of histories and to look further into the elemental world of lines and dots.

LightForm

turbulance

Карлом Кляйнером
Anything can fly

Polynating

Retrato do artista como ele (não) será
Essas esculturas têm impressionado inúmeros visitantes que olham nos olhos das esculturas, acreditando que a qualquer momento elas piscarão, ganhando vida. Essas obras fazem parte de uma série que projeta essas questões de realidade, percepção e identidade não apenas para o futuro imaginado do artista, mas também para o passado. Penny está fascinado com nossa compreensão moderna da fotografia, não apenas como um meio de capturar o “real”, mas como um meio primário para nos imaginarmos e nos definirmos.

Untitled Fashion Show

ヤノベケンジ
mythos

This exhibition place used to be an electric power plant. Yanobe will transform this abandoned building into the “future” place by creating a story and put it as an installation. In the “discharge” part, Yanobe set up a Tesla coil, which will generate an artificial thunderstorm and expressed as if the electric power plant revives.

Tangible Data
Tangible Data esplora e si infiltra in una comunità online che sviluppa un mercato dell’arte “virtuale” per un pubblico affamato di criptovalute. Una serie di loop animati, creati e monetizzati dall’artista per soddisfare le richieste e il consumo di questa comunità, forniscono la base per il progetto più ampio, che si estende su diverse piattaforme web. In questo nuovo mercato della criptoarte, tutto sembra pronto per l’universo virtuale che mostra paradossalmente caratteristiche inerenti al mondo materiale. Mentre Internet favorisce la condivisione accelerata e i contenuti ad accesso aperto, questa comunità soggetta alla tecnologia blockchain rarefa l’immateriale per consentire ai collezionisti di rivendicare i diritti sulle opere d’arte. Questo ha l’effetto insidioso di affermare il valore monetario delle opere d’arte immateriali basate sul web. Eppure, questo lascia spazio anche a una trasparenza senza precedenti riguardo alle transazioni effettuate in questo mercato.

CENTIPEDE SUN

Symbol of isolation, doubled by the sublime landscape and the complex spiritual background, the Altiplano region in Chile is the main character in the film. It represents a self-sufficient being, and the film is this being’s portrait. The illustrious landscape keeps traces of a dark past – hidden dangers and gloomy places add a layer of anxiety: the environment is injured. The human element appears briefly in the video: we see traces of human presence being erased by a devouring nature. By means of creating mental landscapes halfway between photographic research and experimental animation, this work depicts a dreamlike world, a vision hidden in a secret dimension of our reality.

reflection

Exploded Chair
This piece takes traditional conception of what a chair is, dismantles it, and places it in clear perspex containers. The maple-wood chair that sits loosely within its crystalline sarcophagus looks much like the archetypal kitchen seat. As the ‘Exploded Chair’ is moved, its wooden pieces rattle around inside their compartments. The piece is both familiar and disorienting, playful and disconcerting — a dichotomous piece on which to seat yourself.

Ֆեմկե Ագման
फेमके एग्मा
Фемке Агема
totem

Femke Agema هو أحد أكبر المصممين في Fashionclash. كان الكثير من الجمهور يضحكون بسبب الإبداعات المضحكة وغير العادية للغاية. مجموعتها هي طريقة فنية ، مع الكثير من مواد القصب. غالبًا ما تم تغطية الرأس والصدر بمواد كبيرة مثل قصب السكر أو الخشب أو الأقمشة. رأينا الألوان البني والبرتقالي والأبيض ، مع بعض القلائد الخشبية التي تشبه السلالم.

First Spaceship on Venus
Soft Rocket in Silver

Imagerie animiste
L’exposition présente aux visiteurs Duffy, l’artiste IA, avec une invitation à collaborer au sein de son studio Symbiotic. Cet espace immersif, rendu possible grâce à la projection mapping et à la technologie interactive, invite les invités à devenir l’égérie de l’IA. Alors que Duffy capture les mouvements générés par les visiteurs grâce à un suivi en temps réel, elle dessine des liens et des connexions, consultant une vaste collection de couleurs et d’images archétypales de la vie sur Terre. Le résultat est une série infinie d’œuvres d’art surprenantes – une interprétation artificielle de l’humanité et du monde naturel.

Illuminant White Gold

Terra Nova

ААКАША НИХАЛАНИ

フセイン·チャラヤン
Чалаян
후세인 샬 라얀

dreamspace

MOONLAND
The gravitational pull of the Moon creates tides in the Earth’s oceans and distorts the Earth’s crust. It was instrumental in the evolutionary journey of life from the sea to the land. The reproductive cycles of many flora and fauna still follow the rhythms of the Moon.

she lies

デビッドシュリグレー

Mongo Army

فيونا بانر
菲奥娜横幅
피오나 배너
פיונה באנר
フィオナ・バナー
Фиона Баннер

Индекс фазового сдвига был создан как повествовательное предвидение будущего социального развития и выдумки возможных будущих сценариев развития человечества в постчеловеческую эпоху. Визуальный материал семиканальной кино-, звуковой и световой инсталляции Шоу снял в эстетике прошлых технологий звукозаписи. Люди из разных эпох танцуют, выполняют ритуальные и катарсические движения, пока синхронный взрыв цвета и звука не вызовет прорыв в неожиданную цифровую трансформацию, синхронизируя все в параллельное переживание реальности. Создается ощущение приостановки времени.

Shifting Dress Code

Air Traffic

吉尔伯特加尔辛
Гилберт Гарцин

timelapse/(Mnemosyne)

With his newest creation David Dawson marked his return to the Dutch National Ballet. Here, Dawson reflects upon the legends from Greek Mythology and the ideas of Memory. Each passing scene weaves a magical journey back in time, exploring the ideas that lay within these stories and questions their continued value and meaning to our modern day psyche. With an original new score specially commissioned from Scanner, set design and projection by artist Eno Henze, and also with long term collaborators, light designer Bert Dalhuysen and costume designer Yumiko Takeshima.

Electrical Walks

Christina Kubisch was born in Bremen in 1948. She studied painting, music (flute and composition) and electronics in Hamburg, Graz, Zürich and Milano, where she graduated. Performances, concerts and works with video in the seventies, subsequently sound installations, sound sculptures and work with ultraviolet light. Her compositions are mostly electroacoustic, but she has written for ensembles as well. Since 2003 she works again as a perfomer and collaborates with various musicians and dancers.

Игоря Морски

Rosas

ロサスは、振付師でダンサーのアンヌテレサデケアスメーカーを中心に構築されたダンスアンサンブルとプロダクションの構造です。彼女は1982年にデビューしたFase、スティーブ・ライヒの音楽への4つの動きで、すぐに国際的なダンスシーンの注目を集めました。過去27年間、彼女はダンスカンパニーとともに、印象的な一連の振り付け作品を作成してきました。ロサスのダンスは、時間と空間の動きを伴う純粋な文章です。その中心にあるのは、動きと音楽の関係です。いくつかの作品では、ダンスとテキストの関係も調べられます。 （続きを読む） ロサスは、ダンサーの恒久的なアンサンブルを持つ数少ない会社の1つです。 Anne Teresa De Keersmaekerは、プロジェクト指向を超越した組織モデルを決定的に選択し、個々のダンサーとの集中的な作業を継続できるようにしました。同社の主要な作品では、アンサンブル全体がステージに登場します。さらに、DeKeersmaeker自身が踊る小規模な作品もあります。ロサスは、新しい作品を制作する一方で、30年の期間をカバーする蓄積されたレパートリーも実行し続けます。このようにして、独自の芸術的過去を新世代のダンサーや観客に引き継ぐことができます。