highlike

Fellini

Satyricon
Fellini Satyricon, or simply Satyricon, is a 1969 Italian fantasy drama film written and directed by Federico Fellini and loosely based on Petronius’s work Satyricon, written during the reign of Emperor Nero and set in imperial Rome. The film is divided into nine episodes, following Encolpius and his friend Ascyltus as they try to win the heart of a young boy named Gitón within a surreal and dream-like Roman landscape.
The film opens on a graffiticovered wall with Encolpius lamenting the loss of his lover Gitón to Ascyltus. Vowing to win him back, he learns at the Thermae that Ascyltus sold Gitón to the actor Vernacchio. At the theatre, he discovers Vernacchio and Gitón performing in a lewd play based on the “emperor’s miracle”: a slave’s hand is axed off and replaced with a gold one. Encolpius storms the stage and reclaims Gitón. On their return to Encolpius’s home in the Insula Felicles, a Roman tenement building, they walk through the vast Roman brothel known as the Lupanare, observing numerous sensual scenes. They fall asleep after making love at Encolpius’s place. Ascyltus sneaks into the room, waking Encolpius with a whiplash. Since both share the tenement room, Encolpius proposes they divide up their property and separate. Ascyltus mockingly suggests they split Gitón in half. Encolpius is driven to suicidal despair, however, when Gitón decides to leave with Ascyltus. At that moment, an earthquake destroys the tenement.

ROBERT GLIGOROV

РОБЕРТ ГЛИГОРОВЫМ
罗伯特·格利戈罗夫
روبرت غليغوروف
Greetings

Las imágenes conceptuales de Robert Gligorov proyectan un mensaje crudo y directo, buscan impresionar al observador. Crea imágenes que chocan, creando controversia en temas coma la religión, violencia y sexualidad, y que, al mismo tiempo, tienen algo de humor. Vale la pena visitar su portafolio para que disfruten la totalidad de su trabajo.

GAYBIRD

梁基爵
When The Cloud Is Low

 

記得在飛機上低著頭看雲,當時它成為了一片海。

當飛機穿越它,像是擦身而過的頃刻,它是煙霧

隔著飛機的窗,我在想像雲的聲音。

畢竟雲是空氣中的水點,因此我借助了霧機和影像,假造了一片可以讓大家低頭觀賞的雲。 聲音與音樂同樣從水而來,想像與影像同步而起,在這裡你可以側耳傾聽雲的聲音,悠如一首雲的協奏曲。

FLORIAN HAFELE

弗洛里安·海福樂
フロリアンハーフェレ
Флориан Хафель

维也纳的雕塑和因斯布鲁克的艺术家弗洛里安·哈菲勒(florian hafele)都具有高度扭曲的真实感。 哈夫勒的感性诉说着人类在社会中的表现以及由此产生的过分紧张或扭曲的感觉,以达到除“拯救面子”外还满足看似普遍的标准。 哈菲勒(Hafele)具有人物形象的作品永远不会通过消除人物形象来消除人物面部表情,从而消除面部表情,再加上人物四肢的位置增加形状,从而突出了人物的一维和绝望的真实感。 hafele创作了“ social panopticum”雕塑系列。 该系列的特色是三位人物,他们的几何形状从不露面的形状中生长出来。 艺术家用聚氯乙烯和油漆,塑料,木材或青铜材料制成变形或扭曲的人体。

HENRYK GORECKI

הנריק גורצקי
헨릭 고 레츠 키
亨里克·戈雷茨基
ヘンリク·グレツキ
Хенрик Гурецкий
symphony of sorrowful songs

Symphony no.3, Symphony of Sorrowful Songs is an hour-long work that demands the attention of the listener. It is made up of three movements, all labelled Lento, their slow, deliberate pace having a ritualistic prayer-like quality, with the intensity of Gregorian chant. They have an extremely slow deliberate harmonic progression and build to a slow controlled climax.

