brigitte niedermair
brigitte niedermair
(Chalayan)
ELECTRONICOS FANTASTICOS!
Barcodress/Barcodance
ELECTRONICOS FANTASTICOS! Il progetto ha reincarnato vari dispositivi elettronici di consumo in pensione come strumenti musicali come Electric Fan Harp, CRT-TV Drums, Air Conditioner Harp ecc. La band li suona catturando le onde elettromagnetiche. Il progetto Barcodress mira a creare il nuovo tipo di performance di danza. Gli abiti che hanno registrato suoni come motivi a strisce, i ballerini e gli artisti che scansionano gli abiti, insieme creano onde sonore elettriche in tempo reale. Espandendo i principi della registrazione e riproduzione del suono al corpo, esploriamo nuove possibilità per l’espressione della musica e della danza.
Marte Marte Architekten
State Gallery
Like a dancing cube shimmering in titanium, the new State Gallery of Lower Austria is placed between the picturesque inner cities of Krems and Stein, and links these with the surrounding natural and river landscape. The spherical curvature and the strongly outward-projecting external walls presented a challenge: titanium shingles and glass panes were individually produced, having been calculated in 3D. Inside, light-flooded areas alternate with daylight-free levels that can be used as required. The project is a strong illustration of the capabilities of the Vorarlberg architectural practice of Marte.Marte.
STUDIO DANIEL CANOGAR
Fulguraciones
Fulgurations es una instalación generativa compuesta por una serie de pantallas LED que muestran un contenido en constante mutación. Responde a un algoritmo diseñado por Studio Daniel Canogar, inspirado en la actividad celular y otros tipos de comportamiento colectivo y patrones de la naturaleza. El código que rige estas imágenes utiliza el principio computacional de los autómatas celulares, desarrollado por el matemático John von Neumann. La lógica de este sistema funciona a través de la influencia de unidades vecinas, lo que provoca un comportamiento colectivo en la cadena con un alto valor estético.
QUBIT AI: Paul Gründorfer & Leonhard Peschta
The Sea
FILE 2024 | Installations
International Electronic Language Festival
The Sea is an extraction of a complex natural phenomenon, resulting in an artificial emulation that develops a life form of its own. Just like the sea with its endless waves, this artificial system follows the impact of an immersive state, leading to a unique vision of an artificial generator. Despite appearing chaotic, it is capable of generating associations ranging from the movement of waves to science fiction scenarios.
Bio
Paul Gründorfer develops process-related systems and explores variable or unstable conditions in the occurrence of sound when exposed to amplification, feedback, and multiple signal streams. His works focus on processes that evolve in a social space. Leo Peschta is an artist and researcher. During his studies, he worked in various fields of media arts, including sound, installations and software, developing over the years a special interest in robotics and machinery.
Credits
Austrian Embassy
DDiArte: Diamantino Jesus and Zé Diogo
Bodies Talking
EBBETO
ANALOG
What if… a mechanical “God” created Adam and Eve?
ANALOG tells the tale of a machine traveling in deep-space which has as a primary function the preservation of a living organism: a man. Strange events with biblical analogies begin to occur, disturbing the machine and making it rethink it’s priorities.The film was made under an extreme low-budget condition and was only made possible due to the dedication of a hand full of people that believed in the project and gave their hearts and souls to make it come to life.
To them, all my respect and gratitude.
YUNCHUL KIM
Impulse
The Cascade Project explores matter by capturing the pattern of muons: i.e. electrically charged subatomic particles. It does so through an installation comprised of three live elements: a muon detector; a complex assemblage of pumps; and an arrangement of tubes through which fluid flows. When muons are detected, a light and connected pumps are activated, triggering the movement of an uncanny, viscous fluid through the sculptural system.
Shirana Shahbazi
抽象化と表現を交互に繰り返すShahbaziの鮮やかな色の写真は、デジタルツールを使用せずに、鮮明なスタイルの商業スタジオ写真で作成されます。彼女の抽象的な構図を作るために、彼女は塗装された台座やその他の幾何学的なボリュームを写真に撮ります。時々彼女は同じオブジェクトの複数の画像を作成し、露出の間にボリュームを回して、表面と深さの間に動的な相互作用を作成し、幾何学的な色とパターンの豪華なフィールドを作成します。 Shahbaziは彼女の写真を驚くべき組み合わせで配置します。ここで彼女は、ギザギザの山々の硬いエッジと飛行中のダイバーの正確な形と抽象的な幾何学を並置します。 Shahbaziのアレンジメントは、さまざまなジャンルの写真の類似点を強調し、外側と内側、有機的なものと製造されたもの、自然と構築された風景の間の構造的な類似点を示しています。彼女の写真は、さまざまな媒体に翻訳され、表示されるたびにさまざまなグループに配置され、新しい反復ごとに視聴者の認識とは異なって再生されます。 Sharina Shahbaziは、1974年にテヘランで生まれました。彼女はドイツのFachhochschuleドルトムントとチューリッヒのHochschulefürGestaltungundKunstで写真を学びました。 Shahbaziはチューリッヒに住み、働いています。
edoardo tresoldi
Limes
Edoardo Tresoldi plays with the transparency of mesh and with industrial materials to transcend the time-space dimension and narrate a dialogue between Art and World, a visual summary which reveals itself in the fade-out of physical limitations. Mixing classical and modern language, he generates a third one, strongly contemporary.
Reena Spaulings
The Bricks
Luisa Whitton
Asuna (android)
A- Lab, Tokyo
Luisa Whitton is a multidisciplinary artist working in photography, text, and video. Guided by an interest in portraiture and technology, her practice involves extensive research into the power and implications of anthropomorphising technology and its precarious relationship to the uncanny.
Rasa Smite & Raitis Smits
Swamp Radio
Swamp Radio gets beyond our anthropocenic reality, and maintains connections between the humans and other species. By artistic interventions and transmitting interfaces, the Swamp Radio is turned into a social media megaphone for invisible and inaudible actors of nature. The artists are installing microbial fuel cells, environmental monitoring sensors and transmitting devices to transform the swamps into dynamic power plants and the 21st century multi-voiced broadcast media.
Tine Bech Studio
The Kinetic Storyteller
The Kinetic Storyteller is a playful environment for social interaction consisting of a pair of swings next to each other. As participant swings on a structure, they are connected to the twitter stream of the networked landscape around them. With each kinetic swing rotation, new messages tagged with specific hashtags are presented on three large screen situated in front and to the sides of the participants.
Max Grüter
Sitzender
GRINDER-MAN
Mirage
“MIRAGE” is the first performing art ever in the world to experience with immersive. This experience reminds us that we generate ourselves at each moment in our highly subjective ambiguous world. Unlike the general performing arts for the several audiences, “MIRAGE” is generated by the interaction of the two dancers and the one participant. As the participants, you are invited into an 8 minute immersive experience, using a head-mounted display fitted with headphones and a camera to capture live scenes. While unaware of the participant, dancer in front of the eyes is changed over to the dancer that has been recorded in advance. In addition, by overlapping the live scene and recorded ones, participants will experience simultaneous past and present. It is very difficult to tell which dancer is really existing or which is not. Each participant will be required to discover their own “reality”.
