Peter Buczkowski
ECHO ECHO هو تثبيت تفاعلي للوسائط المتعددة يستخدم مساعدين افتراضيين لإنشاء صدى رقمي. يتم تفعيل كل جهاز بالتفاعل البشري ، حيث يستمع كل جهاز إلى سابقه ويستجيب وفقًا لذلك. على مدار هذا الصدى الرقمي ، تصبح المدخلات الأصلية منفرة بشكل متزايد. على غرار لعبة الهاتف (الألمانية: STILLE POST) ، غالبًا ما لا علاقة للمعلومات التي نتلقاها في النهاية بالرسالة الأصلية. العمل هو نهج مرح وتعليق على واحدة من أكبر المشاكل في حياتنا الرقمية الحالية.
HORIZON of Art and Technology: World Main Events
SIGGRAPH
San Francisco, United States (https://www.siggraph.org/)
ARS ELECTRONICA
Linz, Austria (https://ars.electronica.art/news/en/)
FILE
São Paulo, Brazil (https://file.org.br/)
NOVA BIENAL RIO
Rio de Janeiro, Brazil (https://novabienalrio.org/)
ISEA
Multiple Cities (https://www.isea-international.org/)
STRP
Eindhoven, Netherlands (https://strp.nl/)
ATHENS DIGITAL ARTS
Athens, Greece (https://www.adaf.gr/)
JAPAN MEDIA ARTS
Tokyo, Japan (https://j-mediaarts.jp/)
KIKK
Namur, Belgium (https://www.kikk.be/)
ZKM
Karlsruhe, Germany (https://zkm.de/de)
TRANSMEDIALE
Berlin, Germany (https://transmediale.de/en)
ELEKTRA
Montreal, Canada (https://www.elektramontreal.ca/)
MUTEK
Montreal, Canada (https://mutek.org/)
LUMEN PRIZE
Crewe, Wales (https://lumenprize.org)
Inspired by thetruesize.com
JUSTINE KHAMARA
Жюстин Khamara
NONOTAK STUDIO
DAYDREAM V.02
DAYDREAM is an audiovisual installation that generates space distortions. Relationship between space and time, accelerations, contractions, shifts and metamorphosis have been the lexical field of the project. This installation aimed at establishing a physical connection between the virtual space and the real space, blurring the limits and submerging the audience into a short detachment from reality. Lights generate abstract spaces while sounds define the echoes of virtual spaces. Daydream is an invitation to contemplation. The frontality of the installation leads the visitors to a passive position.
YOUNG-DEOK SEO
Meditation
우리는 마치 거대한 기계의 부속품처럼 서로 맞물려 돌아간다. 부속품이 그렇듯 우리는 자신의 인생에서 조차 주인공이 아닌 변두리의 회색인간으로 하루하루 버티며 살고 있다. 나의 작업에서 쓰이는 체인은 속박을 의미한다. 그 속박은 타의적인 인간관계와 물질에 얽매여 있는 현대인에 삶을 의미한다. 개인의삶은 무시되는 현대사회에서 눈과 귀 입을 닫고 자신의 감정을 억누르며 버티고 있는 우리 인간의 모습을 보여주고 싶었다. 우리는 어디에서도 그것에 대해 표출하고 위안을 받을 곳이 없다. 단지 묵묵히 참고 버티고 있을 뿐… 나의 작업이 그러한 사람들에게 조금이나마 위안이 되길 바란다.
