OLIVIER GROSSETÊTE

Ponte do macaco
Este projeto é a continuação da ponte suspensa. Um formato externo, planejado para o jardim japonês Tatton Park para a bienal de mesmo nome. Esta ponte de corda sairá da água e formará um arco pela tração dos grandes balões de hélio.

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monkey bridge

This project is the continuation of the suspension bridge. An outdoor format, planned for the Japanese Tatton Park garden for the biennial of the same name. This rope bridge will come out of the water and form an arc by the pull of the large helium balloons.

 

Wayne Mcgregor

Torus
Directed by British fashion photographer Nick Knight of SHOWStudio, Torus is a film on human connection and loneliness featuring choreography by Wayne McGregor and styling by Norwegian designer Fredik Tjærandsen. Performed by Company Wayne McGregor, Torus shows dancers wearing inflatable balloons designed by Tjærandsen, orbiting in darkness as isolated entities, occasionally lit as they transition through a temporal universe, a mirror to the life that many are only passing through, barely connecting.

DAIRAKUDAKAN

大駱駝艦
THE GOLDENS

Fundada en 1972 como una de las primeras compañías de danza Butoh, Dairakudakan es formado por Akaji Maro, basado en los principios “Tempu-Tenshiki” (‘nacer en el mundo es ya de por si tener un gran talento’), creado por Maro, y “Miburi-Teburi” (‘uso de las manos y el cuerpo’). Esta agrupación aparece en la escena internacional en 1982 con el estreno mundial de “Kaiin no Uma ” (El Caballo del Marinero) en Avignon, Francia. Desde entonces la palabra “butoh” ha tenido un gran impacto en otras formas de danza contemporánea.

LOIE FULLER

Danse Serpentine

La Serpentine è un’evoluzione della gonna dance, una forma di danza burlesque arrivata da poco negli Stati Uniti dall’Inghilterra. La danza della gonna era di per sé una reazione contro le forme “accademiche” di balletto, incorporando versioni addomesticate di danze popolari e popolari come il can-can. La nuova danza è stata originata da Loïe Fuller, che ha fornito diversi resoconti di come l’ha sviluppata. Secondo il suo racconto, che è ampiamente riportato, non avendo mai ballato professionalmente prima, ha scoperto accidentalmente gli effetti della luce del palcoscenico proiettata da diverse angolazioni sul tessuto di garza di un costume che aveva frettolosamente assemblato per la sua performance nella commedia Quack MD, e spontaneamente ha sviluppato la nuova forma in risposta alla reazione entusiasta del pubblico nel vedere il modo in cui la sua gonna appariva alle luci. Durante il ballo ha tenuto la sua lunga gonna tra le mani e l’ha agitata, rivelando la sua forma all’interno. Nelle parole dello storico della danza Jack Anderson, “Il costume per la sua Serpentine Dance consisteva in centinaia di metri di seta cinese che lei lasciava fluttuare intorno a lei mentre gli effetti di luce suggerivano che stesse prendendo fuoco e assumendo forme che ricordavano fiori, nuvole, uccelli ., e farfalle. “

TADAO CERN

Palloncini Neri
L’artista e fotografo lituano Tadao Cern ha creato un’installazione suggestiva, composta da più di 400 palloncini, disposti rigorosamente e geometricamente in molte linee. Intitolata ‘Black Balloons’, questa particolare composizione nasce dalla curiosità e dall’esperienza di Tadao Cern nel ‘collegare due palloncini’ e nel realizzare una nuova composizione uno per uno, che ha dato all’artista un processo creativo come un ‘gioco d’infanzia’ e poi si è trasformato in un esperienziale processo di creazione di un nuovo tipo di arte.

