Monument collection
Pardi a présenté sa collection de monuments lors du défilé de UEL dimanche, dans le cadre de la Graduate Fashion Week organisée dans la brasserie Old Truman à Londres. Ses vêtements de laine gris sont destinés à étendre des parties du corps pour créer des formes angulaires minimales. Les volumes rigides qui dépassent à l’arrière de chaque tenue sont créés par des feuilles de mousse glissées dans des poches situées sous le vêtement.
Security Though Obscurity
جيمس توريل
詹姆斯·特瑞尔
ג’יימס טורל
ジェームズ·タレル
설치작품 제임스 터렐
Джеймса Таррелла
Aten Reign
Em Aten Reign, a luz natural entra pelo óculo do museu e chega até a camada inferior da composição maciça suspensa. Composta de uma série de cones interligados iluminados com LED, a instalação circunscreve o núcleo de luz solar com cinco anéis elípticos de luz de cores mutáveis que ecoam o padrão das rampas do museu
フセイン·チャラヤン
Чалаян
후세인 샬 라얀
Hussein Chalayan cherche dans de multiples disciplines artistiques de féconds dialogues qui oscillent entre poésie, quête de sérénité et vivacité des mouvements. Il explore constamment de nouveaux champs de réflexion, s’interroge sur l’habit comme sur le corps qui le porte, redéfinit le contour du vêtement comme son rôle social n’oubliant jamais de rappeler que l’environnement tient, dans son travail, une place aussi importante que la recherche formelle.
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volcanic rivers
FLOATING ORCHESTRA
‘floating orchestra’ by london-based poietic studio (richard harvey and keivor stainer) is an unconventional electronic
instrument controlled by iPhone. the orchestra is composed of levitating balls whose physical height determines their volume.
although the studio intends that future renditions of the project are controlled via gestures, in the current model an iPhone
application permits users to adjust the sounds and height and angle of the raising balls.
The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? ” is a book on the mathematics of rhythms and drum beats. It was written by Godfried Toussaint, in order to study rhythms mathematically, Toussaint abstracts away many of their features that are important musically, involving the sounds or strengths of the individual beats, the phasing of the beats, hierarchically-structured rhythms, or the possibility of music that changes from one rhythm to another. The information that remains describes the beats of each bar (an evenly-spaced cyclic sequence of times) as being either on-beats (times at which a beat is emphasized in the musical performance) or off-beats (times at which it is skipped or performed only weakly). This can be represented combinatorially as a necklace, an equivalence class of binary sequences under rotations, with true binary values representing on-beats and false representing off-beats.
imagen: Ethan-Hein-blog
life of brian
The film’s themes of religious satire were controversial at the time of its release, drawing accusations of blasphemy and protests from some religious groups. Thirty-nine local authorities in the United Kingdom either imposed an outright ban, or imposed an X (18 years) certificate.[6] Some countries, including Ireland and Norway, banned its showing, and a few of these bans lasted decades. The filmmakers used the notoriety to promote the film, with posters in Sweden reading, “So funny, it was banned in Norway!”
Santa Conjuncion aleja a los demonios
Fallen Mikey
The Night’s Heat / Awesome Noise
Tim Plamper – The Night’s Heat / Awesome Noise, dessen jüngste Zeichnungen im Frühjahr nicht nur Besucher der Städtischen Galerie Böblingen magisch anzogen, sondern auch auf der Art Brussels für Furore sorgten. Kleopatra ist Inbegriff weiblicher Verführung, und The Nile Song von Pink Floyd kreist um ein Sehnen und Begehren – es wird sich nicht nur lohnen, herauszufinden, was die neuen Arbeiten des Künstlers mit diesen beiden Anhaltspunkten zu tun haben, Tim Plamper wird auch ein mehr als sieben Meter langes und über drei Meter hohes Bild, das nur in den vier Wochen der Ausstellung zu sehen sein wird, direkt auf eine Wand der Galerie zeichnen.
S1 Pendant Light
S1 is an interactive pendant light. Its brightness and height are adjusted according to human presence. Units can be combined to generate dynamic patterns.
