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Keiken + George Jasper Stone

Feel My Metaverse
Feel My Metaverse is Keiken’s first venture in creating a cinematic film, using game engines to build a fictional future, wanting to create stories that viewers can collectively believe in. “I normally make CGI animation from Cinema 4D, often taking days and weeks just to produce short sequences or footage. Whereas working with game engines, we could generate landscapes or worlds that we can continually build onto collectively to produce larger scale works”. The film, set in a future when climate crisis has rendered Earth inhabitable, explores the daily lives of three characters and their experiences in the multiple realities – Pome Sector (a corporate wellness world), 068 (a roleplaying VR world), and Base Reality, or what we currently know as earth. The characters navigate the challenging landscape in the world’s unforgiving points system. Keiken’s goals of unlearning norms of the current world is included in one of these realities.

KATIE PATERSON

凯蒂·帕特森
كاتي باترسون
케이티 패터슨
ケイティパターソン
Кэти Патерсон
Langjökull, Snæfellsjökull, Solheimajökull

JORG NIEHAGE

Samplingplong
File Festival

Randomly selected, acoustically usable finds (electronic junk, relays, plastic toys,compressed air valves, pneumatically operated components) are combined with cables and tubes. Via a device controlled by computer, they are turned into interactive instruments. An improvised ensemble evolves, from which – per mouse-over and mouse-click -short miniature compositions of dense rhythmic clicks, hisses, whirs, hums and crackles can be elicited. A tapestry of sound bursts forth from the floral-like web of cables and tubes. The installation can be used by the projected mouse-cursor: rolling over the improvised instruments causes small sound events. Activating the installation by rolling over its parts enables the user to play spontaneous improvisations. Clicking these objects starts short programs of loop-like compositions. Small “techno-compositions en miniature”, rhythmic patterns of analog (or real) sounds; a physical low-tech simulation of electronic, digital music, perhaps an ironic comment on interactivity.

BARECONDUCTIVE

Conductive Bodypaint
영국의 베어 컨덕티브 스튜디오(Bare Conductive Studio) 가 개발한 ‘베어’는 일종의 전도성 잉크다. 일시성, 수용성 이라는 점과 음식, 화장품 첨가제로도 사용되는 비금속 전 도성 입자로 구성돼 몸에 직접 사용해도 안전한 것이 특징 이다. 특히 사용자의 움직임과 감각을 통해 전자 기기와 상 호작용할 수 있게 돕는 다리역할을 해 사람과 사람, 사람과 컴퓨터 간에 정보를 전달하고, LED와 같은 작은 전구에 전 력을 공급하는 데에 사용할 수 있다. ‘베어’의 사용법은 간 단하다. 붓이나 스프레이를 이용해 잉크를 몸에 바르면 하 나의 회로판이 만들어지는 셈인데, 여기에 전류를 흐르게 하면 된다.

ecoLogicStudio

BioBombola
The Coral
Home Algae Garden
In June 2020 ecoLogicStudio has devised BioBombola, a pioneering project that invites individuals, families and communities to cultivate a domestic algae garden – a sustainable source of vegetable proteins. BioBombola absorbs carbon dioxide and oxygenates homes more effectively than common domestic plants while fostering a fulfilling daily interaction with nature. Each BioBombola is composed of a single customized photobioreactor, a one metre tall lab grade glass container, filled with 15 litres of living photosynthetic Spirulina strain and culture medium with nutrients.

Philippe Parreno

ФИЛИПП ПАРРЕНО
فيليب بارينو
菲利普·帕雷诺
56 FLICKERING LIGHTS

Philippe Parreno, geboren 1964 in Oran, Algerien, lebt und arbeitet in Paris. Nach Abschluss seines Studiums der Mathematik hat Parreno an der Kunstakademie Grenoble studiert, er hat seit etwa 1990 seine Konzepte, Projekte und Filme im Kunstkontext ausgestellt. Parreno’s Werk beschäftigt sich mit der Frage nach dem Status des Bildes und den Formen der Ausstellung. Es verbindet Aspekte aus Kunst, Film, Theater, Design und entwirft transitorische Orte für temporäre, kulturell-ästhetisch definierte Gemeinschaften. Seine komplexen Szenarien aus Bild, Objekt, Sound, Projektion und Licht haben die Wahrnehmung und Erfahrbarkeit des Formats ‚Ausstellung’ neu definiert.

MARTIN BOYCE

Бойс, Мартин
马丁•博伊斯
마틴 보이스
מרטין בויס
マーティン・ボイス

ROB MULHOLLAND

روب مولهولاند
罗布穆赫兰
롭 멀홀랜드
ロブマルホランド
Роб Малхолланд

KUMI YAMASHITA

久未山下
קומי ימשיטה
久美山下
쿠미 야마시타
Куми Ямашита
كومي ياماشيتا
Clouds

federico babina

Федерико Бабина
animates archidirectors

E se Hitchcock, Kubrick e Fellini trocassem fotogramas por fachadas? Essa é a pergunta que o ilustrador italiano Federico Babina se fez, imaginando como seriam as casas dos cineastas mais míticos da história do cinema. Nesta que abre a fotogaleria, o ‘arquidiretor’ Kubrick integra o olho de Hal 9000, o robô assassino de ‘2001. Uma odisseia no espaço’, à fachada imaginária de sua casa.

Hickey Heart

Magnetic Urges
Magnetic Urges is a project, created in inspiration of Newton’s “Laws of Motion”* and as a point of view that expresses and visualises “action” as any part of human body’s getting in unstable form due to forces of attraction which can easily reconciled with magnetism. Although it refers to stated matters, the project has an independent psyche from theories or laws in the domain of science. Human, as a mystic trinity, only aims to contact these unrestrictable “forces”** which form it’s own self (metaphorically) to a geometric shape.

JUAN MUNOZ

胡安·穆尼奥斯
Хуан Муньос
フアン·ムニョス
후안 무 노즈
Conversation