Will Van Dusen and Brenden Bjerke
T4T LAB
RADICAL RAUMPLAN
The real but withdrawn qualities of the raumplan of the Muller House can be understood as the unknown excess of the object. This is the space of the architectural project that exists beyond the limits of human cognition. Although this space is finite, it is vast and abundant. Any attempt to enter into this space must be somehow framed. As a metaphor, or a vehicle to frame the unknown excess, we take in part the idea of viewing, which is epistemologically important to the raumplan. Using this framework, our project attempts to go beyond our cognitive limitations and enter into the unknown space of the architectural project. From here, we can extract new spatial phenomena that can be notated into the known layer, to be understood by the architectural audience. For us, this means using a series of metaphors to frame our exploration of the unknown and attempt to extract new phenomena that engage the raumplan independent of its relationship to a human subject. This allows us to operate in a jective framework, allowing for an understanding of the object autonomously.
Glosopeda
Glosopeda
Barbara Lanzarote, Rachel Lamot, Kim Rosario
.
The Ontology that Never Was
Glosopeda herontdekt het verleden vanuit een neotoekomstig perspectief. The Ontology that Never Was herschept een archeologische context in zijn natuurlijke omgeving waarin wordt ingegrepen door digitale materialisatie, en doet denken aan de visie van Gavin Lucas op de materiële wereld als een archief van het proces van (de)materialisatie: de spanning tussen de krachten van het verzamelen van materialen en artefacten en de tegengestelde kracht van verspreiding. De ontologie van de objecten versus de verspreiding, uitwissing en verplaatsing van hun oorspronkelijke setting.
BART HESS
바트 헤스
巴特·赫斯
בארט הס
Барта Хесса
Heart to Mouth
Bart Hess, le dernier court métrage de l’artiste néerlandais, propose un échange passionnant de passion au ralenti pour l’amour. Selon Bart Hess, «il voulait créer une tension entre le corps et la matière – presque comme s’ils ne faisaient plus qu’un». Dans le court métrage ci-dessous, deux femmes se caressent la tête de ballon en latex pour exprimer l’amour l’une de l’autre. Les œuvres artistiques de Bart Hess ont été présentées lors de l’exposition «Dutch invertuals» lors de la semaine du design de Milan en 2009.
Richard Quinn
London Woman SS 2020
London born designer Richard Quinn established his eponymous label in 2016, upon graduating the Fashion MA at Central Saint Martins. Specialising in womenswear and textiles, his collections are bold and emotive creating a forward thinking unafraid vision. Richard creates garments with attention to innovative fabrications, focusing on his ability to combine unique handcrafted skill, with a refined high fashion sensibility.
PEPE HEYKOOP
Brick Chair
Timothy Lee
gookeyes
Timothy graduated, with high honors, from Wesleyan University, having majored in Neuroscience and Behavior, Studio Art (with a concentration in drawing), and Biology (Developmental). Originally intending on attending medical school after graduation in hopes of becoming a physician, Timothy quickly dropped this ambition upon realizing his true passions, which lay in art. However, the impression from years of scientific training is clearly visible in the way he approaches his artwork.
snarkitecture
the beach
the national building museum/washington D.C
The BEACH is contained within an enclosure and built out of construction materials such as scaffolding, wooden panels, and perforated mesh, all clad in stark white. Monochromatic beach chairs and umbrellas sprinkle the 50-foot wide “shoreline,” and the “ocean” culminates in a mirrored wall that creates a seemingly infinite reflected expanse.
Charlotte Gyllenhammar
Charlotte Gyllenhammar har konsekvent och med stor integritet etablerat sig som en av Sveriges främsta konstnärer. Sårbarhet och makt, identitet och perspektivförskjutningar är några teman som följt henne genom åren. I flera av hennes verk möter vi det utsatta och upproriska barnet, i förhållande till en hotfull omvärld.
ANTHONY DUNNE AND FIONA RABY
immaterials
Data between visibility and invisibility
Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies.
Anna Sokolova
ONE SHAPE, ONE SQUARE, ONE EXECUTION, ONE TRANCSENDENCE
ONE SHAPE, ONE SQUARE, ONE EXECUTION, ONE TRANSCENDENCE consolidates three quotations from the writings by the minimalist artist and philosopher Ad Reinhardt. The works in question are “Abstract Painting, Sixty by Sixty Inches Square”, “On Negation” and “There is just one painting”, a fragment of which has been taken as a work title. The text “On Negation” is turned into sound and used to cause the vibration of the black square plane that has the same dimensions as “Abstract Painting” by Ad Reinhardt.
LAURENT SEROUSSI
לורן סרוסי
insectes
Seroussi personifies the insects that crawl or fly around us by merging strong bodies, human faces, and the fine details of these segmented creatures. As the feminine faces glance over their shoulders or close their eyes with sleek and sensual expressions, Seroussi romanticizes the small creatures that we otherwise chase out of our lives and our homes.
