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Glenn Branca

Lesson Nº 1 + The Ascension
Glenn Branca has always been a musician positioned halfway between the role of avant-garde composer and that of a rock musician. A pupil and disciple of the masters of American minimalism such as La Monte Young, Terry Riley, Philip Glass and Steve Reich, he has always had to fight against prejudice and fierce criticism. His position was certainly uncomfortable, too academic for rock fans and too “politically incorrect” for academics. In fact, Branca was trying to unhinge all the limits imposed by the rigid schemes of the avant-garde, aware of the fact that those who want to be truly avant-garde should have no limits. John Cage was also able to criticize him, even calling him a fascist ( Luciano Berio also did so for all minimalists) for the excessive rigidity of his compositions, even though he recognized his innovative power. After having created his best known album, The Ascension (1981), a true monument of maximalism played with a classical rock formation (guitars, bass and drums), he tries to approach a different format, the Symphony, as always halfway between rock and academia. Branca will like the experiment and will re-propose it several times in the following decades, to date there are sixteen symphonies (not all recordings are available). Here is how young Branca’s ensemble appeared to the American composer John Adams in one of his first live performances of the First Symphony: “Branca’s event that I listened to at the Japan Center Theater in San Francisco in 1981 was one of his symphonies for guitar . The group didn’t look very different from thousands of other independent or alternative rock bands of the time: guys in jeans and worn t-shirts busy with cables while maintaining that typical distracted expression of rock musicians.

 

Alan Warburton

CGI technology
“ABC”
Ludovico Einaudi

Ludovico Einaudi verzichtet gerne auf Schnickschnack. Für den italienischen Meister des Minimalismus liegt der Reiz des künstlerischen Ausdrucks in der Reduktion. Das zeigt sich auch im kunstvollen Musikvideo von Alan Warburton.

JOHN MCCRACKEN

ДЖОН МАК-КРАКЕН
约翰·麦克拉肯
ジョン·マクラッケン
STAR, INFINITE, DIMENSION, AND ELECTRON

John McCracken’s work embodies a threshold of physical matter and infinite mind/space. In his own words, this ‘character,’ of his work has been indefinable and difficult to write about as an integral whole. Typically referred to as one of the leading West Coast counterparts to the Minimalist regime of Donald Judd, Carl Andre, Robert Morris, Dan Flavin, Sol Lewitt and Robert Bladen, McCracken’s work extends the architecture of Minimalism, complicates the surface of simulated or real machine production, and reflects a mysticism of transcendence.

Dan Flavin

Untitled (to Barnett Newman) two
Dan Flavin was an American artist and pioneer of Minimalism, best known for his seminal installations of light fixtures. His illuminated sculptures offer a rigorous formal and conceptual investigation of space and light, wherein the artist arranged commercial fluorescent bulbs into differing geometric compositions. “I like art as thought better than art as work,” he once said. “I’ve always maintained this. It’s important to me that I don’t get my hands dirty. It’s not because I’m instinctively lazy. It’s a declaration: art is thought.”

Robin Baumgarten

line-wobbler
file 2019
‘Line Wobbler’ is a one-dimensional dungeon crawler with a custom controller made out of a steel spring and a five-metre long LED strip display. The entire game runs on an Arduino, with sound, particle effects and 120+fps. ‘Line Wobbler’ is an award-winning experiment in minimalism in game design, making use of novel input mechanics, retro sound, and the incorporation of physical architectural space into the game. In the game, players navigate obstacles and fight enemies to reach the exit, in a series of increasingly difficult levels. Movement is controlled by bending the Wobble controller forward and back, while enemies are attacked by flicking the spring at them. Obstacles such as lava fields, conveyor belts and slopes challenge the navigation skills of the player.

echophon

Yancy Way

The Wonderfdul Hypnotic Gifs of echophon: Yancy Way is an artist making design-influenced generative art that explores motion & the interaction of shapes & line. Ephemeral themes of minimalism, science fiction & nature.

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PHILIP GLASS

فيليب الزجاج
菲利普·格拉斯
פיליפ גלאס
フィリップ·グラス
필립 글래스
Филип Гласс
Songs from Liquid Days

Songs From Liquid Days became Philip Glass’ most popular and successful recording. The title holds the clue to the music’s accessibility: These are songs, providing a more familiar and comfortable format for appreciating the world of minimalism than Glass’ operas or instrumental pieces. Working with such lyrical collaborators as David Byrne and Suzanne Vega, he created art music which sounds radio friendly. There is also great variety displayed on this album.

