the bird continuum
From 1991 to present, Yao Huifen’s embroidery has won dozens of provincial and national arts and crafts awards. She was elected as “China’s 2013 Annual Representative of the Arts and Crafts Industry”. She pioneered the “simple needlepoint” technique, and made in-depth explorations into Chinese freehand ink painting embroidery.
Kilo Ohm
Erwin Stache is a German composer and sound artist who designs installations for specific locations. His Kilo Ohm – which you can of course try out yourself – uses the electrical resistance of the player’s skin to generate sound. Each new touch sounds different.
Internet von allem: alle Verbindungen
“Internet von allem: Alle Verbindungen” ist eine Arbeit, die Menschen, Tiere, Pflanzen, Bakterien, Umwelt, Verbindungen und Geräte über das Internet miteinander verbindet. Es besteht aus sieben Teilen. Ein Teil beeinflusst den anderen nach Reihenfolge. In diesem Zusammenhang gibt es keinen Start- oder Endpunkt, da es sich um eine ineinandergreifende Schleifenstruktur handelt. Die schwache Bioelektrizität des menschlichen Körpers wird an das Bakterium Proteus weitergegeben. Die Bakterien beginnen aufgrund der elektrischen Stimulation zu vibrieren. Seine Bewegung wird vom Mikroskop erfasst und in Echtzeit in Max eingegeben. Daten, die sich aus der Wertänderung in der Bakterienbewegung ergeben, steuern den nächsten Teil.
Daniel Jolliffe
R.I.P
FILE SÃO PAULO 2017
Perfect View
the viewer encounters a badly damaged Cloisonné vase, mounted on a white plinth. When the viewer comes within a few meters of the piece, the vase begins to turn silently, adjusting its position so as to always show the viewer a perfect view of its undamaged side.
Living Archive
The Living Archive is an experiment between Studio Wayne McGregor and Google Arts and Culture – a tool for choreography powered by machine learning which generates original movement inspired by Wayne’s 25-year archive.
Sword of Damocles
At a lavish banquet, King Dionysius is confronted by his servant Damocles – a brat who is jealous of the king’s splendor and power. Through supernatural forces, the two roles are switched. The smug, inexperienced commoner becomes the king. But his joy is short-lived.
He quickly realizes that being king isn’t all crowns and cheeseburgers. With great power comes great responsibility.
.
.
Release
The Sword of Damocles
Just release it
To the authorities
Raise kindness
Above all else
Avoid the books of
Hatred behind the shelves
I will caress your
Caress your curly hair
With affection
Many a good reason to cut off your head
Then and then
Release
The Sword of Damocles
Just release it
I’m begging
You on my knees
There is no reason
To hide it from the sun
I am a tyrant
Trust me, you are not the one and only
And trust me, you are not the one and only
And trust me, you are not the one and only
Lonely person
Release
The Sword of Damocles
Release
The Sword of Damocles
Just release it
Cut the thread
Why don’t you please
.
Sunset Blvd
Leah Schrager is a digital artist and online performer. She is the model, photographer, artist, and marketer in/of her images. Her visual works apply a painterly aesthetic to bodily forms and often draw their material from her conceptual online practice. Her online performances are @OnaArtist (Instagram 3m) and Sarah White (The Naked Therapist). With these performances, Schrager explores themes of sexuality, representation, and distribution. Her practice is situated in a contemporary hotbed of female (in)appropriateness, arousal, celebrity, fandom, and commercialism that seeks to explore female biography and labor in today’s global society.
Paradis Artificiels
et nieuwe multiplex Cineum in Cannes, ontworpen door architect Rudy Ricciotti, presenteert de tentoonstelling *Artificial Paradises 2021 *van Miguel Chevalier, en biedt een reis naar het hart van een opnieuw uitgevonden kunstmatige natuur. Soloshow tot 31 januari 2022. Op basis van een proces dat eind jaren negentig is gestart en gebaseerd is op de observatie van het plantenrijk en de denkbeeldige omzetting ervan in een digitaal universum, heeft Miguel Chevalier verschillende herbaria gecreëerd waarmee hij virtuele tuinen kan creëren die te zien zijn in de tentoonstelling:
Median
When examining any living substance at a microscopic level, there are almost no perceivable boundaries between human and non-human bodies. In this work, Hiroaki Umeda, a Japanese choreographer, dancer and visual artist, pursues his longstanding belief and fascination that a human body is an intrinsic part of nature, where there is simply no distinction with other living things. For Umeda, choreography is not only limited to human bodies but for anything that is capable of movement. In MEDIAN, he explores the choreography of cells, molecular forms and organic synthesis, bringing into human visibility another world of movement, light and sound.
cd sea
Vertical Studies
Vertical Studies: Acoustic Shadows and Boundary Reflections; Water Tower Sint Jansklooster In their new collaborative work, Vertical Studies: Acoustic Shadows and Boundary Reflections, Signe Lidén and Espen Sommer invite participants on a journey to a 46-metre-high abandoned water tower in Sint Jansklooster. The tower has been re-imagined as a vertical field-lab where Lidén and Sommer discuss their ongoing research into connections between sound, history, wind and weather. To this end they have constructed a range of special instruments to record and playback sounds in the vertical dimension. The participants on this journey will experience live outdoor vertical studies and a vertical soundscape shaped by Eide and Lidén that ascends the tower’s spiral staircase.
