Hybe

Light Tree: Interactive Dan Flavin
HYBE’s Light Tree: Interactive Dan Flavin re-illuminates the minimalist fluorescent light tubes of Dan Flavin from the 1960s, through digital technology. Experimenting with light and its effect, Flavin explored artistic meaning in relationships between light, situation, and environment. The readymade fluorescent light fixtures he used created space divided and adjusted by light and composition, offering a newly structured space with light. HYBE’s work expands the logic of Flavin by reinforcing the physical property of light through interactive media. It presents an escape from traditional lighting, as light and color changes when touched by viewers. Lighting here is divided into front and back, and colors are programmed to maintain complementary colors. The front lighting constantly interacts with colors on a back wall through visual contrast and mixture. A random change and diffusion of light with the involvement of viewers provokes tension extending and segmenting space, turning space into a forum for emotional perceptual experience.

Anne Teresa De Keersmaeker

アンヌ·テレサ·ドゥ·ケースマイケル
АННЫ ТЕРЕЗЫ ДЕ КЕЕРСМАКЕР
Quatuor N°4

The movement vocabulary of “Quartet No. 4” (originally part of a longer evening, “Bartok/Annotations”) is simple, with elaborations on walking and turning movements that incorporate everyday motion (smoothing hair, opening out the hands, a quick unpolished handstand) and folk dance-like skipping, hopping and heel-clicking jumps.

Khalil Klouche

Monolith
A mysterious object reacts to your presence and touch, turning its surface into a space in which you travel/fall. Made with Arduino, Processing and the CapSense library.

Liu Wa

2020 Got Me Like
As COVID-19 speeds around the world and continues to shut down more cities, people begin to consume Internet culture in order to escape the apocalyptic anxiety in 2020, allowing Internet memes to go viral across the globe. Built upon social media, this work merges everyday sentiments with classical movie scenes to deconstruct the common imagination of “apocalypse” in entertainment industry. The video also incorporates the artist’s footage during protests, turning memes into public commentary and political satire. In this eventful year, meme does more than hijacking and decontextualizing meanings, it has become a form of silent revolt against the absurd.

Steven Gawoski

Trench Denizens in Blue

The function of my art, visually, is to reconstitute subjects presented through scientific research, (via electron micrography, deep sea photography, or deep space imagery) into idealized forms. This method is perhaps more akin to an 18th century naturalist’s catalogue of documented specimens from far off lands, returning to be deciphered and judged under the reigning doctrines of the day.

Jon & Vangelis

Horizon
In amongst the rings of confusion
Silencing the thought powers one by one
It seems all so incredible
Our own ability to confuse – to sacrifice
To enlighten like a shakespearian play
We foolish and happily hold on to sanity
While all around the pushing feelings
The twisting and turning of our hearts
Displaying an almost indefinable strength
Of purpose – a reason a reason a reason
Where no reasons seems to exist
Yet, as in a vision, a voice transcending
All our imagination, jewel of life
Guiding light heralding a joyous new dawn
Clear and gifted time
Divine nature – super nature
The supreme gift of knowledge and space
In this cacophony of life
Peace will come

Matt Kenyon

Мэтт Кеньон
مات كينيون
매트 케년
マット・ケニヨン
Supermajor

In Supermajor, a rack of vintage oil cans sits innocuously on the gallery floor. A punctured can, located somewhere mid-stack, has sprung a leak. The oil flows out in a steady trickle, cascading onto the pedestal below; a golden-brown pool forms at its base. Upon closer inspection, however, the oil is not originating from the can. Instead, its stream is reversed. Drop-by-drop the oil flows upwards, defying gravity. At times, droplets even appear to hover in mid-air. Returning to its source, the upward ascent of oil continues uninterrupted as if neither the can’s reserves of the nor the puddle’s can ever be depleted.
FILE FESTIVAL

Juliana Mori & Matteo Sisti Sette

timeLandscape woolrhythms

“timeLandscape – wool rhythms” 2010. Part of timeLandscape series, 2009 – 2010. Video, audio, projector, speakers, custom patch (PD-Gem), sensor, wool engine. Variable dimensions and duration, loop. “timeLandscape – woolrhythms” is an interactive audiovisual installation in which a landscape is depicted from its multiple time possibilities and [re]composed through users’ real time interaction. The installation was developed in Biella, Italy, an area economically attached to textile industry, and deals with the cyclical perception of time and human, linear, interference on it. It gathers nature and artefact, by connecting a physical wool engine to digital imagery of daily cycles. By turning the wheel crank, users generate movement starting the engine. Through a sensor attached to the machine, software calculates the rotation speed, altering parameters for mixing audio and video fragments in real time. Every turn of the machine leads to different time thread combinations in response to the rhythm and speed of each interactor.

FILE FESTIVAL

RENE LALOUX

Рене Лалу
Moebius
Time Masters

Time Masters (Les Maitres du Temps) is a dazzling animated space epic from the director of the cult classic “Fantastic Planet” and the celebrated graphic artist Moebius, best known for his work on Heavy Metal magazine. Jaffar, a hero for hire, finds himself on the adventure of a lifetime as he races across the galaxy to save a young boy from a menacing evil. Can he stop the heartless Masters of Time from turning back the clock and stealing his home planet?

