Yann Nguema
Anato-me
Cette installation initie un cycle de recherche visant à augmenter ou détourner la notion d’écran par le biais de dispositifs additionnels transparents. L’image est ici constituée d’un masque gravé en 3D au laser dans 3 blocs de verre. Il est prolongé dans sa partie réelle par des impressions 3D. Une image interactive à l’arrière des blocs vient donner vie à l’ensemble. Le masque de Geisha fait référence au manga “Ghost in the Shell” de Shirow Masamune et à son adaptation en film réalisé en 2017 par Rupert Sanders.
FILE SÃO PAULO 2025: SYNTHETIKA – Seongmin Kim
Green Light
Seongmin Kim
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Cine SYN
Electronic Language International Festival
Green Light – South Korea
With the ecosystem destroyed after a nuclear war, Mari, a survivor, does everything she can to rebuild it. When she encounters a robot soldier in an abandoned city, everything changes.
BIO
Seongmin Kim is an animation film director. Born in South Korea, he studied 3D animation and earned a master’s degree in digital media. He has worked on several projects at VFX and animation companies in South Korea. Green Light was completed in 2016 with the support of KOCCA, and has won awards at numerous film festivals, both national and international.
CLAIRE MORGAN
Клер Морган
كلير مورجان
克莱尔·摩根
クレア·モーガン
클레어 모건
Strange Fruit
A primera vista, estos objetos parecen estar en movimiento. Objetos que dan la sensación de caerse como en el caso de la manta fresa. La escultura de Belfast, Claire Morgan utiliza objetos naturales como plumas, frutas y flores que deja suspendidos de hilos de nylon obteniendo sensaciones de ingravidez o de parada del tiempo.
Kimchi and chips
Halo
99 robotic mirrors continuously move throughout the day to follow the sun like sunflowers. These mirrors, arrayed across two 5 meter tall towers and one 15 meter long track, each emit a beam of sunlight into a cloud of water mist. The beams are computationally aligned so that together they draw a bright circle in the air. Dependent entirely on the presence of the sun for its completion, the work explores the possibilities and limitations of technology to capture what is out of reach, to harness nature and bring the sun down to earth. Collaborating with the natural fluctuations in the climate, Halo appears only for moments when the wind, sun, water, and technology coincide, creating a form which exists between the material and immaterial.
Adrià Julià
Marcus Spring Cottage
James Seawright
Dome
James Seawright, born in 1936 in Jackson, Mississippi, was for many years Director of Visual Arts at Princeton University.
Recognized as one of the foremost technological artists since the late 1960’s, his works are in the permanent collections of the Museum of Modern Art, the Whitney Museum and the Guggenheim Museum of New York, the Rose Art Museum at Brandeis University, the New Jersey State Museum at Trenton, and other museums throughout the world.
NABANA NO SATO
tunnel (the island of Nagashima in Kuwana)
olafur eliasson
オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
The unspeakable openness of things
The title of the exhibition, The unspeakable openness of things, is a phrase that philosopher Timothy Morton uses when describing art and it resonates strongly with the artist. Eliasson describes how “Art exists both in and beyond the realm of language. Before the form of an artwork emerges, there’s a not-quite-graspable feeling that flows into the artistic process – and that remains in the finished work as something that cannot be fully expressed. At the same time, the artwork is fundamentally open to visitors. It is ready to listen to them, and able to host their questions and experiences.”
Michael Burk
Keplers Traum
Keplers Traum ist eine ästhetische Untersuchung, die analoge Projektionstechnologie in Kombination mit rechnerisch erstellten Inhalten erforscht, die durch 3D-Druck eine physische Form erhalten. Inspiriert von veralteten Projektionstechnologien wie dem Overheadprojektor und insbesondere dem Scope wurde eine Installation entworfen, die einzigartige Bilder und ein faszinierendes Erlebnis erzeugt. Die Kombination von digitaler Ästhetik parametrische und generative Formen) mit den Qualitäten der analogen Projektion erzeugt eine jenseitige Erscheinung, die weder digital noch analog erscheint. Durch die Interaktion mit der Installation entsteht eine zutiefst immersive Wirkung, da die augenblickliche Reaktion der Projektion und die „unendliche Bildrate“ diese Fantasiewelt zum Leben erwecken.
