LIANG SHAOJI
BED
Matic Veler
Matic Veler is ispired by researching his aesthetic development since upbringing up until now. One of the biggest inspiration, architecture of 17th and 18th century architecture, especially details and ornaments together with impression of magical environments combined with brutalism architecture he was surrounded in when he was child, help him to translate and reflect when creating garments and installations to impress viewers and customers. He uses Baroque architecture details and ornaments as his inspiration. Always starting with collecting different photos of details and studying different architects. Matic manipulates the ornaments into collages on which he draw sketches and then making toiles on mannequins.
BARRY X BALL
БАРРИ Х БОЛЛ
SCULPTOR BARRY X. BALL CREATES UNSETTLING BUSTS AND PORTRAITS THAT REFERENCE CLASSICAL SCULPTURE. THEY ARE UNSETTLING BECAUSE HE CHOOSES MATERIALS (MEXICAN ONYX, LAPIS LAZULI, ITALIAN MARBLE, CALCITE) WITH CRACKS, FISSURES, AND IRREGULARITIES TO GIVE THE IMPRESSION OF DISFIGURED FACES, SKIN CONDITIONS, OR MEDICAL ANOMALIES.
Lindsey Adelman
Knotty Bubbles Chandelier
JALOO
Ah! Pain!
Always the fear of losing
Feel the fear of not being you
But now, I know and it hurts
And I will wander until you know too
I’ve always been a bad hero
Always being saved by you
But now that it’s gone
I know my best is gone too
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here
I always feel like it will be
Always time erasing you
And now it’s so late
And the longing comes, invades, burns
I always think about you
I always think to myself “What about you?”
And I don’t want to forget you
And the wound doesn’t close, doesn’t close
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here, here
Ah! Pain! Ah! Pain!
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here
Michele Spanghero
Ad lib
The sound sculpture Ad lib. combines a medical machine for automatic pulmonary ventilation with a few organ pipes that play a musical chord to the constant rhythm of the mechanical breath, creating an artificial organ that is metaphorically a mechanical requiem that sounds incessantly. The title of the work Ad lib., an abbreviation of the Latin expression “ad libitum”, is a musical caption that gives the performer discretion of interpretation, allowing for instance to repeat “at will” certain bars of the score. The sculpture aims to refer to the situation in which people, who suffer from critical health conditions, see their survival tied to a breathing machine and, therefore, to the discretion of those who are taking care of them.
Robert Henke
Phosphor
Focused rays of ultraviolet light paint temporary landscapes on a layer of phosphorous dust on the museum floor. Operating on concepts of erosion and mutation, the installation changes its behaviour and visual appearance during the exhibition period. Each trace of light leaves a mark on a virtual mountain range, like water slowly washing out deep canyons. With a little help from alchemy and quantum physics, matter acquired a memory: translating time into space
LEO CAILLARD
Digital Art Museum of the Future
Michiko Tsuda
YOU WOULD COME BACK THERE TO SEE ME AGAIN THE FOLLOWING DAY
This installation utilizes mirrors and video cameras combined with various types of frame, a motif often discussed in the context of the history of painting and film. The title is a typical English sentence in free indirect speech (by what is normally a third-person subject). With the object of “there” and “following day” varying with the context, this title reflects the experience of viewers, whose relationship to their image and to the space raises questions about the meaning of “here” and “now.”
Adam Ferriss
Processing Sketch Dump
ASTRONAUT DON PETTIT
رائد الفضاء دون بيتيت
宇航员唐·佩蒂特
האסטרונאוט דון פטיט
宇宙飛行士ドン·ペティット
Астронавт Дон Петтит
YOAN CAPOTE
יואן קפוטה
ЙОАН КАПОТЕ
Voluntad De Poder
„… Meine Arbeit war das Ergebnis der Analyse von Objekten und ihrer Beziehung zu unserem Körper. Untersuchung ihrer Schnittstelle, Repräsentation und physikalischen oder sensorischen Möglichkeiten. Mein Arbeitsprozess beginnt damit, verschiedene physische, soziale und psychische Situationen auf die harte Oberfläche von städtischen Materialien und Standardobjekten anzuwenden. Wenn wir Objekte verwenden, sind sie eine Erweiterung unseres Körpers und mit allen Gewohnheiten und menschlichen Bedürfnissen verbunden, die unser Verhalten definieren. Jedes meiner Werke; implizieren jedoch symbolische Ebenen und Themen, die auf alles hinweisen, von individuellen Anliegen bis hin zu allgemeineren menschlichen Umständen. Das gemeinsame Objekt wird durch seine skulpturalen und symbolischen Qualitäten verstanden. Traditionelle Materialien für die Skulptur und die einfachen Formen der Minimal Art werden ebenfalls neu bewertet und personifiziert, mit der konzeptionellen Absicht, metaphorisch über uns selbst zu sprechen… “
Yoan Capote
NAP ARCHITECTS
RIBBON CHAPEL
Esta capilla de boda está en el jardín del hotel, “Bella Vista Sakaigahama,” en Onomichi, Hiroshima. El sitio se encuentra a mitad de camino en una colina con una vista panorámica del mar interior de Japón. Entrelazando dos escaleras de caracol, hicimos de un edificio estable, de composición sin precedentes y que arquitectónicamente encarna el acto del matrimonio en una forma pura. Una sola escalera de caracol sería inestable en una dirección horizontal y es propensa a la vibración en una dirección vertical, por lo tanto, muy inestable.
Unit9
Water Made Active
Onze op maat gemaakte “regeninstallatie” druppelde water in volledige volgorde en harmonie. Het reconstrueerde de figuur van een echte atleet in een vloeibare animatie. Elke unit bevatte 64 liter water, met 8 units tegelijk. Dit betekende dat we een halve ton water gebruikten om het hele systeem bij elkaar te brengen. Om het waterkarakter levensecht te maken, hebben we een menselijke atleet in beweging vastgelegd die rent, springt en kickboksen. Vervolgens vertelden gegevens van de bewegingsregistratie het waterplatform wanneer de sproeiers aan en uit moesten worden gezet. De waterdruppels gingen aan en uit met een reeks van 2048 schakelaars. Het team gebruikte flitslicht om de waterdruppels in de lucht te verlichten en “op te hangen”. Dit betekende dat elk frame een nauwkeurigheid van millimeters en microseconden had. Als resultaat hebben we in slechts een microseconde een hele laag door het hele systeem gestuurd.
SOOMI PARK
LED Eyelash
The LED Eyelash project is brought into the world from a simple question: Why do women want larger and bigger eyes? Asian women tend to have stronger needs for bigger eyes as a standard of beauty, but relatively few of them are born with naturally big eyes. Those without big eyes can only look for alternative ways to make their eyes look prettier, i.e., larger, by using a repertoire of skills such as putting on makeup and wearing jewelry. Sometimes, the desires for bigger eyes can become almost obsessive, and many women opt for plastic surgery in order to make their dream come true. Soomi calls this, the fetish of Big Eyes. LED Eyelash is a clever product that speaks to many women’s desire for bigger eyes. It features a sensor to turn on and/or off. The sensor can perceive the movements of the pupil in the eyes and eyelids. If you wear it and move your head, LED Eyelash will flicker following your movements. It is as simple to use as wearing false eyelashes and as easy to remove as taking off a piece of jewelry.
ALAIN DELORME
totems