James Bridle

The Right to Flight

A Londres, l’installation aérienne «The Right to Flight» de l’artiste britannique James Bridle explore la notion de surveillance depuis les airs et revient sur les utopies dévoyées des premiers aérostats.
Dans le ciel limpide de Londres flotte depuis le mois de juin un étrange ballon noir. Localisé dans le quartier populaire de Peckham, dans le sud de la ville, il est arrimé au niveau supérieur d’un parking désaffecté, vaisseau brutaliste dont les deux derniers étages hébergent depuis huit ans Bold Tendencies, un projet artistique estival, ainsi qu’un bar de plein air très couru avec une vue stupéfiante sur la skyline londonienne.Connu pour ses projets sur les drones ou son blog de recherche The New Aesthetic, James Bridle, né en 1980, a aussi posé sur le toit du parking une station de recherche expérimentale explorant l’histoire des aérostats, via des ateliers, des conférences et projections. Constituée de trois modules circulaires, fabriqués à partir de silos de grains lestés par des sacs de sable, l’architecture évoque tout à la fois les hangars des compagnies aériennes et la maison en kit Dymaxion de Buckminster Füller

 

SATOSHI MINAKAWA

Gänseblümchenballon
“Gänseblümchenballon” ist ein Projekt der japanischen Künstler Rie Hosokai und Takashi Kawada, das vom Fotografen Satoshi Minakawa verewigt wurde.

Schweigman & en Cocky Eek

Spectrum
How intensely can you experience colour? Colour as a phenomenon which you don’t just see, but which totally absorbs… Spectrum is a spatial installation that makes colour tactile and tangible.
Fall backwards into a black hole and reawaken in an infinite spectrum. An immersive experience which will give you a whole new perspective on the coloured cycles of our everyday light. Following Blaas and Curve, Spectrum completes a triptych centred on white space, each piece created with spatial designer Cocky Eek in collabaration with Schweigman&. In Blaas you crawl through an inflatable balloon; in Curve you enter an endlessly spiralling tunnel. Spectrum starts by asking: how can we make the colour physically tangible?

White Void

Electric Moon
The large-scale art piece is a new color version of Christopher Bauder’s first large-scale installations, this time specially constructed for the imposing church environment — a setting where an interplay of light and space has been a foundational experience for centuries. For ELECTRIC MOONS, WHITEvoid uses products and technical expertise of Kinetic Lights, featuring and a new RGB version of Kinetic Lights’ helium light Balloon and a modular system made of 36 ground-based Kinetic Lights Winch XS perfectly suited for architectural spaces that require specially tailored schemes such as St. Maria Church.

Jonas Pequeno

Foley
Huxley-Parlour gallery presents a solo exhibition of new audiovisual and installation works by the London-based artist Jonas Pequeno. Comprising of three works, a kinetic sound installation Foley, a CGI video Ocean Scene Composite and a photographing print, and the act of appearing, the exhibition considers incongruity in digital fictional constructs. The title of the exhibition, /ˈfəʊli/, is a phonetic transcription of the word foley, a film-making technique used to manually mimic everyday sound effects in post-production when props do not acoustically match their real life counterparts. Influenced by the concept of foley, Pequeno’s work features an audiovisual installation that incorporates microphones and balloons swayed by a fan, replicating the sound of crashing ocean waves.

natalie walsh

Fiber Optic Dress

La créatrice Natalia Walsh, de San Francisco, a transformé les concepts de mode et a créé une robe innovante qui brille dans le noir.
Pour élaborer la pièce, l’artiste a réalisé un modèle basique blanc avec une jupe  ballon et un support pour les poignées des sources lumineuses. Ensuite, elle a inséré les fils de fibre optique autour du corps de la robe, les laissant vers le sol pour créer un effet dynamique.Pendant que le modèle bouge et marche, les fibres optiques changent de couleurs différentes.

Latifa Neyazi

Graduate Fashion Week 2018

“One of the boldest statement pieces of the week, even more so than the fluorescent collections! Neyazi’s huge puffy fat suit resembling garment was incredibly unusual. The ballooning dress took on a very unique silhouette.The models were send down the runway wearing headpieces which matched the round bunched bottom shaped dress. The brown, beige and burnt orange colour pallet evoked a bonfire and the huge blown up dresses adhere to a fire form.” Chloe Alexandra Lawrence

CHRISTO

Христо
big air package
Big Air Package is the largest indoor sculpture in the world. It measures 90 meters in height and 50 meters in diameter. Visitors can enter the inner space of the balloon through airlocks. Inside, Big Air Package reminds of a cathedral that is filled with a diffuse light. Big Air Package is the first project realized without Christo’s late wife and artistic partner Jeanne-Claude.

