highlike

DOMINIC WILCOX

دومينيك ويلكوكس
多米尼克·威尔科克斯
דומיניק וילקוקס
ドミニク·ウィルコックス
Доминик Уилкокс

ANA TERESA BARBOZA

آنا تيريزا باربوزا
АНА ТЕРЕЗА ​​БАРБОСА

Ana Teresa Barboza mixes embroidery and drawing within her collected works. Using the fur of animals as a perfect leeway for her stitching technique, Barboza layers thin strips of string expertly to imitate the texture of a creature’s fur. While animals and vegetation are richly detailed in her works, she chooses to display her human subject matter as basic, black stitched figures or graphite drawing. The end result is a texturized feast for the eyes.

SPENCER TUNICK

斯宾塞图尼克
سبنسر تونيك
ספנסר טוניק
スペンサーチュニック
СПЕНСЕР ТУНИК

JOSHUA CITARELLA

Sunburn Ultraviolet Archetypes

For Citarella, objects are sites of dissimulation, never quite what they seem. When taken as a whole, aspects of his solo debut can appear overly oblique, but his work has a refreshing lack of archness that stands in contrast to that of many of his so-called post-Internet contemporaries. Instead, Citarella seems fully committed to the pristine surfaces made possible by modern technology, discovering there a kind of transcendent blankness bordering on the spiritual.
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Ryota Matsumoto

First Subtle Sign of Evolving Drones

Architecture, Art & Design – Ryota Matsumoto’s drawings develop and demonstrate the hybrid/multi-layered process where varying scale, juxtaposition of different forms, intertwined textures/tones are applied to reinvent and question the spatial conditions of architectural drawings. His work explore a hybrid drawing technique combining both traditional media (ink, acrylic, and graphite) and digital media (algorithmic processing, scripting and image compositing with custom software ) .
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LILIBETH CUENCA RASMUSSEN

Through photographs, sculpture, video, song, costume and performance, Cuenca explores the fragile structure of political hegemony and patriarchal domination.

JUDY PFAFF

朱迪·普法夫
She mainly created installations but what caught my eye was her paintings. She uses alot of textured materials in both he installations and paintings. Her installations are big scaled pieces that take control of the room there in.

BIG ARCHITECTS

المهندسين المعماريين كبيرة
큰 건축가/
אדריכלים גדולים
VM Houses

nonotak

SILHOUETTES
SILHOUETTES is a dialogue between space and light. Dots become lines, lines become curves. Directions and trajectories are drawn, space become oriented and is set in motion. Space is not vacuum, literally, but it becomes matter and it starts dancing in a field of shadow and light..

SHEN WEI

Tradiciones de la primavera
“Después de escuchar repetidamente la partitura arquetípica de Stravinsky, identifiqué varios sistemas corporales y creé un vocabulario de movimiento que coincidía con la calidad de la música tal como la escuché”. – Shen Wei

JAMES TURRELL

جيمس توريل
詹姆斯·特瑞尔
ג’יימס טורל
ジェームズ·タレル
설치작품 제임스 터렐
Джеймса Таррелла
Bindu Shards
Bindu Shards is a “fully immersive visual and auditory work to be experienced by one person at a time.” One is strapped down and sealed in for 15 minutes in this white chamber and exposed to monotone sound and color.

UVA UNITED VISUAL ARTISTS

Tolles Tierorchester
Die Fondation Cartier lud United Visual Artists ein, an der Ausstellung The Great Animal Orchestra mitzuarbeiten, in der die Arbeit des Musikers, Bioakustikers und Wissenschaftlers Bernie Krause gefeiert wird. Krause zeichnet seit 45 Jahren Tiere auf und hat eine Sammlung von mehr als 5.000 Stunden Klängen von über 15.000 einzelnen Arten in ihren natürlichen Lebensräumen aus aller Welt zusammengetragen. Der kreative Ansatz von UVA verband die verschiedenen Elemente des Ausstellungsinhalts im gesamten Kellerraum – Klanglandschaften, Spektrogramme und Kunstwerke – zu einer zusammenhängenden, eindringlichen Erfahrung, die Krauses Aufnahmen dreidimensionalisiert und Szenen aus der Natur vorschlägt. Die Spektrogramme bilden eine abstrakte Landschaft, eine Interpretation der verschiedenen globalen Orte und Tageszeiten, zu denen Krause die Originalaufnahmen auf eine Weise gemacht hat, die das Publikum einhüllt und es ermutigt, im Raum zu verweilen.

So Kanno

Lasermice
“Lasermice” is a swarm robotic installation that consists of 60 small robots, which inspired by synchronous behavior from insects like fireflies. Normally network of swarm is invisible, But in this case those robots creates visible network via laser light – photodetector communication. As a result, they generates rythme that continuously changing. The generated rhythm is made audible by solenoid which strikes floor. Combination of visible network and audible rhythm are deployed spatially.