Untitled
Spanish artist Sergio Prego was born in San Sebastian in 1969. Prego works in many different fields of media including video, photography, performance art, installation, and sound. His work attempts to transform the relationship between space and time in order to distort the way we comprehend them.
女权艺术家 摄影作品
the antidote
Brigitte Niedermair is an artist who expresses herself through photography. At the same time, she is a photographer who ventures deep into the disciplinary challenges of art. This cross-fertilisation between two worlds, an osmosis that she performs with great determination, has become the characteristic feature of all her work. The poetic content of her art has always found ideal form through her great mastery of the medium of photography. But never more so has the compositional balance and iconic component of her work been executed in such a lean and essential manner. They almost dissolve before the eye of the viewer, allowing the work to appear in its most subtle and immaterial dimension. Extending far beyond the subjects they portray, the photographs we see directly communicate Niedermair’s thoughts, feelings and personal inner journey. The concepts emerge with great power and immediacy, making space for themselves within the substance of photography. The abstraction creates figures which are authentic portraits.
朱迪·普法夫
Moxibustion
She mainly created installations but what caught my eye was her paintings. She uses alot of textured materials in both he installations and paintings. Her installations are big scaled pieces that take control of the room there in. She is somewhat similar to Karla Black but they have alot of things in contrast aswell. Judy uses alot more darker and bolder colours that i think create a more harsh and busy look. Her pieces also look a bit more edgeyer and eerie almost.
راشيل هاريسون
雷切尔·哈里森
レイチェル·ハリソン
רחל הריסון
Рэйчел Харрисон
Scots
First Subtle Sign of Evolving Drones
Architecture, Art & Design – Ryota Matsumoto’s drawings develop and demonstrate the hybrid/multi-layered process where varying scale, juxtaposition of different forms, intertwined textures/tones are applied to reinvent and question the spatial conditions of architectural drawings. His work explore a hybrid drawing technique combining both traditional media (ink, acrylic, and graphite) and digital media (algorithmic processing, scripting and image compositing with custom software ) .
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Inflatable suit
コミュニケーションに関する公的および私的な談話の中で、カンバセーションバブルの作品は、「合意」の異なる、時には不条理な考えと、それが個人、家族(グループ)であるかどうかにかかわらず、「同一性」に対する私たちの欲求が違いを受け入れることに不寛容を生み出す可能性があることを指摘しています または社会的に政治的なレベル。 私の作品は、人間性の一部であるこの対立について言及しています。 2006年にニューヨーク州のOMIインターナショナルアーティストレジデンシーで最初に演奏され、2008年にノルウェーで演奏された会話バブルは、5人用のインフレータブル構造を備えています。 いつでも、5人の参加者が同じ空気を吸いながら、膨張可能な泡の共通の空間を共有しています。 彼らの頭は自由に動くので、彼らの体の残りはビニールの2つの層の間に挟まれます。 誰も自分の意志で離れることはできず、公演の期間は、それを終了するための5人の合意に依存します。
Architecture Concepts Created by AI: Architecture Concepts Made by AI
FILE 2024 | Architectural Synthetics
International Electronic Language Festival
Lukas Radavicius – Architecture Concepts Created by AI: Architecture Concepts Made by AI – Lithuania
In recent years, artificial intelligence technologies have advanced significantly in the art world, becoming a vital tool for artists in a variety of disciplines, including architecture. Lukas Radavicius has created videos demonstrating the current capabilities of AI in architecture, showcasing innovative designs that offer insights into the potential of AI to shape the future of architecture.
Bio
Lukas Radavicius, born in Kaunas, Lithuania, is a passionate visual artist who began his career in architecture before moving into graphic design and 3D graphics. With a degree in architecture from the Kaunas Academy of Art, he remains active in design-related fields while exploring the fascinating world of AI art in his spare time.
Stabile
Playing with the narrow line between design and pure aesthetics, I focus on a constant search for bold and suggesting forms which can be used as a chair, as a table or as a sculpture.
A Surge of Power
Within 24 hours Marc Quinn’s statue A Surge of Power (Jen Reid) 2020 has been erected in secret on a Bristol plinth and as quickly removed by the council. Life-sized, cast in black resin, it showed the campaigner Jen Reid standing, one fist raised, in a pose in which a photographer had captured her a few weeks earlier when she had stood on the empty plinth after Black Lives Matter (BLM) protesters tore down a bronze monument to the 17th-century slaver Edward Colston.
Body Paint
series (white)
Exonemo’s work allows the public to take some sort of revenge at technologies that are increasingly complex and important in our daily life, demystifying it through destruction, error and mutation processes before eventually reappropriating it in a creative way. Akaiwa and Sembo never consider progress an end in itself, but as an ever changing tool retaining the power to break the conscience of both the artist and public, increasing it tenfold with a heavy dose of unexpected and creating a new beauty.
Рольфа Сакса
롤프 삭스
ロルフ・ザックス
רולף סאקס
罗尔夫·萨克斯
رولف ساكس
LED Eyelash
The LED Eyelash project is brought into the world from a simple question: Why do women want larger and bigger eyes? Asian women tend to have stronger needs for bigger eyes as a standard of beauty, but relatively few of them are born with naturally big eyes. Those without big eyes can only look for alternative ways to make their eyes look prettier, i.e., larger, by using a repertoire of skills such as putting on makeup and wearing jewelry. Sometimes, the desires for bigger eyes can become almost obsessive, and many women opt for plastic surgery in order to make their dream come true. Soomi calls this, the fetish of Big Eyes. LED Eyelash is a clever product that speaks to many women’s desire for bigger eyes. It features a sensor to turn on and/or off. The sensor can perceive the movements of the pupil in the eyes and eyelids. If you wear it and move your head, LED Eyelash will flicker following your movements. It is as simple to use as wearing false eyelashes and as easy to remove as taking off a piece of jewelry.
КАТАРИНА ФРИЧ
卡塔琳娜弗里奇
קתרינה פריטש
カタリーナフリッチュ
LIKE ALL FRITSCH’S WORK, RATTENKÖNIG IS SIMULTANEOUSLY SEDUCTIVE AND UNNERVING. SHE OFTEN TRANSFORMS QUOTIDIAN OBJECTS OR ORDINARY LOOKING FIGURES INTO SOMETHING NEW AND STRANGE THROUGH REPETITION AND MANIPULATION OF SCALE AND COLOR. HER SCULPTURES ARE THE RESULT OF A TIME-CONSUMING PROCESS: A PIECE IS USUALLY MOLDED BY HAND, THEN CAST IN PLASTER, REWORKED, AND THEN CAST AGAIN IN POLYESTER.
Самуэль Сальседо
塞缪尔·萨尔塞多
사무엘 살 세도
サミュエル・サルセド
Sept Rotations
Dawns, Mine, Crystal
The exhibition title Dawns, Mine, Crystal – a direct reference to the work of Raymond Roussel, a pioneer of experimental writing – establishes an intersection of a ‘world of materials’ with complex layers of metaphors and symbols. For Kim, material is not merely a basis for creating forms and images, but a main protagonist for creation itself.
于爾根·邁爾
يورغن ماير
위르겐 마이어
יורגן מאייר
ユルゲン・マイヤー
Юрген Майер
Sarpi Border Checkpoint