“شبكة التدخل الغازية” هي سلسلة من عمليات التثبيت الشبكي للفنانة الألمانية إيرين أنتون في المواقع
حول العالم. تتكون كل قطعة من ما بين 100 و 150 زوجًا من الجوارب المعاد تدويرها والتي تم عقدها
معًا وترتيبها في خطوط وعقد مترابطة (حيث تخلق الكرات المحشوة داخل الجوارب الطويلة هذه المصابيح).
تشير التركيبات الخاصة بالموقع إلى الطبيعة المتعدية للعولمة وتدفق البيانات في المجتمع الصناعي الحديث. في حين أنه من الواضح أنه متصل بانتشار الإنترنت وشبكات الويب التي تم إنشاؤها عن طريق استخدامنا لمواقع وتطبيقات مختلفة ، إلا أن المشروع كان يتألف بشكل خاص من المنسوجات للإشارة إلى صناعة عالمية أخرى: صناعة الأزياء.
في نفس الوقت الذي ينخرط فيه الأفراد في دورات التسويق والاستهلاك ، كانت الشركات التي تقف وراء هذه الصناعة موضوع مخاوف واضحة فيما يتعلق بالمصانع المستغلة للعمال وحقوق العمال ، مما يمثل إلى أنطون الطرق التي يتم بها وضع العولمة في صراع مباشر مع المزيد من الاحتياجات البشرية “الطبيعية” وطرق العيش والعمل.

Paradis Artificiels
et nieuwe multiplex Cineum in Cannes, ontworpen door architect Rudy Ricciotti, presenteert de tentoonstelling *Artificial Paradises 2021 *van Miguel Chevalier, en biedt een reis naar het hart van een opnieuw uitgevonden kunstmatige natuur. Soloshow tot 31 januari 2022. Op basis van een proces dat eind jaren negentig is gestart en gebaseerd is op de observatie van het plantenrijk en de denkbeeldige omzetting ervan in een digitaal universum, heeft Miguel Chevalier verschillende herbaria gecreëerd waarmee hij virtuele tuinen kan creëren die te zien zijn in de tentoonstelling:

Architectural Constellation
To intensify the experience of visitors with the particular surrounding, X-Architects imagined “a constellation of architecture strategically placed on the vast terrain”. In fact, using the existing topography, the project puts in place dune shaped units, offering views of sabkhas. Moreover, other elements placed on the highest point of the site, grow vertically like the desert flower Cistanche Tubulosa and propose views towards the stars.

西尔维·弗勒里
실비 플러
סילבי פלרי
シルヴィ·フルーリー
СИЛЬВИ ФЛЕРИ
eternal wow with quartz

蒂姆·霍金森
ティム·ホーキンソン
تيم هاوكينسون
eureka

Atmospheric Wall

大气波浪墙，一个新的文化地标和芝加哥首个公共艺术装置，由全球知名艺术家奥拉维尔·埃利亚松 (Olafur Eliasson) 设计。突出显示在外部杰克逊大道。墙，原件是专门为威利斯大厦创作的。大气波浪墙提供了一种免费且易于访问的方式，可以在 Loop 体验户外世界一流的艺术。
.
Atmospheric wave wall, a new cultural landmark and the first public art installation in Chicago by globally acclaimed artist Olafur Eliasson. Prominently displayed on the exterior Jackson Blvd. wall, the original piece was created specifically for Willis Tower. Atmospheric wave wall provides a free and accessible way to experience world-class art outdoors in the Loop.
.
Стена с атмосферными волнами, новая культурная достопримечательность и первая инсталляция в Чикаго, созданная всемирно известным художником Олафуром Элиассоном. Заметно отображается на экстерьере Jackson Blvd. стена, оригинальная часть была создана специально для Уиллис Тауэр. Стена с атмосферными волнами – это бесплатный и доступный способ познакомиться с искусством мирового класса на открытом воздухе в Loop.

菅木志雄

Джеймсе Низаме
詹姆斯·尼扎姆
제임스 니잠

Optical Ripple

Turandot

In passato, quando Pechino fu conquistata …
Molte donne, inclusa l’imperatrice, furono violentate
Nel 2070, Pechino è la capitale dell’Impero Globale,
dove la principessa Turandot ha stabilito un radicale,
matriarcato tecno-femminista …

Suburban Intervention

“Rappresento gli otto simboli planetari sacri e arcaici in modo semplificato, usando artefatti umani moderni per decostruire il significato dei pianeti solari per la civiltà umana nel suo insieme, esaminando il significato del cosmo attraverso la mia realtà. Presento la mia ricerca etnografica umana universale in uno spazio grigio “neutro”: uno stile museologico, attraverso il quale posso collocare la tradizione storica e culturale in un microcosmo personale, creando una visione terrestre dello spazio e del tempo in un macrocosmo.
Questa serie è un’astrazione modernista che indicizza il sistema solare per me stesso al fine di cogliere la vita e, più specificamente, i fenomeni della mia vita nel tempo e nello spazio.
Utilizzando lo spostamento e la riclassificazione dell’interpretazione planetaria scientifica, culturale, storica e ontemporanea, il mio obiettivo, attraverso la visualizzazione, è quello di semplificare la concezione umana dei pianeti simili in orbita attorno al nostro Sole ”.

