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Uma performance teatral ao vivo / escultura de luz cinética com drones quadrotor, LEDs, espelhos motorizados e faróis em movimento dançando em uma alegre celebração de balé robótico da tecnoespiritualidade. Explorando UAVs (veículos aéreos não tripulados) semi-autônomos programados por computador como um meio de desviar e desviar a luz e criar esculturas de luz flutuantes dançando ao som da música. Máquinas que tradicionalmente são fornecedores de vigilância e opressão; são artisticamente redefinidos para serem fornecedores de música, dança, alegria, celebração e criatividade.

Bowed Piano
Few chamber groups deploy their musicians as oddly as the Bowed Piano Ensemble. The 10 players, students led by the composer Stephen Scott, stand around, and sometimes under, a concert grand, armed with items of all kinds — nylon fishing line, piano hammers, guitar picks, strips of paper, rolls of plumber’s tape — and reach into the instrument to draw sounds from its strings.

ユナイテッド·ビジュアルアーティスト
美国视觉艺术家
ORIGIN

Дэвид Лашапель
ديفيد لاشابيل
大卫·拉切贝尔
デビッドラシャペル
The Lovers

Bones in Pages

فريدريك هيمان
弗雷德里克·海曼
פרדריק היימן
フレデリックヘイマン
ФРЕДЕРИК ХЕЙМАН

Cloud Pink
FILE FESTIVAL

The installation invites participants to “touch the pink clouds” drifting on a giant fabric screen suspended in the air.
Lying down on a hill with your pupils filled with the endless blue sky, perspective of your eyesight suddenly gets distorted and clouds drift at the tip of your nose. You stretch your arms up to the sky to touch the clouds but can’t reach. Another world right above your head, clouds.

马赛本特松
마티아스 벵슨
Матиас Бенгтссон
Spun

Патти Кэрролл
帕蒂·卡罗尔
Anonymous Women: Draped
Domestic Bliss

The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? ” is a book on the mathematics of rhythms and drum beats. It was written by Godfried Toussaint, in order to study rhythms mathematically, Toussaint abstracts away many of their features that are important musically, involving the sounds or strengths of the individual beats, the phasing of the beats, hierarchically-structured rhythms, or the possibility of music that changes from one rhythm to another. The information that remains describes the beats of each bar (an evenly-spaced cyclic sequence of times) as being either on-beats (times at which a beat is emphasized in the musical performance) or off-beats (times at which it is skipped or performed only weakly). This can be represented combinatorially as a necklace, an equivalence class of binary sequences under rotations, with true binary values representing on-beats and false representing off-beats.

imagen: Ethan-Hein-blog

ロン·ミュエック
РОН МЬЮ́ЕК
WOMAN WITH SHOPPING

Майи Селвей
Kishu Candlestick

Кима Кивера

Intervención

تشيهارو شيوتا
千春盐田
צ’ילהארו יוטה
치하루 시오타
塩田千春
Тихару Сиота
Labyrinth of Memory

M3LL155X
Le titre de l’EP se prononce « Melissa », ce qui signifie « abeille » et, par extension, « miel ». C’est dire tout le bien que nous veut l’époustouflante anglaise : au cœur d’une production mi-organique, mi-métallique (« in time »), les mélodies, construites selon un schéma plus classique, se font chantées et moins scandées (le subtil « mothercreep »).

Phare No.1-9

The Rite of Spring

Absent Engagement
Alexandra Zierle (DE) and Paul Carter’s (UK) collaborative work is interdisciplinary, multi-sensory and often site/context responsive, spanning performance, happenings and interventions, sound, video and installation. Through their collaborative practice, Zierle & Carter critically examine different modes of communication and what it means to be human, addressing notions of belonging, dynamics within relationships, and the transformation of limitations. Their work sites an embodied investigation into human interactions and encounters, acting as an invitation to venture into the spaces in-between the external and internal, permanent and transient, spoken and unheard. The work fundamentally explores society’s conventions, traditions, and rituals, often flipping them on their head, reversing orders, and disrupting the norm.