Tomas Saraceno

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
Aerocene

In the desert of New Mexico, artist Tomás Saraceno realized the very first human flight in a zero carbon solar-powered hot air balloon, propelled by Studio Tomás Saraceno and curated by Rob La Frenais. For three hours without touching the ground, the balloon rose into the air without the usual burner, its black fabric heated by the sun and the infrared rays reflected by the white dunes.
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Bart Hess

바트 헤스
巴特·赫斯
בארט הס
БАРТА ХЕССА
Heart to Mouth
Sheath your arrows: the voluptuous red heart, international symbol of love, is reimagined in this a visceral new short by genre-defying Dutch artist Bart Hess. With echoes of high-tech fetish fashion and Jeff Koons’ contemporary pop art classic “Hanging Heart,” Hess’ latest video stages a Sapphic encounter from within crimson latex balloons.

David Colombini

Attachment
This poetic machine prints your message and a code on a sheet A6, slips it into a biopolymer cylinder attached to a balloon, which is finally released into the air. Then, the balloon will travel haphazardly to a potential recipient.
Where did the idea come from? The basic idea was to take a stand against the current use of «smart» technologies by creating a poetic concept, using current technology that allows us to communicate differently and rediscover expectation, the random, and the unexpected.
For the record, I have always been attracted by what is in the air and remember having won a balloon release contest when I was about ten years old. My balloon flew from Switzerland to Austria, this definitely left an impression on me and perhaps influenced the idea of this project.

JULIUS VON BISMARCK

top shot helmet
The Top Shot Helmet alters one’s spatial perception. Wearers see themselves from above and must guide their movements and orient themselves from this perspective. The device consists of a round helmet, above which floats a helium balloon attached to the helmet with strings. The balloon carries a small video camera operated by radio signal, which points downward with a wide-angle lens. The view captured by the camera is projected onto a pair of video glasses in the helmet. Wearers of the helmet can only see the image produced by these glasses and must use this to make their way through a given space. By moving the head, the person wearing the helmet can turn and tilt the balloon and camera. A handle on the helmet makes it possible to adjust the height of the balloon and thereby adjust one’s field of vision.

Ronald van der Meijs

A Time Capsule of Life
FILE FESTIVAL
The sculpture is created from plastic bags, a contemporary mode of collecting daily goods. When connected together they form a transparent structure of cells and conduits. By connecting the bags with air tubes the bags will be pumped up. This is put in motion by the movement of the audience who become part of the system, allowing the seed to grow out as a mature structure. By vacuum the balloon structure growth and decay alternate in a process of which man forms a natural part. When the sculpture is growing or reducing it causes a cracking sound because of the sort of plastic the shopping bags are made of.

JUNYA ISHIGAMI

준야 이시가미
Cuboid Balloon

Quando olhamos para a obra Cuboid Balloon, do artista Junya Ishigami, a primeira coisa que passa pela cabeça é imaginar como uma estrutura pode parecer tão imensamente pesada e, ao mesmo tempo, parecer flutuar? Trata-se de um pensamento absurdo, mas é impossível não refletir sobre esta dualidade. O cubo gigantesco de fato está lá, flutuando, no átrio do Museu de Arte Contemporânea de Tóquio. E o mais incrível é que o balão de alumínio, que pesa uma tonelada, é capaz de pairar no ar por causa de 1.000 m³ de um outro elemento muito simples, o gás hélio.

LAURA LYNN JANSEN AND THOMAS VAILLY

Inner Fashion
Inner Fashion questions the codes, rules and production technic of fashion. The human body is seen as a fluid, inflatable and mobile structure in which the tension of fabric remplace muscles. Each piece of cloth are made of 2 layers: an inner layer, XXS, highly strechable and an outer layer, XL and none strechable. Both layer are dressed on a zeppelin shaped balloon representing the human body. As the balloon fills up with air, the fabric of the inner layer stretches out and both fabric are touching each other.