HIROSHI SUGIMOTO
弘杉
杉本博司
히로시 스기 모토
Conceptual Form model
Su obra se centra en la historia y la existencia temporal. Paisajes marinos, teatros, dioramas, retratos (de figuras de cera Madame Tussaud) y la arquitectura están entre sus muchos temas. Sugimoto ha recibido varias becas y ayudas, y su trabajo está presente en las colecciones de la Tate Gallery, el Museo de Arte Contemporáneo de Chicago y el Metropolitan Museum de Nueva York, entre otros muchos.
BENEDETTA BONICHI
Бенедетта Bonichi
QUBIT AI: Iskarioto Dystopian AI Films
Eldritch
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Iskarioto Dystopian AI Films – Eldritch – Spain
Eldritch immerses you in a disturbing hallucination through the darkest recesses of the human mind; a psychedelic and demonic audiovisual experiment.
Bio
Iskarioto Dystopian AI Films is an emerging Spanish artist, empowered with cutting-edge AI tools, a fusion of human creativity with machine potential. He is known as a visual alchemist, pixel manipulator, and graphic, dark, dystopian storyteller. Since its premiere in 2022, it has been shown in art galleries around the world, having won the Artistic Award at the AI Film Festival Montpellier 2023.
Credits
AI-generated music made with Suno.ai
THEODORE SPYROPOULOS
BEHAVIOURAL COMPLEXITY
Design Research Laboratory (AADRL) and the experimental design studio Minimaforms examining a behavior-based agenda that engages experimental forms of material and social interaction. Cybernetic and systemic thinking through seminal forms of prototyping and experimentation will situate the work through continued experiments that have manifested since the early 1950s as maverick machines, architectures and computational practices exploring the generative potential of self-regulating phenomena as proto-architectural environments. Through explicit models of interactions, observable patterns and proto-animalistic agency; the research will discuss the capacity of these systems to evolve, adapt and self-structure through computation.
Winnie Yoe
Smile, Please
Smile, Please es una instalación interactiva creada en respuesta a la coerción social de las emociones y la prevalencia de la IA de las emociones. La instalación cuenta con una máquina de evaluación y capacitación de sonrisas que capacita a los usuarios para que se conviertan en ciudadanos de “la sociedad preferida”, donde se les garantiza mejores perspectivas de futuro. El único requisito de entrada es que sonrían lo suficientemente bien.
Bernar Venet
88.5° Arc x 8
Bernar Venet is a French Conceptual artist known for his curved, mathematically precise metal sculptures, and for his material exploration of coal, asphalt, and tar. “My work is self-generated. Nothing around me serves as a particular inspiration,” Venet said of his art. “I work, and I make discoveries while remaining open-minded to anything that might present a new possibility in the context of my work; this framework looks to enlarge its scope as a result of new formal and conceptual discoveries.” Born on April 20, 1941 in Château-Arnoux-Saint-Auban, the painter and sculptor studied at La Villa Thiole in Nice in 1958 for a year before pursuing a career as an artist. Friends with Arman, Jean Tinguely, Donald Judd, and Sol LeWitt, Venet worked within Minimalist and Conceptualist modes during the 1960s and 1970s.
video
LEBBEUS WOODS
Леббеус Вудс
レベウス・ウッズ
RADICAL RECONSTRUCTION
Woods’ Entwürfe sind bekannt für ihre destruktiven, verstörenden Momente. Zur Ausführung gelangten die wenigsten – gleichwohl inspirierten seine radikalen Ideen nicht nur andere Architekten, sondern auch Filmemacher: Er war zu großen Teilen für das Design von Alien 3 verantwortlich. Die Produzenten von 12 Monkeys verklagte er erfolgreich, weil sie ohne sein Wissen eine seiner Zeichnungen als Filmset adaptiert hatten. Viele Werke erinnern an Science-Fiction, gleichzeitig thematisieren sie aber auch die Vergangenheit. Die visuelle Spannung, die im Nebeneinander von Konstruktion und Zerfall gründet, erinnert nicht zufällig an die Zeichnungen Piranesis.In Woods’ Visionen sind das Gewaltmoment und das Motiv des Krieges allgegenwärtig: Er zeichnet ein San Francisco, in dem sich nach einem Erdbeben, und ein Sarajevo, in dem sich nach dem Krieg Spuren der Zerstörung und der Wiederauferstehung verbinden; auch sieht man ein Manhattan, dessen Südspitze von riesigen Dämmen gegen die Wasser des Hudson und des East Rivers abgeschirmt wird.„Ein Architekt ist in meinen Augen ein Entwerfer des Lebens“, zitiert die Wiener Tageszeitung Der Standard aus einem Interview mit Woods. „Schmerz und Gewalt sind Teil des Lebens, insofern darf man diesen Aspekt nicht ausblenden.“ Woods starb an dem Tag, als Wirbelsturm Sandy über New York hereinbrach.
