INFINITUM
INFINITUM is an immersive art – architectural installation presented at the Sharjah Art Museum on the occasion of the Islamic Arts Festival 2019/20, 22nd Edition. Arches are typical in Mosques’ design. […] Islamic Arches buildings are typically constructed of stone, wood being rarer in the original Middle Eastern homelands of the Umayyads. The rows of Columns and Arches give a visual impression of limitless space, as a metaphor of the progress for human civilization, maximizing spiritual symbolism and visual appeal – progressing towards an ideal civilization. It refers to centuries of human civilization and the creation of prospective in social spaces and the openness to open possibilities of human life.

邬一名
table chair

styrofoam blizzard

ДУ ХУ СА
ドーホー・スー。
서도호

Point Cloud
Point Cloud (ASU) is a newly commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum, Villareal was inspired by the museum’s architecture, designed by Antoine Predock in 1987. Villareal used mobile 3D scan technology to map both the inside and outside of the building, creating over 200,000,000 data points. The artist then manipulated the data points with his own custom software to create this public artwork. This is the first time Villareal has used actual data sampled from a location as part of an artwork.

Дариуш Климчак

Piped In Hooked On

ФИЛИПП ПАРРЕНО
فيليب بارينو
菲利普·帕雷诺
H {N)Y P N(Y} OSIS
la mostra “H {N) YPN (Y} OSIS” – co-curata da hans-ulrich obrist e alex poots, con la consulenza del curatore tom eccles – include una vasta collezione di luci scultoree sospese dal soffitto cavernoso. dal design di tendoni cinematografici pendono sopra i visitatori in fasci e come singole geometrie, proiettando modelli dinamici sul terreno. mentre un partecipante cammina attraverso il sito, incontra installazioni video, proiezioni, pianoforti, sedie, altoparlanti e suoni, tutto ciò che è stato orchestrato con cura per produrre un ambiente creativo coinvolgente, sensoriale e in continua evoluzione.

LIQUID SPACE 6.0

PLASTIC

Чарльз и Рэй Эймс
تشارلز وراي ايمز
צ’ארלס וריי אימס
チャールズ＆レイ·イームズ
찰스 임즈, 레이 임즈
Чарльз и Рэй Эймс

Monument collection
Pardi a présenté sa collection de monuments lors du défilé de UEL dimanche, dans le cadre de la Graduate Fashion Week organisée dans la brasserie Old Truman à Londres. Ses vêtements de laine gris sont destinés à étendre des parties du corps pour créer des formes angulaires minimales. Les volumes rigides qui dépassent à l’arrière de chaque tenue sont créés par des feuilles de mousse glissées dans des poches situées sous le vêtement.

pseudopaintings

Happy Recipe
这件艺术品是一个声音互动装置。根据乐器、音序器和乐队的位置放置不同类型的蔬菜和水果。然后通过主板的控制，将50首曲目输入到不同的项目中，接收来自感应观众触摸位置的传感器的信号，然后输出不同的音效。通过现场采样，采样上海、成都、沉阳街头小贩真实的叫卖声，形成音源，让观众的动作反馈也能融入创作过程。包容、流行、无处不在是我对菜市场的特殊感受。音乐是一样的。不同的音效混合在一定的时间和空间中，涵盖了不同的声音、含蓄的文化和现代时尚。每一个菜市场就像一场普通而特殊的音乐会，每一个人、每一件物品都是观众和主角。因此，作者希望通过新媒体艺术，弱化科技与日常生活之间明显的距离感，创造一种新的庸俗生活感。

Snow House

Forgotten Songs

РАЙАНА ДЖОНСОНА

Tze Goh nació y creció en Singapour. Es un enamorado de la arquitectura de Tadeo Ando y finalizó sus estudios de moda en la Saint Martins de Londres. Esta pieza pertenece a su colección de graduación.

Chronicles Of Never
Into The Voided

Энтони Гормли
أنتوني غورملي
葛姆雷
アントニー·ゴームリー

דורותאה טאנינג
Доротея загара
ドロテア・タニング
nue couch

gif

八木良太

circuit

The Masking Machine
Using a custom wearable computer I can walk around any space wearing the still images now animated by my facial expressions. When seen through the screen hovering in front of my face I wear the images like an avatar, but unlike with the stills on a wall or images online I can reach out from behind the screen to shake hands and talk with viewers.

