JUSTINE KHAMARA
Жюстин Khamara
You could think that the work of Melbourne-based artist Justine Khamara was digitally manipulated. Though Justine actually hand-cuts the photographs to rearrange and collage them afterwards. Some of the collages were even cut into thin strips then woven. Seeking to disrupt photography’s smooth, two-dimensional surfaces, Justine collages and builds sculptures entirely out of portrait photographs.
DAVID GARCIA STUDIO
ديفيد جارسيا ستوديو
大卫 – 加西亚工作室
데이비드 가르시아 스튜디오
KUMIKO INUI
乾久美子
KEI SHIRATORI, TAKESHI MUKAI AND YOUNGHYO BAK
ARART
File Festival
“Arart” is an application that breathes life into objects. It links reality with the expressions delivered through mobile devices adding new stories and values to the real environment.
How will the impressions of the environment that surround us and the various objects that envelop our bodies change through “Arart”?
We propose “Arart” as a new platform of expression that can maintain a strong link with reality.
CHRISTIAN LOUBOUTIN
كريستيان لوبوتان
クリスチャンルブタン
British National Ballet
CSILLA KLENYÁNSZKI
REMINISCENCE OF BEING A WOMAN
TRATO DE ABORDAR MI TRABAJO COMO LO HARÍA UN NIÑO, SIN NINGÚN PREJUICIO Y CON LOS OJOS COMPLETAMENTE ABIERTOS, SOBRE TODO BUSCANDO POSIBILIDADES OCULTAS RELACIONADAS CON FORMA, FUNCIÓN Y MI PROPIA FANTASÍA. ME INSPIRO EN MI CASA Y ENTORNO, QUE SE CONVIERTEN EN UN PATIO DE RECREO.
MICHELE DE LUCCHI
米歇尔·德卢基
ミケーレ・デ・ルッキ
Homage to the Imagination
Il paesaggio, le colline, le montagne, i laghi, le valli, i dolci declivi. La fantasia se ne va, non più trattenuta dalla ragione. Parte per un viaggio a occhi aperti, dove noi stessi, svegli e nel possesso delle facoltà mentali, decidiamo cosa deve succedere e con un semplice impulso mentale cancelliamo quello che non ci piace e non vogliamo vedere e vivere. È la forza dell’immaginazione. Senza, il mondo non avrebbe colori, l’esistenza non meriterebbe interesse’.
Vanessa Colareta
Exodus
תוך שיטוט באינטרנט נתקלתי בעבודותיה של הצלמת ואנסה קולארטה Vanessa Colareta ושוב נדהמתי מאינספור האפשרויות לצלם דומם בהשראת ציורים של אמני מופת.
ואנסה קולארטה נולדה ב-לימה, פרו ב-1978 ולמדה תואר ראשון ושני בצילום באוניברסיטה בוולנסיה, ספרד (Polytechnic University of Valencia, Spain). בשנים האחרונות הקריירה שלה נסקה והיא זכתה בכמה פרסים.
בתצלומי הדומם שלה היא יוצרת תמהיל מעניין ומשעשע בין ציטוטים ברורים של אמני מופת, בעיקר מהמאה ה-17, לבין חפצים ומותגים בני תקופתנו.
Katrín Sigurdardóttir
卡特琳·西于尔扎多蒂
Катрин Сигурдардоттир
High Plane I – VI
KatrínSigurdardóttirの彫刻とインスタレーションは、建築、歴史、記憶を取り巻く先入観を再定義します。彼女の作品は存在感の欠如によって定義されています。人や色のない部屋、そしてアーティストの特定の記憶のマーカーとして静かに存在する匿名の必需品にまで簡素化されたインテリア。たとえば、2003年のImpasse IIでは、アーティストは子供の頃の小学校のファサードをミニチュアとして再現しました。場所や詳細への具体的な言及がなければ、この作品はほとんど建築研究のように見えます。その詩学は、背景情報を取得したときにのみ明らかになります。
Sigurdardóttirは、地図作成や建築モデルの作成などの厳密なプロセスを作品に採用することがよくありますが、緊張は彼女がレンダリングしているものの不正確な性質にあります。このように、Sigurdardóttirは言語のアーキテクチャよりもアーキテクチャの言語に関心がなく、流動的なニュアンスと再解釈と投影の余地があります。 2012年のステージでは、アーティストはミニチュアシアターステージを展示し、空の店先に吊るしてスポットライトで照らしました。情報のこの巧妙な制御が、視聴者に空虚な空洞を一度に美しく魅力的にします。
simon colton
The Painting Fool
The Painting Fool is software that we hope will one day be taken seriously as a creative artist in its own right. This aim is being pursued as an Artificial Intelligence (AI) project, with the hope that the technical difficulties overcome along the way will lead to new and improved generic AI techniques. It is also being pursued as a sociological project, where the effect of software which might be deemed as creative is tested in the art world and the wider public. In this chapter, we summarise our progress so far in The Painting Fool project. To do this, we first compare and contrast The Painting Fool with software of a similar nature arising from AI and graphics projects. We follow this with a discussion of the guiding principles from Computational Creativity research that we adhere to in building the software.
asif khan
Radiant Lines
“People are naturally drawn to light, It’s intuitive. What I want people to feel is a sense of familiarity even though they haven’t seen it before. There’s a sense that it’s pseudo-natural, which I think is why people are drawn to it. It uses crazy technology – there’s a lot of stuff happening – but it doesn’t show it and the result is more humanistic and almost biological.” asif khan
lera auerbach
ICARUS
The National Youth Orchestra of Great Britain
conducted by Mark Wigglesworth
“What makes this myth so touching is Icarus’s impatience of the heart, his wish to reach the unreachable, the intensity of the ecstatic brevity of his flight and inevitability of his fall. If Icarus were to fly safely – there would be no myth. His tragic death is beautiful. It also poses the question – from Deadalus‘ point of view – how can one distinguish success from failure? Deadalus‘ greatest invention, the wings which allowed a man to fly, was his greatest failure as they caused the death of his son. Deadalus was brilliant, his wings were perfect, but he was also a blind father who did not truly understand his child.” LERA AUERBACH
Dinh Q. Lê
Crossing the Farther Shore
In Crossing the Farther Shore, Lê incorporates photographs taken in Vietnam during the 1940s-1980s, with the majority dating to the pre-Vietnam War era before 1975. The images are those that might fill a familys photo album: portraits, scenic vistas, birthdays, and holidays. Lê has collected pre-1975 Vietnam photographs for years, finding them in antique stores and second-hand shops and wondering, why are there so many abandoned photographs? Lê considers them to be an important record documenting the everyday lives of Southern Vietnamese people – how they dressed, looked, and felt. Such photos are one of the few records of South Vietnam that have escaped from the Northern Vietnamese communist government’s systematic effort to erase the pre-1975 existence of the South.
Isaac Arthur
The Megastructure Compendium
Science & Futurism
In the future humanity may build enormous structures, feats of mega-engineering that may rival planets or even be of greater scope. This episode catalogs roughly 100 major types of Megastructure, from those that are cities in space to those that rival galaxies.
laura makabresku
La jeune photographe étudiante polonaise Laura Makabresku aime les atmosphères des contes romantiques et elle se plait à se mettre en scène dans des situations melo-dramatiques. “I like to take photos of my own. I imagine fairy tales themes where there are lots of animals, and naked, long haired girls. I like to take portraits but they need to express sadness, contemplation, anxiety.”