salto
No End Neon
Os trabalhos de François Morellet são executados segundo um sistema: cada escolha é definida por um princípio previamente estabelecido. Com isso, ele quer dar a impressão de controlar a criação artística, deixando um elemento do acaso, que dá uma imagem imprevisível. Ele usa formas simples, um pequeno número de cores sólidas e composições elementares (justaposição, superposição, acaso, interferência, fragmentação). Assim, ele cria suas primeiras “molduras”, redes de linhas pretas paralelas sobrepostas em uma ordem determinada que cobrem toda a superfície das pinturas.
Esses sistemas são uma reminiscência das estruturas propostas por Oulipo (Ouvroir de Littérature Potentielle) e descritas por Raymond Queneau: “Qual é o propósito do nosso trabalho? Oferecer aos escritores novas “estruturas” de cunho matemático, ou ainda inventar novos processos artificiais ou mecânicos, contribuindo para a atividade literária “.
Posteriormente, François Morellet continuará a usar sistemas baseados em um universo matemático.
Blasen im Canyon
Der in Paris lebende Künstler Vincent Leroy hat seine charakteristische Verwendung von schwebenden Kugeln zum Bryce Canyon in den USA verwendet. Dieses konzeptionelle Projekt mit dem Titel “Bubbles in Canyon” stellt sich eine Masse transparenter Kugeln vor, die in Rotation zwischen den Klippen hängen. Die Installation soll den Zuschauern die Möglichkeit bieten, die Natur durch einen optischen Effekt zu betrachten.
Vienna Central Station
Infobox Hauptbahnhof Wien
迈克尔·沃拉夫（Michael Wallraff）是维也纳建筑师，1968年出生于慕尼黑，曾在洛杉矶和维也纳学习，并在那里开设了工作室。沃拉夫（Wallraff）花费了多年的时间来深入研究城市结构中垂直空间的使用，以及通过位于人口稠密的城市结构中的典型开放式公共空间来创造社会互动的新维度的方法。 Wallraff的“ Infobox维也纳中央车站”项目是一个投机竞赛项目，目的是建立一个新的信息中心，该中心是为维也纳旧城的维也纳中央车站的施工现场而设计的。该结构将被抬高至地面以上22米，并悬挂在与这些支柱支撑相连的高架结构钢腹板上。尽管箱子的钢结构计划为规则的钢格板，但适合于铺设地基的有限表面使得无法以固定的间隔设置支撑（地下排水沟，停车场严重限制了地面荷载的传递选择）很多，还有一个巴士总站）。尝试使用生成过程建模来开发复杂的三维结构，该结构不仅在结构上有效，而且还是建筑设计的基本要素。
Sunset in Delft
Sunset in Delft es una escultura que recrea el fenómeno cotidiano del sol hundiéndose en el horizonte, y lo hace, dentro de una ciudad. Este enorme cuerpo de luz brillante se colocó sobre el agua, precisamente en el cruce de tres canales en la idílica ciudad de Delft, el lugar donde posiblemente se conocieron el científico Antoni van Leeuwenhoek y el pintor Johannes Vermeer, mientras realizaban experimentos pioneros con la óptica en el siglo XVII. . La vista panorámica de 360º de este sol hundiéndose en el agua subvierte la perspectiva habitual de la estrella celeste moviéndose sobre el horizonte.
Structures infinies
Between the finite and the infinite, these mirror structures are reflecting the outside world until they are set in motion to unveil a moving and infinite interior. Hidden inside are superimposed diagrams reinterpreting certain theories or hypotheses related to our apprehension of the world. Between transcendental geometry, higher dimensions, finite and infinite, these structures arise as objects of reflection on what one understands, what one believes to understand and what one does not understand. The structure is thus referring to the finite physical structure that is encapsulating the infinity of intellectual structures created by the humankind.
Breaking News: Flooding of the Louvre
Natural disaster increasingly linked to a climate change has arrived to the museum of Louvre, which responds to the flooding of Paris in 2018. The artwork also respresents the issue of cultural leftover. Recycling is the main value of the process. By destruction of model that was a part of previous project Put Your Head into Gallery, the leftovers are reconstructed and new meanings and possibilities are created. The flooding of the Louvre Museum speaks about news culture and our fluctuating perception of disasters as it is seen through media. The scale of the disaster is often difficult to assess from news coverage. In the work “Breaking News” flood goes slowly into the room of the Louvre, letting the viewer to gradually watch the destruction of interior. it brings the viewer shochinkly close to what has not happened but easily could have, viewer sees the before and after effect in a highly visualized manner, which is as convincing and threatening, as fake.
Shenzhen Bay Culture Park
“I want to create a surreal atmosphere, so that the people who visit, relax or exercise here have the possibility of engaging in a dialogue with the past and the future. Time and space are dissolved and placed against each other, manifesting a sense of weightlessness, and unrestrained imagination,” Ma Yansong
