SVEN MEYER & KIM PORKSEN
ソニックウォーター
ソニックウォーターはサイマティックスのインスタレーションです。
サイマティクスは、砂や水などの物質を通して音や振動を視覚化するプロセスです。最初は音がしました cymaticsがそのような強い魅力を発揮する理由は、私たちが「音を見る」ように条件付けられていないからです。 Cymaticsは、聞こえるものの本質を明らかにする魔法の道具のようなものですが、通常は見えません。それを使えば、さまざまな形の自然の原型を再現することができます。ですから、音には形があり、サイマティックスはそれが物質に影響を与えるだけでなく、形を引き起こすことを理解することを可能にします。実際、私たちは音が宇宙自体の形成に根本的な影響を及ぼしたと考えています。しかし、それは別の話です。主に、私たちはこの主題の単純さに魅了されています。必要なのは、音と、水などの非常に基本的な媒体を作成することだけです…まあ、最もクールなサウンドビジュアライザーになる可能性があります（そして私たちの見解では）。
LAMBERTO TEOTINO
L’ultimo Dio
Lamberto Teotino ir dzimis Romā, un 2002. gadā absolvēja Venēcijas Mākslas akadēmiju. Viņš ir specializējies vizuālajā mākslā un viņa darbi pārsvarā balstās uz attēlu pētīšanu. Pēta valodas attīstību padziļināšanos, lai to pielāgotu jauniem tehniskajiem instrumentiem. Pēc Teotino uzskatiem, objekta pētīšana piedāvā konceptuālu iznākumu, kura vienā pusē atrodas vēsturiskās un psiholoģiskās īpatnības, bet otrā pusē – zinātne.
arata isozaki
أراتا إيسوزاكي
이소자키 아라타
矶崎新
АРАТА ИСОДЗАКИ
qatar convention center
Arata Isozaki’s initial concept was based on the holy Islamic Sidra Tree, which symbolizes the end of the seventh heaven. Huge steel columns create a tree-like appearance and an illusion of two trees supporting the roof canopy. The columns of the building grow from two concrete bases along the façade and divide into four branches. These have octagonal cubes as structural cores.
Liam Johnson
Liam was chosen for the scholarship by lead designer at Alexander McQueen, Sarah Burton. He spent his year in industry in Paris, working at Maison Margiela under John Galliano, working personally with the designer on both the artisanal and ready-to-wear collections. As a designer, his own collections often centre upon alternatives to normal fashion and instead offer remodelled silhouettes, bright colours, unexpected textures and sculptural, exaggerated forms.
SHINICHI MARUYAMA
신이치 마루야마
Шиничи Маруяма
Yamaha & Kaiji Moriyama
Mai Hi Ten Yu
Yamaha artificial intelligence (AI) technology enabled the world-renowned dancer Kaiji Moriyama to control a piano by his movements. The AI adopted in the system can identify a dancer’s movement in real time by analyzing signals from four types of sensors attached to a dancer’s body. This system has an original database that links melody and movements, and, with this database, the AI on the system creates suitable melody data (MIDI) from the dancer’s movements instantly. The system then sends the MIDI data to a Yamaha Disklavier™ player piano, and it is translated into music.
Eric Klarenbeek, Designer of the unusual
Eye Jewellery
Eric Klarenbeek does special projects, or let’s say the unusual, for unusual people, projects or purposes. His studio connects creatives, designers, local crafts and clients by inventing new projects and products and believing our world can be so much better, more beautiful and honest. “My work is characterized by interaction and innovation. My products can be in motion, react on our presence or respond on developments in our society. I search for new meaning and principles in objects, for unexplored connections between materials, production methods, makers and users. Scale and appliance are irrelevant. I’ve designed jewellery, but also developed concepts to connect tourists to local craftsmen”, says Eric.