Jessica Eaton

but does it float
The Montreal-based artist has been working in the arcane reaches of analog photography for over 14 years. Through obsessive experimentation, she has developed a method entirely her own, combining additive colour theory and what she calls “a really bastardized version of Ansel Adam’s zone system.” Eaton’s relentless inventiveness and exacting practice have made her one of the most successful Canadian artist-photographers working today. She’s represented by galleries in Montreal, LA, and New York, where she exhibits her work by turns on a bi-annual basis. Viewers and collectors are drawn to the unique tensions in Eaton’s work: the austere minimalism coupled with her daring colors; the hyper-abstraction undercut by a current of playfulness; the defiant impenetrability softened by an aura of warmth.

MAURO PERUCCHETTI

Мауро Перуккетти
MICHELANGELO 2020 A TRIBUTE TO WOMEN
“Mauro Peruchetti’s work is a mixture of Minimalism and Pop, fused together with an elegance and an ironic wit that seem typical of a certain kind of Italian sensibility.” Edward Lucie-Smith

Rothschild Eva

Cages
Rothschild’s practice involves both conceptual and socio-political ideas alongside traditional approaches to making sculpture. Through an investigation into form and materiality, her works balance, stack, wrap and knot materials around geometric shapes and structures – such materials that often appear to transcend their physical limitations, hover between representation, symbolism and actual form. By deliberately destabilizing physical and visual characteristics in her work, Rothschild not only questions the aesthetics of art, in particular minimalism, but also those of belief in social liberation and spiritual movements.

QIU HAO AND MATTHIEU BELIN

邱昊
When two talented people meet, an edgy fashion designer and an unconventional photographer, an astonishing project, intriguing in many levels, originates. The Serpens collection lookbook is the product of the collaboration between the Chinese fashion designer Qui Hao and the Shanghai based, French photographer Matthieu Belin. Named after the constellation of the northern hemisphere – the reptile, the mythological symbol that represents both good and evil – Serpens is as mysterious, futuristic and compelling as its name implies. An extravagant collection in which the size is the absolute dominant. Oversized clothes touched by the magic wand of minimalism.

Nathaniel Rackowe

Designed to interact with the environment in which they are situated, Nathaniel Rackowe’s large scale architectural structures are built using light, kinetic elements and common industrial materials. Drawing on Minimalism’s attention to the relationship between viewer, object, and space, and fusing the structural codes and material outcomes of Modernism, Nathaniel’s works transports the viewer from passive observer to participant, exposing the otherwise unseen dimensions of visual and temporal spaces.

DANIEL SANNWALD

Laura Kampman
Daniel Sannwald creates fashion optimism. His work? A bit of minimalism, a bit of sci-fi surrealist. It’s a swatch of really interesting ideas. What really turns my crank about Daniel Sannwald, is that his ideas don’t just stop at the end of a shoot. He’s as mysterious as the photos he takes (which are quite the mystery).

Philip Glass

فيليب الزجاج
菲利普·格拉斯
פיליפ גלאס
フィリップ·グラス
필립 글래스
ФИЛИП ГЛАСС
ECHNATON
Dance Company Nanine Linning / Theater Heidelberg
Chor und Extrachor des Theaters und Orchesters Heidelberg
Philharmonisches Orchester Heidelberg
Akhnaten (deutsch: Echnaton) ist eine Oper von Philip Glass über den ägyptischen König Echnaton und die Amarnazeit. Der Text ist in Englisch, sowie in ägyptischer und akkadischer Sprache. Die Uraufführung fand im März 1984 unter der Leitung von Dennis Russell Davies im Opernhaus Stuttgart statt. Stilistisch gehört die Oper dem musikalischen Minimalismus an.

Alois Kronschlaeger

Grid Structure

Influenced by constructivism and post-minimalism, Alois Kronschlaeger plays with colors and angles to produce a kinesic effect in the works that are part of the series “Polychromatic structures. These WORKS by Kronschlaeger require the active participation of the viewer, as that on one side is something that is transformed by just moving a few steps to the right or left.

JONATHAN JONES

In Jonathan Jones’ immersive installation ‘untitled (the tyranny of distance)’, six free standing walls have been covered in blue tarpaulin and glow with filtered light from fluorescent tubes articulated in a continuous chevron design. The chevrons are derived from elements of traditional Koori (South Eastern Aboriginal) line work and resonate with Western minimalism.

