HSIEHYUCHENG
via highlike submit
Jan Nikolai Nelles and Nora Al-Badri
Imagens 3D do Busto de Nefertiti
Anos atrás, um escandaloso “roubo de arte” no Neues Museum em Berlim – envolvendo digitalizações 3D do busto de Nefertiti feitas ilegalmente – acabou sendo um tipo diferente de crime. Os dois artistas egípcios que divulgaram os scans alegaram que fizeram as imagens com um “sensor Kinect hackeado”, relata Annalee Newitz da Ars Technica. Mas o artista digital e designer Cosmo Wenman descobriu que esses eram scans feitos pelo próprio Neues Museum, que haviam sido roubados pelos artistas ou talvez por um funcionário do museu.
TERRY HAGGERTY
British-born artist Terry Haggerty, who currently lives and works in Berlin, is known for his paintings that express the formalist vocabulary of abstraction in a new way. Light-colored stripes alternate with darker ones to form regular, often horizontal arrangements, which also have a pattern like quality due to their dense structure. The special thing about them is, that Haggerty breaks this linear formation at the edges of the painting by bending the lines in a different direction as the boundaries of the painting would support. His method transforms the structure of the painting into a illusory perception of three-dimensionality within the image. The surface seems to continue beyond+the+boundaries of the picture and reflects the illusion of a third dimension back onto the pictorial motif.
Marie Kølbæk Iversen
Nine Bats
The abstract and colorful patterns of Kølbæk Iversen suck our bodies and envelop us in total installations that deal with the body, corporeality and phenomena such as phantom pain. The works store poetic and existential narratives of what it means to be human.
Jonathan Vivacqua
the flat perimetrali
QUBIT AI: Luigi Novellino (aka PintoCreation)
Brain Entity
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Luigi Novellino (aka PintoCreation) – Brain Entity – Italy
In a laboratory, a brain-like organism grows rapidly, integrating with technology and evolving into a giant entity that manipulates objects with its mind. He hypnotizes the city, absorbing energy and creating patterns. Efforts to stop him fail, signaling a battle to understand existence. This symbolizes a new era of coexistence, urging us to embrace interconnectivity and navigate a more integrated world.
Bio
Fascinated by the limitless domain of AI, Luigi Novellino adopts the title syntographer, a term that resonates deeply within the community. The artist often asks himself: “am I an artist?” Art, in his view, defies rigid definitions or limits; it represents a fluid expression of creativity that transcends labels. The artist’s ultimate goal is to awaken something in the viewer, provoking thoughts and evoking emotions.
Credits
Music: Odyssey by John Tasoulas
PHILIP GLASS
فيليب الزجاج
菲利普·格拉斯
פיליפ גלאס
フィリップ·グラス
필립 글래스
Филип Гласс
Einstein On The Beach
ROBERT WILSON
Portrait Trilogy:Einstein; Akhnaten; Gandhi
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Einstein on the Beach is an opera in four acts (framed and connected by five “knee plays” or intermezzos), scored by Philip Glass and directed by theatrical producer Robert Wilson. The opera eschews traditional narrative in favor of a formalist approach based on structured spaces laid out by Wilson in a series of storyboards. The music was written “in the spring, summer and fall of 1975.”Glass recounts the collaborative process: “I put [Wilson’s notebook of sketches] on the piano and composed each section like a portrait of the drawing before me. The score was begun in the spring of 1975 and completed by the following November, and those drawings were before me all the time.”
full opera
Glosopeda
Glosopeda
Barbara Lanzarote, Rachel Lamot, Kim Rosario
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The Ontology that Never Was
Glosopeda herontdekt het verleden vanuit een neotoekomstig perspectief. The Ontology that Never Was herschept een archeologische context in zijn natuurlijke omgeving waarin wordt ingegrepen door digitale materialisatie, en doet denken aan de visie van Gavin Lucas op de materiële wereld als een archief van het proces van (de)materialisatie: de spanning tussen de krachten van het verzamelen van materialen en artefacten en de tegengestelde kracht van verspreiding. De ontologie van de objecten versus de verspreiding, uitwissing en verplaatsing van hun oorspronkelijke setting.
JOACHIM SMETSCHKA
Instant
FILE FESTIVAL
Ronan & Erwan Bouroullec
ロナン＆エルワン·ブルレック
РОНАН И ЭРВАН БУРУЛЛЕК
БУРУЛЛЕК БРАТЬЯ
The Gabriel Chandelier
“We thought that in the final analysis it was not perhaps necessary to give a delineated form to this piece of lighting but rather to try to arrange it so that the form naturally found its line from gravity[…] Because it is effectively the number of pieces of crystal which make it up, the weight and the length determine this form rather than a curve which we would have drawn.”
DAMIEN JALET
OMPHALOS
In ancient Greek Omphalos means navel as in navel or center of the world. Jalet’s creation examines the question of origins. The choreographer reflects on the human predicament and life in the cosmos, a recurrent theme in his work. For his first Latin American creation, Jalets brings together an ensemble of 20 dancers who perform to the music of Marihiko Hara et Ryūichi Sakamoto. This stunning performance makes light of gravity and instability, unfolding at the very edge of empty space. Exceptional event: the only performances in France as part of a world tour.
COMPAGNIE MARIE CHOUINARD
Мари Шуинар
BODY REMIX GOLDBERG VARIATIONS
Durante los primeros pasos de esta creación, los bailarines y yo trabajamos sobre las Goldberg Variations de Bach, tal y como las interpretó Glenn Gould en 1981, así como la voz del pianista, con sus cadencias orales durante una entrevista de radio dedicada a esta particular interpretación.
