SUPERFLEX
Eins Zwei Drei Schaukeln!
Eins Zwei Drei Schaukeln! fordert die Apathie der Gesellschaft gegenüber den politischen, ökologischen und wirtschaftlichen Krisen unserer Zeit heraus. Die Installation wird in drei Zuständen erlebt: Apathie, Produktion und Bewegung. Der Zustand der Apathie gefährdet ein großes Pendel, das an einem 20 Meter langen Kabel von der Decke abgehängt ist und in einem von der britischen Währung inspirierten Farbschema über einem 770 Quadratmeter großen Teppich schwingt. Am anderen Ende der Halle befindet sich der Produktionsstand, eine Fabrikstation, in der Schaukelsitze vor der Verteilung und Verwendung zusammengebaut, gestempelt und gelagert werden. Aus dem Produktionszustand hervorgegangen, lädt eine orangefarbene Linie aus miteinander verbundenen dreisitzigen Schaukeln die Bewegungen der Benutzer ein und umrahmt sie.
MAURIZIO CATTELAN
マウリツィオ·カテラン
Маурицио Каттелана
SELF-TEACHED CONTEMPORARY ITALIAN ARTIST, BORN IN PADUA IN 1960 CURRENTLY LIVING IN NEW YORK. HIS ARTISTIC PROPOSAL IS LOCATED BETWEEN SCULPTURE AND PERFORMANCE (ARTISTIC ACTION WHERE AN ARTIST OR A GROUP OF ARTISTS PARTICIPATES WITH THE USE OF THE BODY AS A SCULPTURAL ELEMENT “LIVE” IN FRONT OF THE PUBLIC), WORKING MAINLY IN THE GAME. THE SENSE OF HUMOR AND THE TRANSGRESSION OF THE ESTABLISHED SYMBOLS CONSTITUTE ITS MAIN EXPRESSIVE WEAPONS.
Sebastian WOLF
Drawhearts
Drawhearts eternally repeats the act of steaming up a pane of glass and lining out a heart, slowly fading away each time. A pulley system freely moves the body of the machine across the pane of glass, with its main part consisting of a miniature fog machine to steam up the glass and an articulated drawing arm.
RYUJI NAKAMURA
中村竜治
류지 나카무라
РЮДЗИ НАКАМУРА
spring (invisible 3D screen)
Japanese architect Ryuji Nakamura has constructed a nearly invisible 3D screen that only reveals itself in the presence of light. This installation ‘spring’ was part of the “Neoreal in the Forest” exhibit at this year’s Milan Design Week
ken kelleher
Tropic of Capricorn
“I see sculpture as an ongoing dialogue between many things. Material, form, substance, light / shadow, time / space & content. Sculpture is curiosity made visible in three dimensions…with additional dimension or two added to it. The dimension of time, and one of imagination.”
Andrew Carnie
Wave
goodbye
PEDRO CABRITA REIS
ペドロ カブリタ レイス
FAN XIAOYAN
Фан Сяоян
სკულპტორი Fan Xiaoyan დაიბადა 1983 წელს ქალაქ გაომიში. 2008 წელს დაამთავრა სახვითი ხელოვნების ფაკულტეტი პეკინის სამხატვრო აკადემიაში. ამჟამად ცხოვრობს და მოღვაწეობს ჩინეთში.სკულპტორი ამბობს რომ მისი ნამუშევრები ასახავს ახალ ერას, ახალ შეგრძნებებს, ახალ ძალაუფლებას და ადამიანის ახალ ტიპს, სურეალისტურ ვირტუალურ სამყაროს, რომელშიც ქალები და მამაკაცები თანასწორნი არიან.
PHILIP GAISSER
monoblock
AMANDA MCCAVOUR
livingroom
TONY MATELLI
ТОНИ МАТЕЛЛИ
Arrangement
Using an often hyperrealistic idiom, Matelli describes the more disquieting sides of human beings and human society. His sculptures straddle the boundary between uneasiness and humour: in a number of the works he turns innocence into absurdity, such as when animals or humans are maltreated by various weapons and devices.
Daan Roosegaarde
WINDLICHT
WINDLICHT is a artwork by Roosegaarde which shows the beauty of green energy by connecting windmill blades with lines of light. Special software and tracking technology detect the windmill blades rotating at 280 kilometres per hour. Visitors can tune into radio canal WINDLICHT FM 105.3 FM to hear the stories behind the artwork. WINDLICHT creates the missing link between the Dutch and the beauty of our new landscape.