Dan Flavin

monument for V. Tatlin

Dan Flavin était un artiste américain et pionnier du minimalisme, surtout connu pour ses installations phares de luminaires. Ses sculptures lumineuses offrent une investigation formelle et conceptuelle rigoureuse de l’espace et de la lumière, dans laquelle l’artiste a arrangé des ampoules fluorescentes commerciales en différentes compositions géométriques. «J’aime mieux l’art en tant que pensée que l’art en tant qu’œuvre», a-t-il dit un jour. «J’ai toujours maintenu cela. Il est important pour moi de ne pas me salir les mains. Ce n’est pas parce que je suis instinctivement paresseux. C’est une déclaration: l’art est pensé. »

MARCEL BROODTHAERS

pyramide de toiles

During his twelve-year career as a visual artist, Marcel Broodthaers produced an astonishing variety of works in a wide range of media, including enigmatic objects made of egg – and mussel shells, elegant typographic paintings, films, pints, photographs, and ephemeral, provocative installations. Heir to fellow Belgian René Magritte, his works have also been linked to Pop Art, Conceptualism, Dada, and Minimalism. While extremely rich in allusion, Broodthaers’ s work is ultimately enigmatic and his meaning elusive. In effect, rather than providing answers, Broodthaers’s work raises questions, often about the very nature of art and the institutions that protect and foster it.

DAN FLAVIN

Dan Flavin war ein amerikanischer Künstler und Pionier des Minimalismus, der vor allem für seine wegweisenden Installationen von Leuchten bekannt war. Seine beleuchteten Skulpturen bieten eine strenge formale und konzeptionelle Untersuchung von Raum und Licht, wobei der Künstler kommerzielle Leuchtstofflampen in unterschiedlichen geometrischen Kompositionen arrangierte. “Ich mag Kunst als Gedanken besser als Kunst als Arbeit”, sagte er einmal. “Ich habe das immer beibehalten. Es ist mir wichtig, dass ich mir nicht die Hände schmutzig mache. Es liegt nicht daran, dass ich instinktiv faul bin. Es ist eine Erklärung: Kunst ist Denken. “

JANA STERBAK

ヤナ・スターバック
« I Want You to Feel the Way I Do »

Le style de Sterbak est difficile à définir, tout comme les matériaux qu’elle utilise. Influencée à ses débuts par le minimalisme, elle choisit délibérément des matériaux souvent non conventionnels, guidée par son désir d’établir un rapport direct et frappant entre l’idée et la matière. Ainsi, elle utilise à plusieurs reprises du fil électrique, du ruban de couturière, du bifteck, ainsi que des matériaux plus traditionnels tels que le plomb, le verre et le bronze. Le résultat peut sembler menaçant et agressif, comme dans la robe électrique I Want You to Feel the Way I Do… (The Dress) (1984-85), ou témoigner d’une fraîcheur ironique, comme dans Generic Man (1987) ou Standard Lives (1988), dont le mordant est quelquefois accentué par l’utilisation de texte.

JIRI KYLIAN – STEVE REICH

イリ·キリアン – スティーヴ·ライヒ
יירי קיליאן – סטיב רייך
Иржи Килиана – Стив Райх
Falling Angels
Falling Angels was created in 1989 as one Kylián’s Black and White Ballets. The Black and White ballets consisted of six pieces, with Falling Angel being dance 6. It is choreographed to Steve Reich’s Drumming (Part One) created in 1971, which was based on ceremonial ritual music from Ghana (West Africa). Throughout Fallen Angels there is the use of mesmeric choral movement and repeated phrases. Falling Angels is for 8 women and depicts female dancers in their aim to achieve perfection but succumb in various stages to the human female psyche and female events such as ambition, seduction, pregnancy, birth, death, motherhood and self-awareness. Kylián was influenced by surrealism and minimalism during the creation of this work and the ‘black and white ballets’. In this ballet we see the combination of classical lines and sharp percussive movements that give unpredictability to the piece as a whole

DAN FLAVIN

Dan Flavin è stato un artista americano e pioniere del minimalismo, meglio conosciuto per le sue installazioni fondamentali di lampade. Le sue sculture illuminate offrono una rigorosa indagine formale e concettuale dello spazio e della luce, in cui l’artista ha disposto lampadine fluorescenti commerciali in diverse composizioni geometriche. “Mi piace l’arte come pensiero più che l’arte come lavoro”, ha detto una volta. “L’ho sempre sostenuto. Per me è importante non sporcarmi le mani. Non è perché sono istintivamente pigro. È una dichiarazione: l’arte è pensiero. “