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GUDA KOSTER

Losing Control
Guda Koster (Amsterdam) werkt al een leven lang met textiel, en daar is sinds enige jaren de fotografie als medium bijgekomen. Het is werk dat zich begeeft in het gebied tussen mode, beeldhouwkunst, fotografie en performance. Kort gezegd maakt ze foto’s waarin zij zelf figureert als drager van textiele vormen die niet of nauwelijks wat met ‘kleding’ te maken hebben. De ruimtelijke situaties in het atelier worden, eenmaal gefotografeerd, vrijwel platte beelden.

DMITRI OBERGFELL

Дмитри Обергфейла
infinite ladder
在他的实践中,Dmitri Obergfell有兴趣探索材料和思想之间的关系以评论人类的经验。 由于观看者对制成品的熟悉程度以及与日常体验的关系,他将商业性制成品用作白话。
人们与对象之间的关系既是作品的访问点,又是在“个人”层面上进行联系的方式。 他希望观众有一种将他们暂时摆脱自我的体验,并让他们考虑更广泛的存在感,更多的社交或集体体验。 德米特里(Dmitri)被当代人对我们所生活的世界以及与历史的关系的看法和/或方法所启发。 他说:“我花了大量时间吸收信息并被动地观察周围的事物。 我认为我的灵感就像渗透。 我更喜欢保持不确定性,以免我的灵感变得陈腐而过时。’

TOYO ITO

تويو ايتو
伊东丰雄
טויו איטו
伊東豊雄
도요 이토

jean nouvel

The Louvre Museum Abu Dhabi
No Louvre Museum se busca criar um mundo acolhedor combinando serenamente luz e sombra, reflexão e calma. Deseja pertencer a um país, à sua história, à sua geografia sem se tornar uma tradução plana, o pleonasmo que resulta em tédio e convenção. Também visa enfatizar o fascínio gerado por encontros raros.more

ADEL ABDESSEMED

عادل عبدالصمد
אדל אבדסמד
Адель Абдессемед
“Le Vase abominable”

JULIA FULLERTON-BATTEN

Julia Fullerton-Batten is a worldwide acclaimed and exhibited fine-art photographer. Her body of work now encompasses twelve major projects spanning a decade of engagement in the field[…]Julia’s use of unusual locations, highly creative settings, street-cast models, accented with cinematic lighting are hallmarks of her very distinctive style of photography. She insinuates visual tensions in her images, and imbues them with a hint of mystery, which combine to tease the viewer to re-examine the picture, each time seeing more content and finding a deeper meaning. These distinctive qualities have established enthusiasts for her work worldwide and at all ends of the cultural spectrum, from casual viewers to connoisseurs of fine-art photography.

XU ZHEN

徐震
An irreverent artist with a voracious appetite for global information and a unique ability to produce work across multiple platforms and media.

Roman Ermakov

Роман Ермаков
live sculpture

Our perception — the only true reality. Creation as a feeling that generates the image, expressed in the form. Beauty manifesto calling to go beyond that limit imagination. The aesthetics of art can not be reduced to a clear set of building blocks with which you can strengthen or weaken the perception of contrast. Beauty should not be subjected to analysis, that is communication and the call to participate in the transformation of the emotional to the visible.The process of creating — is the alignment of the mosaic, many repetitions of simple and pure elements, which form a collection, harmonious in its incompleteness.

Studio Flynn Talbot

Horizon
Horizon recreates my favourite time of day – twilight – when the sun sets and daylight drops away. The surrounding scenery then darkens, leaving a soft gradient of colour that extends up into the sky. Horizon captures this moment in time, but re-imagines it as an ever changing, interactive light show.” Flynn Talbot

ERIK SÖDERBERG

Organic Cube
GIF
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two – continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.
I’ve limited each animation to at most 48 frames, most are around 10-15 frames – to keep the file size small and to maximize the creativity with in these frames.

PAUL VANOUSE

Ocular revision
1990年代初頭以来、彼のアートワークは、これらの非常にテクノサイエンスを媒体として使用して、さまざまな新しいテクノサイエンスによって提起された複雑な問題に取り組んできました。 彼の作品には、世論調査と分類の影響を調べるデータ収集装置、人種とアイデンティティの科学的構造を弱体化させる遺伝子実験、制度化と企業化をふざけて批判する一時的な組織が含まれています。 これらの「オペレーショナルフィクション」は、現代の電子ランドスケープの同様に超現実的なコンテキストで共鳴することを目的としたハイブリッドエンティティ(同時に現実のものと空想的な表現)です。

LAURA LYNN JANSEN AND THOMAS VAILLY

Inner Fashion
Inner Fashion questions the codes, rules and production technic of fashion. The human body is seen as a fluid, inflatable and mobile structure in which the tension of fabric remplace muscles. Each piece of cloth are made of 2 layers: an inner layer, XXS, highly strechable and an outer layer, XL and none strechable. Both layer are dressed on a zeppelin shaped balloon representing the human body. As the balloon fills up with air, the fabric of the inner layer stretches out and both fabric are touching each other.

STARGATE

Roland Emmerich
In 1994, Egyptologist and linguist Daniel Jackson, Ph.D., is invited by Catherine Langford to translate Egyptian hieroglyphs on cover stones, also known as casing stones, that her father had unearthed in Giza, Egypt, in 1928. Jackson is taken to a U.S. Air Force installation and told by its commander, Special Operations Colonel Jack O’Neil, that the project is classified information. Jackson determines that the hieroglyphs refer to a “stargate” which uses constellations as spatial coordinates. On this revelation, Jackson is shown that the base has this Stargate, also discovered by Langford’s father. They use Jackson’s coordinates to align the Stargate’s metal ring with markings along its outside, and once all seven are locked in, a wormhole opens, connecting the Stargate with a distant planet. Jackson joins O’Neil and his team, consisting of Reilly, Porro, Freeman, Brown, Ferretti, and Kawalsky, as they pass through the wormhole.
CINEMA