Keith Lam
Heliocentric
“Heliocentric” is a lighting sculpture represents the movement of universe. It dialogues to its history (from temple to school to creative hub) and its functionality (welcoming people connect and learn the universe)
With the lighting arrangement, kinetic movement of the light, and the performer , it shows the relationship between universe, knowledge and human.
Tzu-Huan, Lin
via highlike submit
Matthias Lohscheidt
Evolution Of Silence
作品「EvolutionOfSilence」は、人工生物が住む仮想世界を描いています。各クリーチャーは、そのDNAによって定義されたトーンを作成し、ホログラフィック投影内の光線によって視覚的に表されます。これらの生き物の個体数は、進化的アルゴリズムで着実に進化しています。
仮想世界は、環境条件として聞こえないキーを提供します。クリーチャーのトーンがキーにフィットするほど、トーンの音が大きくなり、光線が強く広くなり、他のクリーチャーにとって魅力的で長生きします。したがって、他の生き物と交配することで多くの子孫を生み出すことができます。ただし、逸脱したトーンは静かで、光線が非常に薄く、比較的早く消滅します。
このようにして、世界の人口は、不調和で混沌としたサウンドスケープから調和のとれた構造へと進化し、環境によって提供される鍵にますます適合します。
2〜3分後、環境キーがランダムに変化し、サウンドスケープはすぐに再び混沌とします。人口は数世代にわたってこの新しい環境に適応します。
ERNESTO NETO
ЭРНЕСТО НЕТО
ارنستو نيتو
埃内斯托·内图
ארנסטו נטו
エルネスト·ネト
어 네스 토 네토
SRULI RECHT
Masked – In Flight
“Masked in Flight” is a project by Iceland’s Sruli Recht that studies what kind of masks air travelers might wear — travelers that wanted to look like serial killers and creepy stormtroopers, that is. Would you feel comfortable on a plane with the person next to you wearing something like this?
Nathan Shipley
Dali Lives
Using an artificial intelligence (AI)-based face-swap technique, known as “deepfake” in the technical community, the new “Dalí Lives” experience employs machine learning to put a likeness of Dalí’s face on a target actor, resulting in an uncanny resurrection of the moustacheod master. When the experience opens, visitors will for the first time be able to interact with an engaging life-like Salvador Dalí on a series of screens throughout the Dalí Museum.
JIMMIE DURHAM
지미 더햄
ג’ימי דורהאם
吉米·达勒姆
جيمي دورهام
KRISTA VAN DER NIET
Криста ван дер Ниет
The work of Krista van der Niet emerges from a dreamlike state of mind, whereby her imagination brings the things around her to life. She seems to glide along the lightness of things and grasps the beauty of the pure object. During the making process objects gain a metaphysical layer of meaning. She is the guiding factor for the viewpoint of her audience, in order to convey her perception. At this moment the sculptor becomes a photographer and you stand still together with her.
JIM CAMPBELL
led-explosion
“Jim Campbell (b1956) is a San Francisco-based artist who has embraced the connections of light, space and time, as few others have. He uses LED technology and his skills in electrical engineering to masterfully achieve what Andrei Tarkovsky called “sculpting in time”. He introduces the illusions and our minds complete them.” DARRAN ANDERSON
Valentin Ruhry
Hello World
Yihan LI
The design of a global atmospheric research center employs the sphere for both its iconic and volumetric qualities. . .
A set of spheres are repeatedly scaled, each tangent to the last, and dissected by orthogonal cuts to create distinctive spaces with both soft and hard thresholds that suit the unique functions of each program. The complex contains: simulation laboratories; a research lab; control center; administrative offices; auditorium; and maintenance and public spaces. Users enjoy a binary experience when inhabiting the convex and concave surface of the spheres as they circulate between them in a spiral manner. The contrast between orthogonal and spherical, in addition to material and atmospheric transformations, reflects and celebrates the nature of the building as a research institute studying the air of the future.
MARCONE MOREIRA
Banzeiro
Claire Morgan
КЛЕР МОРГАН
كلير مورجان
克莱尔·摩根
クレア·モーガン
클레어 모건
Bound
In meiner Arbeit geht es um unsere Beziehung zum Rest der Natur, die durch Vorstellungen von Veränderung, Zeitablauf und Vergänglichkeit von allem um uns herum erforscht wird. Für mich steht die Schaffung scheinbar fester Strukturen oder Formen aus Tausenden von einzeln aufgehängten Elementen in direktem Zusammenhang mit meiner Erfahrung mit diesen Kräften. Es gibt ein Gefühl der Zerbrechlichkeit und einen Mangel an Solidität, der alle Skulpturen durchdringt.
RAF SIMONS AND PETER JELLITSCH
Peter Jellitsch (born 1982) operates at the intersection of science and art. His research-based practice develops in a complex process, in virtual and analogue worlds. His main concern is the visualisation of what is in fact invisible, of virtual phenomena and structures existing in everyday life yet imperceptible to the human eye. Peter Jellitsch is an exponent of a young generation whose perception of reality has undergone a radical change, due to new technology, and who quite naturally spread out their fields of work and ideas in new dimensions.
LAB[AU]
f5x5x5
f5x5x5 is a kinetic light sculpture conceived of and realized by the belgian design studio lab[au]. the project was most recently installed in the basilique de saint denis in paris for nuit blanche 2009. the design consists of fixed and kinetic aluminum frames that can move randomly or be programmed for use as a low resolution display. the piece is designed as a framework, taking inspiration from software development
frameworks. in the case of the project, the framework is a five by five module which is repeated five times to create the final form. one side of the work is white, while the other is black. the 125 pixel screen works on binary language and can transform captured data from the physical environment into kinetic actions.
Ni Haifeng
Ni Haifeng – No-man’s Land
