highlike

MARINA BYCHKOVA

Марина Бычкова
مارينا بيتشكوفا
玛丽娜·比什科娃
마리나 비치 코바
מרינה ביצ’קובה
マリーナビュチコワ

Ateliers Jean Nouvel

努维尔
جان نوفيل
ז’אן נובל
ジャン·ヌーヴェル
Жан Нувель
장 누벨
Louvre Abu Dhab

kim morgan

Range Light
远射灯Borden-Carleton,PEI,2010年是爱德华王子岛Borden-Carleton镇退役的远射灯内部和外部的烙印/铸件。 我从一座枯死的纪念碑上创造出一种文化文物–一种与纪念物变化的正反相对的纪念,这些变化现在正隐含在画廊空间中的过去,现在和未来。 标题是墓志铭。

JULIE BLACKMON

جولي بلاكمون
朱莉布莱克蒙
ג’ולי בלקמון
ジュリー・ブラックモン
ДЖУЛИ БЛЭКМОН

JON NOORLANDER

Jon is a designer / director currently working at Method Studios NY as Executive Creative Director.

Kanlun Cen

岑侃倫
The Undercurrent
file festival
In the installation, the distorted image projected on the tabletop is reflected in the cylindrical mirror. While one sequence is distorted and reminiscent of a dreamlike state or the hazy inner workings of the mind, the other is clear and in proportion, which enables us to decipher the anamorphic image, thus to confront the “undercurrent” in our mind.

oliver herring

Gloria
Oliver Herring’s stunning sculptural portrait Gloria (2004) was a hit at the recent international art fair Art Basel Miami Beach. Created from thousands of fragmented digital chromogenic prints, this lifelike and expressive construction exists at the intersection of photography and sculpture and between realism and abstraction.

GARY CARD

Plasticine Cave
Gary Card is a young and amazing English designer, a graduate of Central Saint Martins, who made the “Plasticine Cave” installation for Spring Studios Gallerya few years ago. He is redefining boundaries by using plasticine in huge quantities and making us feel disturbed by all those skulls. The installation consists of 2 thousands gawking faces sculpted out of almost 3 tonnes of white plasticine, giving a huge and dramatic cave where the combination of materials and light give an outstanding interior space.

FILE 2026 – Registration Open for Art and Technology Festival

FILE 2026

Registration is now open for participation in  FILE – Electronic Language International Festival 2026 , one of the most important events dedicated to art and technology. FILE invites Brazilian and international artists , as well as researchers, educators, and creators , to submit original artistic works and educational proposals — lectures, workshops, and training activities — focused on contemporary technological poetics.

Applications are open until February 19, 2026 .

With 26 years of experience , FILE is a non-profit cultural organization dedicated to promoting creation, research, and experimentation in Art and Technology , bringing together artists, scientists, programmers, and thinkers around exhibitions, events, and publications. The selected projects will be part of the FILE 2026 program, scheduled to take place at the FIESP Cultural Center in São Paulo, between August 18 and October 11, 2026,  with the possibility of parallel activities in other Brazilian states.

The call welcomes proposals in a wide variety of languages ​​and formats, intended for indoor or outdoor environments , in which the aesthetic experience emerges from the encounter between interfaces, data, space, and body . FILE 2026 seeks projects that propose new forms of perception, interaction, and critical and poetic reflection , expanding the debate on the aesthetic, cultural, social, and sensory impacts of contemporary technologies.

Access the registration form.

Kaws

Expanded Holiday
Expanded Holiday demonstrated the enormous potential of AR technology, which provides virtual perspectives on real-world environments, and conveys KAWS’s mischievous humour through the juxtaposition of physical and virtual worlds. These virtual sculptures were accessible via the Acute Art app and could be experienced in conjunction with the NGV’s exclusive exhibition KAWS: Companionship in the Age of Loneliness, a comprehensive survey of 25 years of KAWS’s oeuvre and his largest solo survey to date. Full of humour, hope and humanity, the exhibition featured more than 100 works including iconic paintings reappropriating pop-culture figures to more recent largescale, layered works, and an impressive collection of KAWS’s celebrated sculptural figures.

DAVID MCCRACKEN

데이비드 맥 크라켄
ديفيد مكراكين
דוד מק’ראקן
デビッド・マクラッケン
Дэвид Мак-Кракен

Walkway to the Main

BJOERN SCHUELKE

Space observer
This huge sculpture is placed in California’s Mineta San Jose airport, where high-tech art welcomes the passengers. At the top of the escalator at the new Terminal B you will find Schuelke’s absurd machine. This giant three-legged sculpture explores the interactivity between humans and modern technology. It will quietly rotate with the aid of two propeller-tripped arms. And its ‘eye’ reveals images picked up from embedded cameras.

GILLIAN WEARING

Lilly cole
La identidad, la autorrepresentación, las relaciones humanas y la vida cotidiana son los temas que Gillian Wearing, mujer provocadora, paradógica, y compleja, trata en sus series fotográficas y de vídeo, que podemos conocer en varias exposiciones desde que en 1997 consiguió el Premio Turner, que consagra a los jóvenes artistas británicos, con frecuencia en medio del escándalo y la protesta, no en vano, resultan frecuentes sus conocidas “aptitudes gamberras”.

Esther Stocker

ЭСТЕР СТОКЕР
에스더 스토커
以斯帖施特克尔
Unlimited Space

Italian installation artist Esther Stocker creates stunning geometric environments that can often be explored by the viewer. The construction of each piece appears to follow some type of strange equation, resulting in unusual linear patterns and planes that completely transform the physical pace.