Functionality Kills The Fun – Kast.03
Functionality Kills the Fun is a series of “broken” furniture that go by one principle: Functionality is overrated! Products become more interesting when they perform their task partly or even poorly. Most of the time the image or the emotional value that the object generates is what makes it so fascinating. In cases where the functionality is subject to the image you see that the pieces are more open for added value from the individual user.

reactor-house
Balanced atop a single column, ReActor twirls when the wind blows and tilts see-saw like with the shifting weight of its inhabitants. The fifth project made in collaboration with Ward Shelley, this project is built on a hill the OMI International Arts Center’s Architecture Field

Falling Chandelier
L’installation audiovisuelle Fallen Chandelier est basée sur une sonification d’un système de contrôle provoquant le scintillement de quarante ampoules à l’intérieur d’un lustre tombé. Vingt starters interconnectés, similaires à ceux que l’on trouve couramment dans les tubes fluorescents, génèrent un rythme lumineux irrégulier. Cela se produit au moyen de bilames qui sont chauffés dans un tube et entrent ainsi en contact les uns avec les autres en séquence rapide. Ce processus est audible. Chaque démarreur génère son propre rythme, qui a un son différent selon la marque, la composition et le degré d’usure des démarreurs. « J’écoute d’abord beaucoup de starters avant de les utiliser pour une installation dans le sens de la composition. »

Árvores

Afonso Tostes vem se dedicando nos últimos anos ao que se pode chamar de investigação sobre as estruturas. As esculturas são feitas em madeiras recuperadas de demolições e canteiro de obras pela cidade. Estas peças são colocadas estrategicamente nos espaços, provocando a cada montagem uma sensação diferente no que se refere ao apoio, escora, e interdependência entre as partes. A série “prédios” remete à memória da origem do material, são peças que têm pulsação própria e ativam o espaço em torno através dos antagonismos entre o bruto e o refinado, o espontâneo e o erudito. Afonso Tostes tem uma produção irrequieta, suas esculturas assim como pinturas e desenhos nunca se acomodam no lugar comum, o artista imprime a velocidade do mundo em que vive; a observação daquilo que a princípio passaria desapercebido, para ele é matéria prima e fundamental.

Entrelac in hand-knit wool

Wines Museum
Santiago de Chile

Tunnel
File Festival
“Tunnel” is a kinetic, immersive and interactive sculpture, composed of 92 porticos that become disordered in function of the position and body mass of the interactor. Numerous users can simultaneously enter and interact with the machine. Interactors agency the machine via their position and weight. An example of interaction is: you go into the “Tunnel” and stand by one of the side walls. In this case, the relative position and the gravitational force of your body provoke variations of floor height. The floor inclines up to 5º, the associated porticos progressively rotate in the corresponding direction and angle, and this propagates ondulatory movements throughout the entire installation. For the outside observer, the internal movement or your displacement in relation to the installation produces kinetic optic effects.

Карлом Кляйнером
Tulips Postures
Carl Kleiner creates sleek editorial content for fashion and lifestyle brands, and that sensibility shows in his photo and video series Postures which features artfully arranged tulips. Using minimal metal rods, bent at strategic ends and angles, Kleiner showcases the graceful curves of the flowers’ long necks and gently ruffled petals and leaves. A further sense of movement is instilled through the stop-motion video, which combines still photos of the blossoms’ subtle changes into a dramatic dance.

安杰洛玛斯柯
アンジェロムスコ
tehom
אנג’לו מוסקו, 1973, איטליה, מצלם תצלומים גדולים מהחיים המורכבים ממספר אינספור של גופות. מכיוון שהתצלומים מורכבים מתמונות רבות, הם חדים מאוד ומזמינים את הצופה לצאת למסע גילוי. בסדרה שלו טהום, שפירושה בעברית; העמוק, וביוונית פירושו תהום, הוא יצר עולם תת-ימי בלתי נראה ומסתורי בו הוא משחק עם המציאות. אחד התצלומים נקרא הדל על שם האזור ההדופלגי כלומר התעלות העמוקות ביותר של האוקיינוס. במציאות אזור זה נמצא בעומק של 6000 מטר, אך יש עדיין חיים באזורים הקשים הללו. בתור האנשים בדמותו, החיים בעומק זה חסרים כל פיגמנטציה שכן צבע הוא חסר תועלת בסביבה ללא אור.

aerofiat

دانيال بورين
丹尼尔·布伦
다니엘 뷰렌
ダニエル·ビュラン
ДАНИЭЛЬ БЮРЕН
Axer Installation

欧文奥拉夫
ארווין אולף
アーウィンオラフ
어윈 올라프
ЭРВИН ОЛАФ
Untitled

teshima art museum

Table

丹尼尔·罗津
Даниэль Розин

袖岡由英
13-COMPOSITIONS #13
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