Tomás Saraceno
Algo-r(h)i(y)thms
Palais de Tokyo
L’installation Algo-r(h)i(y)thms invite les visiteurs à effleurer un gigantesque entrelacs de cordes résonnant à différentes fréquences. Certaines, inaudibles par l’oreille humaine, sont ressenties à travers des vibrations au sol. Les participants improvisent, s’accordent aux rythmes qui les entourent pour trouver une musique commune. Comme un écho aux vibrations du monde, ce grand tout qui nous relie.
ADRIEN M, CLAIRE B & MOURAD MERZOUKI
Pixel
Ein kleiner Vorgeschmack auf die einstündige Präsentation Die Verflechtung von Körperbewegungen mit Technologie ist keine leichte Aufgabe. Die Tanzshow besteht aus 11 Tänzern in einer virtuellen und lebendigen visuellen Umgebung. Es bedurfte der gemeinsamen künstlerischen Bemühungen der Künstler Adrien Mondot, Claire Bardainne von der Adrien M / Claire B Company und Mourad Merzouk von seiner Tanzkompanie Käfig, um Pixel zum Leben zu erwecken. Eine Illusionsarbeit, die Energie und Poesie, Fiktion und technische Leistung, Hip Hop und Zirkus kombiniert.
Greg Dunn and Brian Edward
Self-Reflected
Dr. Greg Dunn (artist and neuroscientist) and Dr. Brian Edwards (artist and applied physicist) created Self Reflected to elucidate the nature of human consciousness, bridging the connection between the mysterious three pound macroscopic brain and the microscopic behavior of neurons. Self Reflected offers an unprecedented insight of the brain into itself, revealing through a technique called reflective microetching the enormous scope of beautiful and delicately balanced neural choreographies designed to reflect what is occurring in our own minds as we observe this work of art. Self Reflected was created to remind us that the most marvelous machine in the known universe is at the core of our being and is the root of our shared humanity.
Los Carpinteros
ロス·テロス
ЛОС-КАРПИНТЕРОС
Kosmaj Toy
ロスカルピンテロスはハバナを拠点とするアーティスト集団で、現在はマルコカスティージョとダゴベルトロドリゲス（2003年に去った3人目のメンバー、アレクサンドルアレチア）で構成され、彫刻、インスタレーション、映画などの幅広い作品を制作しています。彼らの作品の私のお気に入りは、レゴやその他の構造的または建築的作品のこれらの素敵な抽象絵画です。ショーンケリーギャラリー経由：
アートと社会の交差点に興味を持っているこのグループは、建築、デザイン、彫刻を思いがけない、そしてしばしばユーモラスな方法で融合させています。彼らは、機能的なものと機能しないものの間のスペースを交渉するインスタレーションとドローイングを作成します。グループのエレガントでユーモラスな彫刻、ドローイング、インスタレーションは、物理的な世界、特に家具の世界からインスピレーションを得ています。彼らの注意深く作られた作品は、ユーモアを使って、オブジェクトと機能の間の矛盾、そして実用性と無用さを設定する視覚的な構文を利用しています。 Los Carpinterosにとって、ドローイングは、芸術的な精緻化のプロセスだけでなく、建築や大工の計画の形式も示唆する、模擬の技術草案または青写真の形式として不可欠な役割を果たしてきました。
MICHELE DE LUCCHI
米歇尔·德卢基
ミケーレ・デ・ルッキ
Homage to the Imagination
Il paesaggio, le colline, le montagne, i laghi, le valli, i dolci declivi. La fantasia se ne va, non più trattenuta dalla ragione. Parte per un viaggio a occhi aperti, dove noi stessi, svegli e nel possesso delle facoltà mentali, decidiamo cosa deve succedere e con un semplice impulso mentale cancelliamo quello che non ci piace e non vogliamo vedere e vivere. È la forza dell’immaginazione. Senza, il mondo non avrebbe colori, l’esistenza non meriterebbe interesse’.
Constantin Luser
Rotationsquintett
Визуальная ссылка Константина Лузера на компьютерную графику подрывается эмоциональным содержанием и импульсивным стилем рисования. «Он проводит очень тонкую и точную линию, которая превращается из шаблона в формулу, из изображения в слово и оттуда в повествование. Соединяется как очень четкая мысль. В результате получается коммутатор, который определяет разные уровни, создает структуры и определяет отношения, которые позволяют определенную степень ориентации ». (Даниэль Бауманн)
ROSEA LAKE
Judgements
Rosea Lake of Vancouver, posted on her Tumblr a photo of a woman with her skirt raised and on her leg written what the length of the skirt “means”. The post was entitled ‘Judgments’, since that’s exactly what happens when a woman puts on a very short or very long skirt. The photo went viral, with more than 200,000 shares on social networks. Even the organization Unite Women posted on its Facebook page, to show that feminism has not yet achieved all of its goals. And what do you think of that? Should a woman be careful with the image that is passed on depending on how she dresses or does every woman have the right to dress as she likes and shouldn’t be worrying about what others might think of her?
Fito Segrera
The form of becoming
In this abstract system, each intelligent agent is embodied as a motor, the states in its environment is represented as an angular range of rotation and the actions as one of two directions in which each agent can move a linear actuator. Each linear system holds a segment of a long black string, this translates as a point in the represented line. Once the system runs, each agent learns, from informational equivalents of pain and pleasure, to move towards the highest values within its environment, this means ultimately to displace its position from point A to B. In order for an agent to learn, it needs time, generations of exploration, each agent will get punished for bad decisions and rewarded for appropriate ones. Every time a learning generation is finished, a light will blink for that particular agent, indicating the end of a cycle and the achievement of new knowledge; the agent becomes more intelligent. Once all agents learned to be and stay in point B, the system, as a collective, has successfully mutated into a stable, balanced, symmetric and silent form; a straight line. Finally, after a few seconds, the sculpture forgets, all agents are rebooted and the cycle of creation, chaos and order restarts, this time with a totally different and unique behavior.
Regina José Galindo
Necromonas
A Regina José Galindo le interesa crear experiencias, pues considera que es donde más se puede crecer y aprender. Por eso crea experiencias que generen preguntas y puedan ir más allá. Asimismo, dice, le “interesa crear obras donde se modifiquen o desplacen las relaciones lineales entre el público y la obra de arte. Romper los esquemas es necesario en todo proceso de transmisión de información, para que el conocimiento no se estanque”.
Dark Matter
Inverse
INVERSE combines 169 moving black spherical objects into a seemingly living entity. Monochromatic, sometimes threatening in its appearance, the ensemble presents in silhouette against the bright background.
WILSON SUKORSKI
Celestium
The Orqestra de Laptops de São Paulo (OLSP) is formed by ten hyper instrumentalists who “play” laptops equipped with the highest technology available, in interfaces as well in software. This orchestra generates a multimedia show entitled “EvEnTo 3 Movimentos para Orquestra”, by Wilson Sukorski.
FILE hypersonica
Hans Hemmert
Yellow sculpture
OLIVIER GROSSETÊTE
La Phare
