Ариана Пейдж Расселл
阿丽亚娜页罗素
ראסל עמוד אריאנה
アリアナページラッセル
아리아나 페이지 러셀
A body is an index of passing time. Skin protects us as it shows shifting bones, bruising, muscles loosening and tightening, and freckles and wrinkles forming. I think of this as a transient fashion of skin, including the revealing way a blush decorates one’s cheek, freckles form constellations on an arm, or hair creates sheen on skin’s matte surface
露西·麦克雷和巴特·赫斯
Люси Мак Рае и Барт Хесс
Imagine human bodies and faces physically altered with a shocking but artistic realism. Globules of foam, asymmetric spines… fascinating and repugnant simultaneously, the pictures become even more disturbing because they don’t hint at the emotional state of the subject. Each transformed human looks blankly back at you, neither horrified or surprised or excited about their change of form, but merely present and allowing it to be shown to you.
Джонатан Пьюки
Delaunay Raster
Jonathan Puckey is a Dutch graphic designer who can script. He often uses Scriptographer, a scripting plugin for Adobe Illustrator, so that’s probably why he calls his work ‘conditional design’. ‘Delaunay Raster’ is a project with image vectorization based on Delaunay triangulation.
No Title (Stacked Plates)
Espiral Sin Fin
“Gustave Le Gray No. 1”
In 2019, Ballet Across America was put together with the inspiration of women’s leadership in ballet and dance. To mark the celebration, the Center commissioned choreographer Pam Tanowitz to create a world premiere work for the week’s two participating companies, Dance Theatre of Harlem and Miami City Ballet; both are companies led by visionary women – Virginia Johnson at DTH and Lourdes Lopez in Miami.
Tanowitz set the work on two dancers from each company, with a pianist on stage playing a solo work by the composer Caroline Shaw. The piece had its world premiere during Ballet Across America on May 31, 2019. This video captures the premiere performance.
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Pianist: Sylvia Jung
Dancers: Renan Cerdeiro, Lauren Fadeley, Anthony Santos and Stephanie Rae Williams
Impermanence Trajectory: the limbic nest.
via highlike submit
Earlier AUJIK referred to this in terms of natural and unrefined computation but after German AI scientist Jurgen Schmidhuber introduced the more comprehensive view of Panacomputationalism it’s been adapted.In this manifestation called ‘Impermanence Trajectory: the limbic nest’, this idea is explained through a sacred rock located at an ancient Yamabushi(4) area called Ishiyama.A rock consist of approximately ten trillion trillion atoms in a kilogram of matter, electrons scattering and bouncing back and forth making it a very vivid space with a vast computational potential.
Nomadic chair
a dozen useless actions for grieving blondes
Gillian Wearing, estetik, duygusal ve ahlaki değerlere karşı olan toplumsal yaklaşımları inceleyişiyle, sergisine gidenleri binbir türlü yargıya sürükleyebiliyor. Süregelen kavramsal tartışmalara eğildiğinin farkında, o sadece benliklerimiz hakkında ne düşündüğümüzü ve bu düşünceleri başkalarına nasıl aktardığımızı keşfederken, merakını izleyicilerine de göstermeye çalışıyor. Mahremiyetimizin hiper-bağlantılı yaşamlarımızda yok oluşunun eski tartışması, artık yön değiştiriyor.
Creative Studio
MOLINOS DE PAPEL Y VIENTO
Birdie
The original Birdie suspension lamp was designed by Ingo Maurer himself in 2002. Birdie is the smaller version of the Birds Birds Birds chandelier and is suited for ceiling heights of 230 to 260 cm. With 12 halogen low-volt bulbs, extra produced by Ingo Maurer, and handmade wings of goose feathers this lustre becomes an extraordinary design lamp. The individual wires can be turned, bent and shaped whichever way you like.
笹本 晃
Secrets of my Mother’s Child
La prima personale dell’artista giapponese Aki Sasamoto (1980, Yokohama) giovanissima artista giapponese, trapiantata a New York, si è imposta sulla scena artistica internazionale con la sua arte che spazia dalla performance alla danza, dalla scultura al disegno, che realizzerà per l’occasione una nuova versione dell’installazione performativa Secrets of My Mother’s Child, presentata lo scorso 2009 al centro espositivo “The Kitchen” di New York.