QUBIT AI: Iskarioto Dystopian AI Films
Enter the World
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Iskarioto Dystopian AI Films – Enter the World – Spain
Enter the World is a visual experience with bright, vibrant colors in a retro sci-fi anime style, which transforms and evolves with the rhythm of the music.
Bio
Iskarioto Dystopian AI Films is an emerging Spanish artist, empowered with cutting-edge AI tools, a fusion of human creativity with machine potential. He is known as a visual alchemist, pixel manipulator, and graphic, dark, dystopian storyteller. Since its premiere in 2022, it has been shown in art galleries around the world, having won the Artistic Award at the AI Film Festival Montpellier 2023.
Credits
Music: Enter the World by NPM
tangible media group
transdock
Ken Nakagaki, Yingda (Roger) Liu, Chloe Nelson-Arzuaga, and Hiroshi Ishii
TRANS-DOCK is a docking system for pin-based shape displays that expand their interaction capabilities for both the output and input. By simply interchanging the transducer modules, composed of passive mechanical structures, to be docked on a shape display, users can selectively switch between different configurations including display sizes, resolutions, and even motion modalities such as rotation, bending, and inflation.
In our paper accepted to TEI 2020, we introduce a design space consisting of several mechanical elements and enabled interaction capabilities. Our proof-of-concept prototype explores the development of the docking system based on our previously developed 10 x 5 shape display, inFORCE. A number of transducer examples are shown to demonstrate the range of interactivity and application space achieved with the approach of TRANS-DOCK.
MITCH PAYNE
Visual Exploration of the Periodic Table
Apostolos Marios Mouzakopoulos, Pablo Marcet, Ashwini Mani, Akanksha Kargwal
Bio-Photovoltaic Paneling System
Max Enrich
Stabile
Playing with the narrow line between design and pure aesthetics, I focus on a constant search for bold and suggesting forms which can be used as a chair, as a table or as a sculpture.
Cajsa von Zeipel
Blind Man’s Bluff
Swedish artist Cajsa Von Zeipel’s BDSM-ish eight-foot-high sculptures Passing Through Kicking Legs and Blind-Man’s Bluff are neutered of being overtly sexual by being cast in all white. The figures’ nearly emaciated bodies are heavily influenced by the artist engaging in forced starvation prior to starting this body of work. more…
OODA
OPERA HOUSE IN BUSAN
L’opéra Auditorium a un concept de design pionnier et innovant. Il est aussi flexible et efficace qu’élégamment sculpté. La zone centrale peut tourner autour d’elle-même donc, dans le même espace, il est possible d’avoir un Opéra avec toutes ses exigences, mais aussi des concerts plus intimes et une salle de scène centrée permettant d’avoir un public tout autour.
AOIFE WULLUR
Aoife Wullur designs work that discusses technical transparency, authenticity, and human experience. Essentially, it is conceptual design with a technological touch. Wullur’s work takes a close look at our rapidly growing tendency to surround ourselves with all kinds of devices that we do not understand technically even though we use them on a daily basis. In response, she has created what she calls ‘Slow Electronics’, an approach that reflects on our behavior and shows the sensibility and beauty of technical transparency in design. For her SHADES OF LIGHT and LIGHT DIVIDER project, she has developed a new way of interweaving electronics and fabric.
Iwai Toshio and Nishibori Ty
Tenori-On
Media artist Toshio Iwai and and Yu Nishibori of the Music and Human Interface Group, Yamaha Center for Advanced Sound Technology, have collaborated to design a new digital musical instrument for the 21st+century, TENORI-ON. A 16×16 matrix of LED switches allows everyone to play music intuitively, creating a “visible music” interface. It consists of a hand-held screen with a grid of LED switches, any of which can be activated in a number of ways to create an evolving musical soundscape. The LED switches are held within a magnesium frame, which has two built-in speakers located on the top of frame, as well as a dial and buttons that control the type of sound and beats per minute produced.
BIAH WERTHER
result of drowning
via highlike submit