JOHN COPLANS
존 코플란즈
Джон Копланс
In 1984 Coplans began taking the photographs of his own body with which he established his international reputation as an artist. These large-scale black-and-white images, enlarged from 4×5 inch Polaroid photographs and often presented in groups, are candid and sometimes humorous explorations of his own body. By cropping off the head, Coplans presents these depersonalised images of the body as a surprising, intriguing object, fascinating in detail and malleability.
SEBASTIAN WOLF
Brume
In the collaborative work Brume fog emerges from and self-organizes on the surface on a sculptural element, congealing with light into an elusive stratum. The installation utilizes a series of ultrasonic transducers that generate thick clouds of dense, yet extremely lightweight water vapor. Fog is produced in an inner chamber contained within an enclosure that is outfitted with a porous surface. A small radial blower inside the apparatus gently pumps air into the inner chamber lifting the fog through the membrane, whereby it “settles” on the surface. Viewed from a distance, the fog appears as a visualized mass of air circumscribing the perimeter of the enclosure.
ERNESTO NETO
Эрнесто Нето
ارنستو نيتو
埃内斯托·内图
ארנסטו נטו
エルネスト·ネト
어 네스 토 네토
ErnestoNeto被认为是巴西当代艺术界的领军人物，他的灵感部分来自于巴西现代实体主义(neo-concretism)。Neto创作的抽象装置常常占据整个展览空间。他所使用的材料非常的轻薄。弹性尼龙和棉常常被用到。比如优质的薄膜被拉长固定在天花板上，弹性的纤维挂起来形成一个房间，或者一个类似器官的形状。有时这些形状内填满了有气味的香料，挂起来后仿佛一滴眼泪的形状看起来又像是一个巨大的蘑菇或者是袜子。又有时他创作一些特殊结构的软体结构，参观者可以通过表面的小开口进入到里面。他还创作过一些类似迷宫的空间，参观者可以进入去体验它的作品，并与其产生互动。
Neto的艺术是一种体验，它们时而和人的身体发生关系，时而类似人体器官。他自己描述他的作品是一种从内部对身体景观的一种探索和表现。对于neto的作品最重要的是参观者应该动起来亲自去和作品产生互动，通过身体接触，气味等去感受。
Encor Studio
Initiation
Initiation is an open-end ceremony initiating the audience to the cult of infinity. The gigantic human-machine-interface is driven by the officiants controlling ancestral tools. As time seems to suspend itself, the crowd emerges into an ever hypnotizing state of oscillation. In this place the swing of the pendulum acts as the ever stimulating vector to guide the audience onto higher grounds.
BARAKA KECAK
“Baraka is a documentary that starts from an old word with meanings in several languages. It can be translated as a blessing, breath or essence of life, from where the process of world evolution is triggered. The film reveals how much humanity is interconnected, despite the differences in religion, culture and language of the peoples. A true visual poem without narration or caption, only images and sounds carefully captured and articulated through an expressive montage, which makes each take add the next other meaning, whose theme is… After all, what is Baraka about? I believe that each viewer of the film sees a different theme. It can be about the strength of planet Earth. It may be about the multiple diversities that unite us. It can be a lot. Baraka is a visual reproduction of the human connection with the Earth ”
Hwang Kim
CCTV chandelier
“CCTV Chandelier : Virtual Doppelganger Simulator” is an interactive installation that can reflect viewer’s Virtual Doppelganger. You can look objectively into yourself in a third person’s point of view.
This machine have around 12 CCTVs surrounding and hanging near viewer’s face and engineering viewer’s experience to show their Virtual Doppelganger in the connected monitors. This wearable visual system then allows the participant to see his/her own body or the surrounding environment from a third person’s perspective even when he/she is moving. Therefore, you yourself, viewer and visitor is displayed as an object in the gallery.
Pamela Rosenkranz
Wie ein ziel
Laine Godsey
Sit Here
Zbynek Baladran
Dead Reckoning
3000 STUDENTS FROM EINDHOVENSE SCHOOL AND SINTLUCAS
Chewing Gum Sculpture
CHRISTOPH HILDEBRAND
vortex
Cho Youngkak
A Hot talks about Something, Someday, Someone
Se basa en Meme (meme / meme; imagen, video), que es un nuevo medio de comunicación que funciona como lenguaje en un sistema de red como Internet. Basados en Meme, las imágenes y los videos reproducidos se reconstruyen recientemente mediante inteligencia artificial y se presentan en una forma que cambia según la interacción de la audiencia. Basado en los datos recibidos a través de la cámara, un algoritmo de inteligencia artificial (StyleGAN: A Style-Based Generator Architecture for GANs) reacciona con cada modelo entrenado y audiovisualmente a través de la visualización y la robótica (robot cooperativo) en el lenguaje reconstruido. Este proyecto se enfoca en crear interacciones basadas en resultados artificiales que no existen en la realidad. El modelo de inteligencia artificial creado proporcionará más experiencias emocionales como sustituto del diálogo humano en lugar de ser aceptado por los humanos en el sentido del meme cotidiano.
