TOMÁS SÁNCHEZ
توماس سانشيز
托马斯·桑切斯
토마스 산체스
QUBIT AI: Dallaserra Maxime
Journey of Life
FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Dallaserra Maxime – Journey of Life – France
Journey Of Life was triggered by the death of the artist’s grandmother. There is a message of resignation and optimism in the face of adversity in this work. However, he decided to portray the life of a young man in a futuristic city. The video is rich in details. The strength of artificial intelligence lies in its ability to allow this profusion of images, which would otherwise require the artist an incomparable amount of time to produce.
Bio
Maxime Dallaserra is an electronic music composer who always wanted to produce a comprehensive audiovisual work. In addition to his music creation activities, he managed to create live shows with video projections, accompanied by a team. At the same time, he began broadcasting his creations. With the arrival of artificial intelligence, he found ways to enhance and realize his artistic vision, leading to the creation of Journey of Life .
PO TING LEE AND MAARTJE DIJKSTRA
Obstruction
OBSTRUCTION – это проект в области высоких технологий и перформанса, созданный художником-перформансом По Тингом Ли (TW) и модельером Маартье Дейкстра (Нидерланды). Платье, созданное для танцовщицы, ставит под сомнение, всегда ли технология является положительной вещью. как черно-белая проекция. Когда платье касается темных частей выступа, из платья будут выходить палки, которые мешают танцору двигаться. Когда он попадет на свет, палки войдут внутрь, и вы снова сможете двигаться.
Eirik Branda
Dravb
dravb consists of an 8×8 LED matrix and two proximity sensors. It uses two ESP8266 microcontrollers as ADCs to map hand movement to the matrix, but could also be used for musical purposes. I wanted it to have the look and feel of an old analog computer, with a clunky interface and dubious visual feedback.
YUKI ITODA
Banana Girl
BILLY KIDD
比利·基德
Billy Kidd, 1980, USA, is a fashion, portrait and celebrity photographer. He grew up in Phoenix, Arizona but currently works and lives in Brooklyn, New York. Since 2007 he has been shooting commercial and editorial work. In 2010 his images of Paul Dano were selected for the PDN Faces contest aswell as the shots of Pharrell Williams and NERD for PDN’s The Look contest. Billy’s images are soft and rough at the same time, it is young, edgy and rebellious.
c-lab
Tech Camouflage: Anti-Facial Recognition.
Model: Kim Jeong Eun
In order to help understand the main discourses covered by the project and to explore various interpretations on the theme of * c-lab 1.0, ‘Beauty, familiar familiarity’, we conducted a “Technology camouflage: anti-facial recognition technology make-up workshop” as a linked program. . Recognizing that facial recognition technology that is widely used with the generalization of smartphones and SNS can also be used as a way to monitor and control individual freedom, as a new form as an alternative to protect personal privacy from such technologies This is a workshop program that has practiced make-up and hairstyle.
Alexander Ponomarev
Punto di vista
Ex marinaio della flotta sovietica, poi ufficiale della marina mercantile, ingegnere di formazione, dai primi anni novanta comincia a dare vita a seducenti invenzioni che si collocano al limite tra arte e tecnologia. Le opere di Ponomarev – le sue azioni, installazioni, disegni, fotografie – hanno una forza concreta, dinamica ed icastica che si manifesta sempre attraverso azioni complesse e articolate nel tempo. Nel suo lavoro la lotta contro gli elementi naturali, il perfezionamento continuo della tecnica e le reazioni alla forza del caso si costituiscono in Avventura. L’arte di Ponomarev è Avventura allo stato puro. Non ha nulla di istantaneo, immediato, di breve durata, ma trasforma la realtà nel tempo. In esse è inscritto un senso del tempo come avventura che modifica la stessa percezione del mondo e il corpo dello spettatore, che si sente proiettato in una dimensione finzionale dinamica, articolata, avventurosa.
Joachim Rotteveel
Vision Machines
“Vision Machines is all about tools that force people to look at art. In my current research on using robots to look at art, I question how people look at art. Is it possible to force someone to really see a work of art? Must a viewer be open to a subject to be critical and enjoy a painting? Such questions arise from the current debate on whether a work of art can only be meaningful for people who want to delve into it.”
suh architects
habitats
WMB Studio
Sling Swing
KOEN HAUSER
Amethyst
Amethyst initially was created as a site-specific installation with images and sound. Slowly dissolving slides reminisce the process of decay. The automated slideshow is projected in a dimly lit but richly decorated room, the visual style of the imagery referring to fashion photography. I created this work on the occasion of Salon/1, by whom I was invited to show my work in Museum van Loon during the Amsterdam Fashion Week 2010.
NONOTAK
ZERO POINT TWO V2
NONOTAK est un projet de studio créatif fondé par l’ancienne artiste visuelle Noemi Schipfer et l’ancien architecte-musicien Takami Nakamoto qui a été conçu fin 2011. NONOTAK travaille avec des installations lumineuses et sonores et des pièces de performance pour créer des environnements éthérés, immersifs et oniriques qui sont construits pour envelopper , défie et stupéfie le spectateur en capitalisant sur l’approche de Nakamoto à l’espace, la lumière et le son et l’expérience de Schipfer avec des dessins visuels et géométriques cinétiques. Il en résulte un duo qui crée des pièces qui associent lumière, son et espace afin d’offrir au public une expérience visuelle et sensible unique.
Objective Realities
automato.farm
FILE FESTIVAL 2018
As things become smarter and connected, their roles in people’s lives are challenged. Things become closer and closer to us, eventually becoming “users” themselves. How will we understand objects’ needs and perspectives and potentially design for them?
Philippe Grammaticopoulos
The Bellies
In a very industrialized world, where humans only eat transgenic food, some plates make for surprising dishes… This story is a thought about our epoch, an ironic and critical vision of the food-processing industry. The agribusiness uses the scientific progress to make a profit, to the detriment of the public health. The story finds a place in a world polluted and denatured by experiments, where all men eat only giant snails. In this context, a man explores a giant empty shell which becomes the gate of hell.
SUN YUAN AND PENG YU
Non posso fare a meno di me stesso
Costruito con un braccio robotico industriale Kuka, “Can’t Help Myself” è programmato per fare una cosa: contenere un liquido viscoso di colore rosso intenso all’interno di un’area fissa. Quando la sostanza simile al sangue si accumula troppo, questo attiva i sensori del robot facendo ruotare, flettere e spostare il liquido al centro, lasciando dietro di sé schizzi e macchie.
JOSEP PONSATI
Inflatable
