ONTWERPDUO
Garden of Eden
DOUGLAS YOUNG
plastic water pistol sculpture
DOUG AITKEN
Вернуться в реальное
Вернуться в реальное – это устройство Эйткена, которое заставляет нас задуматься о наших устройствах, эмпирической передаче в субаренду Instagram, визге и крике социальных сетей. «Это противоположность этому миру нематериальности и скорости, – говорит он, – и о поиске чего-то уникального или пребывания в месте, которое является физическим и тактильным, или моментом, который не может повториться».
SAMANTHA DONNELLY
Саманта Доннелли
Samantha Donnelly’s practice is concerned with breaking down subjects and reconfiguring them in new constellations. Bringing together appropriated ephemera and quotidian materials such as magazines or cut-out photographs to produce assemblages, Donnelly reworks material remnants from various areas of contemporary culture, allowing them to dialogue and resonate within the same piece. By drawing our attention to surface and formal elements such as composition and colour, Donnelly’s work often references art history, particularly Modernism and the Baroque.
Edwin van der Heide
Fog Sound Environment
Fog Sound Environment is a site specific installation originally conceived for the foreland of DordtYart located nearby the junction of the three rivers that traverse Dordrecht. In this experiential artwork real fog is being created by pushing water under very high pressure through hundreds of nozzles. The fog system consists of independent sections that surround the foreland. The timing and distribution of the fog is part of a composition system that incorporates the on-site wind direction in real-time. The fog is dispersed across the, by high trees and water enclosed, grassy terrain . The behavior of the fog is under direct influence of the local weather; sun, rain and wind all have their influence on the behavior of the fog and experience of the work.
YING GAO
Possibili Domani
I due capi robotizzati sono collegati a un sistema di riconoscimento delle impronte digitali. Tuttavia, aggirando il concetto di sicurezza, si animano solo in presenza di estranei le cui impronte digitali non vengono riconosciute dallo scanner. L’estetica e il movimento di questi capi evocano ipotrocoidi, forme prese in prestito dal gioco vintage Spirograph: le loro curve appiattite sono disegnate da un unico punto legato a un cerchio mobile che rotola senza scivolare, sopra e all’interno di un cerchio iniziale. Questo progetto è stato sviluppato da una serie di algoritmi legati al regno del riconoscimento di pattern, o grafico a dispersione.
Pam Tanowitz
“Gustave Le Gray No. 1”
In 2019, Ballet Across America was put together with the inspiration of women’s leadership in ballet and dance. To mark the celebration, the Center commissioned choreographer Pam Tanowitz to create a world premiere work for the week’s two participating companies, Dance Theatre of Harlem and Miami City Ballet; both are companies led by visionary women – Virginia Johnson at DTH and Lourdes Lopez in Miami.
Tanowitz set the work on two dancers from each company, with a pianist on stage playing a solo work by the composer Caroline Shaw. The piece had its world premiere during Ballet Across America on May 31, 2019. This video captures the premiere performance.
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Pianist: Sylvia Jung
Dancers: Renan Cerdeiro, Lauren Fadeley, Anthony Santos and Stephanie Rae Williams
DOUGLAS HENDERSON
Stop
Lerata and Arts Brookfield
Lumibolic
Lumibolic is an interactive and occupiable environment shaped from hyperbolic paraboloid geometries. Its luminous surfaces are composed of strands of glowing EL wire that modulate their form and intensity in response to sound and motion inputs. Designed to generate dynamic visual vibrations inspired by the work of Op-Artists Bridget Riley and Victor Vasarely, the piece visualizes relationships between site and visitor on a large scale.
Anna Shteynshleyger
Covered
DAMIEN JALET
OMPHALOS
In ancient Greek Omphalos means navel as in navel or center of the world. Jalet’s creation examines the question of origins. The choreographer reflects on the human predicament and life in the cosmos, a recurrent theme in his work. For his first Latin American creation, Jalets brings together an ensemble of 20 dancers who perform to the music of Marihiko Hara et Ryūichi Sakamoto. This stunning performance makes light of gravity and instability, unfolding at the very edge of empty space. Exceptional event: the only performances in France as part of a world tour.
marcius galan
Immobile
Olafur Eliasson
Our Glacial Perspectives
Olafur Eliasson’s ‘our glacial perspectives’ pavilion comprises a series of steel and glass rings encompassing a circular deck which projects over the edge of mount grawand. From this point, the pavilion serves as an astronomical instrument that aligns the visitor’s gaze with the surrounding rings, which track the apparent path of the sun in the sky on any given day. The rings divide the year into equal time intervals — the top ring tracks the path of the sun on the summer solstice, the middle ring tracks the equinox, while the lowest tracks the winter solstice.
KEVIN IRIS
Wire Trees
Gillian Wearing
Me as Eva Hesse
Throughout the past two decades, Gillian Wearing’s films, photographs and sculptures have investigated public personas and private lives. Since the beginning of her career, the artist has drawn from techniques of theater, reality television and fly-on-the-wall documentary-making to construct narratives that explore personal fantasies and confessions, individual traumas, cultural histories, and the role of the media. Anonymity through elaborate masks, costumes and role-play has remained a critical part of Wearing’s practice and influential investigation of the ways in which individuals present themselves to others when the self is temporarily concealed.
DOROTHEE GOLZ
Дороти Гольц
A artista Dorothee Golz criou uma série de pinturas digitais através das quais reinventa retratos clássicos em corpos modernos. A coleção de peças híbridas mostram um romper de fronteiras entre a fotografia contemporânea e a pintura a óleo. As obras realizadas completamente em digital são convincentes. Em sua visita ao passado, atribui nova identidade aos olhos enigmáticos presentes nas obras originais.
