diana thater
yes there will be singing
From the beginning, I never wanted to work with just Bill Viola-style hidden projectors projecting on to screens. I wanted to work with architecture and with corners and doorways and windows. A lot of Robert Morris’ writing was important to me – still is. He talks about presence, about presence in the work of art and about being present, and that’s been really influential for me. — Diana Thater
ETIENNE GROS
艾蒂安格罗斯
LATERAL OFFICE
CLEARING
Nadine Goepfert
Pink Marshmallow Sweater
Nadine Goepfert eksploruje nowe obszary na rynku mody. Projektantka zaprezentowała niezwykłą marynarkę. Całość przypomina różową piankę i jest częścią jej kolekcji. Misją designerki jest tworzenie ubrań, które zmieniają się w trakcie noszenia. Projektantkę fascynuje zmiana. To co wyróżnia kreacje oferowane przez Nadine to zmieniająca się forma.
ANNETT ZINSMEISTER
Virtual Interior MR
In her work Annett Zinsmeister focuses on the intersection of art, architecture, and media studies. She creates large-scale installations, conceptual and built spaces, photography, drawings, films and collages dealing with architecture.
GREG LYNN
格雷格·林恩
גרג לין
グレッグ·リン
그렉 린
Грег Линн
GREG LYNN a été un innovateur dans la redéfinition du support de conception avec la technologie numérique et a été le pionnier de la fabrication et de la fabrication de formes fonctionnelles et ergonomiques complexes à l’aide de machines CNC (Computer Numerically Controlled). Les bâtiments, les projets, les publications, les enseignements et les écrits associés à son bureau ont eu une influence sur l’acceptation et l’utilisation de matériaux et de technologies de pointe pour la conception et la fabrication. Alors que les opportunités de conception s’étendent aujourd’hui à de multiples échelles et supports, son studio Greg Lynn FORM continue de définir la pointe du design dans une variété de domaines. Son travail fait partie des collections permanentes des plus importants musées de design et d’architecture au monde, notamment le CCA, la SFMoMA, l’ICA Chicago et le MoMA.
c-lab
Tech Camouflage: Anti-Facial Recognition.
Model: Kim Jeong Eun
In order to help understand the main discourses covered by the project and to explore various interpretations on the theme of * c-lab 1.0, ‘Beauty, familiar familiarity’, we conducted a “Technology camouflage: anti-facial recognition technology make-up workshop” as a linked program. . Recognizing that facial recognition technology that is widely used with the generalization of smartphones and SNS can also be used as a way to monitor and control individual freedom, as a new form as an alternative to protect personal privacy from such technologies This is a workshop program that has practiced make-up and hairstyle.
DAVID SZAUDER AKA PIXEL NOIZZ
ghost_2
El artista húngaro David Szauder, conocido como Pixel Noizz, indaga los rincones de la memoria donde las ideas y los recuerdos se fragmentan, y traduce estas composiciones en fotografías “dañadas”. La serie de Szauder, que lleva por nombre Failed Memories, explora la “naturaleza imperfecta de la memoria”, la que coarta la imagen clara de los pensamientos que generamos. Cuando por alguna causa física o emocional se pierden trozos de alguno, estas lagunas inundan la imagen y la vuelven borrosa.
JEAN TINGUELY
让汤格利
ז’אן טינגלי
ジャン·ティンゲリー
장 팅겔리
Жан Тингели
homage to new york
JEAN TINGUELY’S “Homage to New York” was billed as the ultimate homemade gadget — a towering contraption composed of found junk, dismembered bicycles, dismantled musical instruments, glass bottles, a meteorological balloon and electric motors in questionable condition. It was slated to come to life and spectacularly self-destruct in a one-night-only performance for some 250 patrons and reporters in the Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art on March 17, 1960. And self-destruct it did, but not quite according to plan.Mr. Tinguely’s self-destructive sculpture had failed — and thereby, in a sense, succeeded. Mr. Tinguely, a Swiss artist who died in 1991, was by 1960 well known for such Dada-inflected works; he posed with the wreckage after the performance and took a bow.
Carsten Höller
卡斯滕·奥莱
КАРСТЕН ХЕЛЛЕР
Leben
Elevator Bed up
Carsten Höller cree que para explorar nuevos universos psicológicos debemos de abandonar hábitos y certidumbres los cuales crean en cada individuo estereotipos o modelos preestablecidos.
Su idea primordial de trabajo se basa contraponer la afirmación sobre el arte, donde se argumenta que éste adquiere significado en proporción a su carencia de función.
Keith Lam
Heliocentric
“Heliocentric” is a lighting sculpture represents the movement of universe. It dialogues to its history (from temple to school to creative hub) and its functionality (welcoming people connect and learn the universe)
With the lighting arrangement, kinetic movement of the light, and the performer , it shows the relationship between universe, knowledge and human.
thomas karsten
Thomas Karsten was born in 1958 in Eisenach and grew up in Leipzig[…] Since 1983 he has worked for journals and magazines such as Stern, Art, Nerve (New York), Capital and others. His first individual publication received the Kodak-Fotobuchpreis in 1988. Thomas Karsten emerged internationally particularly through his previous 18 photo books which are the results of the work on different subjects of nude photography for years.
Michael Manning
迈克尔·曼宁
Most known for his series Phone Arts and Microsoft Store Paintings, these works explore the boundaries and limitations of stock image making software like Microsoft Paint. Manning uses these technologies to create his digital works, that are Abstract Expressionist in nature but persistent in their idiosyncratic Manning aesthetic. While these works begin as JPEGS, they are then printed onto canvas and brushed with a clear acrylic for texture, able to transcend the screen into the three dimensional gallery.
Richard Vijgen
Hertzian Landscapes
Hertzian Landscapes (2019) is a live visualization of the radio spectrum. Unlike visible light, waves in the radio spectrum cannot be perceived by us directly yet this space is teeming with human activity. Hertzian Landscapes employs a digital receiver to scan large swaths of radio spectrum in near real-time and visualizes thousands of signals into a panoramic electromagnetic landscape. Users can zoom in to specific frequencies by positioning themselves in front of the panorama as if controlling a radio tuner with their body, giving them a sense of walking through the spectrum.
SARA SCHNADT
NETWORK
Sara Schnadt explores technology in her work both as subject and media. Her installations and performances use found objects, interactivity, projection, spatial illusions, and movement derived from common gestures. Much of her work involves representations or data that translate large quantities of socially resonant information into poetic forms, including data visualization. Schnadt often performs within accompanying sculptural environments, or sites works within functioning everyday spaces, attempting to articulate the personal within virtual and technological innovation.