بول مكارثي
保罗麦卡锡
פול מקארת’י
ポール·マッカーシー
폴 맥카시

Inmóviles

AI Museum

Valezart

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Cine SYN
Electronic Language International Festival

AI Museum – Spain

AI Museum is an AI-generated short film that explores art, memory, and artificial consciousness. During a night shift, security guard James Foster encounters a mysterious force that brings museum masterpieces to life. As paintings step out of their frames, the line between art and reality dissolves in a post-apocalyptic world, culminating in a finale where humanity’s legacy merges with the digital.

BIO

Valezart is a multidisciplinary artist from Barcelona working across music, film, and game development. With award-winning soundtracks and a strong narrative focus, his work spans animated shorts, feature films, and immersive experiences. He currently explores filmmaking with AI, delving into the edges of artificial creativity.

Functionality Kills The Fun – Kast.03
Functionality Kills the Fun is a series of “broken” furniture that go by one principle: Functionality is overrated! Products become more interesting when they perform their task partly or even poorly. Most of the time the image or the emotional value that the object generates is what makes it so fascinating. In cases where the functionality is subject to the image you see that the pieces are more open for added value from the individual user.

安杰洛玛斯柯
アンジェロムスコ
pelagic

walls have feelings

Каарины Кайкконен

Soft Manipulator
A playful interactive installation where the audience experiments with rhythms, mechanics and objects. Everyday items like glasses, pots, as well as small music instruments are placed on a light plattform. Seven robotic mechanic devices can be manipulated interactively by the audience, manipulating the sound of the objects. The six robotic mechanics beat the objects, creating a constantly changing polyrhytmic web of sound and rhythm.

Chronicling America

بيتر سافيل
ピーター·サヴィル
Питер Сэвилл

جولي بلاكمون
朱莉布莱克蒙
ג’ולי בלקמון
ジュリー・ブラックモン
Джули Блэкмон

String Quintet

Treu
Treu is a real-time audiovisual installation that elaborates on the multiple meanings and implications of the concept of trust. On a macro level it observes how historical events have influenced its course and considers how this can evolve in the future. On a micro level, it, explores how the presence or absence of trust can shift the perception of our individual realities.
Trust is a fundamental element of our society. Politics, economics, and our whole modern system are not material realities – they are psychological constructs based on the trust in individuals, in institutions, in the market. We decide to believe in the value of money, to undertake social changes only if we trust the inventions of our collective imagination.
video

Эрнесто Нето
ارنستو نيتو
埃内斯托·内图
ארנסטו נטו
エルネスト·ネト
어 네스 토 네토

Licht in Wasser Installation
“Licht im Wasser“ ist eine ortsspezifische Installation, die ein eindringliches und emotionales Erlebnis bieten soll. Es wurde zuvor auf der Mailänder Designwoche 2011 vorgestellt. Die Installation nutzte den einzigartigen Status des Veranstaltungsortes – einer der ältesten Betonkuppeln in Paris. Die Installation wurde daher an die kreisförmige Form des Raums angepasst und definierte das innere Heiligtum als „Ort zum Sein“ und einen äußeren Bereich als Raum für einen Zuschauer. An der Decke befinden sich 16 Ringe aus Schlitzrohren. Aus jedem Loch fallen jede Minute 60 Tropfen Wasser; Insgesamt zirkulieren 3 Tonnen Wasser im Raum. Die LED-Leuchten vibrieren zwischen Ein und Aus mit Frequenzen im kürzesten Intervall von 7 μs, sodass der Betrachter einen Lichtpunkt im Wasser bis zu 6000 μs materialisieren kann, an dem Licht zur Wasserlinie wird.

ЭСТЕР СТОКЕР
에스더 스토커
以斯帖施特克尔
Segui il tuo passo e lascia dir le genti 2011

Glasses
GOOD LUCK SERIES
GOOD LUCK IS A PERSONAL RESEARCH FOR BALANCE AND THE INTERPRETATION OF IT. THE (SIMPLE) IMAGES OF THE SERIES TRY TO SHOW THE MOMENT OF THIS BALANCE, WHERE ALMOST EVERYTHING IS PERFECT AND STILL.

汤姆·伯尔

فيليب الزجاج
菲利普·格拉斯
פיליפ גלאס
フィリップ·グラス
필립 글래스
Филип Гласс
symphony 9