MIA PEARLMAN
Миа Перлман
Peter Pichler Architecture
mirror houses
RASA SMITE & RAITIS SMITS
Atmospheric Forest
Atmospheric Forest is a large scale VR point-cloud installation that visualizes and sonifies the relations between the forest and climate. It reveals the interaction patterns between the pine-tree emissions in Pfynwald, an ancient Swiss Alpine forest, and weather conditions in this valley, effected by drought. The trees do not only produce oxygen, but they are living bodies who breath too. I.e., they emit part of carbon dioxide, sometimes even up to 20 perc. from what they have consumed. When trees die, they release all the carbon they have collected during their lives back into the atmosphere. Atmospheric Forest explores the effects of drought on local forest ecosystems, and how such stress situations influence production of resin and volatile emissions (such as usual pine-tree scent).
kirilian photograph
In 1939, the technique came to be known, in the Soviet Union, under the name “Kirlian effect”, in honor of Semyon Davidovich Kirlian, rediscoverer of the same. The method consists of photographing an object with a photographic plate, submitted to high-voltage and high-frequency electric fields, but with low current intensity. The result is the appearance of an aura, or rather, a “luminous halo” around objects, whatever it may be, regardless of whether it is organic or inorganic.
Olga Klimovitskaya
Escape to virtuality
Con el objetivo de sentirme libre de la objetivación, estaba tratando de escapar a la realidad digital para alienar el cuerpo de la mujer constituida durante la exposición APXIV-24 que participó en la Bienal de Arte Joven de Moscú. En colaboración con Yanzi. Montaje de video por Lika Gomiashvili. Música de Olga Klimovitskaya.
TRISHA BROWN
تريشا براون
트리샤 브라운
トリシャブラウン
Триши Браун
floor of the forest
Trisha Browns Boden des Waldes – teils Skulptur, teils Tanzstütze, teils Performance – wird im Rahmen von Dance / Draw präsentiert und verfügt über einen 12 x 14 Fuß großen Stahlrohrrahmen, über den Seile gebunden und mit gebrauchter Kleidung dicht eingefädelt werden. Innerhalb der Struktur winden und weben sich zwei Tänzer, die sich buchstäblich durch die Skulptur ziehen und ausziehen. Jede Aufführung unterliegt dem Zufall, so dass die Individualität jedes Tänzers, der sie aufführt, ihre Bewegungen bestimmen kann, was bedeutet, dass keine zwei Aufführungen jemals gleich sind.
Antoni Rayzhekov and Katharina Köller
Somaphony
<somaphony> is composed of autogenous electronic objects that respond to stimuli and biofeedback wearable controllers. As it is connected with heart pulse, muscle tense, and movement of performers, real-time audiovisual visual composition is possible. The artist explores interdependence between digital equipment and performers that express behavior and cybernetic(artificial brain) relationship through this project.
GEORGE REDHAWK
جورج ريدهاوك
乔治·红鹰
file festival
Native American GIF artist George Redhawk aka DarkAngel0ne, who is blind, uses them to “see” art. With the help of visual aides and using photo manipulation software designed for the visually impaired, Redhawk creates eerily captivating versions of his favorite paintings and photographs.
Rafael Lozano-Hemmer
Sphere Packing
“Sphere Packing” is a series of 3D-printed pieces designed to concentrate the entire musical production of a composer in a single dense multi-channel device. The size of each sphere is directly proportional to how prolific the composer was, for example the sphere for Johann Sebastian Bach has 48 cm diameter and holds 1100 loudspeakers playing simultaneously Bach’s 1100 different compositions, while the sphere for Hildegaard Von Bingen only has 11 cm diameter and 69 loudspeakers. The project presents at a glance the comparative production volume of many composers. As people are a couple metres away from a sphere they hear a quiet murmur of sounds, but as they approach and put their ear up close to individual speakers they can hone in on specific compositions. The series is inspired by American composer Charles Ives’ practice of simultaneity as a compositional tool.