George Balanchine

The Nutcracker
Waltz of the Flowers
New York City Ballet

“You don’t think of choreographers as mathematicians — yet group dances involve arithmetic and geometry. Nobody mastered those aspects of the art more brilliantly than George Balanchine.
See what he does with the “Waltz of the Flowers” in “The Nutcracker,” as in this short detail:As it begins, 14 women, arrayed in four rows, face front. The two demi-soloists start: They dance from our right to left, with two turning jumps at the end of the phrase. Then a row of four women behind them take up the same phrase — but now the first two women repeat the phrase in the opposite direction, from left to right.It’s like seeing screens sliding in opposite directions. Then the next row takes it up; then the next; suspense and excitement build. It’s an accumulating canon — not spread out across the stage but at close quarters”. Alastair Macaulay

VIVIANE SASSEN

Вивиан Сассен
ויויאן סאסן
ヴィヴィアンサッセン
维维安·萨森

A native of the Netherlands, Viviane Sassen spent three of her formative childhood years in Kenya, returning frequently during her teen years and beyond. Sassen’s recent work explores her relationship to Africa and to the world of dreams and waking. As a fashion photographer she has worked for clients like Surface2air (Paris), Louis Vuitton and Adidas, though her fine art photography has recently been winning acclaim worldwide. Her work is both beautiful and unsettling, a feast of color and composition.

isabel nolan

Turning Point
Isabel Nolan’s artwork utilizes textiles, steel rods, and primary colored paint to approach questions of anxiety, current events, and the human condition. Her work has a particularly erudite quality, with materials teased and propped to mimic symbolism and images in literature, historical texts, science, and art. Nolan’s work has been exhibited throughout her native Ireland and wider Europe, including at the Irish Museum of Modern Art and the Musée d’art modern de Saint Etienne. With her first solo exhibition in the United States fast approaching, artnet News caught up with the scholarly artist to hear about her early diagrams of brains and ideas she is currently entertaining for her next body of work.

HE XIANGYU

Crossed Beliefs
He Xiangyu is a conceptualist with a clear vision of the world as a philosophical playground. The critical language employed in his artworks quotes from global consumerism, Americanism and militarism, emphasizing the power of infinitesimal change. He uses the shape of a leaf to describe creative process: Starting at the stem it branches out in many directions before returning to a thin tip in the end.

David McCracken

데이비드 맥 크라켄
ديفيد مكراكين
דוד מק’ראקן
デビッド・マクラッケン
Дэвид Мак-Кракен

Walking to the Mainland
David McCracken began sculpting in his teens, mostly figurative work carved in wood. Returning to Auckland in his early twenties he worked in a variety of jobs including boat building and construction and gained skills using fibre and later steel fabrication and welding. He became involved in performing arts and in a short time was working full time in the production of sets and props.

Vroegop and Schoonveld

turning the light around
Matty Vroegop and Ed Schoonveld is a Dutch artists-duo (project tutors art & design).

olivia locher

how to wear heels
How To’s particular brand of satire relies on the restraint and subtly of Locher’s wit. This isn’t a photo series about tragic errors made by buffoons but about tiny miscalculations that result in everything rituals turning out only marginally awry. more

Dani Olivier

Corps célestes
The parisian photographer Dani Olivier uses the human body as a canvas, creating geometric, kaleidoscopic patterns and projecting them onto skin, the resulting portraits turning their corporeal subjects into trippy, futuristic landscapes.

LUDWIG ZELLER

CubeBrowser

CubeBrowser is a six display cube with digital screens that connects to online databases like Flickr.com. The owner is able to move through thousands of image-sets by turning and shaking the small cube in space. The pictures, which are streamed onto the cube from the internet, are grouped by tags. Horizontal turns change images, while vertical turns change to other tags and therefore associations. This creates a situationism-like “derive” in a collaboratively created archival architecture in your hands. What lies next to the mountains, what is next to the sky? CubeBrowser unfolds an awe-inspiring trip through the hidden realms of online databases. Originally, this project has been started with the help of Andreas Muxel and Charlotte Krauß.

HERMAN MAAT

Paranoid Panopticum

The viewer activates the «Paranoid Panopticum» by entering its small corridor between two «walls». Recorded through the mirrored wall by a video camera, the viewer’s image is projected onto the opposite wall, where it becomes part of a story freely adapted by Alfred Kreijemborg in his play titled «An Echo Play» (1923), based on the Greek myth of Narcissus. Instead of returning the affections of the nymph Echo, the protagonist falls in love with his own reflection. Like with the image of Narcissus on the water, the viewer’s own reflection appears now – and the viewer observes only himself. The Panopticum, the terminus of a circulatory prison complex, is controlled from a watchtower not visible for the prison inmates. Having consciousness controlled here causes in effect the self-control among the prisoners. The paradox in this experience – control and society’s surrendering to its own mechanisms – forms the basis of Maat’s installation. Whether as the observer or observed, the viewer is consistently extradited to the panoptic omnipresence of his own all-pervading reflection.

ALLORA & CALZADILLA

АЛЛОРА И КАЛЬСАДИЛЬЯ
Returning A Sound

ANISH KAPOOR

阿尼什•卡普尔
アニッシュ·カプーア
Аниш Капур
Turning the World Upside Down

PETER COFFIN

פיטר קופין
ピーター·コフィン
spiral staircase

Coffin’s Untitled (Spiral Staircase) takes the idea of a simple architectural fitting to an absurd extreme. Reminiscent of Escher’s Infinite Staircase, Coffin’s winding steps are moulded into a circle, inexhaustibly twisting in impossible logic made real. By remodeling the steps, Coffin strips the staircase of its function, turning a thing which is normally engaged with physicality into a dizzying conceptual game. Through his humorous constructions, Coffin bridges art history and everyday experience, subverting the preconceptions of both.

ANISH KAPOOR

阿尼什•卡普尔
アニッシュ·カプーア
Аниш Капур
turning the world upside down

ANISH KAPOOR

阿尼什•卡普尔
アニッシュ·カプーア
Аниш Капур
Turning the World Upside Down