Dovima
Bubble

Voynich Botanical Studies

Green Waves
gif

whispering pines

电动步道
克里斯蒂娜·库比什（Christina Kubisch）1948年出生于不来梅。她在汉堡，格拉茨，苏黎世和米兰学习了绘画，音乐（长笛和作曲）和电子学，并从那里毕业。 七十年代的表演，音乐会和录像带作品，随后是音响装置，声音雕塑和紫外线作品。 她的作品大多是电声作品，但她也为合奏作曲。 自2003年以来，她再次担任演奏家，并与各种音乐家和舞者合作。

추 종 완

Knotty Bubbles Chandelier

ニコラ·シェフェール
Chronos 5
In 1948 he created the concept of “space dynamism”. In his words, space dynamism is “the constructive and dynamic integration of space in plastic work.” Based on this idea, he will seek to create the total work of art, concretized in the cybernetic village, a city full of utopian spaces. His work combines cybernetic, kinetic art and interactive art, of which he is one of its first representatives, making the first works of art in real time or live in the history of art.

Synesthesia Machine
“Synesthesia Machine” is an artificial intelligence with synesthesia, it will emitting corresponding unique scents while perceiving human facial expressions. Through the facial expression recognition algorithm, it can analyze the facial expressions of the audience and output the values ​​of different emotions. At the same time, based on these emotional values, the installation is driven to extract different proportions of scent liquid and atomized and mixed to convert the audience’s facial expression into a unique smell.

Twist

Даниэль Видрик
de-optimised chair

比尔•维奥拉
빌 비올라
ביל ויולה
ビル·ヴィオラ
БИЛЛ ВИОЛА
Tristan’s Ascension

Рольфа Сакса
롤프 삭스
ロルフ・ザックス
רולף סאקס
罗尔夫·萨克斯
رولف ساكس

РАФАЭЛЬ ЛОЗАНО-ХЕММЕР
拉斐尔·洛萨诺 – 亨默
ラファエル·ロサノ=ヘメル
라파엘 로자노
רפאל לוזאנו, המר
Surface Tension

奈良美智
Ёситомо Нара

Periphery

Come cross the limit

כריס ברדן
Крис Берден
Extreme Measures

Equilibrium Variant
This work has the purpose of exploring the occurrence of the Larsen effect (also known as feedback) through the use of mobile devices in a three-dimensional space. The distinctive screech of the Larsen effect typically occurs when a microphone catches the sound emitted by a speaker. It engages when the microphone is located too close to the speaker, and gets in the way of its frequency. The microphone amplifies and reproduces the speaker’s frequency with an ever-increasing width, virtually unlimited, in practice stopped by the amplifier’s clip. On a ground support, two mechanical arms are located. At the end of one arm there is a microphone, and on the end of the other there is a speaker. A software, created with this specific purpose, manages the position of the arms in a dynamic way, and provides that the distance between the microphone and the speaker never causes the amplifier to clip. This way, the system tends to reach an equilibrium that is physically impossible to attain. The struggle to balance creates an acoustic and visual dimension that is never the same: the frequency of feedback and the movements of the mechanical arms are always different and change in real time.

The Atlas Group

In the late 1990s Raad created a fictional foundation called The Atlas Group in order to accommodate and contextualise his growing output of works documenting the Lebanese Civil Wars, generally dated 1975–1990. Within Atlas Group Raad produces artworks, addressing the infrastructural, societal, and psychic devastation wrought by the wars, which he then re-dates and attributes to an array of invented figures who in turn are said to have donated these works directly or by proxy to The Atlas Group archive. Regardless of original medium of the documents, Raad processes and outputs all of his work digitally consciously adding another layer of documentary intervention to his overarching fictional conceit.

اروين بلومنفلد
埃尔文布鲁门费尔德
ארווין בלומנפלד
Эрвин Блюменфельд
Les 3 Grâces

tube

כריס ברדן
Крис Берден
Urban Light

aerofiat

Dirty Geometry:Cloud
Dirty Geometry: Cloud is a six-panel folded screen generated using algorithmic computation with random variables. Between the drawing and the surface lies an infra-thin space perpetually reconstituted; one hue replaces another as the light shifts outside; becoming more intense, now