Emprendí el trabajo con una mezcla de los cuerpos de los bailarines, a través del uso de varios elementos de apoyo: muletas, picos, arneses, etc. Una barra de ballet fue trasformada en un material musical. Pedí también al compositor Louis Dufort que usara un “apoyo”, concretamente una interpretación de Gould y su voz, y a proponer variaciones sobre las Variations. Diez de las treinta variaciones, así como las dos Arias, fueron remezcladas o incluso recompuestas (1, 2, 4, 11, 15, 16, 21, 23, 25 and 29). Otras tres variaciones (5, 6 y 8) se ofrecerán en su versión original.
GILBERT GARCIN
吉尔伯特加尔辛
Гилберт Гарцин
ANN HAMILTON
アン·ハミルトン
앤 해밀턴
the event of a thread
Ann Hamilton is a visual artist internationally recognized for the sensory surrounds of her large-scale multi-media installations. Using time as process and material, her methods of making serve as an invocation of place, of collective voice, of communities past and of labor present. Noted for a dense accumulation of materials, her ephemeral environments create immersive experiences that poetically respond to the architectural presence and social history of their sites.
PRISCILLA SAADA
Coco
Julian Scordato
Constellations
File Festival
FILE HIPERSONICA
This work begins from the exploration of an imaginary celestial space which is translated into sound space. How does each celestial sphere – starting from its manifestation as a unit – interact with the cosmos where it belongs? How does it react to its law? How does it transform itself integrating with the system, until the loss of identity? In contrast to this process, the constellations act by highlighting the bodies in their uniqueness through the creation of symbolic links: beyond their meaning, they stand as a classification and articulation device of the individual within the system.
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Questo lavoro parte dall’esplorazione di uno spazio celeste immaginario che si traduce in spazio sonoro. In che modo ogni sfera celeste – a partire dalla sua manifestazione come unità – interagisce con il cosmo a cui appartiene? Come reagisce alla sua legge? Come si trasforma integrandosi con il sistema, fino alla perdita di identità? In contrasto con questo processo, le costellazioni agiscono mettendo in evidenza i corpi nella loro unicità attraverso la creazione di collegamenti simbolici: al di là del loro significato, si pongono come dispositivo di classificazione e articolazione dell’individuo all’interno del sistema.
HEEWON LEE
Infinito II
Esta instalação é a projeção da imagem de uma cachoeira cujo curso é invertido. Evocando a pintura tradicional asiática, esta instalação de HeeWon Lee é extremamente realista e quase sobrenatural. A tela se torna um espaço imersivo, mergulhando o espectador em uma contemplação absoluta. O apelo à meditação é tanto maior quanto Ulf Langheinrich (Granular Synthesis) veste a instalação com uma criação sonora à imagem desse fluxo ininterrupto.
RYOICHI KUROKAWA
黒川良一
Syn
2011 –
Audiovisual Concert
Diptych | 2.1ch sound
Duration: 30’00” – 45’00”
The Japanese artist Ryoichi Kurokawa has been a pioneer in audiovisual art in the past fifteen years, working with multiple media that bring together sound and image in a totally new language. Currently based in Berlin, Kurokawa continues to explore the symbiosis between technology and nature, order and chaos.Kurokawa stands as out as a new international reference in the field of digital art, a creator of trends and a pioneer in new aesthetics in artistic work.
KERRY SKARBAKKA
Shower
Liam Young & John Cale
Loop 60 Hz: Transmissions from the Drone Orchestra
A flock of autonomous DJI copters are programmed as aerial dancers and are mounted with specially engineered wireless speakers to broadcast the instruments of the band. Other copters are dressed in elaborate costumes to disguise their form and reflect light across the audience below. Against a score of original compositions and selected tracks from Cale’s seminal career this collaboration with Young imagines the possibilities of the drones as emerging cultural objects. If these technologies are no longer unseen objects overhead, or propelled along classified flight paths but brought into close and intimate relations with us then how might we see them differently. When their transmission fades, when the drones lose their signal and without their protocols for terror and surveillance, do they drop from the sky, do they fall in love or do the drones drift endlessly, forever on loop.
Jason Rhoades
贾森·罗兹
ジェイソン・ローデス
Джейсон Роудс
Chandelier
W. Scott Trimble
Divergent Paths
Sylvia Plimack Mangold
Six Inches Four Ways From The Rubber Stamp Portfolio
Petrina Hicks
Venus
Petrina Hicks utilises the seductive and glossy language of commercial photography to create artworks that probe at the false promise of perfection, exploring photography’s ability to both create and corrupt the process of seduction and consumption. Petrina Hicks has exhibited widely through solo and groups shows in Australia, Germany, Spain, France, Italy, USA, UK, Japan, China, Mexico and Brazil.
ALEX DA CORTE AND Borna Sammak
As Is Wet Hoagie
PHILIPPE DECOUFLE
フィリップ·ドゥクフレ
Филипп декуфле
octopus
Philippe Decouflé fundou sua companhia de dança – a DCA (Decouflé Compagnie des Arts) – em 1983. Influenciado pelas histórias em quadrinhos, pelo cinema e o circo, suas criações atraíram atenção imediata por conta da inovação e do humor. Coreógrafo, bailarino, clown e cineasta, Philippe Decouflé nasceu em 1961 em Paris, onde formou-se na Escola Nacional de Circo.
