Kyriaki Goni
Niet toegestaan voor algoritmische doelgroepen
Een groot aantal online kijkers bestaat tegenwoordig voor het grootste deel uit algoritmen. De algoritmen zijn getraind op auditieve informatie, die door mensen wordt geproduceerd en geladen. In de video “Niet toegestaan voor het algoritmische publiek” vertoont een intelligente persoonlijke assistent (IPA), gevestigd in Athene, Griekenland, vreemd gedrag. Hij leent een avatar en verschijnt voor zijn gebruikers. Voor een korte periode, zeven opeenvolgende dagen voordat het voor altijd uitgaat, gaat het in zeven monologen. Tijdens zijn duur is de digitale assistent erin geslaagd om de volledige inhoud van internet te scannen en allerlei soorten informatie te verzamelen, informatie die hij wil delen.
MVRDV
Paradise City
MVRDV’s The Imprint is part of the larger Paradise City complex of 6 buildings in total, which will provide a full suite of entertainment and hotel attractions less than a kilometre away from South Korea’s largest airport. Given the proposed programme of the 2 buildings – a nightclub and indoor theme park – the client required a design with no windows, yet one that still integrated with the other buildings in the complex.
Guillaume Marmin
Licht, mehr Licht!
“Licht, mehr Licht!”, or “Light, more light!” in English, were the great German author and scientific thinker Goethe’s dying words. The installation, created and developed by French visual artist Guillaume Marmin, echoes near-death experiences, whose survivors describe a “tunnel of light” opening up beyond the darkness. Marmin’s works give form to the intangible, unveiling the beauty of the unseen and the mathematical foundations of reality.
WALLACE KIRKLAND
والاس كيركلاند
华莱士柯克兰
ウォレスカークランド
Studio Daniel Canogar
Shred
‘Shred’ is een generatieve animatie die NFT’s als grondstof gebruikt. Het algoritme dat de dynamische inhoud van het scherm activeert -op maat ontworpen door de studio- legt in realtime duizenden NFT’s vast die worden geüpload naar e-commerceplatforms. Vervolgens versnippert het de afbeeldingen in rijen pixels en weeft de rijen, net als in een weefgetouw, samen tot nieuwe configuraties. Deze onophoudelijke activiteit roept de onophoudelijke en onvermoeibare koorts van digitaal verzamelen op.
NARINDA REEDERS
the shy picture
Narinda Reeders and David MacLeod
Here is a calm and intimate film in black and white, but which refuses to divulge the plot. The characters in the story are revealed to be in a painting. Although the subject is very classic since the portrayal of Dorian Gray by Oscar Wilde. Everything happens this time as if the problematic of creation ultimately had its own existence. This is often the case for the artist when faced with his production. Where in front of the finished work. Narinda Reeders and David MacLeod’s bring this little photo hanging on the gallery wall to life. It’s calm, discreet and mysterious. It is a duality that nevertheless works in both directions, that of the work vis-à-vis the artist, that of the art lover in front of a work. In both cases there is a personal touch that brings you to life. But the real does not come out unscathed.
NOÉMIE LAFRANCE
Melt
JORGE LOPEZ PARDO
blackbox sighting
Patrick Jouin
The TAMU Chair
The result of the dialogue between designer and machine, Tamu is a foldable chair which takes up less space and the least amount of material possible to make.
RICHARD HARVEY AND KEIVOR JOHN
FLOATING ORCHESTRA
‘floating orchestra’ by london-based poietic studio (richard harvey and keivor stainer) is an unconventional electronic
instrument controlled by iPhone. the orchestra is composed of levitating balls whose physical height determines their volume.
although the studio intends that future renditions of the project are controlled via gestures, in the current model an iPhone
application permits users to adjust the sounds and height and angle of the raising balls.
SYLVIE RENO
Cardboard Sculptures
SPIROS HADJIDJANOS
Network Time
“Network Time consists of several wifi routers set up in an exhibition space to be freely accessed by any mobile internet device. Attached to each router is a slender fiber optic cable, aligned to absorb and magnify the incessant flicker of its traffic LED. The visualized data exchange creates a space viewers can interact with not only physically, but also informationally.” Gregor Quack
DANIEL RAMOS OBREGÓN
OUTROSPECTION
Ένα project τελείως διαφορετικό απ’ τα άλλα έρχεται από τον Κολομβιανό σχεδιαστή μόδας Daniel Ramos Obregón. To θέμα με το οποίο έχει καταπιαστεί είναι οι διαφορετικές έννοιες του «εαυτού». Μέσα από την τρέχουσα εργασία του, όπως έχει πει και ο ίδιος, θέλει να εξερευνήσει τα όρια και τη σχέση ανάμεσα στη μόδα, τη γλυπτική και την απόδοση των τεχνών μέσα από μια εννοιολογική, αισθητική και πλήρως φορεμένη άποψη.