STUDIO FUKSAS

Shenzhen Bao’an International Airport

The new terminal of Shenzhen Bao’an International Airport, the first airport by Massimiliano and Doriana Fuksas, encompasses 63 contact gates, with a further 15 remote gates and significant retail space.
It increase the capacity of the airport by 58%, allowing the airport to handle up to 45 million passengers per year.The sculptural 500,000 sqm terminal evokes the image of a manta ray and features an internal and external double skin honeycomb motif that wraps the structure.1.5 km long, with roof spans of up to 80 m, honeycomb shaped metal and glass panels punctuate the façade of the terminal allowing natural light to filter through. Inside, the terminal is characterized by distinctive white conical supporting columns that rise to touch the roof at a cathedral-like scale.The focal point of the design is the concourse located at the intersection of the building.
Consisting of three levels – departure, arrivals and services – vertically connected to create full height voids and allowing natural light to filter from the highest level down to the lowest.

JEAN PAUL GAULTIER

Жан-Поль Готье
ジャンポールゴルチェ
ז’אן פול גוטייה
جان بول غوتييه

Irina Shaposnikova

Crystallographica
The futuristic curves highlighted the collection’s minimalistic inspiration. The unusual creations brought to mind robotic-like fixtures, while exuding elegance and grace. We fell instantly in love with the cold yet fascinating faceted dresses.

SYLVIE FLEURY

西尔维·弗勒里
실비 플러
סילבי פלרי
シルヴィ·フルーリー
СИЛЬВИ ФЛЕРИ
Razor Blade

FREUDENTHAL AND VERHAGEN

Polyhedra Raf Simons
自1989年以来,荷兰合作者Carmen Freudenthal(摄影师)和Elle Verhagen(设计师)一直在一起工作。他们与时装设计师,表演者和其他艺术家的合作产生了各种各样的作品,这些作品以其幽默的日常生活和生活方式而广为人知。 它对当代图像和(摄影)图像技术的使用(和滥用)。

Disney Research

Realistic and Interactive Robot Gaze
System for lifelike gaze in human-robot interactions using a humanoid Audio-Animatronics® bust. Previous work examining mutual gaze between robots and humans has focused on technical implementation. We present a general architecture that seeks not only to create gaze interactions from a technological standpoint, but also through the lens of character animation where the fidelity and believability of motion is paramount; that is, we seek to create an interaction which demonstrates the illusion of life. A complete system is described that perceives persons in the environment, identifies persons-of-interest based on salient actions, selects an appropriate gaze behavior, and executes high, fidelity motions to respond to the stimuli. We use mechanisms that mimic motor and attention behaviors analogous to those observed in biological systems including attention habituation, saccades, and differences in motion bandwidth for actuators.

SHIGERU BAN

日本建築師阪茂
坂茂
شيجيرو بان
שיגרו באן
시게루 반
Шигеру Бан

Willy Verginer

ВИЛЛИ ВЕРДЖНЕРА
意大利雕塑家
The boy and the see
イタリアの彫刻家Willy Verginer(以前)は、木から比喩的な彫刻を作成します。これは、ペイントのモノクロバンドを最小限追加するだけで、彼の彫刻スキルを際立たせることができます。彼が追加したオレンジ、緑、青は、暗い青色の塗料で覆われた砕屑物を泳いでいるように見える小さな子供の彼の彫刻のように、被験者を目に見えない環境に置きます。他の彫刻も、漏れたガス缶を掴む姿や、土台となるオイルキャニスターによって変更されたクワガタなど、環境の衰退を指しています。

PAUL COCKSEDGE

ポール・コックセッジ
폴 콕세지
Пол Кокседж
保罗•考克斯基

Neri Oxman

MAN-NAHĀTA
Computational growth across material and urban scales offers a framework for design through self-organization, enabling the generation of vast, diverse forms exhibiting characteristics like those that emerge through the biological growth processes found in Nature. In this project, we construct an oriented volume spanned by surface normals of the shape at every point. The value of the oriented volume drives the iterative deformation of the shape. Depending on the parameterization of this process, we can obtain distinctly different growing forms. Importantly, the emergence of these forms is driven only by the time evolution of a geometric operator acting on the shapes iteratively, thereby connecting geometry and growth through an algorithm. To form the Man-Nahata landscape, the buildings of the urban landscape are transformed through repeated morphological closing operations, where the field of influence follows a gradient from the center to the outskirts of a circular region.

Henk Stallinga

Fanscreen
Fanscreen is comprised of several panels made up of computer fans which are linked together to form a larger ‘screen’. These screens are arranged side-by-side in a large circle that the viewer can enter. Each fan is programmed independently, creating an effect that mimics individual “pixels” on a larger screen. Moving in synchronicity, the programmed fans produce a kind of “film” of various abstract movements.