ЛИАНА ЛАНГА
Her work is concerned with notions of animacy, which she investigates through sculpture, photography and video works. Many of Lang’s works examine museum objects and the biographies they attempt to narrate, modes of display and the verisimilitude of art objects, particularly figurative sculptures and political monuments.
Deep Space Music reúne som e imagem, música e animação por computador de uma forma que transforma o espaço de projeção em um cenário para experiências íntimas. Nele, o pianista japonês Maki Namekawa apresenta um programa de obras de três compositores visionários que também são considerados grandes pensadores. Seu concerto de piano comemora musicalmente o 60º aniversário de Ryuchi Sakamoto (JP) e Philip Glass ‘(EUA), e comemora o 100º aniversário do nascimento de John Cage (EUA).
Franck Sorbier optou por apresentar uma “coleção divertida”. No palco, o amplo vestido branco sem alças de uma modelo funciona como uma tela para todos os tipos de projeções que ecoam as de uma tela grande ao fundo. “Misturar vídeo 3D com histórias de contos de fadas certificadas e tradição de alta costura” é a ideia do atípico Mountain Ash. A tecnologia Intel dá vida ao tecido todos os tipos de padrões que simulam bordados ou pinturas em seda: listras de néon, borboletas batendo as asas, “mapeamento” de borlas de cristal ou aurora boreal …
Clemens Behr wurde 1985 in Koblenz, Deutschland, geboren. Er studierte zuerst Grafik-Design an der Universität in Dortmund und vertiefte sein Wissen später an der Facultat Belles Artes in Barcelona. Behr schafft faszinierende Installationen. Seine skulptural inspirierten Objekte zieren sowohl öffentliche wie auch private Räume und haben ihren schöpferischen Hintergrund im Origami, dekonstruktivistischer Architektur und Graffiti. Seine abstrakten Installationen, erstellt aus Karton, Holz, Farbe, und Klebeband, schaffen beim Betrachter eine gezielte Verwirrung zwischen zweidimensionalen Bildern und dreidimensionalen Objekten.
ЮНГ ЧЕНГ ЛИН
يونغ تشنغ لين
Die fotografischen Experimente des Künstlers Cheng Yung Lin, auch bekannt als 3 cm, zeigen die menschliche Anatomie aus einem anderen Blickwinkel, wobei Elemente wie Linien, Pflanzen, Süßigkeiten usw. verwendet werden, um sich surreale und geometrische Kompositionen vorzustellen. Einige der konzeptuellen Fotografien sind intensiv und verstörend und lassen uns die Beziehung zwischen unserem Körper und organischer Materie in Frage stellen.
ZIL
“DEVELOP A NEGATIVE INTO A POSITIVE PICTURE”
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Phygital way of designing that captures a momentum of transition between digital and physical worlds.
Digital and sustainable fashion with respect to materiality propose no-waste patterning that uses the technique of cut-ups to be assembled into a garment. Inspiration comes from the process of deconstructing historical garments and unexpected assemblage.
Ich, mein Selfie und ich
Katja ist inspiriert vom Einfluss der alltäglichen digitalen Technologien auf die Gesellschaft und damit von den aufkommenden Fragen nach der Identität unseres menschlichen Körpers. Sie verbindet die alltägliche Technologie, den Körper der Tänzer und die Präsenz des Publikums zu unkonventionellen Darbietungen. Wer bewegt wen?
wasmachine
Encapsulated environmental system: Paludarium YASUTOSHI
This machine is fully equipped with a mist machine as if wrapping plants in a fog from both sides and drip feed-water system which can be activated depending on the situation in order to maintain the condition of a plant and control inside temperature and humidity. Also the cylindrical shape can fully capture the natural light by 365°angles from glasses, and it can correspond to plant growth by having the series’ largest scale of height. Fans on the ceiling play a role of wind, and a plant can listen music from the waterproofed speakers. The machine takes in essential elements – rain, wind, light and sound – by artificial means and completes a small world where its ecological cycle is condensed. It enables us to admire the beauty of the plants by not being affected by external environment.
“The inspiration for my ceramic sculpture is the natural world around me. I moved to Louisiana 15 years ago from Michigan and since that time have used my observations and love of gardening as my library of forms. I equate the care and time needed to have a healthy garden to human relationships that also require nurturing and protecting to flourish[…]”
Drawers
Nikki Pressley’s work is concerned with examining and disrupting the narratives associated with personal and collective history, language, belief and memory. She is interested in interpretations of time and space that are malleable and destabilising in relation to humanity and self. The work consists of drawings, sculpture, projection, design and organic materials that function as contemplations on these various ideas, often creating broad relationships from project to project.
growth table
Mathias Bengtsson developed unique computer software seven years ago to quickly design prototypes. Its initial intention was not to simply use a particular technology and deploy its possibilities, but to use it as a tool for the imitation of nature and natural forms. Such design software can, according to Mathias Bengtsson, be compared to the growth of a plant whose machine somehow registers the genetic code to calculate its final form. Mathias Bengtsson only has to guide this development to obtain the desired shapes.
Dark Matter
“Dark Matter” is a series of combined, sculptural objects modeled in Maya and 3D printed to form humorous juxtapositions.; The objects chosen for the first series are the objects/things that are forbidden or un-welcome in Iran by the government. The objects that in many other countries people use or own freely but under Iranian government laws (for several reasons) are forbidden or discouraged to use.
Pow2045
The mathematical construct covers the human body, yet sets a contrast to organic shapes in its accuracy and mechanical precision. This kind of visual contrast can be understood as a visual representation of human computer difference and reveals core features of both – man and machine. A characteristic foundation to design the dialogue of “POW 2045″
four-g
Moving atmospheres
Moving Atmospheres, the tenth Garage Atrium Commission curated by Iaroslav Volovod, is a partially mirrored sphere suspended in the air, propelling us towards an Aerocene epoch. We call towards this new era with Aerocene. For more than a decade we have been imagining a world free from the carbon, extractivism, capitalism and patriarchy that fuels some forms of life, a new way of being with the atmosphere and emissions-free travel, free from solar panels, lithium, helium, hydrogen and fossil fuels. This new era stands in stark contrast to the lingering eco-traumas of the Anthropocene, the current geological age in which some human capitalistic activity has been the dominant influence on climate and the environment.
Vocal Trio
FILE FESTIVAL
“Vocal Trio,” which consists of three musical instruments, transforms the voice of a singer or a speaker received through a mike into a sound of each musical instrument while maintaining the same rhythm and musical scale. A pipe horn, which looks like a long trumpet or pipe, makes a deep and low-tone horn sound. A water bell, which looks like a water drop, makes a clear bell-sound, and a leaf flute, which looks like a leaf, makes a reed pipe sound. The spectator’s voice is transformed into the sound of a musical instrument by means of a microcontroller chip. The microcontroller chip of each musical instrument makes a sampling of his or her voice’s frequency. A sampling of the voice made through frequency data is sent to midi chips, which transform it into the sound of a particular musical instrument and the sound is released through the speakers.