ÉTIENNE-LOUIS BOULLÉE
Cénotaphe à Newton
Boullée promoted the idea of making architecture expressive of its purpose, a doctrine that his detractors termed architecture parlante (“talking architecture”), which was an essential element in Beaux-Arts architectural training in the later 19th century. His style was most notably exemplified in his proposal for a cenotaph (a funerary monument celebrating a figure interred elsewhere) for the English scientist Isaac Newton, who 50 years after his death became a symbol of Enlightenment ideas. The building itself was a 150 m (500 ft) tall sphere, taller than the Great Pyramids of Giza, encompassed by two large barriers circled by hundreds of cypress trees. The massive and spheric shape of the building was inspired by Boullée’s own study called “theory of bodies” where he claims that the most beautiful and perfect natural body is the sphere, which is the most prominent element of the Newton Memorial. Though the structure was never built, Boullée had many ink and wash drawings engraved and circulated widely in the professional circles in 1784. The small sarcophagus for Newton is placed at the lower pole of the sphere. The design of the memorial is intended to create the effect of day and night. The night effect occurs when the sarcophagus is illuminated by the sunlight coming through the holes in the vaulting, giving the illusion of stars in the night sky. The day effect is an armillary sphere hanging in the center that gives off a mysterious glow. Thus, the use of light in the building’s design causes the building’s interior to change its appearance.
SØREN DAHLGAARD
סורן דהלגארד
The Dough Warrior
painting his garden
Ses œuvres intègrent un processus de production gestuelle et performative aléatoire et dynamique, souvent réalisé en présence du public et utilisant le corps de l’artiste dans son ensemble. L’auteur se personnifie dans l’œuvre et vice versa, dans un processus dynamique et intrigant qui subvertit le concept de création de l’œuvre d’art. la nature et les objets du quotidien font partie du processus de création de l’artiste, qui utilise des éléments pour la production de ses œuvres, tels que des plantes, du pain, des ustensiles, des objets décoratifs ou utilitaires qui, alternativement, sont des outils ou se transforment en œuvres d’art . L’hypothèse est de briser le paradigme technique et conceptuel de la production artistique.
YANN MARUSSICH
Remix Blu
Nella sua installazione-spettacolo Bleu Remix, Yann Marussich ritorna a un tema originariamente esplorato in Bleu Provisoire (2001), uno spettacolo in cui un misterioso liquido blu trasuda attraverso gli strati della sua pelle come se fosse l’effetto finale o un sottoprodotto di processi interni del suo corpo. In Bleu Remix, l’artista invita ancora una volta lo spettatore a vivere un viaggio intimo attraverso gli angoli del suo corpo. Ogni volta che lo spettacolo viene eseguito, un musicista (locale) diverso accompagna Marussich. Questo confronto unico e singolare stabilisce una nuova relazione tra il suono e l’immagine. L’incontro dei due artisti porta un elemento di rischio e di unicità all’evento, come se la musica esplorasse ripetutamente lo spettacolo, dando luogo a nuove modalità di percezione.
Oyler Wu
Active Inlays
Oyler Wu Collaborative approaches architecture with a critical and rigorous intent that challenges the typical vision of the built environment. The office relies on the constant exchange between large architectural proposals and small architectural installations..
Janina Rajakangas
canary
Canary (Finnish: kanarialintu) is a bodily fantasy about hypersensitivity. The title alludes to birds that coal miners took down with them to serve as an indicator of the level of toxity in the air. When the bird died, the mine was deemed dangerous for humans as well. In the performance, the bird is replaced by hypersensitive human bodies that celebrate imperfection and confusion.
Stefan Bassing
Spacestream
The project uses generative computational strategies to generate series of special stream paths within 3D space frame, giving it structural stiffness and aesthetic values. The generative algorithm is based on use of multi-agent systems, shortest path calculation, lattice stigmergy and structural analysis. The goal is to create continuously thickened bundle paths within the fuzzy 3D space frame structure, where the bundles double as camouflage and reinforcement for the joints/seams between the welded components, allowing for fabrication of large scale structures, mediating between the discreet components and continuous system.Space Stream is a student project which aims to explore influence of rule-based design systems on low-tech fabrication technique of welding. The research concentrates on wireframe structures, which are strengthened through subdivision of basic geometrical units and bundling and reinforcing of the main structural strands. The custom software used for this project is centered on Dijkstra’s shortest path algorithm in combination with agent-based modeling techniques.
