BAUMGARTNER+URIU
Performance Center Alexanderhoehe
Oliver Laric
Betweenness
“Installed in the main gallery is Betweenness (all works 2018), a video montage that sorts the natural world, including a few humans, into simple, line-drawn motion graphics. There’s a frolicsome quality to the animations: when the animals move, grow, shift, and, quite literally, evolve, the scenes appear to follow a playful intuition, rather than exhibiting any scientific fact.”more…
Anne Guiton
Oulipo
Typographie murale
GEORGE CHAMOUN
乔治·夏蒙
ジョージ・シャモン
FRANCOISE GAMMA
American Fantasy Classicsは、バルセロナを拠点とするアーティスト、フランソワーズガンマの作品を発表できることを嬉しく思います。 ウェブベースのグラフィックスの初期から美的に描かれたガンマの低解像度の幻覚は、暴力とエロティシズムの独特の催眠パルスを特徴としています。
珍しいクリスタルと秘密のレーザーの力を利用して、魅惑的なアニメーションは彼の最初の個展のためにサイバースペースの荒野から発掘されました。
ガンマの作品は、ロンドンのテートモダン、ロッテルダムのボイマンスヴァンベーニンゲン美術館、ベルギーのBOZAR、メキシコシティのスルマヤ美術館などでのグループ展で国際的に紹介されています。
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EDWIN VAN DER HEIDE
LSP
LSP ist eine Forschungsbahn, die die Beziehung zwischen Ton und dreidimensionalem Bild mittels Laserprojektion untersucht. 1815 beschrieb Nathaniel Bowditch einen Weg, visuelle Muster zu erzeugen, indem eine Sinuswelle für die horizontale Bewegung eines Punktes und eine andere Sinuswelle für die vertikale Bewegung dieses Punktes verwendet wurden. Die Form der Muster hängt von der Frequenz- und Phasenbeziehung der Sinuswellen ab. Die Muster sind als Lissajous-Figuren oder Bowditch-Kurven bekannt.
LSP interpretiert Bowditchs Arbeit als möglichen Ausgangspunkt für die Entwicklung von Beziehungen zwischen Ton und Bild. Da Sinuswellen auch zur Erzeugung reiner (hörbarer) Töne verwendet werden können, ist es möglich, eine direkte Beziehung zwischen Ton und Bild herzustellen. Frequenzverhältnisse in Ton, Verstimmung und Phasenverschiebung können ein direktes visuelles Gegenstück haben.
Tomàs Saraceno
Aerocene
Geboren uit collectieve bezorgdheid over de impact van klimaatverandering, benadrukt de permanente installatie Movement, gemaakt door Tomás Saraceno met Aerocene voor Ruinart, de urgentie van de klimaatuitdagingen waarmee we worden geconfronteerd en roept ons op om de lucht van fossiele brandstoffen te bevrijden. Een verschil van één graad tussen de omgevingslucht en de lucht die in het Aerocene is opgesloten, is voldoende om het opblaasbare aerosolar-beeldhouwwerk in de lucht te laten vliegen. In de Champagne-regio verstoort een opwarming van het klimaat met één graad het natuurlijke rijpingsproces van de druiven, een andere zichtbare markering van veranderende temperaturen.
Ong Kian-Peng
Particle Waves
“Particle Waves” is a kinetic sound sculpture comprising of a 4×3 grid of 12 individual kinetic bowls. Within each bowl contains tiny metal beads of various sizes, creating “noises“ as the bowl rotates in various angles. The noise from a single bowl forms collectively to become a soundscape, reminding us of waves and oceans. The bowls are arranged in a 4×3 grid and controlled as a whole by a microcontroller running a wave algorithm. This creates a continuous wave-like kinetic motion over the grid, at the same time creating a spatialized soundscape. This installation is a continuous attempt of exploring the correlation between sound and nature.
Maywa Denki
Uo-No-Me
Harm Van Den Dorpel
Michael Jackson and Bubbles
Eirik Branda
Dravb
dravb consists of an 8×8 LED matrix and two proximity sensors. It uses two ESP8266 microcontrollers as ADCs to map hand movement to the matrix, but could also be used for musical purposes. I wanted it to have the look and feel of an old analog computer, with a clunky interface and dubious visual feedback.
ELECTRONICOS FANTASTICOS!
Electro-Magnetic Band
Barcodress/Barcodance
ELECTRONICOS FANTASTICOS! project has been reincarnating various retired consumer electronics as musical instruments such as Electric Fan Harp, CRT-TV Drums, Air Conditioner Harp etc. The band plays them by catching electromagnetic waves. The Barcodress project aims to create the new kind of dance performance. The clothes which recorded sounds as striped patterns, and dancers, and the performers who scan the clothes, together make electric sound waves in real time. By expanding the principles of sound recording and playback to the body, we explore new possibilities for music and dance expression.
RAMONA ZORDINI
有种赤裸的感官刺激叫做呼吸困难
Daniel Ramos Obregón
OUTROSPECTION
This project has taken as a starting point the concept of “Outrospection” initially introduced by philosopher Roman Krznaric, where he proposes that in order to know oneself one must live towards the outside, it is be experiencing life that one discovers and shapes oneself. I have appropriated his concept while relating it to out-of-body experiences more commonly known as astral projections, by seeking to represent -in a metaphorical way- the mind being projected inside out of the body as a way of self-expresion and representation.
isabel berglund
Graduate of the Danish school of design and the Central Saint Martins College of Fashion and Textile in 2000, Isabel Berglund, having already exhibited around the world, is now one of the creative artists who makes use of knitting in contemporary art. Using knitted wool to create sculptures, she creates archaic memories with the mesh, sometimes incorporating clothing fragments so you can curl up in the sculptures and experience the inside. An experimental space where human and material boundaries merge in a knitted web of emotion, her work puts the poetic insight of a child at our fingertips.
HAJIME MASUBUCHI AND THOM FAULDERS
Meshwork Facade
Peter Buczkowski
Echo Echo
Echo Echo è un’installazione multimediale interattiva che utilizza gli assistenti virtuali per creare un eco digitale. Attivato dall’interazione umana, ogni dispositivo ascolta il suo predecessore e risponde di conseguenza. Nel corso di questa eco digitale, l’input originale diventa sempre più alienato. Simile al gioco Telephone (tedesco: Stille Post), le informazioni che riceviamo alla fine molto spesso non hanno nulla a che fare con il messaggio originale. Il lavoro è un approccio giocoso e un commento su uno dei problemi più grandi delle nostre attuali vite digitali.