FREDRIK SKÅTAR
vibration mirror
Его художественные проекты следуют морфогенетической концепции – биологическому процессу, который заставляет структуру развивать свою форму. В природе форма создается постоянно меняющейся окружающей средой и приспосабливается к ней. Капля – это источник колец на поверхности воды, межзвездные силы – это параметры, которые определяют положение звезд и так далее. Изображения и скульптуры Фредрика Скатара представляют собой моментальные снимки таких процессов, визуализирующие параметры и происхождение конкретных структур. Архитектура Фредрика Скатара, как и художественные проекты, сосредоточена на подчеркивании цели и происхождения пространственных компонентов. Они, встроенные в систему использования, обладают противоположными свойствами, которые подчеркиваются своими противоположностями. Круглые формы дополняются прямыми, порядок поддерживается хаотичной структурой и т. Д.
KOH MYUNG KEUN
photo sculpture
SAMUEL SAMUEL
Superman Pixel Sculpture
WILLIAM MORTENSEN
وليام مورتنسن
威廉·莫滕森
ויליאם מורטנסן
ウィリアム・モーテンセン
Уильям Мортенсен
GK TECH
GK-0G – Floating Habitat
The GK-0G is the minimum size prototype of a scalable floating installation.
It is composed of five tetrahedral frameworks, its basic structural elements, arranged like sections of an orange. It is enveloped with a cover which acts as an interface between internal and external environments.Flotation is gained by tetra balloons inside the tetrahedral frameworks. As the only choice at this moment, helium is encapsulated inside the tetra balloons made of an impermeable film.This model is meant to verify that it can float and move in the air. It is considered that different degrees of flotation can be gained by combining tetra balloons in different ways.
Yuichi Ikehata
Fragment
CHRISTINA MACKIE
Colour drop
Color Drop, eine Einzelausstellung mit neuen Arbeiten von Christina Mackie, ist die erste Museumsausstellung der Künstlerin in den USA. Im Mittelpunkt der Ausstellung steht die Farbe: die Produktion und der Verbrauch von Farbe sowie die Assoziation von Farbe und Aktion. Mackie verwendet Farbe, um die Absicht sowohl als konzeptionelles Werkzeug als auch als altes menschliches Gerät zu visualisieren. Ihre Praxis ist empirisch, auf Beobachtung angewiesen, wird jedoch durch persönliche Reflexion und Neugier für die natürliche Welt angeregt. Hier werden gefundene und natürliche Objekte neben großformatigen Skulpturen und speziell für die Ausstellung angefertigten Glas- und Keramikarbeiten angeordnet. In dem Essay der Ausstellung schreiben die Co-Kuratoren Solveig Øvstebø und Hamza Walker über Mackies Arbeit: „Ihre Praxis ist relativ bescheiden. Ihre Medienpalette reagiert auf das Wachsen und Abnehmen der Gedanken, Stimmungen, Wahrnehmungen und Sorgen des Künstlers. All dies hängt von der Zeit und dem Ort ab, an dem Mackie sich möglicherweise befindet. Inspiration kann von nah oder fern, von der natürlichen Welt oder der gebauten Umwelt, von den Vertiefungen der Erinnerung oder der buchstäblich vorliegenden Materie kommen. “
XU MING
Коллекция китайского модельера выполнена по всем правилам и стандартам европейской моды от кутюр. Но в то же время полностью основывается на традиционной китайкой символике и неповторимом колорите. Белоснежные драконы обвивают своими причудливыми кольцами хрупкие силуэты девушек-моделей. Китайский модельер Сюй Мин представил интересное сочетание современного стиля и вековых традиций национальных традиций Китая.
FRAUKE THEILKING
generation
DENNIS NEUSCHAEFER-RUBE
The Wizard of Oz experiment
The Videoinstallation “The Wizard of Oz experiment” by Dennis Neuschaefer-Rube shows the movie „The Wizard of Oz“ 5829 times side by side. The movies are arranged in rows from left to right and time shifted by exactly one second each. The video starts at the top left, with the first second of the film and finishes bottom right with the last second of the film. The projection is in a that repeats every 98 minutes.
A computer voice speaks the whole subtitles of the film „The Wizard of Oz.“ in a 68-minute loop.
